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“What About Bob?” an Analysis of Gendered Mental Illness in a Mainstream Film Comedy
“What About Bob?” An Analysis of Gendered Mental Illness in a Mainstream Film Comedy A Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the College of Graduate Studies of Northeast Ohio Medical University. Anna Plummer M.D. Medical Ethics and Humanities 2020 Thesis Committee: Dr. Julie Aultman (Advisor) Dr. Rachel Bracken Brian Harrell Copyright Anna Plummer 2020 ABSTRACT Mental illness has been a subject of fictional film since the early 20th century and continues to be a popular trope in mainstream movies. Portrayals of affected individuals in movies tend to be inaccurate and largely stigmatizing, negatively influencing public perception of mental illness. Recent research suggests that gender stereotypes and mental illness intersect, such that some mental illnesses are perceived as “masculine” and others as “feminine.” This notion may further stigmatize such disorders in individuals, as well as falsely inflate observed gender disparities in certain mental illnesses. Since gendered mental illness is a newly identified concept, little research has been performed exploring the way stereotypical gendered mental illness is depicted in mainstream film. This paper analyzes the movie What About Bob? to show that comedic film perpetuates stigma surrounding feminine mental illness in men and identifies the need for further study of gendered mental illness in movies to ascertain the effect such depictions have on the observed gender disparities in prevalence of certain mental disorders, as well as offers a proposal for coursework for film and medical students. i ACKNOWLEDGMENTS This paper would not have been possible without Dr. Aultman, whose teaching inspired me to pursue further education in Medical Ethics and Humanities, and whose guidance has been invaluable not only for this project, but also for addressing ethical issues in the clinic. -
Welcome to Marwen: the Remaking of a Life
Welcome to Marwen: The Remaking of a Life Kathy Winings January 21, 2019 In April 2000, just across the Hudson River from UTS’s Barrytown campus, a terrible assault took place outside a bar in Kingston, New York, an historic city that served as New York’s first capital. Mark Hogancamp, an artist and showroom designer, was beaten almost to death by five young men using just their fists and feet. While drinking, Hogancamp had let slip that in the privacy of his own home, he was a cross-dresser. Taking exception to that, the thugs waited outside the bar and attacked him. Suffering extensive brain damage, Hogancamp spent over 40 days in the hospital, including nine in a coma, healing and relearning how to walk, talk, eat, and trying to live a normal life. Fortunately for him, Hogancamp awoke with no memory of the attack — but he also lost memory of his past life. It meant he had to find a way to deal with his constant anger and depression — all of which resulted from his traumatic brain injury. Thus was born the tiny village of Marwencol. Built out of plywood scraps and other materials he found lying around, Kathy Winings Hogancamp created an imaginary Belgian village and populated it with Barbie dolls and World War II action figures. Daily life was built around World War II narratives that he created, featuring the women as a band of heroes led by one American solider — Captain Hogie — going head to head with five Nazi soldiers in these different scenarios. Marwencol became Hogancamp’s therapy on a daily basis. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Saving Privat Ryan Ausarbeitung
SSaavviinngg PPrriivvaattee RRyyaann Vorlesung Film & Komposition Prof. Coulanges, Prof. Curdt Ausarbeitung von: Stefanie Steinbichl (Matr.-Nr.: 20453), Jennifer Schmidt-Rüdt (Matr.-Nr.: 20527) Inhaltsverzeichnis 1. Einleitung 3 2. Der Stab 4 2.1 Der Regisseur Steven Spielberg 4 2.2 Der Kamermann Janusz Kaminski 5 2.3 Der Komponist John Williams 6 2.4 John Williams: Stil 7 3. Die Besetzung 8 3.1 Captain John H. Miller alias Tom Hanks 8 3.2 Private James Francis Ryan alias Matt Damon 9 4. Die Geschichte von “Saving Priavte Ryan” 10 4.1 Allgemeine Filmdaten 10 4.2 Filminhalt 10 4.3 Kernkonflikt 12 4.4 Hintergrundinformationen zu „Saving Private Ryan“ 12 5. Musik 13 6. Sounddesign 14 7. Beispiele 15 8. Fazit 20 9. Literatur- und Quellenverzeichnis 22 9.1 Bildquellen 23 2 1. Einleitung Es gibt wohl kaum ein anderes Genre das so umstritten ist wie der Kriegsfilm. Das liegt daran, dass es unglaublich schwierig ist, eine realistische Kriegsszene zu inszenieren, da Krieg keine alltägliche Erfahrung ist. So ist es für die Zuschauer schwer, sich vorzustellen wie grausam der Krieg wirklich ist. In „Saving Private Ryan“ wurde von Regisseur und Kameramann sehr viel Wert darauf gelegt realistische Bilder zu erzeugen. Insofern gibt es Szenen in denen sogar die Kamera Blutspritzer abbekommt – sie ist mitten im Geschehen, nimmt häufig die subjektive Sicht der Soldaten ein und drückt deren Verzweiflung im bitteren Überlebenskampf aus. Eine bedrohliche Atmosphäre wird auch erzeugt, indem während des ganzen Films mit Sounddesign gearbeitet wird. Es gibt praktisch keine Szene in der wirkliche Stille herrscht. In weiter Entfernung sind stets Bombeneinschläge oder rollende Panzer zu hören. -
Alan Silvestri
ALAN SILVESTRI AWARDS/NOMINATIONS EMMY NOMINATION (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music WORLD SOUNDTRACK NOMINATION (2008) “A Hero Comes Home” from BEOWULF Best Original Song Written for Film* INTERNATIONAL FILM MUSIC CRITICS BEOWULF ASSOCIATION NOMINATION (2007) Best Original Score-Animated Feature GRAMMY AWARD (20 05) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture* ACADEMY AWARD NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* BRO ADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) Best Song* GRAMMY AWARD (2001) End Credits from CAST AWAY Best Instrumental Composition ACADEMY AWARD NOMINATION (1994) FORREST GUMP Best Original Score GRAMMY AWARD NOMINA TION (1994) “Feather” from FORREST GUMP Best Instrumental Performance GOLDEN GLOBE NOMINATION (1994) FORREST GUMP Best Original Score CABLE ACE AWARD (1990) TALES FROM THE CRYPT: ALL THROUGH Best Original Score THE HOUSE GRAMMY AWARD NOMINATION (1989) Suite from WHO FRAMED ROGER RABBIT? Best Instrumental Composition GRAMMY AWARD NOMINATION (1988) WHO FRAMED ROGER RABBIT? Best Album of Original Score Written for a Motion Picture GRAMMY AWARD NOMINATION (1985) BA CK TO THE FUTURE Best Instrumental Composition 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI GRAMMY AWARD NOMINATION (1985) BACK TO THE FUTURE Best Album of Original Score Written for a Motion Picture *shared nomination/award MOTION PICTURES RUN ALL NIGHT Roy Lee / Michael Tadross / Brooklyn Weaver, prods. Warner Brothers Jaume Collet-Serra, dir. RED 2 Lorenzo di Bonaventura / Mark Vahradian, prods. -
Benvenuti a Marwen
Benvenuti a Marwen LA PRODUZIONE "Ho speranza e ho la mia città". -Mark Hogancamp Il premio Oscar ROBERT ZEMECKIS - il rivoluzionario film-maker che ha diretto Forrest Gump, Flight e Cast Away - dirige STEVE CARELL nei panni di un nuovo tipo di eroe in un film diverso da qualsiasi altro mai realizzato prima. Basato su una storia miracolosa, Benvenuti a Marwen racconta la storia di un uomo che lotta per guarire e per ritrovare il proprio spirito, grazie al potere della sua immaginazione artistica. Quando un gruppo di uomini una sera picchia selvaggiamente Mark Hogancamp (Carell) riducendolo in fin di vita e cancellando tutti i suoi ricordi, nessuno si aspetta che l'uomo si riprenda. Ma Mark, mettendo insieme pezzi della sua vecchia e nuova vita, costruisce meticolosamente in miniatura una mitica città belga, Marwen, nella quale può assumere l'identità del capitano Hogie, un pilota di arei da combattimento della seconda guerra mondiale. Qui, a Marwen, Mark può essere un eroe, combattere i suoi nemici e contare sui suoi amici. Mentre costruisce un'installazione artistica strabiliante, popolata da personaggi in miniatura incredibilmente realistici - un omaggio alle donne più forti che conosce - trae dal suo mondo fantastico la forza di cui ha bisogno per trionfare nel mondo reale. Un film audace, meraviglioso e puntuale diretto da un rivoluzionario pioniere del cinema contemporaneo, Benvenuti a Marwen dimostra che quando l'unica arma di cui disponi è la tua immaginazione ... puoi ritrovare il coraggio in un luogo assolutamente improbabile. Protagonista al fianco di Carell in questo film che unisce tanti generi diversi è LESLIE MANN (Giù le mani dalle nostre figlie, Tutte contro lui -The Other Woman) nei panni di Nicol, la vicina compassionevole che fa breccia nel cuore di Mark e viene aggiunta ai personaggi femminili di Marwen. -
Costume Designer
LINDSAY PUGH - Costume Designer https://cargocollective.com/lindsaypugh SENSE8 (Series 2) Directors: Andy Wachowski and Lana Wachowski. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Tuppence Middleton, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. AND THEN THERE WERE NONE Director: Craig Viveiros. Producer: Abi Bach. Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen. SENSE8 (Series 1) Directors: Andy Wachowski, Lana Wachowski, James McTeigue, Tom Twyker and Dan Glass. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Daryl Hannah, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. THE SUSPICIONS OF MR WHICHER: “BEYOND THE PALE” / “THE TIES THAT BIND” Directors: Geoff Sax and David Blair. Producer: David Boulter. Starring: Paddy Considine, Helen Bradbury, Alex Robertson, John Heffernan and Adrian Quinton. Hat Trick Productions. SUPERBOB Director: Jon Drever. Producers: Robert Jones and Wayne Marc Godfrey. Starring: Brett Goldstein, Catherine Tate and Laura Haddock. The Fyzz Facility. LUCKY 13 (Musical Circus) Writer/Director: Cal McCrystal. Producer: Nell Gifford. PRESSURE Director: Ron Scalpello. Producer: Jason Newmark. Starring: Matthew Goode, Danny Huston, Joe Cole and Alan McKenna. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] LINDSAY PUGH - Costume Designer Pinewood Films No 8 Ltd. ENDEAVOUR Directors: Ed Bazalgette, Tom Vaughan, Craig Viveiros and Colm McCarthy. Producer: Dan McCulloch. Starring: Shaun Evans, Roger Allam, Patrick Malahide, Flora Montgomery, John Light, Jack Ashton and Daisy Head. Mammoth Screen. DANCING ON THE EDGE Director: Stephen Poliakoff. Producer: Nicky Kentish-Barnes. Starring: John Goodman, Chiwetel Ejiofor, and Matthew Goode. -
Allied – Un’Ombra Nascosta
Allied – Un’ombra nascosta ATTENZIONE AGLI ORARI DI MARTEDÌ Martedì 6 febbraio 2018: ore 15.00, 18.00, 21.00 Mercoledì 7 febbraio 2018: ore 15.30, 18.00 titolo originale Allied / regìa Robert Zemeckis / sceneggiatura Steven Knight / fotografia Don Burgess / musica Alan Silvestri / montaggio Jeremiah O'Driscoll, Mick Audsley / scenografia Gary Freeman / costumi Joanna Johnston / interpreti Brad Pitt, Marion Cotillard, Jared Harris, Lizzy Caplan, Daniel Betts, Matthew Goode, Simon McBurney, Camille Cottin, August Diehl, Thierry Frémont, Marion Bailey, Anton Lesser, Josh Dylan, Charlotte Hope, Sally Messham / produzione Graham King, Robert Zemeckis, Steve Starkey, per GK Films / origine USA 2016 / distribuzione Universal Pictures International Italy / durata 2 h e 27’ scheda filmografica 19 Seconda Guerra Mondiale. Per gli agenti segreti Max Vatan e Marianne Beauséjour, la chiave per sopravvivere è non farsi mai veramente conoscere da nessuno. Nel bel mezzo di una rischiosissima missione, si innamorano l'uno dell'altra, e sperano di lasciarsi alle spalle tutti i doppi-giochi. Ma le vere insidie sono appena iniziate. Rivisitare Casablanca è cosa suggestiva e incauta. Nel 1942, data in cui Michael Curtiz diresse Bogart e Bergman nel film più di culto di sempre, le sorti della guerra erano incerte e l'operato di Rick e Ilsa in nome della nascente Resistenza si inseriva in una precisa volontà propagandistica. Quel film era un'operazione bellica. Oggi no, è un film in costume che esalta il gusto vintage. Le differenze, pur rimanendo sullo stesso piano che interseca missione storica e amore, sono di sostanza. (...) Appagante e godibile. Brad Pitt e Marion Cotillard struggenti al punto giusto. -
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12 WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM QUEBEC FILM AND TELEVISION COUNCIL TOLL FREE: 1 866 320 FILM (3456) Telephone: 514 499-7070 Fax: 514 499-7018 [email protected] www.qftc.ca For the e-book version go to www.quebecfilmsourcebook.com DISCLAIMER Although every effort has been made to ensure that this information is correct, the publisher cannot guarantee accuracy. Please take note that the information herein is meant to be used as a guide only. © Copyright 2015, Quebec Film and Televison Council. 2015 Edition Published by Quebec Film and Television Council It is a pleasure for us to provide you with this invaluable tool that is the Quebec Film SourceBook (QFSB), the annual directory of the Quebec film and television industry. Now in its 5th edition, the QFSB is a comprehensive guide to the best of what Quebec has to offer in terms of labor, services, resources and infrastructures to help you film your production in our province. In it, you will also find all you need to know about our generous tax incentives, our unions and guilds, as well as our regional and municipal film offices – everything to ensure your film or TV shoot runs as smoothly as possible, from pre-produc- tion to the production, post-production and VFX stages. -
Read Ebook {PDF EPUB} the Moon Rock by Boriana Todorov the Moon Rock
Read Ebook {PDF EPUB} The Moon Rock by Boriana Todorov The Moon Rock. When Elliot takes his grandfather's moon rock, he's not really "stealing" it, just borrowing it for further study. But the rock launches him into an adventure beyond his wildest imagination -- in fact, it launches him clear to the moon! That night, Elliot awakes in Great Nidor, a city built in the deepest crater on the far side of the moon -- a place where wickedness corrupts hearts and bodies, time can be twisted for good or evil, and wonder floats down every street. A civil war is raging between the Librarian and the Defiers. The Librarian rules over the Wings of the Past, Present, and …mehr. The Moon Rock. Sign up for our newsletter for a chance to win $50 in free books! The American Eclipse of 2017. The path of the total eclipse of August 2017 had our offices at 99% totality - we closed the office to go watch the spectacle, but first we put together this gallery inspired by eclipses to celebrate. How to tell if a signature is genuine. Author's signatures can undoubtedly increase the value of a rare book or first edition. The more scarce the book is, the more an autograph adds to its value. But how to tell if the signature is real? Find out how you can avoid common pitfalls in identifying an author's signature. The Moon Rock. by Boriana Todorov , Vladimir Todorov. Browse related Subjects. When Elliot takes his grandfather's moon rock, he's not really "stealing" it, just borrowing it for further study. -
Bad Business the Motive to Pull the Fire Alarm Is Unclear
TONIGHT Partly Cloudy. Low of 26. Search for The Westfield News The WestfieldNews Search for The Westfield News Westfield350.com The WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT TONIGHT TAMBITIONHE WESTFIELD.” NEWS Partly Cloudy. WILL NOJOHNT PUBLISH STEINBECK CHRISTMAS Low of 55. www.thewestfieldnews.com DAY. TUESSearch., D forEC The. 25, Westfield 2018. News Westfield350.comWestfield350.org The WestfieldNews Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHERVOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75 cents VOL.87 NO. 306 MONDAY, DECEMBER 24, 2018 CRITIC75 CentsWITHOUT TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com Mike Tirrell of Westfield MyersVOL. 86 NO. 151 Information Systems taps Tirrell as COO has joined 75 cents TUESDAY, JUNE 27, 2017 Myers By AMY PORTER will play a vital role in advancing Myers’ ing the company’s existing Business Information Correspondent next generation broadcast management Intelligence and Data Services plat- Systems as NORTHAMPTON – Myers solutions, the company announced last forms. Prior to working with their new Information Systems, a pioneer in broad- week. NBCUniversal, he served WideOrbit, Chief cast management solutions, has “We’re super excited to have him join Inc. as Director of Integrations where he Operating announced Westfield resident Mike Myers. He has a lot of expertise in our facilitated integrations between internal Officer. Tirrell as their new Chief Operating domain, and will be a wonderful addi- systems and over 70 media industry ven- (Photo Officer (COO). Tirrell, a media industry tion to our company,” said Crist Myers, dor products. -
Coordinator Resume
MARNY ENG STUNT COORDINATOR/2nd UNIT DIRECTOR 604-817-6427/970-319-6160 FEATURE FILMS Playing With Fire (2020) Director: Andy Fickman Paramount Pictures Producers: Todd Garner, Mark Moran, Sean Robins PM: Adrienne Sol A Dog’s Journey (2019) Director: Gail Mancuso Amblin Partners Producers: Gavin Polone, Seth William Meier PM: Nicole Oguchi * ALSO 2nd Unit Director Predator (2018) Director: Shane Black 20th Century FOX Producers: John Starke, John Davis PM: Michael Williams * Reshoots/Additional Photography Welcome to Marwen (2018) Director: Robert Zemeckis ImageMovers/Universal Pictures Producers: Steve Starkey, Cheryl Anne Martin, Jack Rapke PM: Casey Grant, Adrienne Sol Predator (2018) Director: Shane Black 20th Century FOX Producers: Bill Bannerman, John Davis PM: Michael Williams * Co-Stunt Coordinator: Lance Gilbert Okja (2017) Director: Bong Joon Ho Netflix Producers: Brad Pitt, Stan Wlodkowski PM: Casey Grant * Vancouver Unit Death Note (2017) Director: Adam Wingard Netflix Producers: Roy Lee, Brendan Ferguson PM: Drew Locke A Dog’s Purpose (2017) Director: Lasse Hallstrom DreamWorks Producers: Gavin Polone, Alan Blomquist PM: Lesley Oswald The BFG (2016) Director: Steven Spielberg DreamWorks Producers: Frank Marshall, Sam Mercer PM: Brendan Ferguson Hot Pursuit (2015) Director: Anne Fletcher MGM Producers: Dana Fox, Bruna Papandrea, Reese Witherspoon PM: Ben Ormand * Additional Photography (New Orleans, LA) Night at the Museum 3 (2015) Director: Shawn Levy 20th Century Fox Producers: Mary McLaglen, Josh McLaglen, Dan Levine PM: