Théâtre Généreux Que L’On Aimerait Voir Plus Souvent

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Théâtre Généreux Que L’On Aimerait Voir Plus Souvent DU 14 AU 20 AVRIL 2004 • TOUS LES MERCREDIS GRATUIT N°93 Edito 2 n dit, ces temps-ci, qu’il y aurait une vraie guerre en Irak. thétique autorité « représentative », de passer à la vitesse supérieure. En interdisant la pa- Bien sûr la guerre « propre » du début n’est pas allée sans son rution du quotidien Al Hawza, porte-voix du leader chiite intégriste Moktada al-Sadr, jour- lot de cadavres carbonisés et de civils goûtant aux joies de la nal certes très virulent mais aussi peu lu que suivi par la population, nos fins stratèges ont collatéralité, mais bon, les images étaient rares, et puis comme mis le feu à un baril de poudre jusque-là relativement sous contrôle. On appréciera la pres- dans tout bon western, une cinquantaine de Comanches sur tation. le carreau, ça reste toujours moins émouvant Il est toujours émouvant de se trouver face à face avec la connerie à l’état brut, que l’agonie d’un seul Gary Cooper. impériale et sûre d’elle, marmoréenne, triomphante, dressée vers le ciel L’anniversaire du génocide rwan- tel le phallus à Shiva ! Combien de dégâts en perspective avant dais nous offre d’ailleurs en la matière une criante illus- les élections de novembre et une éventuelle alternance à la tration (1) de cette disparité face à la compassion, les Maison blanche ? Rassurons-nous, le patron du ranch Onoirs semblant encore plus mal lotis que les Peaux- au W nous le garantit : « L’Irak c’est pas le Vietnam, Rouges : si 50 Indiens valent bien un blanc, y’a pas de Niakwés. » Respect. comptez au moins le double pour les noirs. Grâce soit donc rendue à Mel et Georges : ja- Le problème, c’est que Gary, en ce mo- mais les cloches pascales n’auront résonné ment, il s’en prend un peu plein la autant à l’unisson sur la planète. Jamais gueule ! Et même si à côté de Jim Ca- IX Pâques n’aura autant uni les hommes veziel sur sa croix, les boys de Fal- RO dans une espérance commune. Du louja font presque office de plan- C Nord au Sud, d’Est en Ouest, du plus qués, globalement, il ne fait pas La humble au plus puissant, à chacun bon être Ricain par les temps qui LA BANNIÈRE sa croix sous la bannière étoilée. courent. Il faut dire aussi que les Aucun doute, l’heure de la ré- « gendarmes du monde » por- surrection est proche. tent le képi particulièrement bas ces temps-ci. Fins ana- LC lystes et subtils connaisseurs des particularités irakiennes, (1) Dure période pour Renaud les géopoliticiens d’élite de Muselier : après le vol plané l’administration Bush déci- des Régionales, le traquenard dent, à deux mois et demi rwandais ! d’une hasardeuse rétroces- sion du pouvoir à une hypo- Sommaire Culture, etc. p.3/4 p.6/7 TOURS DE SCÈNES Cinéma Le label Jarring Effects au Cabaret Aléatoire LE CONVOYEUR de Nicolas Boukhrief I Monster au Poste à Galène Bonnes chères ! par la Cie Kartoffeln au Lenche THE BROWN BUNNY de Vincent Gallo COFFEE AND CIGARETTES de Jim Jarmusch (RE)TOURS DE SCÈNES WILD SIDE de Sébastien Lifshitz Atteintes à sa vie de Martin Crimp à Montévidéo L'AGENDA Night Stand par Steve Paxton & Lisa Nelson à la Friche p. 8/10 C’EST ARRIVÉ PRÈS DE CHEZ VOUS 5 Concerts à la Une Le Comptoir Dans les parages Tapage nocturne p.11 p.5 Petites Annonces Expos GALETTES OUPS ! D’INGRID MOURREAU à Tohu-Bohu FOND D’ŒIL D’OLIVIER LEROI à RLBQ Les informations pour l’agenda BONn e ment doivent nous parvenir au plus ! tard le lundi midi Renvoyez ce bulletin, ainsi que votre règlement par chèque à l’ordre de : ASS FRIGO, 27 BD NOTRE DAME 13006 MARSEILLE. D M F AUCHÉ E Voulez-vous AOTIVÉ RÉELLEMENT L UXE recevoir le journal ou juste donner DES SOUS 3 1 6 ? Ventilo, hebdo gratuit NOM PRÉNOM AN MOIS MOIS RÉELLEMENT culturel et citoyen. DES SOUS (23 (12 (46 STRUCTURE ? ADRESSE www.ventilo.fr.fm NUMEROS NUMEROS NUMEROS Editeur : Association Frigo VILLE CODE POSTAL 27, bd Notre Dame ) = ) = ) = TEL MAIL 13006 Marseille 46 26 85 @ € € Tél. : 06 08 15 80 14 € Fax : 04 91 04 67 93 Commercial : [email protected] Rédaction : [email protected] Directeur de la publication Laurent Centofanti 04 91 53 90 77 • Rédaction et agenda Cynthia Cucchi, Stéphanie Charpentier, PLX 04 91 04 67 33 • Ont collaboré à ce numéro Patrice Contin, David Defendi, Eva Desroches, Pedro Morais, Pierre Morissey • Graphisme & maquette ian • Couverture ian • Illustration p11 Fathy• Communication-diffusion Aurore Simonpoli 04 91 04 65 72 • Chef de publicité Gauthier Aurange • Responsable technique, webmaster Damien Bœuf • Impression et flashage Panorama offset, 169, chemin de Gibbes, 13014 Marseille • Dépôt légal : 21 mars 2003 ISSN-1632-708-X 3 Culture TOURS DE SCENES A l’occasion des cinq ans du label et des dix ans de l'asso- Décollage collectif ciation, les Lyonnais de Jarring Effects passent cette semaine par la Friche. Portrait de cette structure atypique, symbole ls ont monté leur projet de toutes pièces sans faire appel aux institutionnels, fait découvrir un son, érigé des chapiteaux en Bosnie, animé des forums de discussions, d'une nouvelle émancipation sociale... créé un festival (Riddim Collision) et un fanzine (Nuke (1)), participé à des manifs… Mais que se passe-t-il dans la tête de ces êtres qui auraient pu travailler écouté un seul morceau... Mais de ce coup de génie commercial, suivi à la chaîne comme tout le monde ? Première tentative de réponse : le d’une motivation sans bornes, un principe en béton armé vient der- Isouhait de nous apporter un peu d’air, celui du quartier de la Croix-Rousse à rière : arrêter tout projet dès que l’argent prend le pas sur la dimen- Lyon, terrain d'expérimentations solidaires. En Indiens dans leurs villes, Rico sion créative... La situation du label aujourd’hui ? Deux groupes (devi- et Cécile fondent l’association Jarrings Effects en 1993, partant d’un postu- nez lesquels…) qui permettent aux huit autres de tenir la barre. Mais sa lat citoyen et surtout d’un constat : pour ceux qui sortent des sentiers bat- véritable ligne de conduite émane d’une vision, celle de l’esprit hu- tus, le temps présent est placé sous le signe de l'oppression. Une révolution, main qui règne en maître absolu : « Tout le label est derrière les groupes parfois implicite, se met alors en place : « Il s’agit surtout de faire des choses et inversement : c’est la base. » Loin de se marcher sur les pieds, la sym- pour que ça bouge, d’arrêter de bloquer sur des acquis pas très classe. Et si biose s’opère entre les différents acteurs de cette « Dub Connection », au passage on peut foutre le bordel… » nous confie Aude, membre de l’équi- musiciens, vidéastes et activistes au quotidien. Aujourd’hui, tous doi- pée lyonnaise. Bref : d’un côté, un esprit revendicatif qui trouve d’abord vent faire face à cet engouement qui pourrait, sans que l’on se mouille son lieu d’expression dans un appartement, de l’autre, des rencontres à tra- trop, devenir pesant quant à leur mode d’expression : « Aujourd’hui, vers la musique tout autour de l’hexagone. Le son du label, c’est par là que on constate quand même que l’asso est aussi rôdée que les groupes. »Dans tout commence pour le novice : la plupart le connaissent par rapport à cette ce sens, les membres de Jarring FX ne projettent rien : ils ont juste identité. Et leur identité sonore, autant parler de résonance, c’est d’abord changé de locaux, un espace vital nécessaire à l’évolution de leurs pro- High Tone, des autochtones qui décident de monter un local de répétition. jets. Cette semaine, les inconditionnels (comme les novices) pourront Rien de bien extraordinaire dans la démarche, mais un savoir-faire qui les se faire une petite idée, à la Friche, avec l’étrange Monsieur Orange et conduira à émerger rapidement sur la scène dub nationale. Puis Ezekiel, le délire de L’Œuf Raide. Quant à ceux qui voudraient découvrir de plus adeptes de l’anti-référence musicale, de la masse sonore, de la distorsion tra- près cette étonnante aventure humaine, on ne saurait trop leur conseiller vaillée, du rythme chaloupé… inclassable. Au final, alternant entre le soft (Su- le visionnage d’un DVD plutôt instructif (2) : la scène dub française recèle perstoned), le speed (La Phaze, Interlope) ou le barré ( l’Œuf Raide), inté- L’Œuf Raide encore bien des mystères… grant la vidéo, le photomontage et le morphing, violant les règles de la PATRICE CONTIN bienséance, Jarring FX (pour les intimes) réussit le pari de faire venir les ré- fractaires non dreadlockés à leurs concerts… Bien sûr, à un moment, la machine salariale fi- Soirée Jarring Effects, le 15 au Cabaret Aléatoire de la Friche, dès 19h, entrée libre. Avec Monsieur Orange, L’Œuf Raide nit par entrer en jeu. Exemple : High Tone a des morceaux, mais pas de distributeur. Rico réus- et installations multimédia. Rens. 04 95 04 95 04 (1) le nom renvoie au bouton rouge déclenchant la bombe atomique sit un coup de bluff hallucinant en convaincant les Belges de Pias de signer le groupe sans avoir (2) Burn Babylon Burn (Jarring Effects/Pias) synthés vintage et autres vocoders, qui avaient fait de l’électro-pop éthérée leur credo. Non, décidément, les deux hurluberlus d’I Monster méritaient mieux que ça. Comme l’indiquaient leur passion commune pour le vol La de vinyles à l’étalage (sic), leur patronyme tiré d’un vieux film d’horreur britannique, la « monstrueuse » pochette de leur premier album (3) ou les interludes kitsch qui le monstrueuse ponctuaient, nos gars possédaient un truc en plus : un sens de l’humour particulier, « so british », tout en nuances et nonsense.
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