Fiona Clark, webcam still from Online The Live Feed – Fiona Clark’s ‘Egmontiana’ www.taranakivista.co.nz issued when John Studley, Indigenous Sacred Natural Sites Mt was designated a legal entity, and Spiritual Governance: The Legal Case for 2018, printed postcard List of Works Juristic Personhood, 1st Edition All works are in the collection of Fiona Clark, unless otherwise stated. Murray Ball, Images for Taranaki, 1980, https://www.routledge.com/Indigenous- template for printed badges (centre) Sacred-Natural-Sites-and-Spiritual- Governance-The-Legal-Case/Studley/p/ Fiona Clark, Fracked, 2013-14, three printed book/9781138316232 South Wall (nearest entry) Sheet of six 23-cent stamps designed by postcards From left to right M.V. Askew, printed in Holland, 1971 Two postcards produced by Oil and Gas Front desk, Level 3 Fiona Clark, Werenia Te Tatau O Te Po companies, with Fiona Clark’s, ‘Local benefits Papakura (née Kipa), Ngati Te Whiti, West wall (to left from entry) will be enormous’, 1984, printed postcard Collect your complimentary copy of Fiona Ngatirahiri, Waiwakaiho, 1982, From left to right Clark’s Taranaki Solstice 21, 22, 23 June Cabbage Enterprises, We wish you a moneyed from Nga Whaea 1982, cibachrome print 1987, printed sheet, or one of her Fracking W.E. (Bill) Yaxley (b.1943), Egmont, 1970, Christmas and a polluted New Year, 1979, postcards. Fiona Clark, Parihaka, from Nga Whaea 1982, carved wooden desk lid, PVA and pigment, printed card with collage showing National cibachrome print Collection of Clare Wrathall. This was item MP for Taranaki Tony Friedlander. Purchase a pair of Fracking slippers knitted 111 in the 111 Views of Mount Egmont by Fiona Clark and Margaret White (proceeds Fiona Clark, Mana Te Noki Karena (née Fiona Clark, Fracking Cloth, 2007–ongoing, exhibition, Govett-Brewster Art Gallery, New go to Te Kura O Otari) Martin), Ngaruaahine, Te Whanganui Iwawaka cloth, embroidery threads and roadside Plymouth, 1972. This view shows the marae at Reserve, Opunake, New Plymouth 1982, from debris (above vitrine) , near the family home of Darcy Lange. Nga Whaea 1982, cibachrome print Milk & Honey Café Artist unknown, Pukekura Park, circa 1950s, Kete, woven by Karen Clark (who is from East wall (to right of vitrine) Visit Milk & Honey Café opposite the Adam hand-coloured photograph on mirror (above) Tuˉranganui-a-Kiwa and is currently living in From left to right Art Gallery and enjoy a cheese scone baked ) with harakeke from Fiona Clark’s Crago Studio Photography, Pukekura Park, with Mainland’s Egmont cheese, specially Fiona Clark, Tikorangi Factory, 2019, garden. The pattern is based on a design New Plymouth, circa 1960s, framed hand- prepared for the duration of this exhibition. digital inkjet print by Te Auripo (Maggie) Tamati-Wharehoka of coloured photograph (below) Parihaka, Taranaki (Patikitiki whakapapa) Fiona Clark, Hitchcock’s Farm, Upper Dudley based on Te Mounga Taranaki, 2019 Faith Huffam, [View of the mountain], 2005, oil Road, Inglewood, 2007, digital inkjet print on board. Faith is an artist based in Waitara (above) Fiona Clark, Farm 556, Mycoplasma Bovis Plinth 1 site, Taranaki, 2018, digital inkjet print Joy F.R.M.S., date unknown, painted tray Ngawhakaheke Tuti Wetere, 11 painted (below) Touchscreen showing Climate Justice Waitara River stones, 2005–10. Taranaki’s interactive website showing Shield Pure Creamery Butter, circa 1960, Ngawhakaheke is an artist from Waitara. Taranaki oil and gas sites https://www. printed kahikatea butter box panel. This is the google.com/maps/d/viewer?msa=0&dg= Faith Huffam, painted Waitara River stone, date brand of butter made at the Tikorangi Dairy feature&mid=1vumG9QV6mYJ5NHwbLt8 unknown. Faith is an artist based in Waitara. Factory where Fiona Clark lives (below) l9zuYOYk&ll=-46.46554731322713%2C- 169.90907636940585&z=4 Fiona Clark’s certificate of her ascent of Artist unknown, Mount Egmont, N.Z., date Mt Egmont awarded 25 January 1968, unknown, paint and varnish on tree ring. This Biosecurity New Zealand, Mycoplasma Bovis printed paper is a view of the southern side of the mountain Eradication Programme Update, infographic (below) prepared by the Ministry for Primary 1971 Definitives, Mt Egmont 23c, 1st Industries. This is updated weekly. December. 1971, First Day Cover issued Violet Grubner, Our Mountain at Dawn, 2010, by Egmont National Park to mark its 50th paint on wooden tea tray. Violet is an artist Fiona Clark, Snowball, my cow with the herd anniversary, 1971, printed card with based in Waitara. at Inglewood, 2006, digital inkjet print postage stamp Plinth 2 (middle of west wall) Front row from left to right White’s Aviation, Aerial view of Inglewood Fiona Clark, View from the cowshed and web Farm, 1960s, photograph hand-coloured by camera, Inglewood, 2005, digital inkjet print Egmont Roses, 1995, printed catalogue Back row from left to right Mary Clark (middle) Fiona Clark, Bristol Road Lahar Farm Hills, Twelve souvenir teaspoons with mountain Egmont Roses, 1994, printed catalogue by Crown Lynn plate with papier-mâché collage Inglewood, 2018, digital inkjet print motif, dates unknown, stainless steel John Martin won by Fiona Clark as a Highland Dancing Souvenir letter opener with mountain motif, prize in 1963 (below) G.I.G Project Safety Award, 1985, two Gas to Vitrine date unknown, stainless steel Gasoline Think Big mugs made as awards to Faith Huffam, [View of the mountain], 2003, oil Clockwise from lower left workers. Shield Brand butter paper on board. Faith is an artist based in Waitara. (above) Printed tickets to the Moth Ball, 1985, with Bechtel G.I.G Project, 1982, two Gas to Peak of Perfection butter paper Sinfull Un-opening, , Feb 1986, 1986, Gasoline Think Big glasses. Betchel was the L. Holloben, Mt Egmont NZ, date unknown, oil printed badge American corporation that won the contract Egmont butter paper on board. This artist is from Auckland (below) to build the Think Big project at Motunui. Motunui Pigsty, 1981, stencilled poster for Peak of Perfection butter paper Mae G, Matchstick Mountain, date unknown, de-Mobil-ise Mobil Campaign. The Maui Stratford Mountain Club, 1975, drinking glass wood and varnish (above) Taranaki gas field was recognised in 1969 as the eighth largest in the world. Protesters Western brand, 1970s, three large glass West wall (above Plinth 2) B. Brammett, Untitled, date unknown, acrylic opposed to the waste and environmental flavoured beverage bottles From left to right on card (below) damage it would cause, argued that White Top Brand, 1950s, one glass flavoured Ellmore Photography Hawera, [Mount Artist unknown, Taranaki Maunga, Aotea Te developing the field was like ‘feeding pigs beverage bottle Taranaki with Kapuni Gas Plant], circa 1980, Waka, date unknown, raffia tukutuku, paua chocolate’. They teamed this analogy with montage of two silver gelatin prints. In shells, silver beads on board. The maker is Prime Minister Robert Muldoon’s nick-name Western brand, 1970s, one small glass 1978 Fiona Clark attended her first hearing from Patea. ‘Piggy Muldoon’, to call the plant ‘Motunui flavoured beverage bottle opposing Muldoon’s Think Big project, the Pigsty’. Mountain brand, 1950s, one small glass ammonia urea plant at Kapuni. Plinth 3 Tertius, “Plenty more where that came from”, flavoured beverage bottle Fiona Clark, Inglewood Sunflower Butter Sign, Motunui pigsty carve up, circa 1981, pencil Margaret White, Knitted Mounga, 2019, wool. Sunflower Whey butter paper, 1960s 1980, C-type vintage print drawing for de-Mobil-ise Mobil Campaign This is based on a photograph produced by Large roll of Sunflower butter paper, 1960s Fiona Clark from www.taranakivista.co.nz Will you pay the Mo-Bill? 1983, de-Mobil-ise West wall (to right of Plinth 2) and was made as a collaboration for this Mobil Campaign poster From left to right exhibition. Middle row from left to right Fiona Clark, Waiongona Kaawa (Reef), Artist unknown, [Mountain with truck], date Puketapu, Bell Block, North Taranaki, 1981, Egmont, 1960, Crown Lynn bowl unknown, acrylic on velvet North wall (opposite entry) c-type print

Sinus Snowwhite Cleanser, date unknown, Artist unknown, [View of the mountain through Fiona Clark, www.taranakivista.co.nz, Lesbians around the Mountain, 1984, printed printed advertisement trees], date unknown, carved and painted feed from video web camera installed near badges wood (above) Inglewood, live-streaming since 2007. Fairy Wonder Soap Powder, date unknown, Fiona Clark, Plan of Taranaki Wars Showing printed advertisement Tom Kreisler, The Black Wave, 1987, ink on Troop Movements, 1865, 2011 photograph of original map printed on cloth Taranaki Ale, 1960s, glass ashtray paper (middle) East wall (to right of entry) From left to right Lesbians around the Mountain, 1984, Butter me up, date unknown, silver Marc Knom, [View of the mountain], date printed badges butter knife unknown, watercolour (below) Fiona Clark, Six aerial views of reefs with handwritten text by those involved in the 1980 Violet Grubner, Untitled, 2010, oil on board. Tuck’s Postcards, New Plymouth Prison, clean sea issue, 1980, colour photographs Violet is an artist based in Waitara (above) nineteenth-century printed postcard and text, These were presented as evidence to the Waitangi Tribunal. Plinth 2 (middle of west wall) Front row from left to right White’s Aviation, Aerial view of Inglewood Fiona Clark, View from the cowshed and web Farm, 1960s, photograph hand-coloured by camera, Inglewood, 2005, digital inkjet print Egmont Roses, 1995, printed catalogue Back row from left to right Mary Clark (middle) Fiona Clark, Bristol Road Lahar Farm Hills, Twelve souvenir teaspoons with mountain Egmont Roses, 1994, printed catalogue by Crown Lynn plate with papier-mâché collage Inglewood, 2018, digital inkjet print motif, dates unknown, stainless steel John Martin won by Fiona Clark as a Highland Dancing Souvenir letter opener with mountain motif, prize in 1963 (below) G.I.G Project Safety Award, 1985, two Gas to Vitrine date unknown, stainless steel Gasoline Think Big mugs made as awards to Faith Huffam, [View of the mountain], 2003, oil Clockwise from lower left workers. Shield Brand butter paper on board. Faith is an artist based in Waitara. (above) Printed tickets to the Moth Ball, 1985, with Bechtel G.I.G Project, 1982, two Gas to Mangorei Peak of Perfection butter paper Sinfull Un-opening, Motunui, Feb 1986, 1986, Gasoline Think Big glasses. Betchel was the L. Holloben, Mt Egmont NZ, date unknown, oil printed badge American corporation that won the contract Egmont butter paper on board. This artist is from Auckland (below) to build the Think Big project at Motunui. Motunui Pigsty, 1981, stencilled poster for Peak of Perfection butter paper Mae G, Matchstick Mountain, date unknown, de-Mobil-ise Mobil Campaign. The Maui Stratford Mountain Club, 1975, drinking glass wood and varnish (above) Taranaki gas field was recognised in 1969 as the eighth largest in the world. Protesters Western brand, 1970s, three large glass West wall (above Plinth 2) B. Brammett, Untitled, date unknown, acrylic opposed to the waste and environmental flavoured beverage bottles From left to right on card (below) damage it would cause, argued that White Top Brand, 1950s, one glass flavoured Ellmore Photography Hawera, [Mount Artist unknown, Taranaki Maunga, Aotea Te developing the field was like ‘feeding pigs beverage bottle Taranaki with Kapuni Gas Plant], circa 1980, Waka, date unknown, raffia tukutuku, paua chocolate’. They teamed this analogy with montage of two silver gelatin prints. In shells, silver beads on board. The maker is Prime Minister Robert Muldoon’s nick-name Western brand, 1970s, one small glass 1978 Fiona Clark attended her first hearing from Patea. ‘Piggy Muldoon’, to call the plant ‘Motunui flavoured beverage bottle opposing Muldoon’s Think Big project, the Pigsty’. Mountain brand, 1950s, one small glass ammonia urea plant at Kapuni. Plinth 3 Tertius, “Plenty more where that came from”, flavoured beverage bottle Fiona Clark, Inglewood Sunflower Butter Sign, Motunui pigsty carve up, circa 1981, pencil Margaret White, Knitted Mounga, 2019, wool. Sunflower Whey butter paper, 1960s 1980, C-type vintage print drawing for de-Mobil-ise Mobil Campaign This is based on a photograph produced by Large roll of Sunflower butter paper, 1960s Fiona Clark from www.taranakivista.co.nz Will you pay the Mo-Bill? 1983, de-Mobil-ise West wall (to right of Plinth 2) and was made as a collaboration for this Mobil Campaign poster From left to right exhibition. Middle row from left to right Fiona Clark, Waiongona Kaawa (Reef), Artist unknown, [Mountain with truck], date Puketapu, Bell Block, North Taranaki, 1981, Egmont, 1960, Crown Lynn bowl unknown, acrylic on velvet North wall (opposite entry) c-type print

Sinus Snowwhite Cleanser, date unknown, Artist unknown, [View of the mountain through Fiona Clark, www.taranakivista.co.nz, Lesbians around the Mountain, 1984, printed printed advertisement trees], date unknown, carved and painted feed from video web camera installed near badges wood (above) Inglewood, live-streaming since 2007. Fairy Wonder Soap Powder, date unknown, Fiona Clark, Plan of Taranaki Wars Showing printed advertisement Tom Kreisler, The Black Wave, 1987, ink on Troop Movements, 1865, 2011 photograph of original map printed on cloth Taranaki Ale, 1960s, glass ashtray paper (middle) East wall (to right of entry) From left to right Lesbians around the Mountain, 1984, Butter me up, date unknown, silver Marc Knom, [View of the mountain], date printed badges butter knife unknown, watercolour (below) Fiona Clark, Six aerial views of reefs with handwritten text by those involved in the 1980 Violet Grubner, Untitled, 2010, oil on board. Tuck’s Postcards, New Plymouth Prison, clean sea issue, 1980, colour photographs Violet is an artist based in Waitara (above) nineteenth-century printed postcard and text, These were presented as evidence to the Waitangi Tribunal. Fiona Clark, webcam still from Online The Live Feed – Fiona Clark’s ‘Egmontiana’ www.taranakivista.co.nz issued when John Studley, Indigenous Sacred Natural Sites Mt Taranaki was designated a legal entity, and Spiritual Governance: The Legal Case for 2018, printed postcard List of Works Juristic Personhood, 1st Edition All works are in the collection of Fiona Clark, unless otherwise stated. Murray Ball, Images for Taranaki, 1980, https://www.routledge.com/Indigenous- template for printed badges (centre) Sacred-Natural-Sites-and-Spiritual- Governance-The-Legal-Case/Studley/p/ Fiona Clark, Fracked, 2013-14, three printed book/9781138316232 South Wall (nearest entry) Sheet of six 23-cent stamps designed by postcards From left to right M.V. Askew, printed in Holland, 1971 Two postcards produced by Oil and Gas Front desk, Level 3 Fiona Clark, Werenia Te Tatau O Te Po companies, with Fiona Clark’s, ‘Local benefits Papakura (née Kipa), Ngati Te Whiti, West wall (to left from entry) will be enormous’, 1984, printed postcard Collect your complimentary copy of Fiona Ngatirahiri, Waiwakaiho, New Plymouth 1982, From left to right Clark’s Taranaki Solstice 21, 22, 23 June Cabbage Enterprises, We wish you a moneyed from Nga Whaea 1982, cibachrome print 1987, printed sheet, or one of her Fracking W.E. (Bill) Yaxley (b.1943), Egmont, 1970, Christmas and a polluted New Year, 1979, postcards. Fiona Clark, Parihaka, from Nga Whaea 1982, carved wooden desk lid, PVA and pigment, printed card with collage showing National cibachrome print Collection of Clare Wrathall. This was item MP for Taranaki Tony Friedlander. Purchase a pair of Fracking slippers knitted 111 in the 111 Views of Mount Egmont by Fiona Clark and Margaret White (proceeds Fiona Clark, Mana Te Noki Karena (née Fiona Clark, Fracking Cloth, 2007–ongoing, exhibition, Govett-Brewster Art Gallery, New go to Te Kura O Otari) Martin), Ngaruaahine, Te Whanganui Iwawaka cloth, embroidery threads and roadside Plymouth, 1972. This view shows the marae at Reserve, Opunake, New Plymouth 1982, from debris (above vitrine) Urenui, near the family home of Darcy Lange. Nga Whaea 1982, cibachrome print Milk & Honey Café Artist unknown, Pukekura Park, circa 1950s, Kete, woven by Karen Clark (who is from East wall (to right of vitrine) Visit Milk & Honey Café opposite the Adam hand-coloured photograph on mirror (above) Tuˉranganui-a-Kiwa and is currently living in From left to right Art Gallery and enjoy a cheese scone baked Tikorangi) with harakeke from Fiona Clark’s Crago Studio Photography, Pukekura Park, with Mainland’s Egmont cheese, specially Fiona Clark, Tikorangi Factory, 2019, garden. The pattern is based on a design New Plymouth, circa 1960s, framed hand- prepared for the duration of this exhibition. digital inkjet print by Te Auripo (Maggie) Tamati-Wharehoka of coloured photograph (below) Parihaka, Taranaki (Patikitiki whakapapa) Fiona Clark, Hitchcock’s Farm, Upper Dudley based on Te Mounga Taranaki, 2019 Faith Huffam, [View of the mountain], 2005, oil Road, Inglewood, 2007, digital inkjet print on board. Faith is an artist based in Waitara (above) Fiona Clark, Farm 556, Mycoplasma Bovis Plinth 1 site, Taranaki, 2018, digital inkjet print Joy F.R.M.S., date unknown, painted tray Ngawhakaheke Tuti Wetere, 11 painted (below) Touchscreen showing Climate Justice Waitara River stones, 2005–10. Taranaki’s interactive website showing Shield Pure Creamery Butter, circa 1960, Ngawhakaheke is an artist from Waitara. Taranaki oil and gas sites https://www. printed kahikatea butter box panel. This is the google.com/maps/d/viewer?msa=0&dg= Faith Huffam, painted Waitara River stone, date brand of butter made at the Tikorangi Dairy feature&mid=1vumG9QV6mYJ5NHwbLt8 unknown. Faith is an artist based in Waitara. Factory where Fiona Clark lives (below) l9zuYOYk&ll=-46.46554731322713%2C- 169.90907636940585&z=4 Fiona Clark’s certificate of her ascent of Artist unknown, Mount Egmont, N.Z., date Mt Egmont awarded 25 January 1968, unknown, paint and varnish on tree ring. This Biosecurity New Zealand, Mycoplasma Bovis printed paper is a view of the southern side of the mountain Eradication Programme Update, infographic (below) prepared by the Ministry for Primary 1971 Definitives, Mt Egmont 23c, 1st Industries. This is updated weekly. December. 1971, First Day Cover issued Violet Grubner, Our Mountain at Dawn, 2010, by Egmont National Park to mark its 50th paint on wooden tea tray. Violet is an artist Fiona Clark, Snowball, my cow with the herd anniversary, 1971, printed card with based in Waitara. at Inglewood, 2006, digital inkjet print postage stamp