DOCSLIB.ORG

Smash Hits Volume 37

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Smash Hits Volume 37 m «^sa»>«f *« ,*. s'e^^^a^sfts^tps m May 1-14 1980 THE SPECIALS THE CHORDS in colour Genesis LPs to be won Words to the TOP SINGLES including Coming Up Love And Lonel Mirror In The B --T| TOWNSteii SIOUXSIE &THE BANSHEE Wheels Of Steel ByS.xo„onCarr.r.R«„rt, my motor ^«^ trcklng over Withpi^^ VOU know .„o s1WMM«a^ u And that's what Id^^^!"^ you SM » me comma" Get out of my way AndteUry""'«««".'t Talking bout my wheel, of ttee, She 8 got wheels, wheels of steel M/nJy^^^-rX'ir'r?"''"--' Yeah, I'm sick of driving^round in this car I've been three thousand miles or more and I still ain't got too far And the radio's always on by my side ' can't get enough to turn it off Not even if I try For some strange reason I pulled over to the side tlaying up In this bed Started thinking atiout you I laid rkno^ been up three days or more to i » my head Looked in my mirror, what did I see? id the TV's always on by my side I saw the devil creeping up on me I can't get enough to turn it off if I Not even tried, not even if I tried My oh my, boy am I wasted, yeh but she tasted good For some strange reason i got out of my bed. Don't criticise, I know you can take it, I always knew that you would Walked across the room My oh my, boy am I wasted, she so tasted fine Looked in my mirror, what did I see? Don't criticise, I know you can take It, it's just a question of time 1 saw the devil, he was looking at me My oh my, boy am I wasted, yeh but she tasted yummy yummy so good My oh my, boy am I wasted, yeh but she tasted good Cry and cry. tears can't erase it Don't criticise, I know you can take it I always knew that you would My oh my, boy am I wasted, but she tasted fine Words and music by Young/Emerson Cry and cry, tears can't erase it, ifs fust a question of time Reproduced by permission St. Annes Music Ltd. 2 SMASH HITS . .^^ I I I I May 1-14 1980 Vol 2 No. 9 RIGHT then, it's singalong time. MY OH MY To the tune of the Topic advert, Sad Cafe 2 everybody . (clears throat): WHEELS OF STEEL "Oh, what has the songwords in every issue? Smash Hits!" "Oh, Saxon 2 who makes a cock-up in every STARING AT THE RUDE BOYS issue? Smash Hits!" Er, yes, well The Ruts . Apologies to everybody who 4 searched page 36 of the last issue SOMETHING'S MISSING in vain for the promised binder offer. Due to a last minute The Chords 4 reshuffle at the printers, we had MIRROR IN THE BATHROOM to shelve it for an issue but you The Beat 5 did get an extra song out of it so you didn't do too badly, did you? COMING UP Anyway, the binder offer is Paul McCartney 8 definitely in this issue (we hope) and you'll find it lurking on page DEAR MISS LONELY HEARTS Managing Editor 33. Other noteworthy items in Phil Lynott Nick Logan 14 this issue are another chance to DONT MAKE WAVES win a mini-TV on page 17 and a Editor very enticing Beat competition The Nolans 16 Ian Cranna on page 26. We may be a little I SHOULDA LOVED YA crazy but we do our best . Features Editor Narada Michael Walden 19 David Hepworth I'M THE FACE Design Editor The High Numbers 23 Steve Bush ALL FOR LEYNA Design Assistant Billy Joel 24 Andy Ingamells LIFE ON MARS Editorial Assistant David Bowie 27 Bev Hillier ROCK 'N' ROLL RADIO The Ramones Contributors 30 Cliff White LOVE AND LONELINESS Robin Katz The Motors 30 Red Starr Fred Dellar A FOREST Mike Stand The Cure 35 Kelly Pike Jill Furmanovsky Advertisement Manager SIOUXSIE&THE BANSHEES: Feature ...6/7 Rod Sopp THE BODYSNATCHERS: 01-439 Tel: 8801 Feature and Colour Photo 12/13 Publisher THE SPECIALS: Colour Centrespread .20/21 Peter Strong PETE TOWNSHEND: Feature 22/23 NEXT ISSUE THE CHORDS: Colour Poster 36 Editorial and Advertising ON SALE address: Smash Hits, Lisa House, 52-55 Carnaby Street, BITZ 9/10/11 GIGZ 34 London W1V 1PF. INDEPENDENT This magazine is published LABELS 15 by EMAP National Publications SMASH HITS SUBSCRtlnriONS PRIZE 17 Ltd, Peterborough, and is CROSSWORD Home and Overseas (Surface printed by East Midland Litho DISCO 19 mail): £10 Printers, Peterborough. STAR TEASER 26 (Airmail rates on application). Copyright exists on all songs COMPETITION 26 Europe (airmail): £14.40 appearing in Smash Hits. They REVIEWS Write to: Park House, 117 Park must not be reproduced 28/29 Road, Peterborough PE1 20S. without the consent of the LETTERS 32/33 copyright holders. COVER PIC: FIN COSTELLO SMASH HITS 3 Something's iViissing ^A\WOR W \»^^nROOM Beat o By The Chords on Polydor Records By The There's a million kids out waiting for you They're standing round with nothing else to do Been waiting for so long it ain't true Got little to fight for, nothing to lose Chorus Always staring, waiting and listening Got a feeling something is missing Something's missing (and it's true) Something's missing (you got little to lose) "V*^ Something's missing (so you're gonna find) Something's missing for you Too much confusion, nothing Is right t can't tell what will and might what Mirror in the bathroom, please talk free I've been laughing and crying about today, The door is locked, just you and me it's you Can I take you to a restaurant that's got Can't tell the difference between a promise glass tables the truth and You can watch yourself while you are eating Repeat chorus Mirror in the bathroom, I just can't stop it Every Saturday you see me window Not a word that I can't say shopping is today About what happening Find no interest in the racks and shelve! left inside head a Not a word my Just a thousand reflections of my own hell, it's already been said But what the sweet self, self, self, self, self *9S** "^ Repeat chorus Mirror in the bathroom You're my mirror in the bathroom Words and music by Chris Pope You're my mirror in the bathroom Music Reproduced by permission And Son You're my mirror in the bathroom Ltd. Mirror in the bathroom, recompense For all my crimes of self defence The cures you whisper make no sense Staring At Drift gently into mental illness Mirror in the bathroom, please talk free The door is locked, just you and me Can I take you to a restaurant that's got The Rude Boys 0^ glass tables You can watch yourself while you ate eating By The Ruts on Virgin Records Mirror in the bathroom It's a very small world in the middle of a crowd Repeat to fade The room gets daric when the music gets loud The treble cuts through when the rhythm takes a bite Words and H/lusic by The Beat But there's no room to move cause the floor's Reproduced by permission of packed tight The Beat A voice shouts loud, "We'll never surrender" A voice in the crowd, "Never surrender" A head in the clouds, "Blind propaganda" Never surrender, we'll never surrender The skins in the corner are standing at the bar The rude boys are dancing to some heavy, heavy ska And it's getting so hot, people dripping with sweat The punks in the corner are speeding like a jet Chorus Staring at the rude boys, staring at the rude boys Dancing with the rude boys, dancing with the rude boys Staring at the rude boys, staring at the rude boys A bunch of B.M.'s march in on D.M.'s And some stand there saluting the air They wanna be pirates but the sea's not calm Tattooed crossbones on their arms A voice shouts loud, "We'll never surrender" A voice in the crowd, "Never surrender" Another head bowed, blind propaganda, "Propaganda, propaganda" The lights come alive in a blinding flash The dance floor clears as the victims clash Everyone leaves when the heavies arrive Someone hits the floor someone takes a dive Repeat chorus twice We'll never surrender Repeat to fade PICS: PAUL SLATTERY Words and music by Owen/Jennings/Fox/Ruffy 4 SMASH HITS Reproduced by permission Virgin Music Ltd. "No, we haven't always been "We have changed. I don't fashionable. Okay, Steve and I really know how. When you get used to be part of the Bromley into a situation where you're Contingent, but that was only making records things change. because we lived round there. You have to be more organised "When we went on stage that and when more people want to first night at the Punk Festival we hear you, you've got to tour. weren't trying to join any "Soundwise, I think our songs movement. Originally we did it now have more depth, but because it was fun. It still is fun. they're still as much Banshees' "The press have always songs as 'Hong Kong Garden' enjoyed labelling us as posers.
Load more

Recommended publications
  • Alt Nation: Summer Shows
    Alt Nation: Summer Shows The best of alt rock in Rhode Island all summer I thought this winter was hard, but this stretch of early April-like weather has been just furthering the frustration of waiting for summer to come again. I’ll let someone else worry about climate change because talking to the people that harp on either side of that debate is just painful. Instead I’m going to crank up my summer playlist, which always starts with The Lovin’ Spoonful’s “Summer in the City,” and go through a list of all the shows coming to the area that I’m excited for! So grab your Del’s, iced coffee, sunscreen, crank up the tunes, and get ready to get dirty and gritty! Stanatron mixes video and music for what should be a night of hypnotic ambient music. The music will be performed by a couple of seasoned veterans, Kraig Jordan and Bob Kendall. The performance includes a 49-minute film as well as Jordan and Kendall performing. The music is a departure from the more conventional songwriting of some their other projects. Think pre-Dark Side of The Moon Pink Floyd but more ambient and less structure. There is a 75-minute LP available now at 75orlessrecords.com.Stanatron will perform June 14 at the Jamestown Art Center. The English Beat return to play West Warwick. Geez, never thought I’d write those words. The English Beat had one foot in the ‘80s new wave and the other foot in two tone ska. They had top 10 hits with a cover of “Tears Of a Clown,” “Mirror in The Bathroom,” and“Too Nice to Talk to.” It’s always a risk with older bands that don’t have much as far as original members, but having seen them several times in recent years in both conventional (Lupo’s) and unconventional venues (The Foundry building), I’ll vouch that The English Beat are still money for a good time.
    [Show full text]
  • Camila Dias Borges
    1 CAMILA DIAS BORGES BELA LUGOSI'S NOT DEAD: O DISCURSO E A REPRESENTAÇÃO DE GÓTICOS NO SITE DE REDE SOCIAL FACEBOOK Pelotas 2014 2 UNIVERSIDADE CATÓLICA DE PELOTAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS DISSERTAÇÃO DE MESTRADO Bela Lugosi's Not Dead: O Discurso e a Representação de Góticos no Site de Rede Social Facebook Por Camila Dias Borges Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Letras, área de concentração Linguística Aplicada, da Universidade Católica de Pelotas, como requisito parcial à obtenção do título de Mestre em Letras. Orientadora: Profa. Dra. Raquel Recuero (PPGL/UCPEL) Linha de Pesquisa: Texto, Discurso e Relações Sociais Pelotas, novembro de 2014. Dados Internacionais de Catalogação na Publicação (CIP) B732b Borges, Camila Dias Bela Lugosi’s not dead: o discurso e a representação de Góticos no site de rede social Facebook. / Camila Dias Borges. – Pelotas: UCPEL, 2014. 158f. Dissertação (mestrado) – Universidade Católica de Pelotas , Programa de Pós-Graduação em Letras, Pelotas, BR-RS, 2014. Orientadora: Raquel Recuero. 1. discurso. 2. representação. 3. subcultura gótica. 4.góticos. 5. sites de redes sociais I. Recuero, Raquel,or . II. Título. CDD 401.41 Ficha catalográfica elaborada pela bibliotecária Cristiane de Freitas Chim CRB 10/1233 3 AGRADECIMENTOS A todos do Programa de Pós-Graduação em Letras da Universidade Católica de Pelotas por terem me acolhido com muito carinho e, principalmente, por terem despertado em mim o interesse pela pesquisa. A todos os professores que, com dedicação, não somente repassaram conhecimento, mas também instigaram questionamentos que muito me auxiliaram no desenvolvimento pessoal. À querida orientadora Raquel, que constantemente amparou a minha reflexão sobre a teoria e os dados, esclarecendo com paciência e atenção as dúvidas de pesquisa.
    [Show full text]
  • BHLHS Gazette March and April 2014
    THE GAZETTE APRIL 2014 CHRIS SUTTON: St. Paul’s Trust, Hertford St, Balsall Heath, B12 8NJ. Tel: 0121 464 1890 Email: [email protected] Web: balsallheathhistory.co.uk & www.digitalbalsallheath.org.uk Facebook: Balsall Heath Local History Society The Balsall Heath Local History Society was founded in 1979 with the aim of promoting interest in our local history. We feel pride in our area and value its strengths – past and present. To meet our aims we work with local schools and community groups organising exhibitions and events. We have also produced several publications. We are a registered charity and rely on grants and donations to achieve our aims. For more information on our work, or to volunteer and help please contact us. MEMORY LANE WAS A RIOT! BEWARE THE IDES OF “A wonderfully MARCH entertaining and enjoyable There was no issue of this newsletter in March due to production” my unexpectedly booking into Solihull and Heartlands hospitals! Thanks to all who sent their best wishes. WEEKEND WARRIORS: Chris,Derek and Raj go on the warpath The Birmingham History Theatre company production “Memory Lane” delighted audiences over three performances in March at St Paul’s Trust. It was inspired by Thankfully normal service is the successful Ladypool Road trail which we put on last year. This was a walking now resumed! The picture is trail along the road stopping for historic interludes showcasing the rich heritage of me as the Inspector of the road through hundreds of years. Val Hart worked on an adaption of that trail Nuisances from the Balsall for the stage with the central framework being herself as a speaker giving a talk on Heath Board of Health, Ladypool Road.
    [Show full text]
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
    English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great.
    [Show full text]
  • 1 Hey Jude the Beatles 1968 2 Stairway to Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5
    1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 6 Da Ya Think I'm Sexy? Rod Stewart 1979 7 Jailhouse Rock Elvis Presley 1957 8 (I Can't Get No) Satisfaction Rolling Stones 1965 9 Tragedy Bee Gees 1979 10 Le Freak Chic 1978 11 Macho Man Village People 1978 12 I Will Survive Gloria Gaynor 1979 13 Yesterday The Beatles 1965 14 Night Fever Bee Gees 1978 15 Fire Pointer Sisters 1979 16 I Want To Hold Your Hand The Beatles 1964 17 Shake Your Groove Thing Peaches & Herb 1979 18 Hound Dog Elvis Presley 1956 19 Heartbreak Hotel Elvis Presley 1956 20 The Twist Chubby Checker 1960 21 Johnny B. Goode Chuck Berry 1958 22 Too Much Heaven Bee Gees 1979 23 Last Dance Donna Summer 1978 24 American Pie Don McLean 1972 25 Heaven Knows Donna Summer & Brooklyn Dreams 1979 26 Mack The Knife Bobby Darin 1959 27 Peggy Sue Buddy Holly 1957 28 Grease Frankie Valli 1978 29 Love Me Tender Elvis Presley 1956 30 Soul Man Blues Brothers 1979 31 You Really Got Me The Kinks 1964 32 Hot Blooded Foreigner 1978 33 She Loves You The Beatles 1964 34 Layla Derek & The Dominos 1972 35 September Earth, Wind & Fire 1979 36 Don't Be Cruel Elvis Presley 1956 37 Blueberry Hill Fats Domino 1956 38 Jumpin' Jack Flash Rolling Stones 1968 39 Copacabana (At The Copa) Barry Manilow 1978 40 Shadow Dancing Andy Gibb 1978 41 Evergreen (Love Theme From "A Star Is Born") Barbra Streisand 1977 42 Miss You Rolling Stones 1978 43 Mandy Barry Manilow 1975
    [Show full text]
  • Video Killed the Radio Star
    T H E S O N G LANGUAGE LEVEL ADVANCED Video Killed Track 15 Speaker: The Radio Star Justin Ratcliffe (Standard British accent) by Fergal Kavanagh Come abbiamo When television became popular in drives his car, he realises technology visto non è the 1950s, it was thought that this has come so far that it is impossible to affatto andata would spell1 the end for radio, but it rewind, or turn things back, and return così, ma nel survived this and many subsequent to the golden age. 1979 uscì una innovations. Yet in 1979 The Buggles The song concludes with him canzone che released the huge hit2 “Video Killed surrendering to the new technology of decretava The Radio Star.” Co-written, sung and the VTR (Video Tape Recorder – now, la fine della 3 radio. produced by studio wizard Trevor Horn, nearly 30 years later, it is itself almost La canzone the singer reminisces about lying in bed obsolete!), and recognising the star on divenne at night in 1952 (although Horn would the screen as a one-time radio star. famosissima; then have been just three years old!), “Video Killed The Radio Star” was also furono gli listening to what was then known as inspired by the science fiction story interpreti (i a “wireless.” Despite his tender years4, “The Sound Sweep”11 by J.G. Ballard. Buggles) a Horn was profoundly affected by what The song took three long months to sparire nel nulla. he heard. record and went to number one in Much has been written about the 16 different countries.
    [Show full text]
  • Smash Hits Volume 33
    FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN'
    [Show full text]
  • SF PRIDE Thelma Announcement Lineup
    Media Contacts: Julie Richter | [email protected] Peter Lawrence Kane | [email protected] SAN FRANCISCO PRIDE ANNOUNCES THELMA HOUSTON AS THE SUNDAY HEADLINER FOR OFFICIAL PRIDE 50 ONLINE CELEBRATION Black Lives Matter co-founder Alicia Garza, contestants from HBO’s Legendary, and Celebrity Grand Marshal W. Kamau Bell join online programming for the nation’s largest gathering of the LGBTQ+ community and allies Concurrent stream on SFPride.org will feature special community programming from the Don Julio Latin Stage, the Soul of Pride, and the Women’s Stage JUNE 27–28, 2020 SAN FRANCISCO (June 23, 2020) — Today, the Board of Directors of San Francisco Pride announced Grammy award-winninG sinGer and Motown leGend Thelma Houston as the Sunday headliner for the official Pride 50 online celebration. The weekend-lonG tribute to LGBTQ+ luminaries and queer solidarity continues to amplify Black voices throuGh a spotliGht on Black Lives Matter cofounder Alicia Garza; a celebration of the underGround ballroom community with contestants from HBO’s Legendary; and a special appearance by Celebrity Grand Marshal W. Kamau Bell. More than 13 hours of proGramminG will stream throuGh SFPride.orG as the nation’s larGest GatherinG of the LGBTQ+ community and allies Goes online for the first time in its history. “Thelma Houston and BiG Freedia are iconic performers whose lives and work are representative of the joy and hope found in performinG arts, alonGside their role in empowerinG others as we naviGate the struGGles of equality and justice. We couldn’t be more thrilled that they will headline Pride 50,” said San Francisco Pride Executive Director Fred Lopez.
    [Show full text]
  • The Damned Don't You Wish Press Release.Indd
    PRESS RELEASE The Damned: Don’t You Wish That We Were Dead (15) RELEASE DATE On Blu-ray and DVD 29 May 2017 On Digital 22 May 2017 KEY TALENT INFORMATION Starring • David Vanian (lead singer, The Damned) • Captain Sensible (guitar/vocals, The Never mind the Sex Pistols… Damned) • Rat Scabies (drummer, The Damned) here’s The Damned! • Lemmy (Motorhead) • Mick Jones (The Clash) Fast Sell: • Steve Diggle (The Buzzcocks) • Chrissie Hynde (The Pretenders) A rip-roaring, hellraising account of one of the fi rst and • Chris Stein and Clem Burke (Blondie) greatest punk bands, The Damned, who ripped up the • Jon Moss (Culture Club) 70s music scene, fell apart in chaos, reformed and are still • Duff McKagan (Guns ‘N’ Roses) touring today 40 years strong! This joins Lemmy, The Filth • Glen Matlock (Sex Pistols) and the Fury and Anvil as a gleefully riotous, must watch • Nick Mason (Pink Floyd) rock-doc! • Ian MacKaye (Fugazi, Minor Threat) • Jesse Hughes (Eagles of Death Metal) From the co-director of Lemmy, featuring Chrissie Hynde, • Dexter Holland (The Off spring) Mick Jones, Lemmy, and members of Pink Floyd, Black Flag, • Jack Grisham (T.S.O.L) Guns ‘N’ Roses, Sex Pistols, Fugazi, Blondie, The Buzzcocks • David Gahan (Depeche Mode) and many more! • Don Letts • Billy Idol Synopsis: Director The story of the long-ignored pioneers of punk: The • Wes Orshoski (Lemmy) Damned. CONTACT/ORDER MEDIA The long-ignored pioneers of punk, The Damned started out as trailblazers on London’s 70s punk rock scene, being Thomas Hewson - [email protected] the fi rst British punk band to release a single, the immortal New Rose in 1976.
    [Show full text]
  • <^ the Schreiber Times
    < ^ The Schreiber Times Vol. XXVIII Paul D. Schreiber High School Wednesday, September 30, 1987 ZANETTI TAKES CHARGE Board Names Guidance Head as Acting Principal by Dave Weintraub When Dr. Frank Banta, Schreiber's principal for eight years, departed at the end (rf the last school year for a different job, he left some large shoes to fill. The school board and Superintendent Dr. William Heebink set out on a search for a new principal over the summer. Many applicants were reviewed, but no one was picked. The board and Dr. Heebink decided to extend the search through the 1987-88 school year. To fill the void Dr. Banta had left, they asked John Zanetti, Chairman of the Guidance Department, to serve as acting principal. He accepted, and was given a ten-month contract, which began in September. Most people who know Mr. Zanetti know him as a soft- spoken and amiable man. He has been in the Port Washington school system for many years, and he had humble beginnings. He started work at Salem School as a physical education teacher in 1958. He stayed there for six years and during that time in- troduced wrestling and lacrosse to the high school. He became the first coach of those teams. After Salem, he taught physical educa- tion at Schreiber for two years. He became a guidance counselor in 1967. He was appointed guidance chairman in 1980. He has now moved to the top of Schreiber's administrative lad- der. Has his transition been smooth? "I have an ulcer," he jokes. "Actually, I think I've ad- justed better than I thought I would.
    [Show full text]