Iris Murdoch
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Carmen Callil-Long Version
!"#$%&'(!#$%") !"#$%&'"#()&*" *&+",-%".)(/0(1#++%"(2#,3%45 Carmen Callil: author, critic and publisher 1938: Born in Melbourne, Australia 1960: Moved to the UK 1972: Founded Virago Press 1982: Appointed managing director of Chatto & Windus 1994: Awarded honorary doctorates by the universities of Sheffield, York, Oxford Brookes and The Open University 1999: With Colm Toibin, authored The Modern Library: 200 Best Novels in English since 1950 2007: Published Bad Faith: A Forgotten History of Family and Fatherland We just aren’t the same as the men of our generation. They were told as children: “You are the most gorgeous creature in the world, and every word you utter is a pearl of wisdom.” We were told: “Carmen, we are not interested in your opinion, go to the back of the class.” I’ve been joking a lot to my friends about this recently, and we all agree that we were raised not to have self-esteem. A lot of time, effort and money went into making us feel that we be must be good girls. We were taught to get married and have children, to remain virgins until then and to know our place. That said, it has to be remembered that I am 75 now and, please God, younger women have been spared much of that. My feminism came from my mother. The women who lived between the wars had it worst of all. They were always patronised. I hated the way she was treated. She was a young widow with four children and was always on the receiving end of charity. -
1 No- G COMEDY and the EARLY NOVELS of IRIS MURDOCH Larry
no- G 1 COMEDY AND THE EARLY NOVELS OF IRIS MURDOCH Larry/Rockefeller A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1968 Approved by Doctoral Committee _Adviser Department of English I a Larry Jean Rockefeller 1969 ALL RIGHTS RESERVED PREFACE Why has Iris Murdoch failed in her attempt to resur rect the novel of characters? That is the question which has perplexed so many readers who find in her novels sig nificant statements about the human condition rendered by a talent equalled only by a handful of other writers of our time, and it is the question which the pages follow ing try to answer. In general, the implicit argument under lying those pages is tripartite: (1) only comedy of a kind which resembles closely Murdoch's conception of love will allow a novelist to detach himself enough from his charac ters to give them a tolerant scope within which to humanly exist; (2) Murdoch has succeeded in maintaining that balanced synthesis between acceptance and judgement only in her earli est work and only with complete success in The Bell; and (3) the increasingly bitter tone of her satire — not to mention just the mere fact of her use of satire as a mode for character creation — has, in her most recent work, blighted the vitality of her characters by too strictly limiting them to usually negative meanings. Close analysis has been made, hence, of the ways in which comic devices affect us as readers in our perception of Murdoch's per sons. -
Kingsley Amis Under Tlle Much Good Debate And, 1 Hope, Saving of Money
Foreword Centre for Policy Studies by Hugh Thomas London 1979 Rfr Kingslry Amis has been delighting readers with his wit and stylc for twenty-five years. 0 Lucky Jim! How we remember him! Ilowever, Mr Amis’s long string of accomplished novels is only one sick., if the most important part, of his literary achievement. There is his poetry. There is his criticism. Now here are his political reconimendations. These are, to he sure, First published 1979 recoinmendations for a policy towards the arts. But, by Centre for Policy Studies nevertheless, they are political if only because they deal firmly 8 \Vilfretl Street and squarely with the argument that the arts should be London SW 1 “politicised”. A horrible word, it is true, but an appropriate Prinbd by S S IV Ltd one for a rotten idea. Mr Amis, too, shows that he could he an 39/21 Great Portland Street inspiring politician. What is his policy? A heavy investment in London Wl poets? Subsidy for exporting novelists? Tax-free dachas for 0 I<ingsley Amis needy critics? Compulsory attendance at courses on cinema ISBN 0 905880 23 4 and TV drama for those writers who have neglected these important nrw forms? Not a bit of it. But Rfr Amis’s plan is for us to have no arts policy. This is a very skilful plan though he would he the first to agree that it is a difficult one to introduce and carry through in a nation much used to busy bodies. At the end of his pamphlet -aversion of a speech delivered at the Centre’s fringe meeting at the 1979 Conservative Conference at Blackpool - Mr Amis alloivs his Publication by tile Centre for Policy Studies does not imply acceptance of attention to wander -orat least so I believe - and suggests aiitlion’conciosioas or prescriptions. -
Kingsley Amis Was a Drunk Who Hated Me, but He Was No Racist, Says His Second Wife by CORINNA HONAN
the Mail online http://www.dailymail.co.uk/pages/text/print.html?in_article_id=49097... Click here to print 31/10/07 Femail section Kingsley Amis was a drunk who hated me, but he was no racist, says his second wife by CORINNA HONAN Even now, 27 years after she crept out of the house with just two suitcases, Elizabeth Jane Howard tortures herself with regrets about the end of her marriage. Should she have stayed? Could she have made a difference to Kingsley Amis's final years, when he was drinking a whole bottle of Macallan single malt by midmorning before progressing to tequila, gin and Campari? What made it worse was that the novelist never forgave her. Meeting Jane as she is known and leaving his first wife, Hilly, was the most disastrous thing that had ever happened to him, he said later. And he twisted the knife with a series of bitter, misogynous novels (which Jane has never read) while successfully convincing himself that he had never really loved her at all. For Jane, the pain of this denouement was utterly crushing. She never responded to Kingsley's public attacks and saw him only twice in the 15 years before his death. "Once, we happened to turn up at the same party," she recalls. "He hunched his shoulders and said: 'My wife has come I'm leaving.' The second time I saw him by chance was in a restaurant. He deliberately turned his back on me and I felt my knees giving way." By the time he was clearly on his death bed, purplefaced and clinically obese, he was a grotesque parody of the goodlooking author of Lucky Jim who had seduced the most stunning woman novelist of her generation. -
Authorship and Strategies of Representation in the Fiction of A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Research Exeter Authorship and Strategies of Representation in the Fiction of A. S. Byatt Submitted by Kate Elizabeth Limond to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in June 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has been previously submitted and approved for the award of a degree by this or any other University Signature: ………………………………………………… 1 Abstract This thesis examines the portrayal of authorship in Byatt’s novels with a particular focus on her use of character-authors as a site for the destabilisation of dominant literary and cultural paradigms. Byatt has been perceived as a liberal-humanist author, ambivalent to postmodern, post-structuralist and feminist literary theory. Whilst Byatt’s frame narratives are realist and align with liberal-humanist values, she employs many different genres in the embedded texts written by her character-authors, including fairy-tale, life-writing and historical drama. The diverse representational practices in the novels construct a metafictional commentary on realism, undermining its conventions and conservative politics. My analysis focuses on the relationship between the embedded texts and the frame narrative to demonstrate that Byatt’s strategies of representation enact a postmodern complicitous critique of literary conventions and grand narratives. -
Feminist Presses and Publishing Politics in Twentieth-Century Britain
MIXED MEDIA: FEMINIST PRESSES AND PUBLISHING POLITICS IN TWENTIETH-CENTURY BRITAIN SIMONE ELIZABETH MURRAY DOCTOR OF PHILOSOPHY UNIVERSITY COLLEGE LONDON 1999 The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author U,Ip 1 Still, Madam, the private printing press is an actual fact, and not beyond the reach of a moderate income. Typewriters and duplicators are actual facts and even cheaper. By using these cheap and so far unforbidden instruments you can at once rid yourself of the pressure of boards, policies and editors. They will speak your own mind, in your own words, at your own time, at your own length, at your own bidding. And that, we are agreed, is our definition of 'intellectual liberty'. - Virginia Woolf, Three Guineas (1938) 2 Image removed due to third party copyright ABSTRACT The high cultural profile of contemporary feminist publishing in Britain has previously met with a curiously evasive response from those spheres of academic discourse in which it might be expected to figure: women's studies, while asserting the innate politicality of all communication, has tended to overlook the subject of publishing in favour of less materialist cultural modes; while publishing studies has conventionally overlooked the significance of gender as a differential in analysing print media. Siting itself at this largely unexplored academic juncture, the thesis analyses the complex interaction of feminist politics and fiction publishing in twentieth-century Britain. Chapter 1 -" 'Books With Bite': Virago Press and the Politics of Feminist Conversion" - focuses on Britain's oldest extant women's publishing venture, Virago Press, and analyses the organisational structures and innovative marketing strategies which engineered the success of its reprint and original fiction lists. -
Iris Murdoch: Days Without Writing1
Iris Murdoch: days without writing1 Peter Garrard1, John R. Hodges2, Vijeya Ganesan3 and Karalyn Patterson4 1) Molecular and Clinical Sciences Research Institute St George’s, University of London Cranmer Terrace London SW17 0RE United Kingdom 2) Brain & Mind Centre, University of Sydney Level 1 M02F 94 Mallett St Sydney, NSW 2006 Australia 3) UCL-Great Ormond Street Institute of Child Health Guilford Street London WC1N 3JH 4) Dept of Clinical Neurosciences, University of Cambridge Herchel Smith Building, Robinson Way Cambridge CB2 0SZ 1 In honour of her friend, A.N. Wilson’s moving tribute to Iris’s dedication as a writer: “Her patient, humble working life was an example to any writer. Nulla dies sine linea, as Erasmus decreed – not a day should pass without writing something. She was entirely without fuss in her approach to work. When JOB broke his ankle, she sat at the end of his hospital bed with a large pad, writing her novel. If she had an hour to kill waiting for a train, out would come the pad once more. There was no nonsense about need to write in a special place or with special nibs. She was humbly the servant of her craft….” (Wilson, 2004, p. 263) In 2005, you published a report examining changes in the writing of the author Iris Murdoch from the start of her career, the peak of her career and finally the end of her career when she was considered to be in the early stages of Alzheimer’s disease. This case may be relevant to our understanding of memory processes and deficits in Alzheimer’s disease. -
Here and Now: Letters 2008-2011 PDF Book
HERE AND NOW: LETTERS 2008-2011 PDF, EPUB, EBOOK Paul Auster,J. M. Coetzee | 256 pages | 16 May 2013 | FABER & FABER | 9780571299263 | English | London, United Kingdom Here and Now: Letters 2008-2011 PDF Book Coetzee then notes that, when Nabokov taught at Cornell, he would have his students draw a physical map of the rooms described in the books they read, leading to a discussion of how helpful that might be, how a reader views a work, and whether inconsistencies in, say, the small detail of a carpet color are truly important. About Paul Auster. What are other modern collections of letters similar to this one? Since the authors discuss, among other things, matters concerning 'style', I just felt drawn to the title of Said's book. Just a moment while we sign you in to your Goodreads account. Even with my very little experience of both these writers, I feel that both these writers write from I randomly picked this book up. The friendship between Paul and John is just pure and amazing! Home Page World U. Arriving at the end of the print-letter tradition, Paul Auster and J. Published March 7th by Viking first published Hardcover , pages. The demise of letter writing is the cause of widespread lament. Patrick Lapeyre. He lives in Brooklyn, New York. Commie Girl in the OC. It was nice to know that they share a cordial bond and are ultimately good people with usual family lives. Return to Book Page. Pass it on! In his ongoing obsession with the loops and whorls of coincidence, Auster wonders at one point about the fact that in the course of a few days, at Cannes, where he is a judge on the Prize jury, and then in Chicago at a book event, and in a New York hotel where he is waiting to take Juliette Binoche out to lunch, he has happened to bump into Charlton Heston. -
The Development of Ideas in the Novels of Iris Murdoch Thesis
Open Research Online The Open University’s repository of research publications and other research outputs Playful Platonist : The development of ideas in the novels of Iris Murdoch Thesis How to cite: Edwards, S. L. (1984). Playful Platonist : The development of ideas in the novels of Iris Murdoch. PhD thesis The Open University. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000de3e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk i U is 154,6 (Z ý', 1)P, S-f P. ýC- -1 LO PLAYFUL PLATONIST: TFIE DEVELOPISNT OF =Eý 221 TFIE NOVELS OF IRTI; MURDOCH by Stephen Laurence Edwards A thesis submitted for the degree of Ph. D. at The Open University, January 1984. rio u0 I- Playful tlatonist: the Development of Ideas in the Novels of Iris Mirdoch I am willing that this thesis may be made available to readers and may be photcopied subject to the discretion of the Librarian. L S. L. Edwards 20th June 1984. Th, opiýn t-lrivp-rsifm col, 22 ... ..... ...... ii SUýRARY Tnis thesis examines Iris Murdoch's novels in the light of her philosophical thinking. 1t places her ethical thinking in the context of twentieth century moral philosophy and shows that her approach to the problems of the subject is out of key with the general run of cont(-, r,..pora-ry philosophical th-inking. -
The Amis Inheritance
Martin Amis Kingsley Amis Writing and Writers Books Authors ... http://www.nytimes.com/2007/04/22/magazine/22amises.t.html?_r=1&o... April 22, 2007 The Amis Inheritance By CHARLES McGRATH Ben Jonson wrote: “Greatness of name in the father ofttimes helps not forth, but overwhelms the son; they stand too near one another. The shadow kills the growth.” This Oedipal principle applies to all sorts of professions, but few more so than the literary one. It’s not unheard of for the child of an author to try his hand at writing. Stephen King’s two sons are writers, and so is one of John Updike’s. Hilma Wolitzer’s daughter Meg is a novelist, as is Anita Desai’s daughter Kiran, whose second book just won the Booker Prize — an award that has so far eluded her mother. But writers’ offspring tend to go into the family business with far less regularity than, say, the children of doctors or lawyers, and it seldom happens that over the long haul, and in the deepening shade, the younger equals or outstrips the elder — the way that Anthony Trollope, to take a famous example, bested his mother, Fanny. The exception these days is the curious writerly firm of Amis & Amis, founded by Kingsley, who died in 1995, and now run by his son Martin. Kingsley Amis, an indelible figure in British letters, is the subject of an immense and sympathetic new biography by Zachary Leader (published this month in the United States) that has already caused a stir in England both by reminding readers of how funny Kingsley could be and because of its frankness about his personal life. -
Kingsley Amis's Criticism
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Agnieszka Ksiqzek The Communication of Culture: Kingsley Amis’s Criticism Submitted to the Faculty of Arts University of Glasgow for the degree of M.Phil. December 2000 ProQuest Number: 10647787 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uesL ProQuest 10647787 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. -
William Golding's the Paper Men: a Critical Study درا : روا و ر ل ورق
William Golding’s The Paper Men: A Critical study روا و ر ل ورق : درا Prepared by: Laheeb Zuhair AL Obaidi Supervised by: Dr. Sabbar S. Sultan A Thesis Submitted in Partial Fulfillment of the Requirements for Master of Arts in English Language and Literature Department of English Language and Literature Faculty of Arts and Sciences Middle East University July, 2012 ii iii iv Acknowledgment I wish to thank my parent for their tremendous efforts and support both morally and financially towards the completion of this thesis. I am also grateful to thank my supervisor Dr. Sabbar Sultan for his valuable time to help me. I would like to express my gratitude to the examining committee members and to the panel of experts for their invaluable inputs and encouragement. Thanks are also extended to the faculty members of the Department of English at Middle East University. v Dedication I dedicate this thesis to my precious father; To my beloved mother; To my two little brothers; To my family, friends, and to all people who helped me complete this thesis. vi Table of contents Subject A Thesis Title I B Authorization II C Thesis Committee Decision III D Acknowledgment IV E Dedication V F Table of Contents VI G English Abstract VIII H Arabic Abstract IX Chapter One: Introduction 1.0 Introduction 1 1.1 Golding and Gimmick 2 1.2 Use of Symbols 4 1.3 Golding’s Recurrent Theme (s) 5 1.4 The Relationship between Creative Writer and 7 Biographers or Critics 1.6 Golding’s Biography and Writings 8 1.7 Statement of the problem 11 1.8 Research Questions 11 1.9 Objectives of the study 12 1.10 Significance of the study 12 1.11 Limitations of the study 13 1.12 Research Methodology 14 Chapter Two: Review of Literature 2.0 Literature Review 15 Chapter Three: Discussion 3.0 Preliminary Notes 35 vii 3.1 The Creative Writer: Between Two Pressures 38 3.2 The Nature of Creativity: Seen from the Inside and 49 Outside Chapter Four 4.0 Conclusion 66 References 71 viii William Golding’s The Paper Men: A Critical Study Prepared by: Laheeb Zuhair AL Obaidi Supervised by: Dr.