The Continuing Significance of Race and America's
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Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
CURRICULUM VITA September 2019
CLARENCE LUSANE, PH.D. CURRICULUM VITA September 2019 254 Madison Street, NW Washington, DC 20011 (202) 806-9383 office (202) 641-0791 cell [email protected] or [email protected] CAREER ACCOMPLISHMENTS • Former Chair, Department of Political Science – Howard University (2015-2019) • Tenured Full Professor • Professor Emeritus of Political Science and International Relations – American University (1997-2015) • Political Researcher and Writer • Public Policy Consultant • Former Commissioner – District of Columbia Commission on African American Affairs SUMMARY OF ACHIEVEMENTS AND SKILLS • Author of eight books and contributor to 20 books • Published more than 100 journal, magazine, and news articles • Professional consultant to the U.S. Department of State, Congressional Black Caucus, Congressional Black Caucus Foundation, World Council of Churches and other U.S. government, private and non-profit organizations and agencies • Recipient of prestigious British Council Atlantic Fellowship in Public Policy • Lecturer on international affairs, global racism, electoral politics, and other issues at over 40 colleges and universities including Yale, Harvard, Howard, Columbia, Georgetown, University of Chicago, and University of California-Berkeley • Lectured in over 60 countries including Bosnia-Herzegovina, Brazil, Canada, China, Colombia, Cuba, England, France, Guadeloupe, Hungary, Japan, the Netherlands, New Zealand, North Korea, Pakistan, Russia, Rwanda, Scotland, South Africa, South Korea, and Ukraine • Broad international, national, and local organizing experience with political organizations and community-based Non-Governmental Organizations • International election observer in Haiti and Democratic Republic of the Congo WORK/EMPLOYMENT Howard University, Department of Political Science, Washington, DC. July 2019 to present: Professor Teach undergraduate and graduate courses in the areas of Black Politics, Comparative Politics, and International Relations. -
The Mortara Center for International Studies Walsh School of Foreign Service Georgetown University Annual Report 2017 - 2018 About the Center
The Mortara Center for International Studies Walsh School of Foreign Service Georgetown University Annual Report 2017 - 2018 About the Center Officially opened in January 2003, the Mortara Center for International Studies was founded through the generosity of the late Mr. Michael P. Mortara, his wife, Mrs. Virginia Mortara, and friends and colleagues. The Mortara family envisioned a center of scholarly inquiry at the School of Foreign Service that would embody the mission of the School and its focus on the intersection of theory and practice in international affairs. Mission Statement The Mortara Center for International Studies seeks to advance schlarship and inform policy by combining the expertise of scholars and experience of international affairs practitioners to illuminate the fundamental forces - political, economic and cultural - that shape international relations. To realize this mission, the Center: • organizes and cosponsors lectures, workshops and conferences • provides support for research and publications • generates communities of research 1 LetterLetter fromfrom thethe DirectorDirector Dear Friends of the Mortara Center, Over the past year, the Mortara Center has con- tinued to promote and energize faculty and student research at the School of Foreign Service. Focusing on pressing global problems from climate change to financial crisis to mitigating violence in post-conflict states, the Center has hosted hundreds of events, con- vened working groups, and supported deep student mentorship experiences through the Mortara Under- graduate Research Fellowship program. For the 2017-2018 annual report, I would like to draw your attention to two exceptional programs, which exemplify the extraordinary work happening at Mortara and the School. The Center was honored to host the launch of the Mortara Distinguished Professor of Diplomacy Madeleine Albright’s book Fascism: A Warning. -
Syllabus Provides the Web Addresses
ETHN 189 , Wed 5-7:50, PCYNH 106 Jonathan Markovitz University of California, San Diego Office: Social Science Bldg 249 Winter, 2007 Office Hours: Tu 5:10-6:40; W 3:10-4:40 BLACK CINEMA Mainstream cinema has been one of the primary sites for the production and rearticulation of meanings of “blackness” since D.W. Griffith’s The Birth of a Nation (1915) and the dawn of the studio system. Griffith’s film consolidated and disseminated powerful racist myths to a national audience, helping to solidify white supremacy while providing ideological justification for lynching. While 1915 marks a low point in cinematic depictions of American race relations, much of the latter history of Hollywood film making is similarly problematic when it comes to representations of African Americans. There is, however, an alternative cinematic tradition that has only begun to receive the attention it is due. Just a few years after Birth, an African American film maker named Oscar Micheaux released Within Our Gates (1919), challenging the racism of Birth, and putting forward an alternative understanding of lynching and the brutality of white supremacy. In subsequent years and decades there has been a vibrant tradition of African American independent filmmaking. This course will examine that tradition, focusing on the work of filmmakers ranging from Micheaux to Gordon Parks to Spike Lee to Julie Dash. We will also venture briefly outside of the United States and address film making within the black diaspora. Throughout the course, we will focus on the social critiques posed by various black film makers, the relationships between mainstream and independent cinema, and the power of film as a social force. -
Menace II Society and the 1990'S Hood Film Cycle
Kino: The Western Undergraduate Journal of Film Studies Volume 2 | Issue 1 Article 3 2011 Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle Timothy J. Edwards University of Western Ontario Abstract No abstract provided. Keywords African-American cinema, Hughes Brothers, Allen Hughes, Albert Hughes, hood film Recommended Citation Edwards, Timothy J. (2011) "Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle," Kino: The Western Undergraduate Journal of Film Studies: Vol. 2 : Iss. 1 , Article 3. Edwards: Realer than Real Realer than Reel: Menace II Society and the 1990s Hood Film Cycle by Timothy J. Edwards The convergence of numerous industrial and social factors in the late 1960s saw Hollywood studios for the first time invest in films produced with African-Americans as the target audience. This wave of Black-focused product eventually became known as ‘Blaxploitation’ Cinema. Blaxploitation films use cinematic devices like: location shooting, hand held camera, and sync-sound along with a showcasing of distinctly Black cultural imagery, featuring urban fashion, slang, Black nationalist politics, and of course Black popular music to create a Black ghetto chronotope which is common to all Blaxploitation films (Massood 117). While the Black ghetto chronotope has its roots in Blaxploitation, it has since become an important tool which New Black Cinema directors like the Hughes brothers further develop to depict the streets of Watts with a sharp and uncompromising sense of realism. Allen and Albert Hughes spoke of being “outraged by the Hollywood sentimentality” of the hugely successful Boyz n the Hood (1991), which was released two years before Menace II Society (1993) (Massood 162). -
Rollover Beethoven and Tell Maestra Worby the News
c· • Glenville State College .erruru- Welcome Back for Spring Semester January 19, 1995 Vol. 66, No. 15 19951 RollOver Beethoven and Tell Maestra Worby the News by David Graham age and the Romantic era, was Beethoven mania? I think: completely deaf when he wrote so. The genius composer has his final (and often hailed great hit the big time with a Holly est) 9th Symphony. Beethoven's wood feature film and a cornu work is being well represented copia of concerts playing his by the Wheeling Symphony Or music around the world. chestra. Glenville State College is no The all Beethoven pro exception. gram includes many majestic The Wheeling Sym pieces which represent his iron phony, under the direction of will and determination. The MaestraRachael Wolby, is once "Egmont Overture," which leads again slated to appear in the the concert, was written by Fine Arts Building spotlight. Beethoven fora play by Goethe. As with every year, the sym "Concerto No.5, in E-flat Ma phony is striving for, and reach jor, Opus 73," has been named ing, new heights. 1994-95 the "Emperor" concerto because marks Rachael Wolby's ninth of its grand style and has been season as the music director of called one of his greatest com The tfllent find grflce ofRllssell Shennfln will join the Wheeling Symphony Orchestrfl in honoring Llldwig vfln Beethoven. the Wheeling Symphony and positions. there is no end in sight. "Symphony No.3, in E Maestra Wolby, besides flat Major, Opus 55" is nick 1990, Mr. Sherman joined the leading the symphony, is devel named "Eroica," which means faculty at Harvard University oping quite a mammoth amount heroic. -
Walking Wounded
Walking Wounded: Cinematic Representations of Masculine, Post-Modern Anxiety in the Urban Space Penelope Eate B. Soc. Sc. (Hons) Thesis submitted for the degree of Doctor of Philosophy Department of Gender, Work and Social Inquiry, School of Social Sciences University of Adelaide February, 2012 TABLE OF CONTENTS Abstract ..................................................................................................................................... v Declaration ............................................................................................................................... vi Acknowledgements .................................................................................................................. vii INTRODUCTION __________________________________________ 1 CHAPTER ONE Going Nowhere: Urban Strolling as Masculine Anxiety In and Out of the Nineteenth Century __________________________________________ 18 Introduction .............................................................................................................................. 18 The Physiology of the Urban Sketcher.................................................................................... 19 Flânerie as Crisis ...................................................................................................................... 20 Detecting Dissent in Edgar Allan Poe‟s „The Man of The Crowd‟ (1845) ......................... 22 The Politics of Location: Gender and Public Space ............................................................. -
Volume 19.1 National Political Science Review Caribbeanization of Black Politics May 16 2018
NATIONAL POLITICAL SCIENCE REVIEW VOLUME 19.1 Yvette Clarke U.S. Representative (D.-MA) CARIBBEANIZATION OF BLACK POLITICS SHARON D. WRIGHT AUSTIN, GUEST EDITOR A PUBLICATION OF THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS A PUBLICATION OF THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS NATIONAL POLITICAL SCIENCE REVIEW VOLUME 19.1 CARIBBEANIZATION OF BLACK POLITICS SHARON D. WRIGHT AUSTIN, GUEST EDITOR A PUBLICATION OF THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS THE NATIONAL POLITICAL SCIENCE REVIEW EDITORS Managing Editor Tiffany Willoughby-Herard University of California, Irvine Associate Managing Editor Julia Jordan-Zachery Providence College Duchess Harris Macalester College Sharon D. Wright Austin The University of Florida Angela K. Lewis University of Alabama, Birmingham BOOK REVIEW EDITOR Brandy Thomas Wells Augusta University EDITORIAL ADVISORY BOARD Melina Abdullah—California State University, Los Angeles Keisha Lindsey—University of Wisconsin Anthony Affigne—Providence College Clarence Lusane—American University Nikol Alexander-Floyd—Rutgers University Maruice Mangum—Alabama State University Russell Benjamin—Northeastern Illinois University Lorenzo Morris—Howard University Nadia Brown—Purdue University Richard T. Middleton IV—University of Missouri, St. Louis Niambi Carter—Howard University Byron D’Andra Orey—Jackson State University Cathy Cohen—University of Chicago Marion Brown—Brown University Dewey Clayton—University of Louisville Dianne Pinderhughes—University of Notre Dame Nyron Crawford—Temple University Matt Platt—Morehouse College Heath Fogg-Davis—Temple University H.L.T. Quan—Arizona State University Pearl Ford Dowe—University of Arkansas Boris Ricks—California State University, Northridge Kamille Gentles Peart—Roger Williams University Christina Rivers—DePaul University Daniel Gillion—University of Pennsylvania Neil Roberts—Williams College Ricky Green—California State University, Sacramento Fatemeh Shafiei—Spelman College Jean-Germain Gros—University of Missouri, St. -
What's New in the Arts
THE SAN DIEGO UNION-TRIBUNE SUNDAY• MARCH 28, 2021 E9 V IRTUALLY SPEAKING UCTV University of California Televi- sion (UCTV) is making a host of videos available on its website (uctv.tv/life-of-the-mind) during What’s new this period of social distancing. Among them, with descriptions ARMCHAIR TRAVEL courtesy of UCTV (text written by the UCTV staff): in DININGthe arts “Tales of Human History Told by Neanderthal and Denisovan DNA”: It’s well known that as Celebrating 50 years of Queen with 50 weeks’ worth of free clips anatomically modern humans THEATER dispersed out of Africa, they BY DAVID L. CODDON encountered and mated with The film adaptation of playwright other hominins such as Neander- Kemp Powers’ “One Night in thals and Denisovans. The ability e’ve all got a list of those bands we wish we’d seen in concert but never did. Miami,” for which he wrote the to identify and excavate extinct screenplay, earned Powers an At the top of mine would be Queen with Freddie Mercury. hominin DNA from the genomes Oscar nomination. Having really It’s hard to believe it’ll be 30 years this November since the passing of of contemporary individuals enjoyed it, I looked forward Mercury, he of arguably the most distinctive voice in rock ’n’ roll history. reveals considerable information eagerly to streaming a staged W about human history and how The 2018 biopic “Bohemian Rhapsody” was a diverting reminder of Mercury’s talent, reading of Powers’ new play those encounters with Neander- “Christa McAuliffe’s Eyes Were but a new clips show on Queen’s official YouTube Channel honoring the group’s 50-year thals and Denisovans shaped the Blue.” anniversary is a gift for fans that will keep on giving — for 50 weeks. -
Baby Driver Soundtrack Download Zip Mediafire Download Various Artists - Baby Driver (Music from the Motion Picture) (2017) Album
baby driver soundtrack download zip mediafire Download Various Artists - Baby Driver (Music from the Motion Picture) (2017) Album. 1. Bellbottoms 2. Easy 3. Debora 4. Debra 5. Bongolia 6. Baby Let Me Take You (In My Arms) 7. Early in the Morning 8. The Edge 9. Nowhere To Run 10. Tequila 11. When Something Is Wrong With My Baby 12. Harlem Shuffle 13. Every Little Bit Hurts 14. Intermission 15. Hocus Pocus 16. Radar Love 17. Never, Never Gonna Give Ya Up 18. Know How 19. Brighton Rock 20. Easy 21. Baby Driver 22. "Was He Slow?" 23. Egyptian Reggae 24. Chase Me (feat. Run The Jewels & Big Boi) 25. Smokey Joe's La La 26. Let's Go Away For Awhile 27. B-A- B-Y 28. Kashmere 29. Unsquare Dance 30. Neat Neat Neat. Producto Ilícito. A1 Grandmaster Melle Mel and The Furious Five -- Beat Street A2 The System -- Baptise The Beat A3 Jenny Burton and Patrick Jude -- Strangers In A Strange World (Love Theme From Beat Street) A4 Afrika Bambaataa and Soulsonic Force Feat. Shango -- Frantic Situation (Frantic Mix) B1 Juicy -- Beat Street Strut B2 Debbie D; Lisa Counts; Sharon Green -- Us Girls B3 Cindy Mizelle -- This Could Be The Night B4 Arthur Baker -- Breaker's Revenge B5 Rubeñ Blades -- Tu Cariño-Carmen's Theme. Beat Street (Original Motion Picture Soundtrack) - Volume 2 (1984) (320kbps) BoyZ N The Hood (Soundtrack) (1991) (320 kbps) 01. Ice Cube - How to Survive in South Central 02. Tevin Campbell - Just ask me to 03. Yo-Yo - Mama Don't Take No Mess 04. -
February 1, 1996
Let's Go will Coffee drink get rid of its of choice for Styrofoam busy college containers for students, two days this professors and month. staff. News/5 JAMES MADISON UNIVERSITY Focus/17 THURSDAY FEBRUARY 1. 1996 VOL. 73. NO. 31 Administration still searching GMU's new for commencement speaker center hub by Jason Brockwell of campus contributing writer Commencement speakers of the past fwe years: by Jaime Dritt JMU has not yet selected this year's spring staff writer commencement speaker and, according to Fred Hilton, director of Media Relations, seniors still May 1995 Lawrence S. Eagleburger, former Secretary of State Universities like JMU and George Mason University are transforming into universities of have time to make suggestions. May I99« Sen. John Warner The university does not formally survey the the 21st century. Evidence of this lies in the senior class but students can call the president's May 1993 Gov. L Doujjla* Wilder creation of new buildings and programs, including the University Learning Center at office to make suggestions, Hilton said. He did May 1992 William Howard Witakcr II (student): not know when JMU would officially choose a GMU and JMU's College of Integrated Science speaker because of the difficulty of matching Dr. Cecil Bradfield. JMU professor and Speaker and Technology. the schedules of potential speakers with the The new University Learning Center, which university's May 4 commencement. of Faculty Senate opened its doors in October at the Fairfax school, is located in the geographical center of JMU has not set up a single, official way of May 1991 State Supreme Court Justice Elizabeth B. -
Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A
A2_RAPPING.DOCX (DO NOT DELETE) 6/5/2014 6:09 AM Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A. Rapping “There can be no equal justice where the kind of trial a man gets depends on the amount of money he has.”1 Justice Hugo Black wrote this in Griffin v. Illinois, seven years before he authored his groundbreaking opinion in Gideon v. Wainwright, establishing a Sixth Amendment right to counsel in state court prosecutions.2 In Gideon, the Court recognized that a lawyer is essential to ensuring a fair trial.3 While the Gideon Court did not lay out a standard for the type of lawyer to which a poor person is entitled, read in conjunction with the Court’s pronouncement in Griffin, the answer is obvious. He is entitled to a lawyer with the time, resources, experience, training, and commitment for which a person with means would pay. For if a poor defendant requires a comparable trial to his wealthier counterpart to ensure equal justice, and the quality of the lawyer dictates the quality of the trial, equal justice can only be guaranteed where the poor person has access to the same level of representation as the person who can afford to hire counsel. But, while Gideon made clear that counsel is the engine necessary to ensure equal justice, for fifty years lawyers for the poor have been deprived the fuel needed to drive this lofty aspiration. Over these five decades we have unfortunately come to accept an embarrassingly low standard of justice for poor people accused of crimes.