09/26/21 AN51004A Ethnographic Film | Goldsmiths, University of London
AN51004A Ethnographic Film View Online
This course explores ethnographic film and its relationship with anthropology and documentary
1.
Banks, M. & Morphy, H. Rethinking visual anthropology. (Yale University Press, 1999).
2.
Crawford, P. I., Turton, D. & Granada Centre for Visual Anthropology. Film as ethnography. (Manchester University Press in association with the Granada Centre for Visual Anthropology, 1992).
3.
MacDougall, D. & Taylor, L. Transcultural cinema. (Princeton University Press, 1998).
4.
MacDougall, D. The corporeal image: film, ethnography, and the senses. (Princeton University Press, 2006).
5.
Winston, B. Claiming the real: the Griersonian documentary and its legitimations. (BFI, 1995).
6.
Grimshaw, A. & Ravetz, A. Observational cinema: anthropology, film, and the exploration of social life. (Indiana University Press, 2009).
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7.
Grimshaw, A. The ethnographer’s eye: ways of seeing in modern anthropology. (Cambridge University Press, 2001).
8.
Heider, K. G. Ethnographic film. (University of Texas Press, 2006).
9.
Society for Visual Anthropology & American Anthropological Association. Visual anthropology review.
10.
Society for the Anthropology of Visual Communication. Studies in the anthropology of visual communication.
11.
Documentary Educational Resources | Ethnographic, Documentary, and Non-fiction Films from Around the World. http://www.der.org/.
12.
Folkstreams. http://www.folkstream.net/.
13.
MacDougall, D. & MacDougall, J. Photo wallahs. (1991).
14.
C, P. ‘To know a man from his face’: Photo Wallahs and the uses of Visual Anthropology. (1993).
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15.
Banks, M. & Morphy, H. Introduction to Rethinking visual anthropology. in Rethinking visual anthropology (Yale University Press, 1999).
16.
Henley, P. Film-making and ethnographic research. in Image-based research: a sourcebook for qualitative researchers (RoutledgeFalmer, 1998).
17.
Eliot Weinberger. The Camera People. Transition 24–54 (1992).
18.
Grimshaw, A. The ethnographer’s eye: ways of seeing in modern anthropology. (Cambridge University Press, 2001).
19.
Crawford, P. I., Turton, D. & Granada Centre for Visual Anthropology. Film as ethnography. (Manchester University Press in association with the Granada Centre for Visual Anthropology, 1992).
20.
Wright, C. The Third Subject: Perspectives on Visual Anthropology. Anthropology Today 14, (1998).
21.
IS AN ETHNOGRAPHIC FILM A FILMIC ETHNOGRAPHY? Jay Ruby. https://astro.temple.edu/~ruby/ruby/is.html.
22.
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Flaherty, R. J. Nanook of the North. (1921).
23.
John A. Price. The Stereotyping of North American Indians in Motion Pictures. Ethnohistory 20, 153–171 (1973).
24.
Ruby, J. The Aggie Must Come First: Robert Flaherty’s Place in Ethnographic Film History. in Picturing culture: explorations of film & anthropology (University of Chicago Press, 2000).
25.
Rony, F. T. Taxidermy and Romantic Ethnography. Robert Flaherty’s Nanook of the North. in The third eye: race, cinema, and ethnographic spectacle (Duke University Press, 1996).
26.
Ann Fienup-Riordan. Robert Redford, Apanuugpak, and the Invention of Tradition. American Ethnologist 15, 442–455 (1988).
27.
Grimshaw, A. The Innocent Eye: Flaherty, Malinowski and the Romantic Quest. in The ethnographer’s eye: ways of seeing in modern anthropology (Cambridge University Press, 2001).
28.
Ruby, J. A reexamination of the early career of Robert J. Flaherty. Quarterly Review of Film Studies 5, 431–457 (1980).
29.
Gardner, R. Dead birds. (2011).
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30.
Mishler, C. Narrativity and Metaphor in Ethnographic Film: A Critique of Robert Gardner’s Dead Birds. American Anthropologist 87, 668–672 (1985).
31.
Ostor, A. Misreading the Metaphor: A Comment on Mishler’s ‘Narrativity and Metaphor’. American Anthropologist 90, 978–980 (1988).
32.
JAY RUBY. AN ANTHROPOLOGICAL CRITIQUE OF THE FILMS OF ROBERT GARDNER. Journal of Film and Video 43, 3–17 (1991).
33.
Terrell, J. E., Hunt, T. L. & Gosden, C. Human Diversity and the Myth of the Primitive Isolate. Current Anthropology 38, 155–195 (1997).
34.
Mishler, C. Dead Arguments: A Reply to Ostor. American Anthropologist 90, 980–982 (1988).
35.
Barbash, I. & Taylor, L. The cinema of Robert Gardner. (Berg, 2007).
36.
Loizos, P. Dead Birds. Man 3, (1968).
37.
Review by: James B. Watson. Review: Dead Birds. American Anthropologist
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67, 1357–1359 (1965).
38.
Rouch, J. Les maitres fous. (1955).
39.
Paul Henley. Spirit Possession, Power, and the Absent Presence of Islam: Re-viewing ‘Les maîtres fous’. The Journal of the Royal Anthropological Institute 12, 731–761 (2006).
40.
Stoller, P. Horrific Comedy: Cultural Resistance and the Hauka Movement in Niger. Ethos 12, 165–188 (1984).
41.
Brink, J. Ten & Renov, M. Building bridges: the cinema of Jean Rouch. vol. Nonfictions (Wallflower Press, 2007).
42.
Heider, K. G. Ethnographic film. (University of Texas Press, 2006).
43.
Henley, P. The adventure of the real: Jean Rouch and the craft of ethnographic cinema. (University of Chicago Press, 2009).
44.
Rouch, J., Marshall, J. & Adams, J. W. ‘Les maîtres Fous, the Lion Hunters and Jaguar’. in Ciné-ethnography vol. Visible evidence 188–209 (University of Minnesota Press, 1989).
45.
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Asch, T. & Chagnon, N. A. The Ax fight. vol. Yanomamo series (1987).
46.
Klein, P. A. The Ax Fight. 1975 . Tim Asch, Napoleon Chagnon. American Anthropologist 79, 747–747 (1977).
47.
Ramos, A. R. Reflecting on the Yanomami: Ethnographic Images and the Pursuit of the Exotic. Cultural Anthropology 2, 284–304 (1987).
48.
Peter Biella & Gary Seaman. Yanomamo Interactive. The Ax Fight. (Harcourt Brace College Publishers).
49.
Chagnon, N. A. Yanomamö, the fierce people. vol. Case studies in cultural anthropology (Holt, Rinehart and Winston, 1977).
50.
Hastrup, K. Chapter 1 ‘Anthropological Visions: Some Notes on Visual and Textual Authority’. in Film as ethnography 8–25 (Manchester University Press in association with the Granada Centre for Visual Anthropology, 1992).
51.
Lizot, J. Tales of the Yanomami: daily life in the Venezuelan forest. vol. Cambridge studies in social anthropology (Cambridge University Press, 1985).
52.
Dan Marks. Ethnography and Ethnographic Film: From Flaherty to Asch and after. American Anthropologist 97, 339–347 (1995).
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53.
Ruby, J. Out of Sync: The Cinema of Tim Asch. Visual Anthropology Review 11, 19–37 (1995).
54.
Alcida R. Ramos. Reflecting on the Yanomami: Ethnographic Images and the Pursuit of the Exotic. Cultural Anthropology 2, 284–304 (1987).
55.
MacDougall, D. & Taylor, L. Transcultural cinema. (Princeton University Press, 1998).
56.
I. C. Jarvie, Binod C. Agrawal, Asen Balikci, John W. Callaghan, Emilie De Brigard, Nina S. De Friedemann, W. R. Geddes, C. Adrian Heidenreich, Sergio Ramírez Lamus and Robin Ridington. The Problem of the Ethnographic Real [and Comments and Reply]. Current Anthropology 24, 313–325 (1983).
57.
Tierney, P. Darkness in El Dorado: how scientists and journalists devastated the Amazon. (Norton, 2001).
58.
Rabben, L. Unnatural selection: the Yanomami, the Kayapó & the onslaught of civilisation. (Pluto, 1998).
59.
Kildea, G., Leach, J. W., University of California (System). Extension Media Center & Papua New Guinea. Office of Information. Trobriand cricket: an ingenious response to colonialism. (1975).
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60.
Weiner, A. B. Trobriand Cricket: An Ingenious Response to Colonialism. American Anthropologist 79, 506–507 (1977).
61.
Weiner, A. B. Epistemology and Ethnographic Reality: A Trobriand Island Case Study. American Anthropologist 80, 752–757 (1978).
62.
Loizos, P. Trobriand Cricket. in Innovation in ethnographic film: from innocence to self-consciousness, 1955-85 (University of Chicago Press, 1993).
63.
Eriksen, T. H. The Challenge of Multiple Traditions. in Small places, large issues: an introduction to social and cultural anthropology vols Anthropology, culture, and society (Pluto, 2001).
64.
Lattas, A. Sorcery and Colonialism: Illness, Dreams and Death as Political Languages in West New Britain. Man 28, (1993).
65.
Asad, T. Anthropology and the colonial encounter. (Humanity Books, 1973).
66.
Meyer, R. E., Leach, J. W. & Kildea, G. Trobriand Cricket: An Ingenious Response to Colonialism. The Journal of American Folklore 96, (1983).
67.
O’Rourke, D. ‘Cannibal tours’. (1988).
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68.
Bruner, E. M. Reciew: Of Cannibals, Tourists, and Ethnographers. Cultural Anthropology 4, 438–445 (1989).
69.
Lutkehaus, N. C. "EXCUSE ME, EVERYTHING IS NOT ALL RIGHT”: On Ethnography, Film, and Representation. Cultural Anthropology 4, 422–437 (1989).
70.
Crick, M. The Anthropologist as Tourist: an identity in question. in International tourism: identity and change vol. Sage studies in international sociology (Sage Publications, 1995).
71.
Eriksen, T. H. The Global, the Local and the Glocal. in Small places, large issues: an introduction to social and cultural anthropology vols Anthropology, culture, and society 294–311 (Pluto, 2001).
72.
Goody, J. The domestication of the savage mind. vol. Themes in the social sciences (Cambridge University Press, 1977).
73.
Janet Hoskins. Predatory Voyeurs: Tourists and ‘Tribal Violence’ in Remote Indonesia. American Ethnologist 29, 797–828 (2002).
74.
Curling, C. & Llewelyn-Davies, M. Masai women. vol. Disappearing World (1974).
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75.
Beidelman, T. O. Masai Women and Masai Manhood . Melissa Llewelyn-Davis. American Anthropologist 78, 958–959 (1976).
76.
Grimshaw, A. The Anthropological Television of Melissa Llewelyn-Davies. in The ethnographer’s eye: ways of seeing in modern anthropology (Cambridge University Press, 2001).
77.
Spencer, P. The Masai. RAIN (1975).
78.
Loizos, P. The Loita Maasai Films: Televised Culture. in Innovation in ethnographic film: from innocence to self-consciousness, 1955-85 115–138 (University of Chicago Press, 1993).
79.
Llewelyn-Davies, M. Women, Warriors, and Patriarchs. in Sexual meanings: the cultural construction of gender and sexuality (Cambridge University Press, 1981).
80.
Review by: Peter Loizos. Review: Television Production. Granada Television’s Disappearing World Series: An Appraisal. American Anthropologist 82, 573–594 (1980).
81.
Nichols, B. Representing reality: issues and concepts in documentary. (Indiana University Press, 1991).
82.
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Loizos, P. Nichols on Pornography and Ethnograph. in Innovation in ethnographic film: from innocence to self-consciousness, 1955-85 206–207 (University of Chicago Press, 1993).
83.
Beckham, M. The Kayapo: out of the forest. vol. Disappearing world (1991).
84.
Turner, T. Defiant Images: The Kayapo Appropriation of Video. Anthropology Today 8, (1992).
85.
Faris, J. C. A Response to Terence Turner. Anthropology Today 9, (1993).
86.
Nugent, S. The Kayapo: Out of the Forest (Disappearing World). Anthropology Today 5, (1989).
87.
Turner, T. Representing, Resisting, Rethinking: Historical Transformations of Kayapo Culture and Anthropological Consciousness. in Colonial situations: essays on the contextualization of ethnographic knowledge vol. History of anthropology (University of Wisconsin Press, 1991).
88.
Turner, T. Representation, Politics, and Cultural Imagination in Indigenous Video: General Points and Kayapo Examples. in Media worlds: anthropology on new terrain 75–89 (University of California Press, 2002).
89.
Faye Ginsburg. Indigenous Media: Faustian Contract or Global Village? Cultural Anthropology 6, 92–112 (1991).
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90.
Ginsburg, F. Mediating Culture: Indigenous Media, Ethnographic Film and the Production of Identity. in Fields of vision: essays in film studies, visual anthropology, and photography (University of California Press, 1995).
91.
Brown, M. F. Can Culture Be Copyrighted? Current Anthropology 39, 193–222 (1998).
92.
Foster, H. The Artist as Ethnographer? in The traffic in culture: refiguring art and anthropology (University of California Press, 1995).
93.
Brian Larkin. Indian Films and Nigerian Lovers: Media and the Creation of Parallel Modernities. Africa: Journal of the International African Institute 67, 406–440 (1997).
94.
Weiner, J. F. Televisualist Anthropology. Current Anthropology 38, 197–235 (1997).
95.
Asch, T., Cardozo, J. I., Cabellero, H. & Bortoli, J. The Story We Now Want to Hear Is Not Ours to Tell: Relinquishing Control Over Representation: Toward Sharing Visual Communication Skills with The Yanomami. Visual Anthropology Review 7, 102–106 (1991).
96.
Isuma Productions. http://www.isuma.tv/isuma-productions.
97.
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The Adoption of the United Nations Declaration on the Rights of the Indigenous Peoples -- Dialogue Between Nations. http://www.dialoguebetweennations.com/.
98.
Londonâs Media Industry - IndigenousMedia.org. http://www.indigenousmedia.org/.
99.
Nativeculture.com: We travel. The world changes. All things become new. http://www.globalthinkinginc.com/nativeculture/.
100.
Barbash, I. & Castaing-Taylor, L. Sweetgrass. (2010).
101.
Alley, J. Sweetgrass by Lucien Castaing-Taylor, Ilisa Barbash. American Anthropologist 113, 507–508 (2011).
102.
Basu, P. Reframing Ethnographic Film. in Rethinking documentary: new perspectives, new practices (McGraw Hill/Open University Press, 2008).
103.
MacDougall, D. Introduction: Meaning and Being. in The corporeal image: film, ethnography, and the senses (Princeton University Press, 2006).
104.
Hertzfeld, M. Hindsight/Postscript: Ethical and Epistemic Reflections on/of Anthropological Vision. in Made to be seen: perspectives on the history of visual anthropology (University of Chicago Press, 2011).
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