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Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Digitizing the Humanities
An Architect for India • Online Mating • Origins of the Arts may-june 2012 • $4.95 Digitizing the Humanities Jeffrey Schnapp and Jesse Shapins photo by kathleen dooher photo by kathleen Radcliffe Institute Medalist and Luncheon Speaker margaret h. The Radcliffe Institute for Advanced Study marshall welcomes Dean Lizabeth Cohen Radcliffe Day–May 25, 2012 The Radcliffe Institute, Harvard’s institute for advanced study, attracts original news from the schlesinger library thinkers and creative artists from across the University and around the globe. Here, they develop and share bold new ideas as Radcliffe fellows, as researchers now online: Charlotte Perkins Gilman at the Schlesinger Library on the History of Women in America, and as participants in our seminars, lectures, and conferences. The Institute, shaped by the history of Radcliffe College and located in Radcliffe Yard, is a place dedicated to transformative ideas in the arts, humanities, sciences, and social sciences. Learn more about our people, programs, and collections at www.radcliffe.harvard.edu opportunityfellowship apply now 8 Garden Street Cambridge, Massachusetts 02138 phone 617-496-1324 120522_Radcliffe.inddfax 617-495-8136 1 3/28/12 8:16 AM e-mail [email protected] Women and men from across the United States and throughout Radcliffe Institute fellowships the world, includ- are designed to support scholars, ing developing Proposals are accepted from applicants in scientists, artists, and writers countries, are en- any field with the receipt of a doctorate or of exceptional promise and couraged to apply. appropriate terminal degree at least two demonstrated accomplishment We seek to build a years prior to appointment in the area of who wish to pursue work in community of fel- the proposed project. -
Feminist Press Catalog
FEMINIST PRESS CATALOG FALL 2019–SPRING 2020 CONTENTS 2 Fall 2019 Titles CONTACT INFORMATION 8 Spring 2020 Titles EXECUTIVE DIRECTOR & PUBLISHER Jamia Wilson [email protected] 14 Amethyst Editions SENIOR EDITOR & FOREIGN RIGHTS MANAGER Lauren Rosemary Hook [email protected] 16 Backlist Highlights SENIOR SALES, MARKETING & PUBLICITY MANAGER Jisu Kim [email protected] 25 Rights & Permissions FIEBRE TROPICAL TABITHA AND MAGOO DRESS UP TOO A Novel Michelle Tea Juliana Delgado Lopera lllustrated by Ellis van der Does Uprooted from Bogotá into an ant-infested “Whether you know it or not, you are waiting for a book like this. Fiebre Tropical is a triumph, and we’re all triumphant in its presence.” —DANIEL HANDLER Miami townhouse, fifteen-year-old Francisca is miserable in her strange new city. Her alienation grows when her mother is swept up into an evangelical church replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the FIEBRE pastor’s daughter. As her mother’s mental TROPICAL health deteriorates, Francisca falls for Car- men and turns to Jesus to grow closer with her, even as their relationship hurtles toward a shattering conclusion. JULIANA DELGADO LOPERA is an award-winning A NOVEL BY JULIANA DELGADO LOPERA Colombian writer and historian based in San Francisco. “ Fiebre Tropical is a triumph, and we’re all AMETHYST EDITIONS is a modern, queer imprint Tabitha and Magoo love to play dress up in MICHELLE TEA is the author of the novel triumphant in its presence.” founded by Michelle Tea. -
Booksinc.Net for the Absolute Latest Event Information!
Visit www.booksinc.net for the absolute latest event information! In this newsletter Book Clubs · Page 7 Biographies · Page 6 ENDORSE Events · Pages 4-5 Fiction · Page 2 Kids Books · Page 8 Nonfi ction · Page 3 NYMBC TM · Page 7 PRIDE Trade Paper · Page 6 JUNE CAN’T The experience you download “Every generation of Americans has brought our Nation closer to fulfi lling its promise of equality. While progress Cecil Castellucci Angus Whyte Sarah Dessen Alvin Orloff Christopher Moore Mike Adamick Andrea Carla Michaels Andrea Carla Michaels Larry-Bob Roberts joSon has taken time, our achievements in advancing the rights of Jan-Philipp Sendker Bernadette Luckett Maureen Langan Thea Hillman Jami Attenberg LGBT Americans remind us that history is on our side, and Gloria Steine Maureen Langan Corina Vacco Daphne Gottlieb Ramsey Hootman that the American people will never stop striving toward lib- Letty Pogrebin Cindy Caponera Stephanie Keuhn Michelle Tea Lisa Brackmann erty and justice for all.” — Barack Obama Robert K. Lewis Sue Kolinsky Seth Lerer Stephanie Rosenbaum Daryl Wood Gerber Helen E. Fisher Monica Wesolowska Ransom Riggs Daniel Smith Kate Carlisle Abigail Tarttelin Julian Guthrie David Margolick Jen Sincero Juliet Blackwell June 5 · 7:30 PM Linda Joy Myers Susan Schorn Eli Brown Cathleen Peck David Mezzapelle An editor of the UK’s Phoenix magazine, Abigail Tarttelin shares Judith Newton John Rocco Jo Robinson Mark Abramson Tara Ison Karen Joy Fowler Christopher Wolf Daniel LeVesque Michael Levi Kristen McCloy Golden Boy, a riveting coming-of-age story of a family in crisis as Temple Grandin Marissa Moss Justin Chin Carl Hiaasen Ellen Plotkin Mullholland their façade as an effortlessly excellent unit crumbles around them when their biggest secret is revealed. -
IPG Spring 2020 LGBTQ Titles - February 2020 Page 1
LGBTQ Titles Spring 2020 {IPG} Rainbow Warrior My Life in Color Gilbert Baker, Dustin Lance Black Summary In 1978, Harvey Milk asked Gilbert Baker to create a unifying symbol for the growing gay rights movement, and on June 25 of that year, Baker’s Rainbow Flag debuted at San Francisco’s Gay Freedom Day Parade. Baker had no idea his creation would become an international emblem of liberation and inclusiveness, forever cementing his pivotal role in helping to define the modern LGBTQ movement. Rainbow Warrior is Baker’s passionate personal chronicle, from a repressive childhood in 1950s Kansas, to a harrowing stint in the US Army, and finally his arrival in San Francisco, where he bloomed as both a visual artist and social justice activist. His fascinating story weaves through the early years of the struggle for LGBTQ rights, when he Chicago Review Press worked closely with Milk, Cleve Jones, and the Sisters of Perpetual Indulgence. Gilbert Baker often called 9781641603201 himself the “Gay Betsy Ross,” and readers of his colorful, irreverent, and deeply personal memoir will find it Pub Date: 5/5/20 On Sale Date: 5/5/20 difficult to disagree. $16.99 USD Discount Code: LON Contributor Bio Trade Paperback Artist Gilbert Baker created the first Rainbow Flag in 1978, and was a longtime LGBTQ+, peace, and AIDS 256 Pages activist. He died in 2017. Carton Qty: 0 Biography & Autobiography / Lgbt BIO031000 9 in H | 6 in W | 1 in T | 1.3 lb Wt For Your Convenience A Classic 1930's Guide to London Loos Paul Pry, Philip Gough Summary A facsimile guide to the Gents Loos of London, with map endpapers, published originally in 1937 by Routledge. -
Tips from a Master Pitch Writer
The Creating Other Media Issue MAY/JUNE 2018 The Official Publication of the American Society of 03 Journalists and Authors 5 STEPS TO SMART PASSIVE INCOME TIPS FROM A MASTER How your freelance business can make money while you sleep Q&A with PITCH WRITER Linda Formicelli ALSO INSIDE The #MeToo Reality for Freelancers How to Write Infographics // Turning a Memoir Into a Play CONTENTS MAY/JUNE 2018 Features “SO, ARE YOU DEAD?” FROM PAGE TO STAGE How Michele Wojciechowski puts Discovering the similarities— laughter to work in her writing and differences—between 16 20 writing memoirs and plays by Claire Zulkey by Nancy Kelton WRITING INFOGRAPHICS Meaty visuals compel readers 22 to dive deeper into your stories by Rae Padilla Francoeur FOR FREELANCERS, A POWERFUL #METOO MOMENT 30 Independent writer Deborah Copaken shocked the New York media world with accusations against an Observer editor. Now, she tells us about the risks facing self-employed journalists by Randy Dotinga Cover story 5 STEPS TO SMART PASSIVE INCOME How your freelance business can make money while you sleep by Damon Brown 26 www.asja.org Vol 68 / No. 3 Follow ASJA! The Official Publication of the American Society of Journalists and Authors 08 12 14 34 DEPARTMENTS COLUMNS MARKET 8 Member News 14 Volunteer Spotlight: 5 From the President REPORT Susan Johnston Taylor 34 Across Women’s Lives 10 Paycheck 6 From the Editor 15 2018 NYC ASJA 11 New Members Writers Conference 12 Protecting Yourself May/June 2018 / Vol 68, No 3 3 WWW.ASJA.ORG Publications Chair ASJA MISSION AND ADMINISTRATION Laura Laing Founded in 1948, the American Society of Journalists and Authors is the nation’s professional Editor association of independent and entrepreneurial nonfiction writers. -
Women's Studies Librarian on Women, Gender, And
WOMEN’S STUDIES LIBRARIAN NEW BOOKS ON WOMEN, GENDER, AND FEMINISM Numbers 58–59 Spring–Fall 2011 University of Wisconsin System NEW BOOKS ON WOMEN, GENDER, & FEMINISM Nos. 58–59, Spring–Fall 2011 CONTENTS Scope Statement .................. 1 Reference/ Bibliography . 58 Anthropology...................... 1 Religion/ Spirituality . 59 Art/ Architecture/ Photography . 2 Science/ Mathematics/ Technology . 63 Biography ........................ 5 Sexuality ........................ 65 Economics/ Business/ Work . 12 Sociology/ Social Issues . 65 Education ....................... 15 Sports & Recreation . 73 Film/ Theater..................... 16 Women’s Movement/ General Women's Studies . 74 Health/ Medicine/ Biology . 18 Periodicals ...................... 76 History.......................... 22 Indexes Humor.......................... 28 Authors, Editors, & Translators . 77 Language/ Linguistics . 28 Subjects....................... 94 Law ............................ 29 Citation Abbreviations . 121 Lesbian Studies .................. 31 Lesbian, Gay, Bisexual, Transgender, Intersex, & Queer Studies . 31 New Books on Women, Gender, & Feminism is published by Phyllis Holman Weisbard, Women's Studies Librarian for the University of Wisconsin System, 430 Memorial Library, 728 Literature State Street, Madison, WI 53706. Phone: (608) 263-5754. Drama ........................ 34 Email: wiswsl @library.wisc.edu. Editor: Linda Fain. Compilers: Elzbieta Beck, Madelyn R. Homuth, Beth Huang, JoAnne Leh- Fiction ........................ 35 man, Michelle Preston, -
A Report on ABA's September Board Meeting
October 02, 2008 Over the course of the meeting, the Board: TABLE OF CONTENTS: • Received a report from ABA President Gayle Shanks of • A Report on ABA's September Board Meeting Changing Hands Bookstore in Tempe, Arizona, on her efforts on behalf of the association, including her participation in the .......................................................................... 1 1 • The November Indie Next List & Notables Electronic Catalog Task Force meeting in San Francisco in August and meetings in September at ABA's offices in Preview ............................................................. 2 Tarrytown, New York, to brainstorm plans for the further • ABA Sponsors Emerging Leaders Scholarship development of IndieBound, as well as for discussions with .......................................................................... 4 Above The Treeline 2 founder John Rubin. • The October Indie Next List Notables Fliers & • Received an update from ABA CEO Avin Mark Domnitz on his Shelf-Talkers .................................................... 4 activities since the last Board meeting, including his • Bookselling in Tough Times: Inventory participation in the Electronic Catalog Task Force meeting and a meeting with leaders of CBA, the Association for Christian Management .................................................... 4 Retail, to discuss issues of mutual concern. Also received status • Banned Books Week: Store Says It With reports on registration for the upcoming Winter Institute and Pictures ........................................................... -
Master Draft “Coolness Under Fire”
“No Job For a Woman:” The Women Who Fought To Report World War II TABLE OF CONTENTS A. SUMMARY This is a request for $625,000 for the Production phase of’ ‘No Job For a Woman’: The Women Who Fought to Report World War II, a one-hour documentary for public television focusing on the story of the women war reporters of World War II, the obstacles they encountered, and their role in contributing to a new way of war reporting. The project received an NEH Consultation Grant in 2002, an NEH Planning Grant in 2004, and an NEH Scripting Grant in 2006. The project has also been selected to be part of the Endowment’s “We the People” initiative because it explores “significant events and themes in our nation’s history and culture” and advances “knowledge of the principles that define America.” During the Production phase, we will expand our fundraising campaign to finance the production, projected to cost approximately $735,000. The non-profit sponsor for this film is Women Make Movies. B. SUBJECT AND HUMANITIES THEMES “Bullets don’t discriminate. The dangers are basically the same whether you are male or female,” says NPR’s Iraq war correspondent, Anne Garrels. Today, a woman -- CNN’s Christiane Amanpour -- is possibly the most famous war reporter worldwide. While women reporting war may seem commonplace now, their arrival in the profession is the result of nearly 150 years of struggle and hard work. Many of these battles were fought in the newsrooms and trenches of World War II. During the course of World War II nearly 140 women reporters were accredited to cover events overseas out of a total of approximately 1700 accredited reporters overall. -
Thick Enough to Stop a Bullet: Civil Protection Orders, Social Media, and Free Speech
THICK ENOUGH TO STOP A BULLET: CIVIL PROTECTION ORDERS, SOCIAL MEDIA, AND FREE SPEECH Benjamin Paul Bennett* ABSTRACT Domestic violence occurs in private and public spaces, including the virtual spaces social media platforms create. This Note examines the role domestic violence Civil Protection Orders can play in regulating social media behavior. Contrary to scholars who have argued that injunctions and criminal statutes should rarely, if ever, prohibit “speech about” an individual, this Note argues that Civil Protection Orders prohibiting an abuser from mentioning his victim over social media are appropriate in some circumstances. In examining what circumstances justify such orders, and how those orders should be issued and enforced, this Note considers constraints set by First Amendment free speech principles and a desire to combat mass incarceration. * As a Managing Editor of this publication, I am unusually aware of the number of people who deserve credit for the quality of this work. Thank you all, particularly Tess Dernbach and Rachel Ramirez-Guest. Thank you to my faculty adviser, Jeremy Kessler, for your collaboration and guidance, and for the greatest gift a note mentor can give a student: the ongoing, sincere impression that what I had to say mattered. Thank you also to Professors Harold Edgar, Katherine Franke, and Dan Richman for brief but fruitful conversations at various stages of this paper's development. This article is inspired by, and dedicated to, the domestic violence advocates I worked with at Bread for the City, namely, Tracy Davis, Julia Saladino, and Emily Petrino. Hope this helps. 2019] Thick Enough to Stop a Bullet 229 TABLE OF CONTENTS Introduction ....................................................................... -
Reading Group Guide
READING GROUP GUIDE BLACK WAVE Michelle Tea 978-1-55861-939-5 paper, $18.95 I 978-1-55861-946-3 ebook, $18.99 1. In San Francisco, Michelle is largely defined by routine—the bagel shop around the corner, drunk nights out with friends, and failed romances at the same dive bar. What are potential gains and losses when it comes to habitual behavior? How does habit help Michelle, and how does it hurt her? 2. Addiction appears most obviously through Michelle’s drug and alcohol abuse, but how else do addictions manifest themselves in the narrative? Do different addictions affect Michelle similarly? Is every addiction different? 3. When Michelle moves from San Francisco to Los Angeles, she feels she is making a life-chang- ing decision. Does the change in setting truly change her life? Have you ever moved locations, expecting it to also result in other changes? Did that happen? Why or why not? 4. In Black Wave, characters respond differently to the apocalypse. If it were the end of the world, where would you want to be, what would you like to do, who would you like to spend the end with, and so on? 5. In Los Angeles, the second part of the novel takes on an eerie, fantastical element. How does this affect the reader’s relationship with the novel? Does it feel more or less real than the first half? More or less personal? 6. In certain parts of the book, Tea disregards linear narrative, instead stepping out of a present mo- ment to allude to the future or the past. -
New Views from Library Drag Storytimes
Submitted on: 21.08.2019 Queer Reflections: New Views from Library Drag Storytimes Rae-Anne Montague Department of Information Studies, Chicago State University, Chicago, USA. [email protected] Joyce Latham School of Information Studies, University of Wisconsin-Milwaukee, Milwaukee, USA. [email protected] Copyright © 2019 by Rae-Anne Montague and Joyce Latham. This work is made available under the terms of the Creative Commons Attribution 4.0 International License: http://creativecommons.org/licenses/by/4.0 Abstract: In 1990, Rudine Sims Bishop authored a seminal article, Mirrors, Windows, and Sliding Glass Doors, describing the power of children’s multicultural literature. Sims Bishop noted that, as literature enthusiasts, we believe that potential connections between children and books can be life changing. In order for connections to happen, there have to be many kinds of stories with many kinds of characters to reflect the lived experience, understanding, and interests of readers. This paper seeks to extend on Sims Bishop’s conceptualization and considers how the analogy of mirrors, windows, and sliding glass doors applies to other aspects of library practice - in terms of library programs, particularly drag queen storytimes. It explores how queens at the library are contributing to community views. According to the American Library Association’s (ALA) Open to All: Serving the GLBT Community in Your Library (2016), “providing GLBT-friendly programming helps your community know that you are welcoming and accepting.” That said, this informative publication makes no mention of drag queens at the library. While drag has been around for centuries as part of theatre culture and in queer, underground, and/or experimental spaces, it has only come into the mainstream in recent decades with the emergence and immense success of RuPaul’s Drag Race.