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Vodou and the U.S. Counterculture
VODOU AND THE U.S. COUNTERCULTURE Christian Remse A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2013 Committee: Maisha Wester, Advisor Katerina Ruedi Ray Graduate Faculty Representative Ellen Berry Tori Ekstrand Dalton Jones © 2013 Christian Remse All Rights Reserved iii ABSTRACT Maisha Wester, Advisor Considering the function of Vodou as subversive force against political, economic, social, and cultural injustice throughout the history of Haiti as well as the frequent transcultural exchange between the island nation and the U.S., this project applies an interpretative approach in order to examine how the contextualization of Haiti’s folk religion in the three most widespread forms of American popular culture texts – film, music, and literature – has ideologically informed the U.S. counterculture and its rebellious struggle for change between the turbulent era of the mid-1950s and the early 1970s. This particular period of the twentieth century is not only crucial to study since it presents the continuing conflict between the dominant white heteronormative society and subjugated minority cultures but, more importantly, because the Enlightenment’s libertarian ideal of individual freedom finally encouraged non-conformists of diverse backgrounds such as gender, race, and sexuality to take a collective stance against oppression. At the same time, it is important to stress that the cultural production of these popular texts emerged from and within the conditions of American culture rather than the native context of Haiti. Hence, Vodou in these American popular texts is subject to cultural appropriation, a paradigm that is broadly defined as the use of cultural practices and objects by members of another culture. -
An Evening of Honor, Celebration and Charity
WINTER 2016/2017 AN EVENING OF HONOR, CELEBRATION AND CHARITY A PUBLICATION OF THE MAJOR LEAGUE BASEBALL PLAYERS ALUMNI ASSOCIATION BASEBALL ALUMNI NEWS www.baseballalumni.com E-mail: [email protected] Telephone: 1-800-336-5272 TABLE OF CONTENTS Looking for a tax free deduction? The MLBPAA is designated as a 501(c)(3) non- profit organization. Under the IRS code, your D.C. CLINIC .................................................................................... 3 contributions, other than dues, are fully tax deductible. Contributions can be made in the WHERE ARE THEY NOW, GENE LOCKLEAR ..............................4-5 form of cash, securities, or real estate. LFY DINNER WRAP UP ...............................................................6-7 Check with your accountant or tax advisor regarding which is best for you. All checks should be made payable to the MLBPAA and sent to: 1631 Mesa Avenue, Suite D Colorado Springs, CO 80906. MLBPAA Board of Directors Jim Hannan – Chairman Fred Valentine – Vice Chairman Sandy Alderson, John Doherty, Denny Doyle, Brian Fisher, Joseph Garagiola, Jr., Doug Glanville, Jim “Mudcat” Grant, Rich Hand, Mike Myers, Steve Rogers, Jim Sadowski, Jose Valdivielso MLBPAA Officers President Brooks Robinson Vice Presidents Bob Boone, George Brett, Carl Erskine, Al Kaline, Rusty Staub, Robin Yount, DONATE NOW Fred Valentine – Secretary/Treasurer www.baseballalumni.mlbpaa.com/Donate Brian Fisher – Assistant Secretary David Mindell – General Counsel Sam Moore – Legal Counsel Emeritus We are raising the bar in 2017 to expand our FREE international youth MLAM Board of Directors baseball clinic series! Your donation will help us reach our goals! Jim Poole - Chairman Jerry Moses - Chairman Emeritus In 2016, our Legends for Youth Clinic Series reached more than 15,000 children in cities Bill Bray, Orestes Destrade, John Doherty, across the United States, Canada, Puerto Rico, the Dominican Republic, Germany and Evan Kaplan, Al Leiter, Brian McRae, Ethan Italy. -
Teameam Usausa
TTEAMEAM UUSASA Over the past several years, Florida State players have become regulars on Team USA rosters. Since 1989, 13 Seminoles have represented the United States and Florida State University all over the globe. In the 2000 Olympics, former Seminole Doug Mientkiewicz was a member of the gold-medal winning USA team in Sydney. PEDRO TIM RICKY CHRIS PAUL MIKE JONATHAN GRIFOL DAVIS KIMBALL ROBERTS WILSON MARTIN, JR. JOHNSON C - 1989 LHP - 1976 RHP - 1990 OF/LHP - 1991 RHP - 1993 C - 1993 RHP - 1994 PHIL DOUG J.D. JON NICK SHANE OLSON MIENTKIEWICZ DREW McDONALD STOCKS ROBINSON RHP - 1994 1B - 1994, 2000 OF - 1996 RHP - 1998 RHP - 1998 OF - 2005 178 SSEMINOLESEMINOLES IINN TTHEHE DDRAFTRAFT 1966 NAME POS TEAM ROUND Jim Lyttle* OF New York Yankees 1st(10) Gary Sprague SS-2B Cleveland Indians 6th(112) Eddie Howell P Kansas City Athletics 12th(222) Randy Brown* C California Angels 18th(348) Mike Martin OF New York Mets 28th(540) Maury Hopkins 3B New York Mets 44th(757) Dick Fernandez 2B Kansas City Athletics Free Agent Pete Sarron OF Cleveland Indians Free Agent 1967 JUNE SECONDARY DRAFT LaDon Boyd P Kansas City Athletics 2nd(33) 1968 Steve Mastin P Oakland Athletics 15th(326) Chuck Hines 3B Pittsburgh Pirates 17th(381) Wayne Vincent P Seattle Pilots 31st(706) 1968 JUNE SECONDARY DRAFT Tom Cook C Oakland Athletics 1st(12) 1969 2004 World Series Champion Doug Mientkiewicz Walt Sumner OF Atlanta Braves 14th(322) Mike Easom 3B Cleveland Indians 23rd(541) Jeff Hogan SS Los Angeles Dodgers 31st(719) 1970 JUNE SECONDARY DRAFT Dick Gold 2B Chicago -
Lacon 1 Film Program
BY WAY OF INTRODUCTION This film program represents for the most part an extremely personal selection by me, Bill Warren, with the help of Donald F. Glut. Usually convention film programs tend to show the established classics -- THINGS TO COME, METROPOLIS, WAR OF THE WORLDS, THEM - and, of course, those are good films. But they are seen so very often -- on tv, at non-sf film programs, at regional cons, and so forth -- that we decided to try to organize a program of good and/or entertaining movies that are rarely seen. We feel we have made a good selection, with films chosen for a variety of reasons. Some of the films on the program were, until quite recently, thought to be missing or impossible to view, like JUST IMAGINE, TRANSATLANTIC TUNNEL, or DR JEKYLL AND MR. HYDE. Others, since they are such glorious stinkers, have been relegated to 3 a.m. once-a-year tv showings, like VOODOO MAN or PLAN 9 FROM OUTER SPACE. Other fairly recent movies (and good ones, at that) were, we felt, seen by far too few people, either due to poor distribution by the releasing companies, or because they didn't make enough money to ensure a wide release, like TARGETS or THE DEVIL'S BRIDE. Still others are relatively obscure foreign films, a couple of which we took a sight-unseen gamble on, basing our selections on favorable reviews; this includes films like THE GLADIATORS and END OF AUGUST AT THE HOTEL OZONE. And finally, there are a number of films here which are personal favorites of Don's or mine which we want other people to like; this includes INTERNATIONAL HOUSE, MAD LOVE, NIGHT OF THE HUNTER, RADIO RANCH, and SPY SMASHER RETURNS. -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
• (•- -•I• • ...PAGES 1 to 7, PAGE 15. 2"X2" COLOR SLIDES ..., ...PAGES 13 TO
CAMERAS, PROJECTORS, ACCESSORIES AND SUPPLIES . • (•- -•I• • ......... PAGES 1 TO 7, PAGE 15. 16mm. SOUND R ENTAL FILMS ... -c- · .PAGES 8 TO 12 2"x2" COLOR SLIDES . .... ......, ...... PAGES 13 TO 15. - 8mm. MOVIES . ·-· ..... •, •• . PAGES 16 TO 18, 20, 23 16mm. SOUND FILMS . ...••...• .PAGES 19 AND 20 MUSIC FOR MEN ON LP RECORDS. .PAGE 21 INFORMATION, ORDER BLANKS. PAGES 22 AND 23 K- 25 K-28 K-50 KEYSTONE K-95 750-WATT KEYSTONE CAPRI K-25 8mm. CAMERA KEYSTONE MAYFAIR K-50 8mm. PROJECTOR F'quippt d '1.Jlh t.2.S fhed rot:ui luh in inr~ rch:.;mg_eab l e l cn -, mounf 16mm. MAGAZINE CAMERA l ou'II )1..tH a britJi:,mt ,ibow "irh this 7~U-H:.itt JJl"i•~Cl<lt'. Pr«b10n-Jf~t <'. ,htle.d :1 nd '-oloc (;Offf.ctitd. t i'ndt'r ~,.,r~ni of $tenuine ,:round 0 1Hical ,tl -',"iS, Ju-.. 36-oun,:t < Ut m (nh.··t t:ilwi,- ta,.e. and perfection. N<',t- pu~IJi-buuon •,t,;. ,-ind and bt'a,_, . dit'·Ca.'i( con 0; troc1ion, mea11 rn1oc-uh, rock.-.Stt':..il,- pro~c l"~oot.1gt inflk1uor /\t'~ ;,uromarirally "l•t·n lilm is lnt;uted - ~ign:.l!i in Jtr p('1 mih r(·,::nlar- run, continuou:!t loc.:k·run (for !,(>1£-m·e, i~J Of' ~inklf lmn. Lift-o-m;Ui<" .!!" itch lurn.!t off room lir,::hts ,,ht'll ., 4 u tu111 on Iii~ t-"enr o r ncci,h.. 1lt::I jam. Threc,•W.t) 1r'i,rr.,·r control, regulur wn, (c)otinuous frame e~r>o'iUre (for .:-i top-mo11ou anim:dion>. -
1979 Topps Baseball
The Trading Card Database https://www.tradingcarddb.com 1979 Topps Baseball 1 1978 Batting Leaders - Ro LL 66 Detroit Tigers - Les Moss TC, MGR, CL 131 Jim Clancy 196 Steve Kemp DP 2 1978 Home Run Leaders - J LL 67 Jim Mason DP 132 Rowland Office 197 Bob Apodaca 3 1978 RBI Leaders - Jim Ri LL 68 Joe Niekro DP 133 Bill Castro 198 Johnny Grubb 4 1978 Stolen Base Leaders LL 69 Elliott Maddox 134 Alan Bannister 199 Larry Milbourne 5 1978 Victory Leaders - Ro LL 70 John Candelaria 135 Bobby Murcer 200 Johnny Bench AS, DP 6 1978 Strikeout Leaders - LL 71 Brian Downing 136 Jim Kaat 201 Mike Edwards RB 7 1978 ERA Leaders - Ron Gu LL 72 Steve Mingori 137 Larry Wolfe RC, DP 202 Ron Guidry RB 8 1978 Leading Firemen - Ri LL 73 Ken Henderson 138 Mark Lee RC 203 J.R. Richard RB 9 Dave Campbell 74 Shane Rawley RC 139 Luis Pujols RC 204 Pete Rose RB 10 Lee May 75 Steve Yeager 140 Don Gullett 205 John Stearns RB 11 Marc Hill 76 Warren Cromartie 141 Tom Paciorek 206 Sammy Stewart RB 12 Dick Drago 77 Dan Briggs DP 142 Charlie Williams 207 Dave Lemanczyk 13 Paul Dade 78 Elias Sosa 143 Tony Scott 208 Clarence Gaston 14 Rafael Landestoy RC 79 Ted Cox 144 Sandy Alomar Sr. 209 Reggie Cleveland 15 Ross Grimsley 80 Jason Thompson 145 Rick Rhoden 210 Larry Bowa AS 16 Fred Stanley 81 Roger Erickson RC 146 Duane Kuiper 211 Dennis Martinez 82 New York Mets - Joe Torre TC, MGR, 17 Donnie Moore 147 Dave Hamilton 212 Carney Lansford RC CL 18 Tony Solaita 83 Fred Kendall 148 Bruce Boisclair 213 Bill Travers 214 Boston Red Sox - Don Zimm TC, 19 Larry Gura DP 84 Greg Minton -
Current and Former Mlb Players Share Baseball Wisdom with Camden Youth
WINTER 2020 Instructors and participants pose for a group photo at the Legends for Youth clinic in Camden, Ark. on January 25, 2020. CURRENT AND FORMER MLB PLAYERS SHARE BASEBALL WISDOM WITH CAMDEN YOUTH By Alex Matyuf / MLBPAA “The little facets of the game that day, every day.” people often tend to overlook, AMDEN, Ark. – On a sunny day in Davis, who will begin his third season sometimes we want to go from A Camden, Ark., 122 aspiring with the Blue Jays, was joined by his baseball players arrived at to Z, you know when we step into C brother-in-law and teammate Anthony Camden Fairview High School on this game,” said Davis. “You can ask Saturday, January 25 to learn baseball anybody, if you want to play at the top Alford, as well as former MLB players skills, drills and life lessons from current level, we work on the fundamentals all Dustin Moseley, Rich Thompson and and former major and minor league Continued on page 3 players at the Major League Baseball Players Alumni Association (MLBPAA) Legends for Youth Clinic Series. The clinic was hosted by Toronto Blue Jays centerfielder and Camden native Jonathan Davis through his JD 3:21 Foundation. The foundation’s purpose is to spread the John 3:21 scripture and empower the youth through faith, sports, education and mentorship. Davis’ return to his alma mater did just that. Toronto Blue Jays centerfielder and Camden native, Jonathan Davis, praises participants of the Legends for Youth clinic in Camden, Ark. on January 25, 2020. A PUBLICATION OF THE MAJOR LEAGUE BASEBALL PLAYERS ALUMNI ASSOCIATION BASEBALL ALUMNI NEWS TABLE OF CONTENTS CURRENT AND FORMER MLB PLAYERS SHARE BASEBALL WISDOM WITH CAMDEN YOUTH ................................................................... -
DIRECTORY Parts of Vernon and Bolton
PAGE TEW‘B — MANCHESTER EVENING MKRALD. Mamfiegtpr. Conn.. Thurs.. March*' ixtaiMsmitiHHMMMWk.-'-' X c/iu. IT A The weather < A’kt'.-- ■ .* >> S k W i'4 2 ;*Rnl?UAMeiW TARY C O iJ > * G enerally clea r and coW*'^____ tonight; lows in the teens. Mostly — 5 6 m Et >MS5 Th £ sunny Saturday; highs in the 3Qs. £Y ^ HAve IT AMD Probability of precipitation decreasing to near zero tonight ',IL ■ Phone 647-9946 M anchester^A Ctfy o f VUitge Charm 50M&TIME5 T K N 05i. and Saturday. • SlXICiM PAGES for hom o dolivory -rv'»r'%JVsiru''^£V TWOSipenONS MANC^tDOrrER, CONN., F ig p A Y , MARCH IT* 1171 - VOL. X C V n . N o. 141 • ifnivm.>(.T«ik»u< wo iJU TWKim cEN#-r* Tmw/£<i Winttirop Israel DO T H A T EX P LA IN S Dot AU-THAT bed Main canal treaty 7 T H E R E /« e '^ALUAfiCtJND «kg(xl_IN© I s a i^ MILLICNO > C U , HEAR WHEN Bo< strikes OF<SiBBWS MIU-IONiSANP 7HER»NOeC3PX wat COME IN AND SEE OUR IN TH E AIR BILUC3NO AROUND. livli A R O U N P /NP7RILUONS real VOJ. O F(9S?M (S, 5052 again 'k^'l ^ . ready for debate RE Bui PHT'S DHV By Itniled Press Inlernalional ligh WASHINGTON (UPI) - Confident The two amendments, to which The treaty lays out this transition foot Israeli warplanes struck at Palesti despite the narrow approval of the v<> Torrijos agreed and were passed by process: am< yard, Quiet >/■ nian targets today and ground forces neutrality treaty. -
HUNGARIAN STUDIES 11. No. 1. Nemzetközi Magyar Filológiai
LUGOSI IN HOLLYWOOD: A HUNGARIAN ACTOR'S RISE AND FALL AS A MOVIE STAR KEVIN E. KELLY Gallipolis Daily Tribune, Gallipolis, Ohio, U.S.A. Béla Lugosi, the actor most identified with the role of Count Dracula, the Transylvanian vampire immortalized in Bram Stoker's novel Dracula and in countless stage and screen adaptations, fled Hungary in 1919 to escape almost certain punishment and perhaps death for his brief and somewhat naïve involvement with the socialist movement that swept the country immediately after World War I. He left Europe two years later to seek the promise of a stage career and wealth offered in the United States. Fame and fortune he did find in the late 1920s with his portrayal of Dracula in the Broadway production of the popular Hamilton Deane-John L. Balderston version of the Stoker novel, and his star rose even further when he starred in the 1931 Hollywood film drawn from the novel and the play. Unfortunately, it would be the pinnacle of his professional career, and his stardom in the American film capital, would be brief. Years of roles in atrocious films and the ever-present shadow of Dracula would follow, culminating in near-unemploya- bility in the years preceding his death in 1956. While a number of Lugosi's countrymen, such as Paul Lukas and Victor Varconi, also emigrated to Hollywood and at first received starring roles as suave Continental types, they were eventually committed to character roles for the rest of their careers. Lugosi, however found to his everlasting regret that Dracula put him in a particular niche - as a star of horror films, with the resultant typecasting barring him from the varied roles that Lukas, for example, would enjoy as a supporting player for several decades. -
HORROR FILMS Page 1 of 23
HORROR FILMS Page 1 of 23 HORROR FILMS Horror Films are unsettling films designed to frighten and panic, cause dread and alarm, and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience. Horror films effectively center on the dark side of life, the forbidden, and strange and alarming events. They deal with our most primal nature and its fears: our nightmares, our vulnerability, our alienation, our revulsions, our terror of the unknown, our fear of death and dismemberment, loss of identity, or fear of sexuality. Horror films go back as far as the onset of films themselves, over a 100 years ago. From our earliest days, we use our vivid imaginations to see ghosts in shadowy shapes, to be emotionally connected to the unknown and to fear things that are improbable. Watching a horror film gives an opening into that scary world, into an outlet for the essence of fear itself, without actually being in danger. Weird as it sounds, there's a very real thrill and fun factor in being scared or watching disturbing, horrific images. Whatever dark, primitive, and revolting traits that simultaneously attract and repel us are featured in the horror genre. Horror films are often combined with science fiction when the menace or monster is related to a corruption of technology, or when Earth is threatened by aliens. The fantasy and supernatural film genres are not synonymous with the horror genre, although thriller films may have some relation when they focus on the revolting and horrible acts of the killer/madman. -
Kissinger Andtho \Ot to Meet Today
r Weekend Enjoyment Seepages 17-20 The Weather FINAL Mostly sunny with gradual Keif Hank, Freehold warming trend today and to- l-ong Branch morrow. Rain likely Sunday EDITION Monmouth County's Outstanding Home Newspaper 56 PAGES VGL95 NO. 102 ^ RED BANK, N.J. FRIDAY, NOVEMBER 24,1972 TEN CENTS wwawiBiwiiiiiiiiituiiiiiupuiiiniiiiiiiiiiMiiiiHiwiiiinwaHHiiiHinnHiiiiBiiimiiiiiiiiiHiiuHiii inHiiniHiiiiiniiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniMiniiiiiiiimiirnmnimiiHU Kissinger andTho \ot to Meet Today PARIS (AP) -North Viet- informed in due course when tlie North Vietnamese state- longest meeting Thursday nam indicated there would be the next meeting takes ment. since the current round of se- no meeting today between place." The French news agency, cret peace negotiations be- Presidential adviser Henry A, Agence France Presse, citing gan. The White House said the Kissinger and Hanoi negotia- The spokesman declined to "reliable sources," said the talks will resume but that it tor Le Due Tho. give a reason for the inter- talks had run into "serious didn't know when. A North Vietnamese delega- ruption in the secret negotia- difficulties," but there was no The American and tho tion spokesman told news- tions. U.S. delegation spokes- confirmation of this report North Vietnamese negotiators men: "There will probably be man David Ijambertson said from either side. met for six hours on the no meeting today. You will be he could make no comment on Kissinger and Tho held their cease-fire agreement they drafted last month, but kept to their agreed news blackout on the subjects under dis- cussion. It was the fourth straight Daily Lottery Seen day of talks in a suburban vil- la 15 miles southwest of Paris.