Canadian Idol
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What Their Stories Tell Us: Research Findings from the Sisters In
What Their Stories Tell Us Research findings from the Sisters In Spirit initiative Sisters In Spirit 2010 Research Findings Aboriginal women and girls are strong and beautiful. They are our mothers, our daughters, our sisters, aunties, and grandmothers. Acknowledgments This research would not have been possible without the stories shared by families and communities of missing and murdered Aboriginal women and girls. The Native Women’s Association of Canada (NWAC) is indebted to the many families, communities, and friends who have lost a loved one. We are continually amazed by your strength, generosity and courage. We thank our Elders and acknowledge First Nations, Inuit and Métis communities for their strength and resilience. We acknowledge the dedication and commitment of community and grassroots researchers, advocates, and activists who have been instrumental in raising awareness about this issue. We also acknowledge the hard work of service providers and all those working towards ending violence against Aboriginal women in Canada. We appreciate the many community, provincial, national and Aboriginal organizations, and federal departments that supported this work, particularly Status of Women Canada. Finally, NWAC would like thank all those who worked on the Sisters In Spirit initiative over the past five years. These contributions have been invaluable and have helped shape the nature and findings of this report. This research report is dedicated to all Aboriginal women and girls who are missing or have been lost to violence. Sisters In Spirit 2010 Research Findings Native Women’s Association of Canada Incorporated in 1974, the Native Women’s Association of Canada (NWAC) is founded on the collective goal to enhance, promote, and foster the social, economic, cultural and political well- being of Aboriginal women within Aboriginal communities and Canadian society. -
Sounds of the Lobby Lounge
SOUNDS OF THE LOBBY LOUNGE Entertainment Schedule April - May 2020 Tune in every Wednesday from 4:15pm - 5:00pm (PST) via Facebook live for virtual music sessions highlighting some of Vancouver’s best talent that traditionally headline the stage at The Lobby Lounge, curated by Siegel Entertainment. APRIL Adam Thomas, 4:15pm (PST) 29 JUNO Nominated vocalist Adam Thomas performs favourite radio hits from this year all the way back to the jazz and big band era, and a wide array of classics from in between. His unique sound combines elements of soul, jazz, indie and top 40 music. MAY Antoinette Libelt, 4:15pm (PST) 6 Antoinette Libelt is an indie pop diamond in the rough. Growing up listening to artists like Michael Jackson and Aretha Franklin, she has emulated their powerful and soulful voices. Her style ranges from Top 40 hits to RnB and Country, ensuring her performance will have something for everyone. MAY Neal Ryan, 4:15pm (PST) 13 Originally from Dublin, Ireland and hailing from an intensely musical family, Neal Ryan’s love for his craft comes from a long lineage of storytellers, musicians and artists. Neal’s own original works bear large resemblance to the “Troubadour” era of the late 60’s and 70’, with inspiration from artists like James Taylor and Cat Stevens. MAY Rob Eller, 4:15pm (PST) 20 Rob Eller is a signer/guitarist/entertainer who chooses to express his music as a solo, and has had a guitar in his hands since his 9th birthday. He fills up the rooms he performs in with the sound of a full band, paying extra attention to musical dynamics, continually finding new ways to express a song. -
ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 6 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. This album was conceived after the master tapes to the album Cigarettes and Valentines were stolen. A letter reading "I got a rock and roll girlfriend" is described in a multi-part song at the end of this album. A teenager described in this albumis called the "son of rage and love" and can't fully remember a figure he only calls (*) "Whatsername." A "redneck agenda" is decried in the title song of this album, which inspired a musical centered onthe "Jesus of Suburbia." "Boulevard of Broken Dreams" appears on, for 10 points, what 2004 album by Green Day? ANSWER: American Idiot <Nelson> 2. In 1958, Donald Duck became the first non-human to appear in this TV role, which was originated by Douglas Fairbanks and William C. DeMille. James Franco appeared in drag while serving in this role, which went unfilled in 2019 after (*) Kevin Hart backed out. The most-retweeted tweet ever was initiated by a woman occupying this role, which was done nine other times by Billy Crystal. While holding this role in 2017, Jimmy Kimmel shouted "Warren, what did you do?!" upon the discovery of an envelope mix-up. For 10 points, name this role whose holder cracks jokes between film awards. ANSWER: hosting the Oscars [accept similar answers describing being the host of the Academy Awards; prompt on less specific answers like award show host or TV show host] <Nelson> 3. As of December 2019, players of this game can nowmake Dinosaur Mayonnaise thanks to its far-reaching 1.4 version update, nicknamed the "Everything Update." Every single NPC in this game hates being given the Mermaid's Pendant at the Festival of the Winter Star because it's only meant to be used for this game's (*) marriage proposals. -
BULLPINE BULLPINE 181 Vernon Ave
BULLPINE BULLPINE 181 Vernon Ave. Kamloops, BC - 1-800-482-3459 - steelworkers1-417.ca Summer 2017 Clearwater May Day Parade The theme for The Clearwater May Day Parade this year was Canada 150. A few USW members and Canfor Vavenby staff, along with their families got together for the fifth year to build a float. The theme of our float was: A History of the Vavenby Sawmill. The mill was established in 1941 when Frank Capostinsky came from Alberta on behalf of Bob Swanson and bought a few of the original mills in the valley and set up the company known as CTP (Clearwater Timber Products). In 1986 CTP was bought by Slocan which then merged with and became known as Canfor in 2004. In the mid 1950's the mill unionized and the workers became part of the IWA (International Woodworkers of America) which merged with The United Steelworkers in 2004. A big thank you to all the helpers especially Keith for the design and organization of the work. The figures on top represent the “Loggers Sports Days” the community used to have to celebrate the Forest Industry in the valley. Big Barriere Block Party The second annual Big Barriere Block party was a huge success. Despite the cloudy and rainy weather, approximately 1000 people came out to enjoy the festivities . The action started with a bike rodeo for the kids from 12-2 and continued on with children's games, a vendors market, bouncy castles and live entertainment . The Big Barriere Block Party part 2 was only possible because of amazing sponsors like The United Steelworkers. -
Principals Involved in Lucid Plan Aren?T Done with Aurora
This page was exported from - The Auroran Export date: Thu Sep 30 6:36:34 2021 / +0000 GMT Principals involved in Lucid plan aren?t done with Aurora By Brock Weir With Aurora Live! dead in the water, enough time has passed for heads to cool and assess the situation. But George Roche, founder of Lucid Productions, the group that brought forward the Aurora Live! festival isn't completely done with Aurora. 2014, he said, is definitely a possibility. ?I would love to [bid on a festival] if we can get the ?Wild, Wild West' politics and the cynicism projected by [Councillor Chris Ballard] which I believe rises out of the treatment unto the Aurora Jazz Fest organizers,? said Mr. Roche, referring to the war of words between himself and the Councillor while the festival was still on the table. ?We always had a great feeling of working with Aurora and nothing has changed. When things go a little bit sideways obviously politicians start to protect themselves and their own credibility within the Town, but in this case the credibility wasn't protected.? Credibility also took a hit, he claims when Councillor Abel began to get ?demanding? on which bands should take to the stage and how much they should be paid, as well as what he describes as a ?spectacle? being made out of their references. ?2013 is out of the question [for a festival],? he said. ?We're very sorry it didn't go the way we had proposed. It wasn't anything to do with our actions, certainly being the lead writer and the pitchmen for the plan, I certainly wouldn't have done anything to hijack my own proposal. -
E News from the International President
MESSAGE FROM VARIETY INTERNATIONAL PRESIDENT GRAHAME MAPP AM Telethon RECORD for Tent 47 British Columbia 7th March 2009 Dear Variety Colleagues and Friends around the World, As we plan fundraising initiatives in this tough economic climate I wish to warmly congratulate three of our great Tents for the outstanding results of their Telethons held in February. Tent 47 Vancouver BRITISH COLUMBIA produced yet another record Variety Show of Hearts Telethon on Global TV over Valentine’s weekend raising CAN$8,304,513, a triumph for children with special needs in the Province. The 43 rd Annual Telethon opened spectacularly with a live studio performance by Cirque du Soleil. During the telecast there were many magic moments with this year’s Variety Kids, including a surprise appearance by Canadian idol runner-up Jaydee Bixby. Many corporate partners were as generous as ever – the legendary White Spot chain of restaurants served up 3300 free meals for volunteers over the two day event! Heartiest congratulations to all in the Vancouver Tent led by Chief Barker Bob Stewart and Executive Director Barbie Hislop. At Tent 15, Des Moines IOWA, the enthusiastic Variety team led by Chief Barker Dave Southwell and the irrepressible Reynolds family raised US$3,170,830 in their annual Telethon broadcast on ABC5. Once again this is an incredible effort for a State of just three million people and is a tribute to Iowans and their compassion for children with special needs. Tent 7, Variety - The Children's Charity of Buffalo & Western New York concluded their 47th annual Variety Kids Telethon on Sunday February 22 with a total of US$1,156,877. -
Business Development Overview Part
THE LAWYERS WEEKLY D ECEMBER 7, 2012 • 21 Business & Careers Get strategic when growing your network From small talk, conversations can come big things hope to gain from today?,” “What brings you to this event?,” “What other events do you attend and why?,” and “What other organiza- tions do you belong to and why?” Not only will you be gathering Gary Mitchell general information about the market, you will begin to get a bet- The Coach ter understanding of who they are, and what are some of their trust you read the first part of challenges. The approach will I this column in the Nov. 9 issue. alleviate the pain most lawyers If you didn’t, you would be well feel with engaging in small talk. advised to go back and look for it. You will initiate real and genuine So you have done your research conversations. Questions to learn and you know where to find your more about them include: “What target audience. This column will has been your biggest challenge serve you in becoming more stra- this past year?,” “In working with tegic in your approach to network- law firms, what have you valued ing, and then becoming disci- the most?,” and “What have you plined with your follow-up. valued the least?” When you take Remember TSD: targeted, stra- this approach you are demon- tegic and disciplined. strating a real and genuine inter- est in them. Networking Using your “Story”: This is often RONTech2000 / ISTOCKPhoto.COM referred to as your “elevator speech,” Before: Ask the organizers for a although I prefer the story term. -
Mainstage Series Sponsor Performance Sponsors
THE Mainstage Series Sponsor Performance Sponsors MISSION STATEMENT Manitoba Opera is a non-profit arts organization dedicated to changing people’s lives through the glory of opera. MANITOBA OPERA OFFICE Lower Level, Centennial Concert Hall Room 1060, 555 Main Street Winnipeg, MB R3B 1C3 BOX OFFICE LARRY DESROCHERS General Director & CEO 9:30 am - 4:30 pm, Monday to Friday MANITOBANS Single Tickets: 204-944-8824 TADEUSZ BIERNACKI Subscriber Services Hotline: 204-957-7842 Assistant Music Director/Chorus Master BANd Online: tickets.mbopera.ca MICHAEL BLAIS Website: mbopera.ca Director of Administration To advertise in this program call: BETHANY BUNKO 204-944-8824 TOGETHER Communications Coordinator TANIA DOUGLAS Manitoba Opera is a member of the Being part of this community means we can count on Association for Opera in Canada Director of Development and Opera America. each other even in uncertain times. By joining us here JAYNE HAMMOND Grants & Corporate Giving Manager today, we unite in supporting local artists, musicians and SHELDON JOHNSON Director of Production performing arts groups, letting them know that they can LIZ MILLER Manitoba Opera gratefully acknowledges the Annual Giving Manager count on us, while at the same time, reminding encouragement and financial support given by the following: SCOTT MILLER Education & Community Engagement one another that we’re still all in this together. Coordinator TYRONE PATERSON Music Advisor & Principal Conductor DARLENE RONALD Director of Marketing DALE SULYMKA Chief Financial Officer 2020/21 Board of Trustees Paul Bruch-Wiens Timothy E. Burt Judith Chambers Maria Mitousis Dr. Bill Pope Alex Robinson SECRETARY CFA; Senior Vice-President VICE CHAIR Principal, Mitousis Lemieux Retired, Registrar, College of Business Development Private Wealth Manager, and Chief Market Strategist, BCom, CFP, TEP; Vice President Howard Law Corporation Physicians & Surgeons Manager, Graham Construction Quadrant Private Wealth Cardinal Capital Management, & Market Manager, TD Wealth and Engineering Inc. -
A Window on Artistic Traditions
umber 1 N ummer 2011 | Volume 18, Volume ummer 2011 | ALBERTA’S UKRAINIAN ARTS AND CULTURE MAGAZINE S pring/ S A window on artistic traditions A PUBLICATION Myrna Kostash: Diarizing Our Journey | The Korovai: A Symbol of Ukrainian Ethnicity OF THE ALBERTA The Ukrainian Experience in Alberta: Through the eyes of Larysa Luciw COUNCIL FOR THE UKRAINIAN ARTS ACUAVITAE Spring/Summer 2011 7 16 18 26 features Diarizing Picture This The Art of 8 Our 12 18 the Korovai departments In her stunning Journey photo essay, Anna Chudyk 4 From the Editor Lida Somchynsky Larysa Luciw looks into the speaks to Myrna illustrates The korovai…a symbol 5 Arts & Culture News Kostash about the Ukrainian of Ukrainian true spirit of her Experience in ethnicity. 7 Profile: Tanya in Wonderland work. Alberta. 11 Profile: Carving A Tradition 16 Profile: Ukrainian Youth Orchestras 22 Music: An Interview with Theresa Sokyrka 25 Literary Works: A Short Reminiscence for Babunia 11 Stocky 26 Lystivky: Men of the Bandura on the cover “Window” Photograph by Larysa Luciw Spring/Summer 2011 ACUAVITAE 3 FROM THE EDITOR “The life of an artist is a continuous journey, the path long and never ending” Justin Beckett the 120th anniversary of the first Ukrainian Settlement to Canada-a significant journey that laid the foundation of our community today. In this issue of ACUA Vitae, we explore the cultural journeys of artists from our Ukrainian community. Larysa Luciw gets behind the lens and captures images of the Ukrainian experience ALBERTA’S UKRAINIAN ARTS AND CULTURE MAGAZINE in Alberta; Mary Oakwell takes a look at woodworking; Anna Chudyk Spring/Summer 2011 | Volume 18 Number 1 explores the art and symbol of korovai; and Lida Somchinsky shares with us Publisher: ACUA, The Alberta Myrna Kostash’s literary journey. -
Reality Show Contestants As a Distinct Category of Research Respondents Who Challenge and Blur Rigid Divisions Between Audience and Text, and Audience and Producer
Focusing on Reality TV: Exploring Women’s Participation in Talent-based Competition Shows by Natasha Patterson M.A. (Women’s Studies), Simon Fraser University, 2004 B.A. (Hons.), Trent University, 2001 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Gender, Sexuality, and Women’s Studies Faculty of Arts and Social Sciences Natasha Patterson 2013 SIMON FRASER UNIVERSITY Spring 2013 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Natasha Patterson Degree: Doctor of Philosophy (Women’s Studies) Title of Thesis: Focusing on Reality TV: Exploring Women’s Participation in Talent-based Competition Shows Examining Committee: Chair: Dr. Lara Campbell Associate Professor Dr. Cindy Patton Senior Supervisor Professor Department of Sociology and Anthropolgy Dr. Helen Leung Supervisor Associate Professor Department of Gender, Sexuality, and Women’s Studies Dr. Zoë Druick Supervisor Associate Professor School of Communication Dr. Brian Burtch Internal/External Examiner Professor School of Criminology Dr. Su Holmes External Examiner Reader, School of Film, Television and Media Studies University of East Anglia Date Defended: April 15, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract Reality TV has become a source of entertainment as well as scorn for North American audiences and critics. While American reality TV and their contestants have received much attention in media studies, very little has been written about Canadian reality show participants, despite the popularity of this type of programming in Canada. -
Baltruschat-MIA
Doris Baltruschat THE NEW MEDIA GEOGRAPHY OF GLOBAL AND LOCAL PRODUCTION NETWORKS Abstract This article highlights the networked collaborations, across non-traditional lines, between producers, broadcasters, digital content developers and telecommunications providers for the development of content across multiple platforms. Through using global production technologies such as co-production and formatting, they are able to localise program narratives with the participation of audiences, online communities, and media events — all of which increase the value of the overall program package for the international market. Global film and television programs are based on production ecologies that interconnect vast networks of producers, broadcasters and digital content developers. These partnerships include collaborations on multi-platform media to stem the growing ‘audience coup’ emanating from file-sharing sites and to exploit social networking aspects that surround popular television programs. In particular, professional media producers take advantage of the reciprocal relationship between actual and virtual communities that coalesce around television shows in the form of real live media events, program participation, public display, online chat rooms and blogs. While these immersive environments extend a global media product’s reach into specific local contexts, they also provide the blueprint for its successful adaptation in different markets around the world. This article explores the intersection between professional media practices and active public engagement with television programs: the dichotomy of media localisation and globalisation is at the core of the investigation. Public involvement in television programs runs the gamut of attending open auditions and participating in television programs to creating a plethora of user-generated content. These activities add value to programs because locally acquired expertise becomes part of a production matrix that is reapplied to the development of new media products. -
Trust Hodgson to Give a Little Bit More
Trust Hodgson to Give a Little Bit more Roger Hodgson Photograph by : CALGARY HERALD, CANWEST NEWS SERVICE Eric Volmers, Calgary Herald; CanWest News Service Published: Wednesday, July 19, 2006 Roger Hodgson seems an odd choice to take on the role of a hardened, reality-TV taskmaster overseeing a gaggle of young Canadian Idol hopefuls. But the soft-spoken and willowy singer-songwriter, who is best known for applying his otherworldly falsetto to a string of progressive pop hits in the 1970s and '80s with his band Supertramp, seems genuinely excited that producers have asked him to be an official mentor on the show. Come August, the former Supertramp frontman, who was 19 when the band's first album was released in 1969, will be shepherding Idol's surviving singers through some of Supertramp's most beloved songs. And the near legendary songwriter admits he is curious to see how the young singers negotiate some of the trickier vocal gymnastics required to master tunes like Dreamer and Take the Long Way Home. "It will be interesting to find contestants who can sing in my register," Hodgson said. "It will be something different for me." Hodgson's appearance on Canadian Idol is another reminder of the long-term relationship the British-born musician has had with this country. Although Hodgson has lived in California since the 1980s, he says Canada's long-standing devotion to Supertramp has always made it seem like a second home. At one time, it was estimated that one in every 20 Canadians owned the band's Breakfast in America and Crime of the Century albums.