Brazilian Bilingual Book Club| Antônio Callado |Quarup |

Total Page:16

File Type:pdf, Size:1020Kb

Brazilian Bilingual Book Club| Antônio Callado |Quarup | 2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil BRAZILIAN BILINGUAL BOOK CLUB| ANTÔNIO CALLADO |QUARUP | 16th November 6.30-9 PM 2017- the year of #lovetoreadBrazil Quarup (1967) Antônio Callado (1917-1997) translated as Quarup (1970) In the year of the hundredth anniversary of the birth of Antônio Callado, journalist, war correspondent, playwright & fiction writer, who used to describe himself as a ‘graphomaniac’, we celebrate the centenary with a 21st c. discussion of his fifty-year old novel. ©BRAZILIAN BILINGUAL BOOK CLUB – CULTURAL SECTION - EMBASSY OF BRAZIL IN LONDON All rights reserved - Creator & Convenor -©Nadia Kerecuk 14-16 Cockspur Street London SW11Y 5BL http://londres.itamaraty.gov.br/en-us/book_club.xml 2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil Discover what the title – Quarup – actually means! A novel about a Franciscan priest, Nando, who embarks on a sort of mystical or messianic mission to replicate past Jesuit missions or reductions* in the centre of Brazil in the second half of 20th century? Or perhaps the novel is a dystopian utopia? A failed project to replicate Catholic Jesuit reductions* for 20th c. indigenous populations? Self-sufficient missionary enclaves of subservience, indoctrination and/ or ‘slavery’ in utopian communities of some future? A long sermon addressed at the Brazilian nation by a preacher-narrator? A rather ponderous narrative with thematic echoes of Brazilian classical & contemporary authors: Antônio Vieira, J. de Alencar, Machado de Assis, Viscount of Taunay, Júlio Ribeiro, Mário de Andrade. Lima Barreto, Euclides da Cunha, Guimarães Rosa, Clarice Lispector, Osman Lins & many more. A socio-theological-historical novel with a psychological overtone: a Catholic man of cloth in search of his own self embarking on rites of passage, which drag him deeper into an fatal quagmire of religion, politics, sex and drugs plus seven deadly vices of the soul & guilt-ridden moral crises! Antonio Callado’s (or is it the narrator’s?) critique of the 1964 military regime in Brazil, but also a challenge to the many dogmas of the left. * In this year of the 400th anniversary of the Reformation, let’s be reminded of the Jesuits as the pope’s shock troops to stop Protestantism from1560s, organized along military lines with key rules of self- discipline and obedience to their leader, commonly called ‘the General’: preachers, teachers, confessors, organizers, scientists, explorers, diplomats and spies, zealously founding schools and colleges, monasteries on every continent and especially in Americas & working their way into or becoming government! The Catholic reductions in Brazil can be regarded as heirs to medieval monasteries: Christian, European of various denominations, Buddhist and others, engaging in all sorts of profitable enterprises, herding, trading and ‘enslaving’ their followers in one way or other… DETAILS OF AVAILABLE PUBLICATIONS: ENGLISH 1970 - Quarup : A novel , translated by Barbara Shelby. New York: Alfred A. Knopf ASIN: B0006CK9QM PORTUGUESE 1967 Quarup Various editions including ASIN: B00KGHY4E0 ©BRAZILIAN BILINGUAL BOOK CLUB – CULTURAL SECTION - EMBASSY OF BRAZIL IN LONDON All rights reserved - Creator & Convenor -©Nadia Kerecuk 14-16 Cockspur Street London SW11Y 5BL http://londres.itamaraty.gov.br/en-us/book_club.xml 2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil SHORT HISTORY OF THE BOOK AND TRANSLATIONS The novel Quarup was written and published during the 1960s military regime in Brazil. It is the third novel by the author. The preceding 1954 Assunção de Salviano and 1957 A Madona de Cedro already foreshadow some of the themes and are linked through the ancient Christian and other religious and theological content. The multi-layered writing style, with weaving of various narrative threads, which are interspersed with references to numerous sources, is present in the first two novels and a major stylistic feature of Callado’s discourse. Often, it feels like a chameleonic narrative, perhaps trying a bit too hard to seduce and/or challenge the reader. At other times, one can hear sermon-like passages criticizing the numerous foibles and failures of the quite young nation, Brazil. Just before his death, the author would argue that Quarup was not his best novel. He regarded his Reflexos do Baile (1976) as a more accomplished work. Quarup could perhaps be described as standing on the borderline between fictional narrative, literary journalism with elements of a sort of creative non-fiction. The first publication of the novel dates back to 1967, and it has been reprinted numerous times since then. The author was well travelled on account of his journalistic work as a war correspondent and accrued a reasonable amount of first- hand experience of places and cultures. He used to claim that the five years working at BBC World Service (Brazil Service) was the best education he had ever had. A. Callado returned to Brazil in 1947 having stated that he had rediscovered his passion for Brazil in Britain and was, thus, able to follow the changes in Brazil after the war in his role as a reporter/journalist. He had already exploited the themes of the indigenous populations of Brazil, particularly of the Xingu area in his fictional work. In 1952, Callado travelled to Xingu 27 years after the disappearance of the British Colonel Percy Harrison Fawcett as he tried to locate the ‘Lost City of Z’, an Eldorado, in that area of Brazil in 1925 and ©BRAZILIAN BILINGUAL BOOK CLUB – CULTURAL SECTION - EMBASSY OF BRAZIL IN LONDON All rights reserved - Creator & Convenor -©Nadia Kerecuk 14-16 Cockspur Street London SW11Y 5BL http://londres.itamaraty.gov.br/en-us/book_club.xml 2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil vanished along with his companions. Col. Fawcett had been to Brazil before because he had read a document, which claimed that there was a lost abandoned city in the sertão, which allegedly had been discovered and recorded by the Bandeirantes in the 18th century. Duly authorized by the Government of Brazil, the colonel went on two expeditions in 1920 and 1925. On his last journey, he came with his eldest son Jack and a young Raleigh Rimmel but the three of them vanished without trace. 25 years later, bones, which could be theirs, were found in a lake near the Culuene River, a tributary of the Xingu River. A. Callado would travel with the colonel’s youngest son Brian to verify the claim. Callado researched Fawcett’s life and recorded the views of the Kalapalos (one of 17 indigenous groups there and the first Xingu tribe to be contacted by the Villas- Bôas brothers in 1945). Callado advocated the creation of a national indigenous park there as would other personalities in Brazil. Esqueleto na Lagoa Verde [Skeleton in the Green Lagoon], exceptional reportage for the time in Brazil, ensued and was published in 1953. It was a fascinating report, which also partially served as inspiration for his novel Quarup. In retracing the steps of the British explorers and the other people who tried to understand the colonel’s obsession, Callado produced a report about the dream of the Victorian explorer in the tropics, reimagining his meeting with the local indigenous population. The Xingu Indigenous Park, one of the Brazilian federal parks, was created in 1961 in the state of Mato Grosso. It is regarded as the largest and best known reserves of the kind in the world. Its area is of 2.5 million hectares comprising 16 ethnic groups (Kamayurás, Yawalapitís, Waurás, Kalapalos, Awetis and Ikpengs). The initiative has roots in the 1941 ‘March to the West’ policy of the government ©BRAZILIAN BILINGUAL BOOK CLUB – CULTURAL SECTION - EMBASSY OF BRAZIL IN LONDON All rights reserved - Creator & Convenor -©Nadia Kerecuk 14-16 Cockspur Street London SW11Y 5BL http://londres.itamaraty.gov.br/en-us/book_club.xml 2017- Celebrating the love of reading Brazilian literature The year of #lovetoreadBrazil of President Getúlio Vargas (1882-1954) aimed at the development of the vast Western parts of Brazil scantily populated. During the first half of 19th century, there had been initiatives to expand, occupy and develop the south of Brazil, and to replace the slave labour as the first-step initiative to abolish slavery in Brazil, which resulted in a policy to bring European immigrants to populate that part of Brazil. Advertising about the incentive programme to bring immigrants to Brazil ensued throughout Europe – from Wales (UK) to Central Europe and Ukraine. This, was a continuation of polices adopted by the United Kingdom of Portugal, Brazil and the Algarves (1815-1822) and the Emperor Dom Pedro bringing immigrants from the other parts of the Kingdom and from Europe to Brazil. In the Imperial period, a special call for people with intellectual, scientific and technological knowledge wishing to come to Brazil was released as well and resulted in the arrival from immigrants from all over Europe including Iceland and helped shaped the he melting pot that Brazil is. The creation of the Xingu Park was aimed at protecting an area, where there were various indigenous tribes (some, which had never been contacted or unknown). Various campaigners had advocated the creation of the park. One could argue that the original groundwork had been prepared by Cândido Mariano da Silva Rondon, Marshall Rondon (1865 –1958), a notable military engineer involved in extending
Recommended publications
  • Celso Furtado a Esperança Militante (Interpretações) Vol 1 Celso Furtado a Esperança Militante (Interpretações): Vol
    Celso Furtado a esperança militante (Interpretações) Vol 1 Celso Furtado a esperança militante (Interpretações): vol. 1 Cidoval Morais de Sousa Ivo Marcos Theis José Luciano Albino Barbosa (orgs.) SciELO Books / SciELO Livros / SciELO Libros SOUSA, C. M., THEIS, I. M., and BARBOSA, J. L. A., eds. Celso Furtado: a esperança militante (Interpretações): vol. 1 [online]. Campina Grande: EDUEPB, 2020, 401 p. Projeto editorial 100 anos de Celso Furtado collection. ISBN: 978-65-86221-08-4. https://doi.org/10.7476/9786586221695. All the contents of this work, except where otherwise noted, is licensed under a Creative Commons Attribution 4.0 International license. Todo o conteúdo deste trabalho, exceto quando houver ressalva, é publicado sob a licença Creative Commons Atribição 4.0. Todo el contenido de esta obra, excepto donde se indique lo contrario, está bajo licencia de la licencia Creative Commons Reconocimento 4.0. Universidade Estadual da Paraíba Prof. Antonio Guedes Rangel Junior | Reitor Prof. Flávio Romero Guimarães | Vice-Reitor Editora da Universidade Estadual da Paraíba Luciano Nascimento Silva | Diretor Antonio Roberto Faustino da Costa | Editor Assistente Cidoval Morais de Sousa | Editor Assistente Conselho Editorial Luciano Nascimento Silva (UEPB) | José Luciano Albino Barbosa (UEPB) Antonio Roberto Faustino da Costa (UEPB) | Antônio Guedes Rangel Junior (UEPB) Cidoval Morais de Sousa (UEPB) | Flávio Romero Guimarães (UEPB) Conselho Científico Afrânio Silva Jardim (UERJ) Jonas Eduardo Gonzalez Lemos (IFRN) Anne Augusta Alencar Leite
    [Show full text]
  • Um Nome, Um Destino: Uma Onomástica Na Ficção De Nelson Rodrigues
    UM NOME, UM DESTINO: UMA ONOMÁSTICA NA FICÇÃO DE NELSON RODRIGUES A NAME, A DESTINY: AN ONOMASTIC IN NELSON RODRIGUES’ FICTIONAL WORKS Adriano de Paula Rabelo Professor de Literatura Brasileira na Universidade Federal de Minas Gerais. Via Atlântica, São Paulo, n. 38, pp. 338-362, dez. 2020. doi: 10.11606/va.i38.172207 Resumo : Os nomes dos personagens são uma das mais importantes chaves de interpretação de uma- obra ficcional, a ponto de chegarem a determinar os rumos da ação. Muito especialmente, eles dizem mui to sobre quem são tais personagens, por que fazem o- que fazem, como representam aspectos da realidade de uma determinada sociedade. Nas peças, roman ces, contos e folhetins de Nelson Rodrigues, escritor que tinha plena consciência desse poder expressivo dos nomes, a ponto de refletir frequentemente sobre isso em de suas crônicas ensaísticas, os nomes dados a seus personagens constituem um dos elementos- a que o leitor ou espectador de seus trabalhos deve prestar grande atenção. Este artigo resulta de um am- plo levantamento dos nomes de seus personagens,- classificando-os em categorias e analisando breve mente seus sentidos, suas peculiaridades, suas rela ções com as personalidades que nomeiam. Palavras-chave - : Nelson Rodrigues, nomes, persona gens, criação literária. 339 Abstract - : Characters’ names are one of the most im portant keys to interpreting a fictional work. They- can even determine the course of the story’s action.- Especially, they express a lot about who these charac ters are, why they do what they do, how they repre sent aspects of a specific social reality. In the plays,- novels, short stories and newspaper serial narratives by Nelson Rodrigues, a writer who was fully awa re of the expressive power of names, to the point of frequently reflecting on this issue in his essayistic newspaper columns, his characters’ names are one of the aspects the reader or viewer of the his works should pay close attention.
    [Show full text]
  • Tese De Doutorado Universidade Estadual De
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio da Producao Cientifica e Intelectual da Unicamp TESE DE DOUTORADO UNIVERSIDADE ESTADUAL DE CAMPINAS ANGELA HARUMI TAMARU A CONSTRUÇÃO LITERÁRIA DA MULHER NORDESTINA EM RACHEL DE QUEIROZ Tese apresentada ao Curso de Teoria Literária do Instituto de Estudos da Linguagem da Universidade Estadual de Campinas para obtenção do título de Doutor em Letras na Área de Teoria Literária. Orientadora: Profa. Dra. Enid Yatsuda Frederico Banca: Prof. Dr. Haquira Osakabe Profa. Dra. Maria Betania Amoroso Prof. Dr. Luís Gonçales Bueno de Camargo Profa. Dra. Cilaine Alves Cunha UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM 2004 1 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA IEL - UNICAMP Tamaru, Angela Harumi. T15c A construção literária da mulher nordestina em Rachel de Queiroz / Angela Harumi Tamaru. - Campinas, SP : [s.n.], 2004. Orientadora : Profa. Dra. Enid Yatsuda Frederico. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Modernismo (Literatura) - Brasil. 2. Queiroz, Rachel de, 1910- 2003 – Personagens - Mulheres. 3. Matriarcado. I. Frederico, Enid Yatsuda. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. 2 Nota e agradecimentos Foi já no fechamento deste trabalho que, subitamente, Rachel de Queiroz interrompe sua existência de quase 93 anos. Sua posição de mulher forte, que marcou o século 20 no Brasil, aponta-a como uma figura feminina importante do Brasil, a ser lembrada tanto pela sua obra como pelo que representou, pois abriu espaço para a mulher na vida brasileira. Por ter sobrevivido a quase todos os seus amigos, Rachel dizia-se pesarosa: “meus amigos eram todos mais velhos que eu, de forma que fui perdendo todos eles, de um em um.
    [Show full text]
  • Download the September 2010 Issue
    WORLDPublished by International Rivers Vol. 25 / No. 3 Sept. 2010 RIVERS INSIDE REVIEW Special Focus: Rivers, Water and Climate Down and Out Downstream Interview New Study Documents the Forgotten Victims of Dams Dr. Margaret Palmer, an expert on rivers and climate by Peter Bosshard change, tells us what to expect in a warming world n the 1970s, – and how to fix it. Page 4 Kharochan was I a bustling town Africa in Pakistan’s Indus Mapping the continent’s Delta. The local hydro-dependency and farmers grew rice, climate risk. Page 5 peas, coconuts, mango and guava Dam Safety on their rich soils. Increases in torrential rains From the nearby caused a number of recent harbor Sokhi dam failures. Page 6 Bandar – the “Port of the Prosper- Water and climate ous” – traders Sandra Postel on adapting exported silk, to a new normal. Page 8 rice and wood. When I visited in 2006, no traces of prosperity were left in Kharochan. The port had been An Indus Delta fisherman – one of 472,000 downstream victims of large dams. swallowed by Photo: Ann-Kathrin Schneider the sea, and the groundwater had and its sediments no longer was recently published in become saline in large parts replenish the delta. As a con- a special issue on dams of of the delta. A white crust of sequence, Pakistani experts the online journal Water salt covered the earth, and told me, 8,800 square kilome- Alternatives. turned Kharochan’s fertile ters of agricultural land have The number was calcu- fields into parched land. been lost to the sea since dam lated using a database of all More than half the region’s building began – an area the rivers that have at least one- population lived below the size of Puerto Rico.
    [Show full text]
  • Historica31.Pdf
    Histórica – Revista Eletrônica do Arquivo Público do Estado de São Paulo, n.31, 2008. DIRETRIZES : A PRIMEIRA AVENTURA DE SAMUEL WAINER 1 Danilo Wenseslau Ferrari 2 Resumo: O artigo consiste na reconstituição da trajetória da revista Diretrizes (1938-1944) composta, em certa medida, de acordo com as audaciosas experiências de seu principal responsável, Samuel Wainer, importante figura da imprensa brasileira. Esta atuação foi balão de ensaio para a sua futura carreira, o que certamente fez de Diretrizes uma revista de múltiplas faces. Para tanto, analisou-se não só o grupo responsável, mas também a materialidade, estrutura e demais colaboradores. Palavras-chave: imprensa, intelectuais, revistas. Abstract: The paper consists in re-establish the trajectory of Diretrizes magazine (1938-1944) composed, partly, according to the audacious experiences of its primary sponsor, Samuel Wainer, an important figure of Brazilian press. This participation was a test balloon for his future career, which gave Diretrizes multiple facets. So, not only the responsible group was analyzed, but also the materiality, structure and the rest of the collaborators. Keywords: press, intelectuals, magazines. Nos últimos anos, a imprensa recebeu renovado interesse por parte dos historiadores. Utilizadas de maneira variável, as fontes impressas constam em uma série de trabalhos acadêmicos. 3 Alguns estudiosos debruçaram-se sobre periódicos que consistiram em porta- vozes de importantes movimentos artísticos e de grupos intelectuais e políticos de relevância igualmente destacada. Entre os inúmeros trabalhos existentes nessa direção, houve o caso dos estudos sobre publicações como Festa , Lanterna verde e Revista do Brasil .4 Destinados a um público mais restrito, estes periódicos apresentavam os textos de acordo com a proposta dos editores e possuíam espaço reservado para criação literária.
    [Show full text]
  • RACHEL DE QUEIROZ POLÍTICA: Uma Escrita Entre Esquerdas E Direitas No Brasil (1910-1964)
    RACHEL DE QUEIROZ POLÍTICA: uma escrita entre esquerdas e direitas no Brasil (1910-1964) Natália de Santanna Guerellus (*) Resumo O presente artigo procura traçar em poucas páginas uma biografia intelectual da escritora brasileira Rachel de Queiroz (1910-2003), da militância comunista até a defesa do golpe de 1964. O objetivo é melhor compreender a polêmica história política do Brasil contemporâneo através da trajetória original desta escritora brasileira. Palavras chave: História do Brasil Contemporâneo. Política. Biografia Intelectual. Golpe de Estado. Rachel de Queiroz. RACHEL POLICY QUEIROZ: written between left and right in Brazil (1910-1964) Abstract This paper builds in a few pages an intellectual biography of the brazilian writer Rachel de Queiroz (1910-2003), from her communist militancy until her defense of the Coup d’État of 1964. The goal is better understand Contemporary Political Brazilian History through the original life of this important brazilian woman writer. Keywords: Contemporary Brazilian History. Politics. Intellectual Biographie. Coup d’État, Rachel de Queiroz. “ O melhor é pôr os pingos nos is ”1 No ano de 2014, a discussão sobre o “aniversário” de cinqüenta anos do golpe de 1964 dominou a produção historiográfica brasileira. Já no começo do ano, livrarias enchiam suas prateleiras com volumes e coleções sobre o tema. Muitos pesquisadores de instituições e universidades públicas e privadas também aproveitaram para publicar suas versões ou críticas sobre o fatídico ano e seu controverso movimento. O presente artigo é resultado de uma pesquisa que partiu da mesma discussão, mas não para se debruçar exclusivamente sobre o golpe. Ao contrário, o trabalho consistiu na análise (*) École des Hautes Études em Sciences Sociales (Paris) França.
    [Show full text]
  • Good Neighbor Cultural Diplomacy in World War II
    Good Neighbor Cultural Diplomacy in World War II: The Art of Making Friends Darlene J. Sadlier, Indiana University, USA In August 1940, President Franklin D. Roosevelt named Nelson A. Rockefeller to head the Office of the Coordinator of Inter-American Affairs (CIAA), a new federal agency whose main objective was to strengthen cultural and commercial relations between the U.S and Latin America, in particular Brazil, in order to route Axis influence and secure hemispheric solidarity. On November 7, 1940, just months after the CIAA‘s inception, Robert G. Caldwell and Wallace K. Harrison, Chairman and Director, respectively, of the agency‘s Cultural Relations Division, received written approval for twenty-six special projects at a cost of nearly one-half million dollars.i The most expensive, at $150,000, was an Inter-American exhibit of art and culture under the direction of the MoMA, to be held simultaneously with parallel exhibits in capital cities throughout the Americas.ii Two hundred fifty-five U.S. paintings were curated by the MoMA in conjunction with other major museums, and in April 1941, these were previewed at the Metropolitan Museum of Art in New York. Portions of the large exhibit then toured eight South American republics, Mexico and Cuba for close to a year, beginning with an exposition at Mexico City‘s Palacio de Bellas Artes in June.iii The emphasis was on modern art and included paintings by Georgia O‘Keefe, Thomas Hart Benton, Edward Hopper, Stuart Davis, Loren MacIver, Eugene Speicher, Peter Hurd and Robert Henri, among others. A file in the MoMA archive has valuations of all the paintings at the time, the highest valued being George Bellows‘s Dempsey and Firpo and Georgia O‘Keefe‘s The White Flower at $25,000 each.
    [Show full text]
  • Brazilian Films and Press Conference Brunch
    rTh e Museum of Modern Art No. 90 FOR REL.EIASE* M VVest 53 street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart ^ ^ , o -, . ro ^ Wednesday^ October 2, i960 MUSEUM OF MODERN ART INTRODUCES BRAZILIAN FILMS In honor of Brazil's new cinema movement called Cinema NovO; The Museum of Modern Art will present a ten-day program of features and shorts that reflect the recent changes and growth of the film industry in that country. Cinema Novo: Brasil. the New Cinema of Brazil, begins October 1. and continues through I October 17th. Nine feature-length films;, the work of eight young directors; who represent the New Wave of Brazil^ will be shown along with a selection of short subjects. Adrienne Mancia, Assistant Curator, Department of Film, assembled the program. In the past seven years, the Brazilians have earned i+0 international awards. In Berlin, Genoa and Moscow. Brazilian film retrospectives have been held in acknowledgement of the vigorous Cinema Novo that has taken root in that country. Cinema Novo of Brazil has had a stormy history. The first stirring began in the early 50*8 with the discontent of young filmmakers who objected to imitative Hollywood musical comedies, known as "chanchadas," which dominated traditional Brazilian cinema. This protest found a response araong young film critics who were inspired by Italian neo- realism and other foreign influences to demand a cinema indigenous to Brazil. A bandful of young directors were determined to discover a cinematic language that would reflect the nation's social and human problems. The leading exponent of Cinema Novo, Glauber Rocha, in his late twenties, stated the commitLment of Brazil's youthful cineastes when he wrote: "In our society everything is still I to be done: opening roads through the forest, populating the desert, educating the masses, harnessing the rivers.
    [Show full text]
  • Foreign Land's Geography of Exclusion
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Central Archive at the University of Reading Back to the margins in search of the core: foreign land©s geography of exclusion Book or Report Section Published Version Nagib, L. (2013) Back to the margins in search of the core: foreign land©s geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988 Available at http://centaur.reading.ac.uk/32710/ It is advisable to refer to the publisher's version if you intend to cite from the work. Published version at: http://www.uwp.co.uk Publisher: University of Wales Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading's research outputs online Chapter Eight Back to the Margins in Search of the Core: Foreign Land ’s Geography of Exclusion 1 LÚCIA NAGIB ‘The Tagus is fairer than the river flowing through my village, But the Tagus isn’t fairer than the river flowing through my village Because the Tagus isn’t the river flowing through my village.’ Alberto Caeiro (Fernando Pessoa’s heteronym), ‘The Keeper of Flocks’2 ‘Lampião was great, but he often became small.’ Dadá, in Black God, White Devil 3 The crisis of the national project in the early 1990s, caused by a short-lived but disastrous government, led Brazilian art cinema, for the first time, to look at itself as periphery and reapproach the old colonial centre, Portugal.
    [Show full text]
  • S1809-43412020000100354.Pdf
    UNIVERSIDADE ESTADUAL DE CAMPINAS SISTEMA DE BIBLIOTECAS DA UNICAMP REPOSITÓRIO DA PRODUÇÃO CIENTIFICA E INTELECTUAL DA UNICAMP Versão do arquivo anexado / Version of attached file: Versão do Editor / Published Version Mais informações no site da editora / Further information on publisher's website: https://www.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412020000100354 DOI: 10.1590/1809-43412020v17a354 Direitos autorais / Publisher's copyright statement: ©2020 by Associação Brasileira de Antropologia. All rights reserved. DIRETORIA DE TRATAMENTO DA INFORMAÇÃO Cidade Universitária Zeferino Vaz Barão Geraldo CEP 13083-970 – Campinas SP Fone: (19) 3521-6493 http://www.repositorio.unicamp.br Article Exchange, Friendship and Regional Relations in the Upper Xingu Marina Pereira Novo 1 Antonio Guerreiro 1 1 Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas, Departamento de Antropologia, Campinas/SP, Brasil Abstract The aim of this work is to describe and analyze the different types of relationships established between the peoples of the Upper Xingu through their regional rituals. Starting from a description of the uluki exchange ceremony, we will discuss how this ritual, by mobilizing Xinguano ideas about friendship, produces contexts of interaction in which characteristics of intra-village sociality are extended to regional sociality. At the same time that the uluki defines, together with other regional rituals, a certain “Xinguano interiority” (the world of multi-community rituals), it is also one of its main forms of opening, having the potential to attract to the Xinguano world not only singular persons, but entire groups. Keywords: Amerindian peoples, rituals, exchange, friendship, Upper Xingu. e17354 Vibrant v.17 1 http://doi.org/10.1590/1809-43412020v17a354 Troca, amizade e relações regionais no Alto Xingu Resumo A intenção deste trabalho é descrever e analisar os diferentes tipos de relações estabelecidas entre os povos do Alto Xingu por meio de seus rituais regionais.
    [Show full text]
  • Affective Memory and Dignified Childhood in the Production by Brazilian Writer Clarice Lispector
    ANAMORPHOSIS – Revista Internacional de Direito e Literatura v. 2, n. 1, janeiro-junho 2016 © 2016 by RDL – doi: 10.21119/anamps.21.169-181 AFFECTIVE MEMORY AND DIGNIFIED CHILDHOOD IN THE PRODUCTION BY BRAZILIAN WRITER CLARICE LISPECTOR MÍRIAM COUTINHO DE FARIA ALVES1 TRANSLATED BY FELIPE ZOBARAN ABSTRACT: This article aims at analyzing the concept of affective memory as a category in the imaginary of children’s rights from the perspective of Law and Literature. The focus are the connections between childhood memories and adult personality, regarding the character Virgínia in the novel The chandelier (O lustre), by Clarice Lispector, in order to exemplify the function of affective memory and the universal right to a dignified childhood. The function of affective memories is an important trace in the process of identity formation, which contributes to the development of a legal theory regarding children’s rights. Affection is considered a foundation for dignified life, and literary legal reflections contribute to the rethinking of childhood, in the eyes of Law and social studies. KEYWORDS: affective memory; Clarice Lispector; right to a dignified childhood. INITIAL THOUGHTS Benedito Nunes (1989, p. 105), as an exponent in analyzing the production by Brazilian writer Clarice Lispector, indicates the reflexive, uncanny features of the fictional characters created by her, and emphasizes the density of her narrative regarding consciousness. Such a deep attempt of acknowledging the human condition seems linked to legal studies, as it reveals bonds between Law and Literature. 1 Doctor degree in Law (Universidade Federal da Bahia (UFBA). Professor at the Law Department of Universidade Federal de Sergipe (UFS).
    [Show full text]
  • The Beautiful Game? Hegemonic Masculinity, Women and Football in Brazil and Argentina DAVID WOOD University of Sheffield, UK
    Bulletin of Latin American Research, Vol. 37, No. 5, pp. 567–581, 2018 The Beautiful Game? Hegemonic Masculinity, Women and Football in Brazil and Argentina DAVID WOOD University of Sheffield, UK The practice of football by women in Latin America is an integral part of historical patterns around the performance of gender roles and offers insights into how power, both symbolic and political, is subject to ongoing processes of negotiation. A study of women’s involvement as spectators and players in Brazil and Argentina since the early twentieth century sees football emerge as a field in which the construction of gender identities, both personal and national, may be contested. More recently, a growing presence of female players, writers and academics suggests that female agency through football in Latin America is an increasingly realistic goal. Keywords: Argentina, Brazil, football, Latin America, Marta, women. Taking the Field Football in Latin America has become firmly established as a subject of study for historians, sociologists, anthropologists and literary scholars, especially in relation to Argentina and Brazil, but the great majority of publications arising from such work focus entirely on the game as played by men. Indeed, some influential authors have depicted football in the region as an entirely male affair: Argentinian anthropologist Eduardo Archetti, for example, wrote in 1994 that football was and still is a typical and exclusively masculine sport in Argentina (Archetti, 1994: 226), reiterating almost a decade later that the world of football is exclusively male, an encounter in the stadium [ … ] between competing groups of male players and supporters (Archetti, 2003: 220).
    [Show full text]