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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Morgenstern, Dan. [Record Review: Dave Frishberg: Oklahoma Toad
Records ore reviewed by Chris Albertson, Mike Bourne, Don DeMicheol , Alon Heineman, Wayne Jones, Lorry Kort, John Litweiler, John McDonough, Don Morgenstern, Don Nelsen, Harvey Pekar, Doug Ramsey, Harvey Siders, Carol Sloane, and Jim Szontor. Reviews ore signed by the writers. recurRatings ore: * * * * * excellent, * * * * very good, * * * good, * * fair, * poor. Most recordings reviewed ore ovailoble for purchase through the down beat/RECORD CLUB. ( For membership information see details elsewhere in this issue or write to AEVIEIIWS down beat/RECORD CLUB, 222 W. Adams, Chicago, IL 60606) play rock. A high camp crowdpleaser. a unique story in Jess than three minutes, DON ELLIS Antea, another fine Levy original, pre while the equally unexpected slow tempo DON ELLIS AT FILLMORE-Columbia cedes the album's highlight, Old Man's applied to Exactly yields equally warm, G30243: Tina/ Analysis; Excursion II; Tb • Magic Bus At• M;, Dougbr111t; Th, B/uu; Sahatort Tear, a melancholy ballad portraying "an affecting results. On the third ballad, What S,m; Rork Odyss-,; H,y Jud •: Anua: Old Mar1·s old man's life--his joys and sorrows Is There To Say?, Bud gives himself Tear; Great Vivid,; Pussy Wigg/, Stomp. Personnel: Ellis, trumpet, drums; Glenn Stn· ... " Though Klemmer's composition and more room to stretc h, and the result is art, Stu Blumberg, John Rosenberg, Jack Coan, arrangement are excellent, Ellis steals his a small masterpiece, reflective and more trumpets; Ernie Carlson. Glenn Ferris . trombones; Don Switzer, bass trombone; Doug Bixby , contra• thunder with stunning virtuosity. Great introspecti ve than is his custom, and rem bus, tuba; Fred Selden, Lonnie Shetter, Sam Divide, in 13/4, is a pulsating vehicle iniscent in mood of later Lester Young Falzone, John Klemmer, Jon Clarke, reeds; Jay Graydon, gu irar; Tom Garvio, piano; Dennis highlighted by Shelter's alto, more dazzling a rare groove to capture. -
Lee Konitz Nonet Yes, Yes, Nonet Mp3, Flac, Wma
Lee Konitz Nonet Yes, Yes, Nonet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Yes, Yes, Nonet Country: Japan Released: 1979 Style: Post Bop, Contemporary Jazz MP3 version RAR size: 1260 mb FLAC version RAR size: 1226 mb WMA version RAR size: 1987 mb Rating: 4.3 Votes: 665 Other Formats: MP1 DMF TTA RA VOX AHX MP2 Tracklist Hide Credits A1 Death Of A Nation 6:05 A2 Languid 6:11 Footprints A3 7:59 Written-By – W. Shorter* Stardust B1 5:10 Written-By – H. Carmichael* B2 Primrose Path 6:30 B3 Noche Triste 4:32 My Buddy B4 3:30 Written-By – Kahn*, Donaldson* Companies, etc. Phonographic Copyright (p) – SteepleChase Records Copyright (c) – SteepleChase Records Credits Alto Saxophone, Soprano Saxophone – Lee Konitz Baritone Saxophone, Soprano Saxophone – Ronnie Cuber Bass – Buster Williams Design [Cover], Layout – Per Grunnet Drums – Billy Hart Liner Notes – Torbjørn Sjøgren Piano – Harold Danko Producer, Mixed By, Photography By – Nils Winther Recorded By – Elvin Campbell Trombone – Jimmy Knepper Trombone [Bass] – Sam Burtis Trumpet, Flugelhorn – John Eckert, Tom Harrell Written-By – Jimmy Knepper (tracks: A1, A2, B2, B3) Notes JAPAN Press with OBI and insert SAMPLE/PROMO COPY Other versions Category Artist Title (Format) Label Category Country Year Lee Konitz Yes, Yes, Nonet (LP, SCS-1119 SteepleChase SCS-1119 Denmark 1979 Nonet Album) Lee Konitz SCCD-31119 Yes, Yes, Nonet (CD) SteepleChase SCCD-31119 Denmark 1986 Nonet Lee Konitz Yes, Yes, Nonet (CD, SCCD-31119 SteepleChase SCCD-31119 Denmark 1986 Nonet Album) Related Music albums to Yes, Yes, Nonet by Lee Konitz Nonet Mingus - Something Like A Bird Duke Ellington And His Orchestra - 1927-1931 Lee Konitz - Pride Duke Ellington And His Orchestra - 1938-1939 Pierre Dørge & New Jungle Orchestra - Even The Moon Is Dancing Lou Donaldson - The Best Of Lou Donaldson Vol. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Identity and Women Poets of the Black Atlantic
IDENTITY AND WOMEN POETS OF THE BLACK ATLANTIC: MUSICALITY, HISTORY, AND HOME KAREN ELIZABETH CONCANNON SUBMITTED IN ACCORDANCE WITH THE REQUIREMENTS FOR THE DEGREE OF DOCTOR IN PHILOSOPHY UNIVERSITY OF LEEDS SCHOOL OF ENGLISH SEPTEMBER 2014 i The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Karen E. Concannon to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs, and Patents Act 1988. © 2014 The University of Leeds and K. E. Concannon ii ACKNOWLEDGEMENTS I am grateful for the wisdom and assistance of Dr Andrew Warnes and Dr John Whale. They saw a potential in me from the start, and it has been with their patience, guidance, and eye-opening suggestions that this project has come to fruition. I thank Dr John McLeod and Dr Sharon Monteith for their close reading and constructive insights into the direction of my research. I am more than appreciative of Jackie Kay, whose generosity of time and spirit transcends the page to interpersonal connection. With this work, I honour Dr Harold Fein, who has always been a champion of my education. I am indebted to Laura Faile, whose loving friendship and joy in the literary arts have been for me a lifelong cornerstone. To Robert, Paula, and David Ohler, in each of my endeavours, I carry the love of our family with me like a ladder, bringing all things into reach. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
A Mirror and Focus for the Jazz Community Greg Williamson Art Of
January 2007 VolVol. 23, NoNo. 1 EARSHOTA MirrorMirror andand FocusFocus fforor tthehe JJazzazz CCommunityommunity JASeattle,SeZattle, WashingtoWaZshington Greg Williamson Art of Jazz Tom Baker Quartet Greg Williamson Practice This: Rick Mandyck Photo by Daniel Sheehan Notes EARSHOT J A Z Z A Mirror and Focus for the Jazz Community Art of Jazz Series struments are welcome, as fi nding homes Th is month in the series, held at Seattle for them with students eager to play is not Executive Director: John Gilbreath Asian Art Museum in Volunteer Park, at a problem. Earshot Jazz is collecting in- Earshot Jazz Editor: Peter Monaghan 5pm: Th e Victor Noriega Trio, featuring struments, indefi nitely, at 3429 Fremont Contributing Writers: Andrew Bartlett, the fi ne pianist, on January 10. Admis- Place #309, Seattle WA 98103. For more information, call 206-547-6763, or email Paul Harding, Josie Holtzman, Peter sion to the events is free with museum Monaghan, Lloyd Peterson admission by modest suggested donation. [email protected]. Coming February 8: Rochelle House, Events Listings Photography: Daniel Sheehan and on March 8: Blue Street Voices. Layout: Karen Caropepe Please send gig listings to Mailing: Lola Pedrini Call for Unwanted Instruments [email protected]. Also send Program Manager: Karen Caropepe Earshot Jazz asks that people who have links to your own websites, so we can Program Assistant: Josie Holtzman instruments that are unused and are sim- update our links page. Please format your ply taking up space to consider donating gig listings in keeping with the way they Calendar Information: mail to 3429 them to needy students. -
Steve Kuhn Trance Mp3, Flac, Wma
Steve Kuhn Trance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Trance Country: Japan Released: 1975 Style: Space-Age, Modal MP3 version RAR size: 1269 mb FLAC version RAR size: 1491 mb WMA version RAR size: 1348 mb Rating: 4.8 Votes: 101 Other Formats: MP1 AAC XM AC3 APE VQF VOC Tracklist A1 Trance 5:54 A2 A Change Of Face 4:56 A3 Squirt 3:00 A4 The Sandhouse 3:45 B1 Something Everywhere 7:47 B2 Silver 2:54 B3 The Young Blade 6:15 B4 Life's Backward Glance 3:08 Companies, etc. Phonographic Copyright (p) – ECM Records GmbH Recorded At – Generation Sound Studios Credits Cover, Design – Frieder Grindler Drums – Jack DeJohnette Electric Bass – Steve Swallow Mixed By – Jan Erik Kongshaug Percussion – Sue Evans Photography By – Odd Geirr Saether* Piano, Electric Piano, Composed By – Steve Kuhn Producer – Manfred Eicher Recorded By – Tony May Notes Recorded November 11 and 12, 1974 at Generation Sound Studios, New York City Jack DeJohnette courtesy of Prestige Records An ECM Production P 1975 ECM Records GmbH Printed in W. Germany Other versions Category Artist Title (Format) Label Category Country Year Steve Trance (LP, ECM 1052 ST ECM Records ECM 1052 ST Germany 1975 Kuhn Album) Steve Trance (CD, UCCU-5248 ECM Records UCCU-5248 Japan 2004 Kuhn Album, RE, RM) Steve Trance (LP, 25MJ 3347 ECM Records 25MJ 3347 Japan 1975 Kuhn Album) ECM 1052, 987 Steve Trance (CD, ECM Records, ECM 1052, 987 Germany Unknown 1774 Kuhn Album, RE) ECM Records 1774 Trance (CD, Steve UCCU-5750 Album, Ltd, RE, ECM Records UCCU-5750 Japan 2016 Kuhn SHM) Related Music albums to Trance by Steve Kuhn Miroslav Vitous - Universal Syncopations Jack DeJohnette's Special Edition - Inflation Blues John Surman - Free And Equal Gary Burton & Friends - Six Pack Jack DeJohnette - New Directions Steve Kuhn / Sheila Jordan Band - Playground John Abercrombie / Dave Holland / Jack DeJohnette - Gateway 2 Terje Rypdal / Miroslav Vitous / Jack DeJohnette - Terje Rypdal / Miroslav Vitous / Jack DeJohnette. -
Dossier De Presse
rec tdic iph cseé uqp, luoJ Dossier de presse ieuo e"rn rAMH qka uas iDrs laie stfl eral saS tb cir oJea naev cvta oaei c"nl t,cl éqo ,uma aipv ulae tegc onp bril aeé pgdt tieh isDo sthr érae Fefd oae uvr reYt tcoi hlus West ose rmes lufd http://www.amr-geneve.ch/amr-jazz-festival dseo (itn Compilation des groupes du festival disponible sur demande qcPt uiaB Contact médias: Leïla Kramis [email protected], tél: 022 716 56 37/ 078 793 50 72 aeo tnla AMR / Sud des Alpes rsob 10, rue des Alpes, 1201 Genève iAFa T + 41 22 716 56 30 / F + 41 22 716 56 39 èbrM mdea eosa 35e AMR Jazz Festival – dossier de presse 1 mul oM., nbH Table des matières I. L’AMR EN BREF....................................................................................................................................... 3 II. SURVOL DES CONCERTS..................................................................................................................... 4 III. DOSSIERS ARTISTIQUES..................................................................................................................... 5 PARALOG.............................................................................................................................................. 5 JOE LOVANO QUARTET...................................................................................................................... 7 PLAISTOW........................................................................................................................................... 10 J KLEBA............................................................................................................................................ -
Wallace Roney Joe Fiedler Christopher
feBrUARY 2019—ISSUe 202 YOUr FREE GUide TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BILLY HART ENCHANCING wallace joe christopher eddie roney fiedler hollyday costa Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East feBrUARY 2019—ISSUe 202 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@niGht 4 Laurence Donohue-Greene: interview : wallace roney 6 by anders griffen [email protected] Andrey Henkin: artist featUre : joe fiedler 7 by steven loewy [email protected] General Inquiries: on the cover : Billy hart 8 by jim motavalli [email protected] Advertising: encore : christopher hollyday 10 by robert bush [email protected] Calendar: lest we forGet : eddie costa 10 by mark keresman [email protected] VOXNews: LAbel spotliGht : astral spirits 11 by george grella [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or oBitUaries 12 by andrey henkin money order to the address above or email [email protected] FESTIVAL REPORT 13 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, CD reviews 14 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Miscellany Tom Greenland, George Grella, 31 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, event calendar Matthew Kassel, Mark Keresman, 32 Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Brian Charette, Steven Loewy, As unpredictable as the flow of a jazz improvisation is the path that musicians ‘take’ (the verb Francesco Martinelli, Annie Murnighan, implies agency, which is sometimes not the case) during the course of a career. -
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer Is An
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer is an enigma to many. He seems to be a "different artist" to "different people" depending on which musical direction & time period of Klemmer's music they are attached to, are aware of & prefer. John Klemmer began playing guitar at age 5. After interests in graphics and visual art studying at The Art Institute of Chicago & with ambitions of being Dancer, Puppeteer, Painter, Sculptor, Writer, & Poet. He began Alto Sax at age 11, switching to Tenor Sax when entering High School. He spent years of extensive private lessons in Piano, Conducting, Harmony & Theory, Composition, Arranging, Clarinet, Flute, & Classical & Jazz Saxophone that continued through all his years in Chicago. He also attended Interlochen's National Music Camp immersed in the study of Classical Music & "Legitimate Classical" Saxophone etc. He turned down an offer of a four scholarship there to return to "study" in the jazz clubs etc. of Chicago. Immediately upon graduating from High School, noted jazz producer, Esmond Edwards, signed Klemmer to Cadet/Chess Records for five plus albums, his first 2 recordings being "straight ahead jazz", and then, abruptly & surprisingly if not confusing to many, of which would eventually become a trademark of his career, changed musical directions, recording the innovative hit album of the first, slightly preceding the release of Miles Davis "Bitches Brew", of the "jazz/rock fusion" genre, "Blowin Gold", co-produced by ex Rolling Stones Records producer, Marshall Chess, for the new Cadet Concept label on Chess Records. Here John introduced his use with electronics, primarily the "delay effect", which would become his life long "trademark sound", as well as, uses of the "wah wah" pedal & "ring modulator" etc.