Ma¯Lamalama 1 Ma¯Lamalamathe LIGHT of KNOWLEDGE
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^M'-^Ki'm-r- --' •« >i^'?fi O^t LQG The Design for a School of Art 'mi The Depot District Lubbock, Texas Robyn Giuiro^a '^^mX'> m KfiB^i?»5!^ppii|M^|(!f|?s Fall 1999 I^^^S-"* • . .M by Robyn Qulroqa A Thesis Architecture Submitted to the Architecture faculty of the College of Architecture of Texas Tech University in Partial Fulfillment for The Degree of MASTERS OF ARCHITECTURE Jarfcesl White, Dean. College of Architecture December 1999 ii 5 2 a037cQ.L'J> /9 <^ r- •] ^r.^^ wt\' ~^Kitlft ii^ A^^m oj ii N (iW/!>«n#»ij%) 11 J IAB »? s; of IINSSI^ ' 04 THEORY 05 THEORY GOALS AND OBJECTIVES oe BACI^GROUND INFORMATION ON COLLAGE 24 THEORY ISSUES 25 THEORY ISSUE NUMBER ONE 26 THEORY ISSUE NUMBER TWO 27 THEORY ISSUE NUMBER THREE 26 THEORY CASE STUDIES 29 THEORY CASE STUDY NUMBER ONE: THE ANTHENEUM BY RICHARD MEIER THEORY CASE STUDY NUMBER TWO: ADDISON CONFERENCE AND THEATRE CENTRE 33 FACILITY TYPE 34 MISSION STATEMENT 35 ACTIVITY ANALYSIS 37 FACILITY PERFORMANCE REQUIREMENTS 40 SPATIAL ANALYSIS 56 SPATIAL SUMMARY 60 FACILITY TYPE CASE STUDIES 61 FACILITY TYPE CASE STUDY NUMBER ONE: CENTRE FOR THE VISUAL ARTS BY FRANK GEHRY 67) FAr:il ITY TYPE CASE STUDY NUMBER TWO: ART SCHOOL BY KUOVO & PARTANEN ARCHITECTS 111 OS i|Nii9D^ DESIGN PROCESS SCHEMATIC REVIEW DESIGN DEVELOPMENT COHCEFTONE CONCEPT TWO COHCEFTTHREE DESIGN RESPONSE RESPONSE TO THEORY ISSUES RESPONSE TO FACILITY TYPE PERFORMANCE REQUIREMENTS RESPONSE TO CONTEXT ISSUES IV -"" IABIH OJ ilNiSSiip 102 DOCUMENTATION 103 Overall Presentation Layout 104 Courtyard Level Plan if: 105 First Floor Plan 106 East and North Elevations 107 West and South Elevations 106 Transverse and Longitudinal Sections 109 Structural Axon 110 Site Plan and Mechanical Flans 111 Interior Perspective 112 Exterior Perspective 113 Mode! Photos 114 Conclusion 115 LIST OF ILLUTRATIONS 125 BIBLIOGRAPHY l£s iHaAgT 'AK I£s fiQABT The theory of artistic collage as an architectural design tool will be used in the design process. -
Smb Fee Increase Proposal
SMB FEE INCREASE PROPOSAL FEBRUARY 27, 2019 (RES UBMITTED JANUARY 31, 2020) that there will be a single fee known as the Student Media Fee for the UHM campus. This will reflect the current state of student media whereby all student media programs are governed by the Student Media Board. 2. Approve the proposed fee increase for all fee-paying students at the University of Hawaiʻi at Mānoa, regardless of credit load, according to the proposed fee schedule in Appendix A. The combined fee for students will be $38 per student per semester (Fall and Spring semesters). RECOMMENDED EFFECTIVE DATE: Effective date of implementation will be Fall 2020. ADDITIONAL COST: The fee will increase AY2020 by $17 and AY2021 by $5. PURPOSE The purpose of this request is two fold: 1. Provide the Student Media Board with the necessary funding to sustain the University’s 98 year commitment to the student voice at the University of Hawaiʻi at Mānoa. Student media programs rely on mandatory student fees in order to deliver effective programs to students and the community. The fee funds five student media programs of which 140 students directly engage and benefit from them. 2. Streamline existing fee structure from two separate fees (BOP Fee and the BCA Fee) to a single fee that funds all student media programs that are under the purview of the Student Media Board. This will allow the Board increasing flexibility yet accountability over all of their programs. BACKGROUND In 1967, the University of Hawaiʻi Board of Regents (BOR) approved the charter for the Board of Publications (BOP) to be the governing authority of Ka Leo, the student-run newspaper since 1922; Hawaiʻi Review, the literary magazine which started in 1973; and Mānoa Now, the student media marketing and public relations unit that uses multiple digital and event platforms. -
The Art of Architecture
LEARNING TO LOOK AT ARCHITECTURE LOOK: Allow yourself to take the time to slow down and look carefully. OBSERVE: Observation is an active process, requiring both time and attention. It is here that the viewer begins to build up a mental catalogue of the building’s You spend time in buildings every day. But how often visual elements. do you really look at or think about their design, their details, and the spaces they create? What did the SEE: Looking is a physical act; seeing is a mental process of perception. Seeing involves recognizing or connecting the information the eyes take in architect want you to feel or think once inside the with your previous knowledge and experiences in order to create meaning. structure? Following the steps in TMA’s Art of Seeing Art™* process can help you explore architecture on DESCRIBE: Describing can help you to identify and organize your thoughts about what you have seen. It may be helpful to think of describing as taking a deeper level through close looking. a careful inventory. ANALYZE: Analysis uses the details you identified in your descriptions and LOOK INTERPRET applies reason to make meaning. Once details have been absorbed, you’re ready to analyze what you’re seeing through these four lenses: OBSERVE ANALYZE FORM SYMBOLS IDEAS MEANING SEE DESCRIBE INTERPRET: Interpretation, the final step in the Art of Seeing Art™ process, combines our descriptions and analysis with our previous knowledge and any information we have about the artist and the work—or in this case, * For more information on the Art of Seeing Art and visual literacy, the architect and the building. -
2015 West Coast Championships June 16-20 2015 by 19Turkeys
Volume 26 ~ Issue 6 ~ July 2015 Steve Parsons T/C: 300 Whisper 36 0 24 ML 2015 West Coast Championships Doug Hockinson T/C: 7 TC/U 23 0 15 June 16-20 2015 A T SO CO Notes Marvin Wahl T/C: 357 Mag. 8 0 5 By 19Turkeys U INT T SO CO Notes Russell Mowles XP-100: 7 BR 60 4 40 First and Foremost, a big thank you goes out to those folks that made this match possible. Bret Stuntebeck Rampro: 6.5 BR 60 3 40 Mike & Tyler Abel and Rick Redd worked diligently on Sunday before the match getting the Joe Cullison XP-100: 7 BR 60 2 40 range ready. Mike (Boomer) Aber was ever faithful every day checking guns, and Paul Tyler Abel Rampro: 6 BR 60 1 40 Hoadley was Super Welder keeping us in targets. And a special thanks goes out to Bret Stun- Dan Hagerty XP-100: 6.5 BR 59 0 39 tebeck for being the consummate brew master and fisherman and to Steve Parsons for cook- Russell Plakke T/C: 7 BR 59 0 39 ing the fish and all the shooters & significant others that contributed side dishes and desserts Mike Abel XP-100: 6.5 BR 59 0 39 for the Wednesday night fish fry. Richard Redd T/C: 6 BR 58 0 38 Jim Kesser T/C: 7 TC/U 58 0 38 Also, thanks to all our travelers from around the US, Canada and Australia because we just Steve Parsons XP-100R: 6 B 56 0 37 could not put this match on without the dedication you make coming and supporting us. -
40 Anni Di Memphis in Mostra Al Vitra Design Museum
https://living.corriere.it/tendenze/design/40-anni-di-memphis-in-mostra-al-vitra-design-museum/ 40 anni di Memphis in mostra al Vitra Design Museum Il museo tedesco celebra il gruppo fondato da Ettore Sottsass che ha rivoluzionato l'estetica Anni 80. E influenza ancora generazioni di creativi. Dal 6 febbraio 2021 al 23 gennaio 2022 Testo di Luca Trombetta – Foto Studio Azzurro / Memphis Che stagione formidabile quella del gruppo Memphis. In soli sette anni – dal 1980/81 al 1987, circa – rivoluzionò il modo di vedere e di pensare il design dei decenni successivi e ancora oggi il suo influsso si ritrova nelle collezioni di diversi designer in una sorta di revival Anni 80, tra citazioni nostalgiche e coraggiosi omaggi. Collettivo italiano di design e architettura radunatosi a Milano attorno alla figura magnetica di Ettore Sottsass, Memphis fu l’espressione più alta del movimento Postmoderno in Italia e, con la sua forza dirompente, si affrancò dagli stereotipi del funzionalismo che avevano caratterizzato il design nostrano fino agli Anni 70, ricorrendo a colori sgargianti, forme geometriche, pattern optical, nonché una rilettura ironica e intelligente del kitsch. A quarant’anni dalla sua fondazione, il Vitra Design Museum di Weil am Rhein celebra l’anniversario del gruppo con la mostra Memphis: 40 Years of Kitsch and Elegance curata da Mateo Kries e in calendario dal 6 febbraio 2021 al 23 gennaio 2022. Attraverso una selezione di arredi, lampade, oggetti, disegni, fotografie e materiali d’archivio racconta la portata di una rivoluzione estetica che celebrava il Pop, il banale e il quotidiano e rompeva i tabù del buon gusto e del minimalismo. -
University of Hawaii
UNIVERSITY OF HAWAII http://www.hawaii.edu Bachman Hall 2444 Dole Street Honolulu, HI 96822 BOARD OF REGENTS (12) http://www.hawaii.edu/offices/bor EXECUTIVE ADMINISTRATOR AND SECRETARY ........................KENDRA OISHI ..................................................................... 956-8213 FAX: 956-5156 [email protected] CHAIR/OAHU ......................................BENJAMIN ASA KUDO..................... (06-30-22) Vice Chair/Oahu .....................................Jan N. Sullivan ....................................... (06-30-21) Vice Chair/Hawaii ..................................Wayne Higaki ........................................ (06-30-21) Members: Hawaii .............................................Alapaki Nahale-a .................................... (06-30-23) Kauai ...............................................Robert Frank Westerman ....................... (06-30-22) Maui ................................................Eugene Bal III ........................................ (06-30-23) Ernest Wilson, Jr. ................................... (06-30-20) Oahu ................................................Simeon Acoba, Jr. .................................. (06-30-22) Michael T. McEnerney ........................... (06-30-20) Randolph G. Moore ................................ (06-30-23) Michelle Tagorda ................................... (06-30-21) Student.............................................Kelli K.K. Acopan.................................. (06-30-20) State Director for Career and Technical Education ........................Bernadette -
Letter Supporting the Designation of Philip Johnson and John Burgee's
H 20 November 2017 Ms. Meenakshi Srinivasan, Chair New York City Landmarks Preservation Commission Municipal Building 1 Centre Street, 9th Floor, North New York, NY 10007 [email protected] Re: Support for designation of Philip Johnson and John Burgee’s AT&T Building, 550 Madison, Avenue, New York, as an individual landmark Dear Ms. Srinivasan, The Society of Architectural Historians (SAH) expresses strong support for the prompt calendaring and designation of the AT&T Building as an individual and interior landmark by the New York City Landmarks Preservation Commission. The AT&T Building, designed by Philip Johnson and John Burgee, was constructed between 1978 and 1984 and is rightly recognized as a landmark of postmodern American architecture. When completed, it joined Michael Graves’ Portland Municipal Services Building in Portland Oregon (1980-82) as the most visible expressions of postmodern architecture in the United States. The building is significant not only for its iconic Chippendale-inspired pediment, but for the soaring seven- story lobby entered through a distinctive Palladian arch and arcade, which lobby is the subject of the proposed inappropriate alteration. This lobby is of particular significance; of 119 interior landmarks in New York, only eight were completed after 1950. Few publically accessible postmodern interiors survive, and this is undoubtedly one of the finest. We strongly urge the New York City Landmarks Preservation Commission to move expeditiously towards Landmarks Commission listing of the AT&T Building, including designation as both an individual and an interior landmark. We believe that Johnson and Burge’s design is of international significance, and the listing of both would insure the preservation of one of the most noteworthy postmodern buildings and interiors produced in the United States. -
Annual Report for 2014
ANNUAL REPORT Hawaii Public Radio FOR 2014 Radio with vision. Listen and see. page 1 TABLE OF CONTENTS ANNUAL REPORT FOR 2014 Letter from President & General Manager . page 3 Where to Listen to HPR . 3 Charts of Income and Expenses FY2014 . 3 By the Numbers . 3 Tradewinds Across Hawai‘i: Building a Statewide Service . 4 Aerodynamic: Managing Our Unique Business Model . 5 Lively Air: Programming Updates . 5 A Buzz in the Air: Saving Energy Costs with Wefficiency . 6 Airing Out: HPR’s Outreach Initiatives . 6 First-Class Folk: Our Members, Volunteers, and Workplace . 6 HPR-1 Program Guide . 8 HPR-2 Program Guide . 9 Mission Statement . 10 Board of Directors . 10 Staff, Program Hosts, and Content Contributors . 10 KAHU 91.7 Charter Members . 10 Program Underwriting and Corporate Support . 12 Foundations and Trusts . 13 HPR Legacy Society and Endowment Gifts . 13 Leadership Circle Giving . 13 Memorial Gifts and Gifts in Honor . 16 Sustaining Members . 16 Pledge Drive Thank You Gift and Food Donors, Volunteer Groups (2014) . 27 Law Firm Sponsors for “Say-a-Nice-Thing-About-a-Lawyer Day” . 28 Contact Information . 28 Hawaii Public Radio Radio with vision. Listen and see. ANNUAL REPORT FOR 2014 HPR-1 ALOHA! NEWS MAGAZINES AND FINE ARTS When looking for an adjective to describe Hawai‘i Public Radio, the one that scampers into my mind the quickest is “unlikely.” There’s a lot about HPR that’s unlikely, including the fact that it exists at all. KHPR 88.1 Two member-supported networks, spanning a sub-tropical island chain three thousand miles from the Honolulu (O‘ahu and Kaua‘i) next service station, providing high-quality radio for grown-ups 48 hours a day, more than a quarter of it homemade, operating largely out of a basement? K203EL 88.5 (serving parts of East O‘ahu) Unlikely. -
Postmodernism and the Theme Park James Marston Fitch
Preservation vs. Historicism: Postmodernism and the Theme Park James Marston Fitch In Selected Writings on Architecture, Preservation and the Built Environment […] It is a romantic proposition to insist that the historic building, once having been saved from the bulldozer, must be preserved in exactly the state in which it was received. It is quite true that any old building, like old artifacts generally, shows signs of all the blows of outrageous fortune to which it has been subjected. And this patina of use may be helpful in reconstructing the actual life-history of the artifact. But they have not necessarily enhanced its artistic integrity. Quite the contrary is too often the case, so that the intentions of the original artist and the client who commissioned the artifact are quite obscured by subsequent interventions in the corpus. This is clearer in a painting than in a building, since our relationship to the one is much simpler and more linear than to the second. In fact, one might say that anything that has happened to a painting since it was first made has altered its artistic integrity. Almost certainly, it will also have been diminished by environmental agents: the chemical action of sunlight, moisture, dust, candle smoke, polluted air; the soaps of cleaners and the waxes of restorers-not to mention well intentioned in-painting by subsequent artists to "improve" it. Thus the modem conservator of painting takes as his task the return of the historic painting as nearly as possible to its original condition. Using the best of modern science and technology, the art conservator undertakes that 1) nothing of the original fabric is to be removed; 2) nothing new is to be added which cannot be justified by rigorous archival and laboratory research which 3) cannot be subsequently removed without damage to the original fabric. -
University of Hawai'i at Mānoa
Handbook for Inbound Exchange Students University of Hawai‘i at Mānoa Mānoa International Exchange (MIX) E komo mai! Welcome to the University of Hawai‘i at Mānoa! The UHM Office of International and Exchange Programs is pleased to welcome you as an International Exchange Student to the University of Hawai‘i at Mānoa. While on exchange, you will not only increase your knowledge and skills in your field of study, but also participate in the unique multicultural environment which the UH Mānoa campus and the State of Hawai‘i offer. You will also represent your university and your home country to the Mānoa community. We want to take this opportunity to learn from you at the same time that you are learning from us. We welcome you and hope that your time at the University and in Hawai‘i will be a wonderful experience. The purpose of this Handbook is to help you with your transition to the University, to Honolulu, and to Hawai‘i. We invite you to read it carefully. It will provide you with some general information and will answer a variety of questions you may have. We hope this handbook will assist you in making a comfortable transition to campus life and help you derive the fullest benefits from your experience. R. Anderson Sutton Assistant Vice Chancellor for International Programs Dean, School of Pacific and Asian Studies UHM is an Equal Opportunity/Affirmative Action Institution 1 Mānoa International Exchange (MIX) welcomes you! Mānoa International Exchange (MIX) is one of the many ways the University of Hawai‘i at Mānoa demonstrates its commitment to international education and understanding. -
Newcomers Club of Honolulu Tours (June 2014 – Dec
Newcomers Club of Honolulu Tours (June 2014 – Dec. 2020) 2020 Tours 2017 Tours Virtual Tour: The Boston Pops - Christmas Album Hawai'i Symphony Orchestra Virtual Tour: 50 Famous Pieces of Classical Music U. S. Army Museum Fort DeRussy Virtual Tour: Oahu Travel Guide PBS Hawai'i Virtual Tour: Reimagining Doris Duke's Shangri La Hawaii State Art Museum (HiSAM) Virtual Tour: Koko Crater Botanical Gardens East-West Center Virtual Tour: The USS Arizona at Pearl Harbor Japanese Cultural Center of Hawai'i (JCCH) Virtual Tour: The Honolulu Zoo Twilight Tour The Royal Hawaiian Hotel Hawaiian Railway Society & Model Train Museum Honolulu Zoo Twilight Tour Arcadia Retirement Community The Liljestrand House Kualoa Ranch, Hollywood's Hawaii Backlot 2019 Tours Holiday Pops Concert 2016 Tours Manoa Chocolate Factory Hawaii's Plantation Village Diamond Head Theater Backstage National Oceanic and Atmospheric Administration Private screening of the "Downton Abbey" movie (NOAA) Center, Ford Island Broadway in Hawaii - Phantom of the Opera North Shore Coffee Tour & Shark's Cove for Lunch Kahalu'u Gallery and Gardens Windward Coast Road Trip and Beach Picnic The Hawaii State Library Hawai'i Mission Houses Museum Honolulu Museum of Art Ho'omaluhia Botanical Garden Honolulu Fire Museum and Educational Center Gemstone Lucoral Museum Queen Emma Summer Palace Honolulu Police Department Headquarters Kawaiaha'o Church University of Hawaii Hamilton Library's Honolulu Coffee Experience Center Preservation Department Honolulu Fire Museum and Educational Center 2018 Tours Holiday Pops Concert 2015 Tours Hawaii Pacific University Holiday Shopping at Aloha Stadium Swap Meet Culinary Institute of the Pacific Lion Coffee Factory Kahala Hotel and Resort Board of Water Supply Waihe'e Tunnel Bernice Pauahi Bishop Museum Univ. -
Cooperative Program Tape Networks in Noncommercial EDRS
DOCUMENT RESUME ED 115 254 IR 002 798 AUTHOR Nordgren, Peter D. TITLE Cooperative Program Tape Networks in Noncommercial Radio. PUB DATE Dec 75 NOTE 94p. EDRS PRICE MF-$0.76 HC-$4.43 Plus Postage DESCRIPTORS *Cooperative Programs; *Educational Radio; Higher Education; *Programing (Broadcast); *Questionnaires; Shared Services; Statistical Data; Tables (Data) IDENTIFIERS Cooperative Program Tape Networks ABSTRACT Over 200 noncommercial radio stations responded to a survey to gather data on the characteristics of member stations and to sample the opinion of nonmembers toward a cooperative network concept. A second survey of 18 networks sought to gather indepth information on network operation. Results showed that 22.2 percent of the stations surveyed were participating in program cooperatives, and over 79 percent felt that network participation would be beneficial. It was concluded that the cooperative program tape network should continue in order to fulfill specialized programing needs. A copy of the two questionnaires, the letter of transmittal, and the mailing list is appended. A list of the networks that participated in the study, 12 statistical tables, and a 20-item bibliography are included. (Author/DS) lb *********************************************************************** * Documents acquired by ERIC include many informal unpublished * * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * *of the microfiche and hardcopy reproductions ERIC makes available * *via the ERIC Document ReproductionService (EDRS). EDRS is not * *responsible for the quality of theoriginal document. Reproductions* *supplied by EDRS are the best thatcan be made from the original.