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Real Chart 1949
THE REAL CHART 1949 COMPILED BY THE COMPILERS & GRAHAM APPLEYARD The Real Chart 02 January 1949 & 26/12/48 1 49 40 40 12 3 1 Benny Goodman & His Orchestra On A Slow Boat To China 2 91 35 35 1 7 1 Gracie Fields White Christmas 3 203 35 35 2 13 1 Dinah Shore Buttons and Bows 4 78 30 30 3 7 3 Bing Crosby White Christmas 5 65 30 30 4 6 4 Bing Crosby Silent Night Holy Night 6 50 30 30 6 4 6 Gracie Fields Bluebird of Happiness / Buttons and Bows 7 49 30 30 5 4 5 Geraldo & His Orchestra My Happiness / In My Dreams 8 96 25 25 15 11 6 Reggie Goff Olwen (Dream Of Olwen) 9 94 24 24 7 8 3 Ethel Smith Easter Parade / The Green Cockatoo 10 166 24 24 8 13 2 Ken Griffin The Cuckoo Waltz / You Can’t Be True, Dear 11 20 20 16 16 Charles Williams Orchestra The Dream Of Olwen 12 20 20 9 13 3 Bing Crosby Anniversary Song 13 20 20 22 5 13 Joe Loss The Cuckoo Waltz 14 36 20 20 17 4 14 Al Jolson When The Red Red Robin 15 20 20 13 9 4 Frank Sinatra Everybody Loves Somebody 16 20 20 10 6 10 Vera Lynn l’m Sending A Letter To Santa Claus 17 20 20 14 13 5 Buddy Clark All Dressed Up With A Broken Heart 18 33 20 20 24 4 18 Al Jolson For Me And My Gal 19 15 15 28 5 19 Frank Sinatra lt Only Happens When I Dance With You 20 16 10 10 31 3 20 Phil Harris He's His Own Grandpa (I'm My Own Grandpa) 21 10 10 11 8 6 Fats Waller My Very Good Friend The Milkman 22 26 10 10 20 4 16 Danny Kaye Tchaikovsky 23 - 10 10 new 1 23 Edmundo Ros and his Rumba Band Cuanto Le Gusta 24 10 10 18 13 2 Charles Williams Orchestra Devil’s Gallop 25 10 10 23 5 23 Reggie Goff So Tired / Say It Every -
Mss Leupnittg Llrraui U.S., North Viet Set Paris As Site for Talks on Peace
THURSDAY, MAY 2, 1068 Avetuta Dally Net PNaa Run r m n t w e n t y For The Week EedeB The Weather £«pnitt0 HmUi April t t , 1N8 CHoudy tonlgM end tomotrow Pfc. John R. Caine, son of May Day Theme lEupnittg llrraUi with showers likely. (Low to Aboilt Town Mr. find Mrs. Frank Caine of 15,020 night in 40s. Totnorrow 00 to 94 Chambers St., is serving with NATIONAL PAVING 00. Manchester 4 City of Village Charm 60. Th« property «nd lighting com Battery I, 29th Artillery, in O f B entley F air mittees of the Manchester Com Vietnam, J 12 M A IN ST. TA lCO T TV R iC . C O N N . VOL. LXXXVH, NO. 182 (TWENTY-EIGHT PAGES—TWO SECTIONS) munity Playera will meet Sun Miss Arline Evans Shennihg ’’Once upon a May Day” is MANCHESTER, CONN., FRIDAY, MAY 3, 1968 (Oleeelfled Advertleing on Fege *8) PRICE TEN CENTS day at 2 p.m. at the home of the theme for the Bentley School The B0-«0 Club of St. Mary’s and Ronald Paul Lewis, both of Mrs. Harold Bonham, SB Amott PTA Fair, to be held at the DWVeWAYS-^ARKING AREAS Episooipal' Church will have its Manchester, were united in Rd. The. group’s forthcoming school Saturday, May 20, from DEVELOPMENT WORK final supper of the season and marriage Saturday afternoon at 10 a.m. to 2 p.m. Co-chairmen production, "Period of Adjust eteaOon of officers tomorrow ment,” will be discussed. The South Methodist Church. are Mrs. -
Women Postmasters
Women Postmasters Women served as Postmasters in the United States more than a century before they won the right to vote. Over the course of the 1800s, the number of women Postmasters increased from fewer than a dozen to more than 6,000. By the end of the twentieth century, more than half of all Postmasters were women. Although sometimes popularly called "postmistresses," their official title has always been "Postmaster." Women Postmasters in the Colonies Several women ran Post Offices under the British postal system in North America. In Salem, Massachusetts, the Post Office was reportedly kept by two women, Lydia Hill and Molly Gill.1 Hill reportedly served as Postmaster for many years before her death in 1768.2 Sarah Goddard was no stranger to postal business — her late husband, Giles Goddard, had been the Postmaster of New London, Connecticut. In 1764, Sarah joined her son William in Providence, Rhode Island, where he ran a newspaper and print shop and served as Postmaster. Shortly thereafter, William left Providence to pursue business ventures in New York and Philadelphia, leaving the Providence Post Office and print shop in the care of Sarah.3 In 1773, William Goddard moved to Baltimore, Maryland, where he started another newspaper and printing business. A few months later, he was joined by his sister Mary Katherine, “a skilled printer in her own right.”4 While William travelled, she ran the day-to-day business of the print shop, which by 1775 had become Baltimore’s Post Office, with Mary Katherine serving as Postmaster. First Women Postmasters in the United States Mary Katherine Goddard was the only known woman Postmaster when Benjamin Franklin was named the first American Postmaster General in July 1775, making her the first known woman Postmaster in the United Colonies, predecessor of the United States. -
Usps Nationwide Historic Context Study: Postal Facilities Constructed Or Occupied Between 1940 and 1971
DRAFT REPORT USPS NATIONWIDE HISTORIC CONTEXT STUDY: POSTAL FACILITIES CONSTRUCTED OR OCCUPIED BETWEEN 1940 AND 1971 Prepared for U.S. Postal Service 475 L’Enfant Plaza, SW, Room 6670 Washington, DC 20260-1862 September 2012 URS Group, Inc. 12420 Milestone Center Drive, Suite 150 Germantown, MD 20876 TABLE OF CONTENTS SECTION ONE: INTRODUCTION AND METHODOLOGY ....................................................................... 1-1 1.1 Project Purpose and Need ........................................................................ 1-1 1.1.1 Request for Proposals .................................................................. 1-2 1.1.2 Study Work Tasks ........................................................................ 1-3 1.2 Research and Data Collection .................................................................. 1-5 1.3 Survey of Associated Property Types ...................................................... 1-7 1.3.1 Survey Expectations..................................................................... 1-7 1.3.2 Sampling Methodology ................................................................ 1-9 1.3.3 Field Survey Methodology ........................................................ 1-19 1.4 Context Development ............................................................................ 1-20 1.5 Associated Property Type Development ............................................... 1-22 1.5.1 General Process Overview ......................................................... 1-22 1.5.2 Study Approach ........................................................................ -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Grammy Museum® Selects Students and Announces the Head and the Heart and Jojo As Guest Artists for 2019 Grammy Camp® Los Angel
GRAMMY MUSEUM® SELECTS STUDENTS AND ANNOUNCES THE HEAD AND THE HEART AND JOJO AS GUEST ARTISTS FOR 2019 GRAMMY CAMP® LOS ANGELES UNIQUE SUMMER PROGRAM PROVIDES YOUNG PEOPLE WITH CAREER INSTRUCTION FROM OUTSTANDING ARTISTS AND MUSIC INDUSTRY PROFESSIONALS LOS ANGELES, CALIF. (May 15, 2019)—The GRAMMY Museum® announced today that 90 talented high school students from 74 U.S. cities across 23 states have been selected as participants in the 15th annual GRAMMY Camp® program, and The Head And The Heart and JoJo will be this year's guest artists. The signature music industry camp for U.S. high school students will be held in Los Angeles from Tuesday, July 23–Saturday, July 27, 2019, at the University of Southern California, Thornton School of Music. The Head And The Heart will participate in a GRAMMY Camp panel to discuss their career path and help students prepare for a career in the music industry on Wednesday, July 24. JoJo will advise students focused on songwriting and vocal performance on Friday, July 26. "Since I started in the music industry so young, I have a strong perspective growing up on the evolving landscape of our business and how to stay persistent and true to yourself. I can’t wait the share my experiences with the Grammy Camp students," said JoJo. "GRAMMY Camp is one of the most immersive summer camps for high school students interested in a career in music and gives young people the opportunity to study with music industry professionals, resulting in a genuine learning experience about life in the music industry," said Michael Sticka, Executive Director of the GRAMMY Museum. -
121219 Shorenstein Newsletter
J Winter 2006 PRESS/POLITICS News from the Joan Shorenstein Center on the Press, Politics and Public Policy John F. Kennedy School of Government, Harvard University From the Director John S. Carroll to Serve as First Knight Something Visiting Lecturer basic in main- stream journal- The Shoren- and the highest ethical standards. ism has stein Center Earlier this year, Carroll retired changed, and it will host the after five years as top editor of has happened first Knight Vis- the Los Angeles Times, during without debate iting Lecturer. which time the paper won 13 or even much The lectureship Pulitzer Prizes. discussion. is a position for “John Carroll is one of the Alex S. Jones Now, as John S. Carroll distinguished most important journalists of readers and viewers, we feel it is journalists who his generation,” said Alberto our right to know why news will study, analyze and comment Ibargüen, president and CEO decisions were made. We now on the future of journalism in of Knight Foundation. “We’re feel entitled to a transparency America and around the world. glad to help make possible an that is unprecedented. John S. Carroll, former editor opportunity to reflect on his For instance, readers of the of the Los Angeles Times, is the experience and on journalism in New York Times have demanded first to receive this appointment, society at a time of transforma- to know why the Times decided funded with a $200,000 grant tional change. Students and to hold its story on domestic from the John S. and James L. -
Step up Your Playing the Teaching Program for Adults in Atos
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JANUARY | FEBRUARY 2016 www.atos.org ATOS JanFeb 58-1 G.indd 1 12/16/15 7:18 PM STEP UP YOUR PLAYING THE TEACHING PROGRAM FOR ADULTS IN ATOS HOSTS: The Atlanta Chapter of ATOS LOCATION: Atlanta, Georgia DATE: Friday–Sunday, March 4–6 ORGANS: Stephenson High School, 4/22 Page; Strand Theatre Allen GW4; McGee Residence Allen TO5; Double Residence Allen GW 4 INSTRUCTORS: Donna Parker; Tom Helms; Ken Double; and a Special Teaching Session with Richard Hills EVENTS: Four teaching sessions; Special Seminar with Richard Hills; Saturday night concert with Richard Hills at the Grande Page; Closing night dinner party. HOTEL: Fairfield Inn and Suites, Vinings/ Atlanta; 2450 Paces Ferry Road; Atlanta, GA REGISTRATION: Just $249 per person includes all-day session with four instructors, concert at Stephenson H.S. with Richard Hills, transportation to all events, a farewell dinner party. The 4/22 Grande Page Pipe Organ; Stephenson High Space is limited to 22 participants. School; Stone Reserve now! Mountain, Ga Contact Jonas Nordwall at [email protected]. Visit atos.org for more information. ATOS JanFeb 58-1 G.indd 2 12/16/15 7:19 PM THEATRE ORGAN JANUARY | FEBRUARY 2016 Volume 58 | Number 1 FEATURES Name the 12 Organs The Empire Wurlitzer 14 50 Years in Metro-Land Western Reserve II 26 2016 Annual Convention Memories of 36 Buddy Cole DEPARTMENTS 3 Vox Humana 5 President’s Message 6 Directors’ Corner 8 News & Notes 9 Retreat Forward 10 For the Records 48 Chapter News 57 Closing Chord 58 Around the Circuit Connor Palace, Playhouse Square Center THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ On the cover: Society, Inc., 7800 Laguna Vega Drive, Elk Grove, California 95758. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
DOUBLE COUPONS Ralb
20 - MANCHESTER HERALD. Sat., March 12. i9H3 She remembers when ‘prodigies' all were boys working In a post office." !; PAWTUCKET, R.I. ers are gifted kids who Now she discusses the ness. High intellectual Depending on what But it is hard drawing a than most school criteria you use, from 1 to complete picture of a programs. She thinks many pro^s (UPI) — When Deidre have grown up and not fit gifted before various capacity with an IQ of 130 grams for the gifted in . Lovecky was growing up the mold,” she said. groups. But even at that usually is a standard. 5 percent of the population gifted child. Her favorite example is “There are a lot of Albert Einstein, a poor today’s schoois probably.; in North Tarry town, N.Y., Deirdre Lovecky came she was nervous about Other standards are high is gifted. would never pick Einstein ; her family used to call her to Rhode Island to intern being interviewed for the academic achievement in Most parents,' she different ways of being student and a daydrea- thinks, know if their child average, a lot different mer, who related poorly to for special attention. '■ cousin a genius. Yet Dei in child psychology at first time a picked apart a one or more areas, excep "If he were assesset} 1 dre knew she was brighter Bradley Hospital in East styrofoam cup as she tional leadership ability is gifted. Such children ways of being gifted,” other children and spent a Providence. She found or creativity and talent in ask incisive questions Lovecky said. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve.