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Ashworth, Pat. “Where Their Art Is Housed.” The Church Times,July 15, 2015. www.churchtimes.co.uk/articles/2015/17-july/features/features/ where-their-art-is-housed. Atkinson, Judy. Trauma Trails, Recreating Song Lines. Melbourne, VIC: Spinifex Press, 2002. Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature. Princeton, NJ: Princeton University Press, 2003. Austin, James E. “Strategic Collaboration Between Nonprofits and Businesses.” Nonprofit and Voluntary Sector Quarterly 29: 1 (2000): 69–97. Australian Broadcasting Corporation (ABC). “The Philosopher and the Film- maker: Wim Wenders and Mary Zournazi Talk About War, Peace and Filmmak- ing.” December 15, 2013. http://www.abc.net.au/radionational/programs/ philosopherszone/the-philosopher-and-the-filmmaker/5143988. Ayindo, Babu. “Arts Approaches to Peace: Playing Our Way to Transcendence?” In Peacebuilding in Traumatized Societies, edited by Barry Hart, 185–203. 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London, UK and New York, NY: Zed Books Ltd., 1996. BaruchBush,RobertA.andJosephP.Folger.The Promise of Mediation: The Trans- formative Approach to Conflict. San Francisco, CA: Jossey-Bass, 1994. Baudrillard, Jean. Simulation and Simulacra. Ann Arbor, MI: University of Michi- gan Press, 1994. BBC News. “Bloody Sunday: Key Soldiers Involved.” BBC, June 15, 2010. http:// www.bbc.co.uk/news/10322583. BBC News. “Derry Teenager Manus Deery ‘Totally Innocent’, Says Coroner.” BBC, April 10, 2017. http://www.bbc.co.uk/news/uk-northern-ireland- foyle-west-39551974. BBC Northern Ireland. “NI Talks Issues Explained: Flags, Parades, the Past and Welfare Reform.” BBC, December 12, 2014. http://www.bbc.co.uk/news/ uk-northern-ireland-25429676. BBC Radio 4. Käthe Kollwitz: Suffering Witness,PartofaSeriesGermany: Memories of a Nation, October 29, 2014. Beckles Willson, Rachel. “Whose Utopia? Perspectives on the West-Eastern Divan Orchestra.” Music and Politics 3: 2 (Summer 2009a): 1–21. 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Oxford, UK: Oxford University Press, 2011. 450 BIBLIOGRAPHY Bergh, Arild and John Slobada, “Music and Art in Conflict Transformation: A Review.” Music and Arts in Action 2: 2 (2010): 1–16. Biggar, Nigel. “Forgiving Enemies in Ireland.” Journal of Religious Ethics 36: 4 (2008): 559–579. Bingham, Hettie. Banksy: Art Breaks the Rules. London, UK: Wayland, 2016. Bleiker, Roland. Aesthetics and World Politics. Basingstoke, Hampshire and New York: Palgrave Macmillan, 2009. Bleiker, Roland, ed. Visual Global Politics. New York and London: Routledge, 2018. Bodek, Richard. Proletarian Performance in Weimar Berlin: Agitprop, Chorus, and Brecht. Columbia, SC: Camden House, 1997. Boal, Augusto. Theatre of the Oppressed. Translated by Charles A. McBride, Maria- Odilia Leal McBride, and Emily Fryer. London, UK: Pluto, 2000. Boland, R.J.J. and R.V. Tenkasi. “Perspective Making and Perspective Taking in Communities of Knowing.” Organization Science 6: 4 (1995): 350–372. Borden, Amy E. “At the Global Market: Ousmane Sembène’s Moolaadé and the Economics of Women’s Rights.” Jump Cut: A Review of Contempo- rary Media, No. 53, summer 2011. http://www.ejumpcut.org/archive/jc53. 2011/bordenMoolade/index.html. Borgwardt, Elizabeth. A New Deal for the World: America’s Vision for Human Rights. Cambridge, MA: The Belknap Press, 2005. Borthwick, Stuart. The Writing on the Wall: A Visual History of Northern Ireland’s Troubles. Liverpool, UK: Bluecoat Press, 2015. Bouvier, Paul. “’Yo Lo Vi.’ Goya Witnessing the Disasters of War: An Appeal to the Sentiments of Humanity.” International Review of the Red Cross 93: 884 (2011): 1107–1133. Bowman, Wayne. “The Ethical Significance of Music-Making.” Music Mark Mag- azine 3 (2014). www.musicmark.org.uk. Boyce-Tillman, June. Constructing Musical Healing: The Wounds That Sing. Lon- don, UK: Jessica Kingsley, 2000. 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