Modern Family“
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Je T'aime, Paris!
12 February 2020 JE T’AIME, PARIS! THE PENINSULA PARIS PLAYS A STARRING ROLE ON AN ALL-NEW EPISODE OF ABC’S ‘MODERN FAMILY’ Photo credit: ABC* Terrace of Rooftop Garden Suite at The Peninsula Paris Over the last 11 seasons, the Pritchett-Dunphy-Tucker clan has travelled the globe, making hilarious memories wherever they went – from Hawaii, Australia, Wyoming and Disneyland to Las Vegas, Lake Tahoe and New York. In one last family trip, the crew heads to Paris, so Jay can accept a lifetime achievement award for his work in the closet industry. While there, Claire has a secret rendezvous with an old flame in one of the most romantic spots, atop The Peninsula Paris in a luxurious Rooftop Garden Suite overlooking the Eiffel Tower and Parisian skyline. In a pivotal scene, Claire is introduced to the glamour and romance of The Peninsula as her former love interest seeks to win her affections. The final scene in the episode sees the family united to celebrate at the Michelin-starred L’Oiseau Blanc, enjoying the marvelous food and unbeatable views of The Peninsula Paris’s celebrated rooftop restaurant. The all-new episode of “Modern Family,” titled “Paris,” aired Wednesday, 12 February from 9:00-9:31 p.m. EST on ABC. THE PENINSULA PARIS HAS A STARRING ROLE ON AN ALL-NEW EPISODE OF ABC’S ‘MODERN FAMILY,’ AIRING WEDNESDAY, FEB. 12 In celebration of this special episode and the upcoming Valentine’s Day, The Peninsula Paris invites guests to create their own Modern Romance in Paris, or at some of the Peninsula Hotels around the world, valid from -
On the Ball! One of the Most Recognizable Stars on the U.S
TVhome The Daily Home June 7 - 13, 2015 On the Ball! One of the most recognizable stars on the U.S. Women’s World Cup roster, Hope Solo tends the goal as the U.S. 000208858R1 Women’s National Team takes on Sweden in the “2015 FIFA Women’s World Cup,” airing Friday at 7 p.m. on FOX. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., June 7, 2015 — Sat., June 13, 2015 DISH AT&T CABLE DIRECTV CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA SPORTS BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA WBRC 6 6 7 7 6 6 6 6 AUTO RACING 5 p.m. ESPN2 2015 NCAA Baseball WBIQ 10 4 10 10 10 10 Championship Super Regionals: Drag Racing Site 7, Game 2 (Live) WCIQ 7 10 4 WVTM 13 13 5 5 13 13 13 13 Sunday Monday WTTO 21 8 9 9 8 21 21 21 8 p.m. ESPN2 Toyota NHRA Sum- 12 p.m. ESPN2 2015 NCAA Baseball WUOA 23 14 6 6 23 23 23 mernationals from Old Bridge Championship Super Regionals Township Race. -
"HIGH SCHOOL MUSICAL: the MUSICAL: the HOLIDAY SERIES" TALENT BIOS Olivia Rodrigo Olivia Rodrigo Plays the Lead Role O
"HIGH SCHOOL MUSICAL: THE MUSICAL: THE HOLIDAY SERIES" TALENT BIOS Olivia Rodrigo Olivia Rodrigo plays the lead role of "Nini" on "High School Musical: The Musical: The Series." With nearly 300 million streams worldwide, the season one hit she wrote and composed, "All I Want," entered the Billboard Hot 100 chart at #90 and has been certified Gold in the U.S. and Canada. Rodrigo also debuted at #18 on the Billboard Emerging Artists chart. Prior to HSMTMTS, Rodrigo stared as Paige Olvera in Disney Channel's live-action comedy "Bizaardvark." Her first professional acting job was in an Old Navy commercial and she then went on to star as the bubbly Grace Thomas in the popular direct-to-DVD movie, "An American Girl: Grace Stirs Up Success." Born and raised in Temecula, California, Rodrigo began taking singing and acting classes when she was six. Her love for performing continued to grow and she soon landed roles in several school plays as well as regional musical theater. Rodrigo currently resides in Los Angeles with her parents. In her spare time, she enjoys singing, playing piano, hanging out with friends and shopping at vintage stores. She loves to travel and explore new places. Twitter: @Olivia_Rodrigo; IG: @Olivia.Rodrigo Joshua Bassett Joshua Bassett plays the lead role of "Ricky" on "High School Musical: The Musical: The Series." He co-wrote and performed "Just For a Moment" with Olivia Rodrigo for season one and will debut an acoustic version of "The Perfect Gift," a song he penned for season two, on "High School Musical: The Musical: The Holiday Special." He is also known for his recurring role as Aidan Peters on Disney Channel's "Stuck in the Middle." He recently guest starred on "Dirty John" and ABC's "Grey's Anatomy." An artist with Warner Records, Bassett unveiled his solo debut “Common Sense” in 2020. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Kelly Mantle
The VARIETY SHOW With Your Host KELLY MANTLE KELLY MANTLE can be seen in the feature film Confessions of a Womanizer, for which they made Oscars history by being the first person ever to be approved and considered by The Academy for both Supporting Actor and Supporting Actress. This makes Kelly the first openly non-binary person to be considered for an Oscar. They are also featured in the movie Middle Man and just wrapped production on the upcoming feature film, God Save The Queens in which Kelly is the lead in. TV: Guest-starred on numerous shows, including Lucifer, Modern Family, Curb Your Enthusiasm, CSI, The New Normal, New Adventures of Old Christine, Judging Amy, Nip/Tuck, Will & Grace, George Lopez. Recurring: NYPD Blue. Featured in LOGO’s comedy special DragTastic NYC, and a very small co-star role on Season Six of RuPaul's Drag Race. Stage: Kelly has starred in more than 50 plays. They wrote and starred in their critically acclaimed solo show,The Confusion of My Illusion, at the Los Angeles LGBT Center. As a singer, songwriter, and musician, Kelly has released four critically acclaimed albums and is currently working on their fourth. Kelly grew up in Oklahoma like their uncle, the late great Mickey Mantle. (Yep...Kelly's a switch-hitter, too.) Kelly received a B.F.A. in Theatre from the University of Oklahoma and is a graduate of Second City in Chicago. https://www.instagram.com/kellymantle • https://www.imdb.com/name/nm0544141/ ALEXANDRA BILLINGS is an actress, teacher, singer, and activist. -
A Conversation Analysis of Interruptions in Modern Family Season 1 Series
A CONVERSATION ANALYSIS OF INTERRUPTIONS IN MODERN FAMILY SEASON 1 SERIES A THESIS Presented as Partial Fulfillment of the Requirements for the Attainment of Sarjana Sastra Degree in English Language and Literature By Chera Kurnia Larasati NIM. 10211144035 ENGLISH LANGUAGE AND LITERATURE STUDY PROGRAM ENGLISH EDUCATION DEPARTMENT FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 A CONVERSATION ANALYSIS OF INTERRUPTIONS IN MODERN FAMILY SEASON 1 SERIES A THESIS Presented as Partial Fulfillment of the Requirements for the Attainment of Sarjana Sastra Degree in English Language and Literature By Chera Kurnia Larasati NIM. 10211144035 ENGLISH LANGUAGE AND LITERATURE STUDY PROGRAM ENGLISH EDUCATION DEPARTMENT FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 APPROVAL SHEET ii RATIFICATION SHEET iii iv DEDICATIONS This thesis is dedicated to: My Beloved Father and Mother and My Dearest Siblings v MOTTOS Allah changes not what is in people until they change what is in themselves. -Q.S. Ar-Ro’du (13): 11- I always wonder why birds choose to stay in the same place when they can fly anywhere on the earth, then I ask myself the same question. -Harun Yahya- vi TABLE OF CONTENTS vii TITLE PAGE ........................................................................................... i APPROVAL ............................................................................................. ii RATIFICATION SHEET ....................................................................... iii SURAT PERNYATAAN .......................................................................... -
Czech Subtitles of an American Sitcom: a Translation Analysis
Czech Subtitles of an American Sitcom: A Translation Analysis Michaela Pilzová Bachelor’s Thesis 2021 ABSTRAKT Tato bakalářská práce se zabývá překladem titulků audiovizuálních programů, konkrétně sitcomu Taková moderní rodinka. Práce se zaměřuje na tři aspekty, které můžou být problematické kvůli své kulturní specifičnosti, a těmi jsou idiomy, slovní hříčky a kulturní reference. Všechny z nich mohou být matoucí a nepochopené. Cílem této práce je popsat tyto kulturně specifické jevy a definovat metody jejich překladu, aby se shodovaly s tím, co je cílové kultuře známé. Teoretická část této práce popisuje překlad, jeho jednotlivé typy a metody pro vyřešení neekvivalentnosti. Práce také rozebírá titulky, jejich úskalí a požadavky na ně. Analytická část se skládá z popisu analyzovaného sitcomu a komentovaných příkladů slovních hříček, idiomů, kulturních referencí a slangových výrazů. Klíčová slova: audiovizuální překlad, titulky, sitcom, idiomy, slovní hříčky, kulturní reference, humor ABSTRACT This Bachelor Thesis deals with translating subtitles of audiovisual programmes, specifically the sitcom Modern Family. It focuses on three aspects that tend to cause problems in translation due to their cultural specificity, and those are idioms, puns and cultural references. All of them can be confusing and might not be understood. The aim of this thesis is to describe those culturally specific areas and define the methods for their translation to fit the knowledge of the target audience. The theoretical part of this paper describes translation, its different types and methods to deal with non-equivalence. It also discusses subtitling and its challenges and requirements. The analytical part consists of a description of the sitcom and commented examples to puns, idioms, cultural references and slang expressions. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
S.C. Education Department Is 'Very Concerned' About Mayewood
LOCAL: Best Of contest expands to Clarendon for 1st year A8 CLARENDON SUN Firefighters awarded at annual banquet A7 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 FRIDAY, FEBRUARY 15, 2019 75 CENTS S.C. education Punching up the confidence meter department is ‘very concerned’ about Mayewood Official letter sent to district, board chairman after reopening decision BY BRUCE MILLS [email protected] ESTIMATED COSTS TO REOPEN MAYEWOOD The state education depart- First-year costs in 2019-20: ment’s leader wrote a letter to $1 million to $1.2 million Sumter School District’s leaders Reoccurring annual costs: $360,000 expressing concerns about the to $471,000 school board’s vote Monday night to re- Source: Sumter School District administration open Mayewood Mid- dle School given the district’s recent fi- education department, told The nancial and other Sumter Item on Thursday. difficulties. After the official fiscal 2016 SPEARMAN South Carolina Su- audit report revealed the district perintendent of Edu- overspent its budget by $6.2 mil- cation Molly Spearman brought lion that year, draining its gener- up a handful of topics that are ei- al fund balance to $106,449, the ther ongoing or in the recovery state department put the district process, mainly regarding costs on a “fiscal watch” in 2017. associated with reopening and That same year, the state Legis- maintaining Mayewood and pos- lature passed a law requiring all sibly F.J DeLaine Elementary school districts to have at least School next school year. one month’s operating expendi- KAYLA ROBINS / THE SUMTER ITEM “We’re very much aware of the tures in their fund balance — Jerome Robinson owns Team Robinson MMA in Sumter, which moved into the former Jack’s issues going on in Sumter, and roughly $12 million for Sumter’s Shoes downtown in 2018. -
Andrea Von Foerster Music Supervisor
ANDREA VON FOERSTER MUSIC SUPERVISOR MOTION PICTURES FANTASTIC FOUR Kevin Feige, Matthew Vaughn, Simon Kinberg, 20 th Century Fox Hutch Parker, Gregory Goodman, prods. Joshua Trunk, dir. GREATER Brian Reindl, prod. Blue Ribbon Digital Media David Hunt, dir. HELICOPTER MOM Salome Breziner, Josh Cole, Stephen Israel, American Film Productions J.M.R. Luna, prods. Salome Breziner, dir. NAOMI AND ELY’S NO KISS LIST Robert Abramoff, Kristin Hanggi, Alexandra 20 th Century Fox Milchan, Emily Gerson Saines, prods. Kristin Hanggi, dir. SATURN RETURNS Anselm Clinard, Gregory Lemkin, Shawn Moonrise Pictures Tolleson, prods. Shawn Tolleson, dir. 1:30 TRAIN Howard Baldwin, Karen Elise Baldwin, G4 Productions Chris Evans, William Immerman, prods. Chris Evans, dir. GRACE OF A STRANGER (short) Troy Hollar, prod / dir. Lovemakers WE GOTTA GET OUT OF THIS Justin X. Duprie, Brian Udovich, prods. PLACE Zeke Hawkins, Simon Hawkins, dirs. Rough & Tumble Films A GIRL AND A GUN Liz Federowicz, Filip Jan Rymsza, Thomas Royal Road Entertainment D. Adelman, Brent Travers, prods. Filip Jan Rymsza, dir. DEVIL’S DUE John Davis, prod. 20 th Century Fox Matt Bettinelli-Olpin, Tyler Gillett, dirs. TIME LAPSE B.P. Cooper, Rick Montgomery, prods. Veritas Productions Bradley King, dir. SEA OF DARKNESS Salome Breziner, prod. Concrete Images Michael Oblowitz, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 ANDREA VON FOERSTER MUSIC SUPERVISOR BEGIN AGAIN Judd Apatow, Sam Hoffman, Ben Nearn, Exclusive Media Group Tom Rice, exec. prods. John Carney, dir. NO CLUE Brent Butt, Laura Lightbown, prods. Sparrow Media Carl Bessai, dir. GROWING UP AND OTHER LIES Nicole Diane Lederman, Katie Mustard, Embark Productions / Gold Apple Jason Weiss, prods. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Nothing but Sounds, Ink-Marks”—Is Nothing Hidden? Must Everything Be Transparent?
Final version published in the Yearbook of the Danish Philosophy Association, 2018 “Nothing but sounds, ink-marks”—Is nothing hidden? Must everything be transparent? Paul Standish (UCL Institute of Education) Abstract Is there something that lies beneath the surface of our ordinary ways of speaking? Philosophy sometimes encourages the all-too-human thought that reality lies just outside our ordinary grasp, hidden beneath the surface of our experience and language. The present discussion concentrates initially on a few connected paragraphs of Wittgenstein’s Philosophical Investigations (particularly ##431-435). Wittgenstein leads the reader to the view that meaning is there in the surface of the expression. Yet how adequate is Wittgenstein’s treatment of the sounds and ink-marks, the materiality of the sign? With some reference to Emerson, Stanley Cavell, and Jacques Derrida, my discussion explores how far a more adequate account of the sign can coincide with the claim that nothing is hidden. It exposes phony obsessions with transparency, which in a culture of accountability have had a distorting effect on education and the wider social field. It endorses confidence in the reality of ordinary words. Keywords Language, reality, expression, Wittgenstein, Emerson, Cavell, Derrida I want to pursue the alleged error of thinking that there must be something that lies beneath the surface of our ordinary ways of speaking about our reactions and responses to the world. A popular form of this is found when you are talking to someone and they say in response: “Just wait a minute while I process what you have said.” They are not, as their language more or less makes clear, quite reasonably telling you that they want to think over what you have said: they are informing you of a mental operation, a brain process that needs to be carried out before they can answer.1 There are 1 Such a response is familiar enough.