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Wooden Nickel ------Spins------CD of the Week $9.99 BACKTRACKS $11.99 To be honest with you, dear reader, I feel it necessary to admit that I had Sailor (1968) to look up the exact definition of the word “circuital,” the title of Louisville Forget all of the rockers My Morning Jacket’s sixth that you hear in heavy rotation on local studio and first since 2008’s radio stations. Sailor, ’s second ballsy misstep, . The word album, is a real treasure. means, basically, “a circle form,” or I know you’ve heard “Living in the in this case, “to come full circle.” The implication is that, with this U.S.A.,” as it is packaged on a couple record, the band is returning to where it came from – back to the of Miller’s greatest hits releases (he has seven of them). But this light-as-a-feather folk rock that feels as if it may have been recorded album has nine other remarkable tracks. in heaven, with angels plucking strings and God spilling vocals. As Opening with “Song for Our Ancestors,” the album imme- good as that last sentence fragment may sound, Circuital isn’t quite diately transports you back to 1968. If you told someone they’re the return-to-roots sound of and that not hearing Pink Floyd, you might get into an argument. It’s not 311 the MMJ crew has implied. I suppose that, when compared to the the best way to open an album, but the psychedelic vibe will at Universal Pulse strange, scattershot sound of the above-mentioned Evil Urges, it may least grab your attention. “Dear Mary” is a nice folk rock song Sometimes it’s not the third but the demand such a reaction, but to fanboy ears the album is a continu- with a great piano , and “My Friend” turns it up with eccentric and organs. It’s sort of a ’68 hybrid between The 10th time that’s the charm. That’s ation – if only slight – of frontman ’ mission to never fall stale. Moody and . “Quicksilver Girl” appeared certainly true in the case of Omaha’s Comprised of 10 very focused tracks, the record plays through on the original (More Songs from) The Big Chill soundtrack, but favorite reggae/rock act 311 and as if it maybe should’ve come out between 2003’s and strangely wasn’t on the reissue. their latest release, Universal Pulse. 2005’s Z, but with a more seasoned self-editor at the helm. In fact, “Lucky Man” is blues folk with an almost soul vibe to it, and Highlights of this eight-tracker include after only five or so spins, I already feel comfortable calling this the Miller covers “” a song originally recorded in “Wild Nights” and “Time Bomb.” Time’s most bulletproof set of songs the MMJs have yet released, each song 1957 by Johnny ‘’ Watson. Also covered is ’s a ticking. Why not pick up your own working in its own, often surprising way, none coming off as overly “You’re So Fine.” “Overdrive” was written by bandmate Boz copy for just $11.99 at any Wooden obvious or painfully meandering. Focus, that’s the key element here, Scaggs, and the arrangement reminds me of The Band or even Dylan in its arrangement. The record closes with the electric Nickel Music Store location? as it should be for a band that made a weirdo folk-pop record like the great Z. “Dime-A-Dance Romance.” All that said, I do think that songs like “Circuital,” “Outta My Steve Miller has released more than 25 records and 30 sin- TOP SELLERS @ System,” “Slow, Slow Tune” and the breathtaking “Movin’ Away” gles in his successful career. He had a brief hiatus in the 70s, but should appeal very much to fans who stopped liking the band when 1981’s “Abracadabra” gave him his third No. 1 single. On Bingo Wooden Nickel they became more experimental with said great Z. This set, for the (2010), and Let Your Hair Down (2011), the 67-year-old covers (Week ending 7/24/11) most part, is straightforward-ish singer/ fare, but covered , Willie Dixon, Robert Johnson and others in what TW LW ARTIST/Album in James’ itchy fingerprints and fleshed out with hallmarks from past I can honestly say are a couple good . (Dennis Donahue) records. 1 1 TEDESCHI TRUCKS BAND Revelator The vibe I get here is poppier side of a rock opera-era The Who, definitely. What we get is a 16-track cycle that breaks down into 13 minus all the pretension and self-important stuffing. And while there full-blown tracks and three interludes, a set that makes for the first 2 5 ADELE are undeniably moments here and there on Circuital where the in- worthwhile Beasties record since 1998’s (two additional 21 (CD & LP) fluence can be clearly pinpointed, My Morning Jacket have trotted records were released in between, neither really worth your time). through studios enough in recent years that, when they release a re- Said to be the extras from Part One, you’d think the record might 3 4 3 DOORS DOWN cord, it’s through and through an original work. For starters, no one have something off an odds-and-ends feel. Not the case. Time of My Life sings like James. No one writes like James. Sure, the ornamentation The sound here is instantly less polished than Nasty, though not on a song like “Wonderful (The Way I Feel)” can be mapped and quite as organic sounding on a whole as the band’s pre-Nasty mate- 4 2 devised, but it still manages to stand alone. Another favorite, “First The Truth Is ... rial. (Those records were dusty loops and simple live playing put to- Light,” is one of MMJ’s most accessible songs to date, feeling almost gether mostly on 8-tracks and MPCs, held together by back-and-forth like a radio hit that could play next to some stale Kings of Leon 5 6 BAD MEETS EVIL vocals and, often, the cuts of .) There are nods to Hell: The Sequel track. Same goes for “You Wanna Freak Out,” a killer pop tune. Most past records, such as the robot voice on “OK” and pseudo-electronic of the songs here, to be honest, build to a very radio-friendly place, vibes that pop up here and there. Mostly, this is a boom-bap-minded 6 – VOLBEAT especially the epic “Outta My System,” a song that could easily work hip-hop record made by three 40-something emcee/producer/musi- Beyond Hell/Above Heaven as the youth anthem of our time. cians who now know their way around a studio as well as, or better Circuital’s cover art, a close-up photo of a magic tuning eye from than, any hip-hop artist ever. 7 3 YES a 1930s radio, may be ugly, but boy does it fit the framework of the That said, the inventive nature of Nasty, Paul’s Boutique, Li- Fly From Here record. Tuning eyes were used to help listeners find the strongest censed to Ill and is seemingly gone forever, and frequency point for the station they desired to hear. The brighter that now the Boys are more focused on making very listenable and fluid 8 7 green eye was, the more focused your signal was. So, in this case, records that appeal to their solid-as-a-rock fanbase, mostly com- Bon Iver (CD & LP) that bright green eye is MMJ’s way of telling you that, hey, we re- prised of skaters, underground hip-hop fans and fans of skate and ally focused in on what we do best here. And damn, the is in boom-bap culture. The rhymes, as always, get passed around like a 9 – KELLY ROWLAND the pudding: the songs here feel laboriously perfected. The work of Here I Am hot potato amongst the members while the beats are dusty and often masters. As time passes and listener familiarity grows, I imagine Cir- grimy, ornamented with funk loops, scratches, break beats, original 10 – BODEANS cuital will see a boost in reception, so much so that I could see this bass lines and electronic flourishes. If you know the classic Beasties Indigo Dreams little comeback record standing as the highlight of the band’s already catalog, you already know the sound of Part Two. A good thing. legendary studio catalog. (G.W.L.) The vibe feels somewhat cinematic, playing through almost like a musical accompaniment to a skate video. Songs like “Long Fri., July 29 • 6 p.m. • All Ages • Free Burn the Fire,” “Say It,” “Too Many Rappers” and “Here’s a Lit- Live AT OUR N. Anthony Store: Hot Sauce Committee: Part Two tle Something for Ya” will be instant classics amongst fans, while the jason alarm, “Make Some Noise,” “Ok” and “Don’t Play No Game I Can’t Win” Part One doesn’t exist. Not really. (featuring ) could all, with powerful videos and some vi- yellow dead bettys & Not yet, that is. Back in 2009 there ral marketing, become summer hits. Some of the lesser tracks like was cover art, a tour schedule and “Funky Donkey” and “Tadlock’s Glasses” have a gritty appeal that ignite the borealis a release date for that record. Then will grow with time, adding to the cinematic vibe of the record with 3627 N. Clinton • 484-2451 Beastie Boy Adam “MCA” Yauch got their strange minimalism and atmospheric production. The only 3422 N. Anthony • 484-3635 the cancer and everything non-health- tracks that seem lacking (aside from the borderline sellout Santigold 6427 W. Jefferson • 432-7651 related went on the shelf, as it should track) are “Here’s a Little Something” and instrumental “Multilateral We Buy, Sell & Trade Used CDs & DVDs have. Oddly, rather than pushing Part Nuclear Disarmament.” Even those works are better than everything www.woodennickelmusicfortwayne.com One back after MCA returned to health, the trio kept loyal to Part Two’s 2011 release date, skipping past the first part of the series in- Continued on page 23 10------www.whatzup.com------July 28, ‘11 ------Calendar • On The Road------Walter Trout Sept. 2 House of Blues Chicago Warped Tour feat. The Devil Wears Prada, Asking Alexandria, 3OH!3, Gym Class Heroes 2011 Dancing Less Than Jake, Against Me, Attack Attack, Paramore, Pepper, A Day To Remembe,r August Burns Red, Jack’s Mannequin and D.R.U.G.S. Aug. 2 Riverbend Music Center Cincinnati Whitesnake w/Tesla ($15-$45) Aug. 28 DTE Energy Music Theatre Clarkston, MI w/Nick Lowe Sept. 13 Old National Centre Indianapolis Like the Wiz Khalifa w/Big Sean & Chevy Woods ($32.50 adv., $35 d.o.s.) Aug. 2 White River State Park Indianapolis Wynonna Sept. 23 Carmel Performing Arts Center Carmel X-fest 2011 feat. , Theory of a Deadman, Five Finger Death Punch, Alterbridge Stars Encore Skillet, Adelitas Way, Kopek, Blackstone Cherry, Emphatic and Downplay ($35) Sept. 18 Montgomery County Fairgrounds Dayton Young Dro w/Angelina Nickole, J. King and D. Black ($15 adv., $20 d.o.s.) July 29 Piere’s Fort Wayne Saturday, August 13 Young w/Freddie Gibbs Aug. 12 House of Blues Cleveland Zakk Knight w/WT Feaster Sept. 17 Key Palace Theatre Redkey 7:30pm Zoso Aug. 26 The Vogue Indianapolis Performance of Past Winners Zoso Sept. 9 Park West Chicago Open Dancing • Group Dance Lesson Zoso ($12 adv., $15 d.o.s.) Sept. 10 Foellinger Theatre Fort Wayne Tickets $20 ZZ Top ($49.50-$150) Aug. 7 Horseshoe Casino Hammond ZZ Top (sold out) Sept. 5 Honeywell Center Wabash

SPINS - From 10 on the spotty , a record obsessed nature of today’s youth. many thought was the end of the Beasties. for their long breaks between Mostly, to me, this album works as records, here’s to hoping that the supposedly something of a time capsule, taking me already completed Part One comes out soon back to high school and the summer of 1994 – maybe even this year. And hey, we have to when Spike Jonze’s video for “Sabatoge” assume that, since Part Two is mostly left- was huge and the first half of Ill Commu- overs, that the next record will be even bet- nication was on constant replay for anyone ter. Until then, we have the solid Part Two, interested in hip-hop, punk or skate culture. possibly a new hip-hop classic and certainly Friday, August 19 7:30pm The grouping of that record, along with the a fine entry into the historic Beastie Boys Doors open 6:30pm • Tickets $20 band’sON back catalog and Larry Clark’s Kids oeuvre. (G.W.L.)ON film, SALEhad a huge influence on many from that SALE generation,NOW! celebrating an authentic urban Send newNOW! CD releases to whatzup, 2305 culture that was at the time still something of . Esterline Rd., Columbia City, IN 46725. a far-off mystery to most young Americans. It is also helpful to send bio information, AssumingON that Hot Sauce Committee, Part publicity ON photos and previous releases, if SALE SALE For tickets, visit our Box Office at Two makesNOW! it to the young ears of today, I available.NOW! Sorry, but whatzup will consider suspect it will have a similar effect on the only professionally produced CDs and EPs 1124 Meridian Plaza in Anderson, call 765.642.1234 or online at www.andersonparamount.org right ears, despite the sterile, technology- of at least four songs for review.

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