Satis N. Coleman File – 05 : Chapters XXXII to XXXVI Bibliography, Index Pages 359 to 462
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Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
Download a PDF of Our Community Brochure
Engagement with the communities of Oxford and Oxfordshire Did you know? St Giles’ Fair began as the parish feast of St Giles, first recorded in 1624. From the 1780s it became a toy fair, with general amusements for children. In the next century its focus shifted towards adults, with entertainment, rides and stalls. In the late 1800s there were calls for the fair to be stopped on the grounds that it encouraged rowdy behaviour. During Victorian times engineering advances brought the forerunners of today’s rides. Today the huge pieces of machinery fill St Giles’ with sparkling lights for a few days each year, and whizz within feet of ancient college buildings. The stone heads around the Sheldonian Theatre now number thirteen (there were originally fourteen, but one was removed to make way for the adjoining Clarendon Building.) It is not known what they were intended to represent – they might be gods, wise men, emperors or just boundary markers. The original heads were made by William Byrd and put up in 1669. Did you Replacements put up in 1868 were made in poor stone, know? which crumbled away; in 1972 the current set, carved by Michael Black of Oxford, were erected. More on page 4 STARGAZING AND SPIN-OUTS PAGE 1 Contents 2 Introduction from the Vice-Chancellor 3 Foreword from the Chair of the Community Engagement Group 5 Part 1: Part of the fabric of the city Part of the fabric 6 800 years of history of the 8 Economic impact city 9 Science Parks 1 0 Saïd Business School 11 Oxford University Press PART 1 PART 1 2 The built environment 13 -
Encyclopedia of Arts and Humanities Through the Eras
AHTTE.MdvlErp.tpgs 9/14/04 12:12 PM Page 1 ARTS & HUMANITIES Through the Eras AHTTE.MdvlErp.tpgs 9/14/04 12:12 PM Page 3 ARTS & HUMANITIES \ Through the Eras Medieval Europe 814–1450 Kristen Mossler Figg and John Block Friedman, Editors 69742_AHTE_MEfm_iv-xxx.qxd 9/21/04 1:49 PM Page iv Arts and Humanities Through The Eras: Medieval Europe (814–1450) Kristen Mossler Figg and John Block Friedman Project Editor Indexing Services Product Design Rebecca Parks Barbara Koch Michelle DiMercurio Editorial Imaging and Multimedia Composition and Electronic Prepress Danielle Behr, Pamela A. Dear, Rachel J. Randy Bassett, Mary K. Grimes, Lezlie Light, Evi Seoud Kain, Ralph G. Zerbonia Mike Logusz, Kelly A. Quin Manufacturing Editorial Support Services Rights and Acquisitions Wendy Blurton Mark Springer Margaret Chamberlain, Shalice Shah-Caldwell © 2005 Thomson Gale, a part of the This publication is a creative work fully Cover photographs by permission of Corbis Thomson Corporation. protected by all applicable copyright laws, as (seated statue of Pharaoh Djoser) and well as by misappropriation, trade secret, AP/Wide World Photos (“The Creation of Thomson and Star Logo are trademarks and unfair competition, and other applicable laws. Adam and Eve” detail by Orvieto). Gale is a registered trademark used herein The authors and editors of this work have under license. added value to the underlying factual Since this page cannot legibly accommo- material herein through one or more of the date all copyright notices, the acknowledge- For more information, contact following: unique and original selection, ments constitute an extension of the Thomson Gale coordination, expression, arrangement, and copyright notice. -
Tracking B Odhidharma
/.0. !.1.22 placing Zen Buddhism within the country’s political landscape, Ferguson presents the Praise for Zen’s Chinese Heritage religion as a counterpoint to other Buddhist sects, a catalyst for some of the most revolu- “ A monumental achievement. This will be central to the reference library B)"34"35%65 , known as the “First Ances- tionary moments in China’s history, and as of Zen students for our generation, and probably for some time after.” tor” of Zen (Chan) brought Zen Buddhism the ancient spiritual core of a country that is —R)9$%: A4:;$! Bodhidharma Tracking from South Asia to China around the year every day becoming more an emblem of the 722 CE, changing the country forever. His modern era. “An indispensable reference. Ferguson has given us an impeccable legendary life lies at the source of China and and very readable translation.”—J)3! D54") L))%4 East Asian’s cultural stream, underpinning the region’s history, legend, and folklore. “Clear and deep, Zen’s Chinese Heritage enriches our understanding Ferguson argues that Bodhidharma’s Zen of Buddhism and Zen.”—J)5! H5<4=5> was more than an important component of China’s cultural “essence,” and that his famous religious movement had immense Excerpt from political importance as well. In Tracking Tracking Bodhidharma Bodhidharma, the author uncovers Bodhi- t r a c k i n g dharma’s ancient trail, recreating it from The local Difang Zhi (historical physical and textual evidence. This nearly records) state that Bodhidharma forgotten path leads Ferguson through established True Victory Temple China’s ancient heart, exposing spiritual here in Tianchang. -
Contents of the Southwell and Nottingham Guild of Church Bellringers Library
Contents Of The Southwell And Nottingham Guild Of Church Bellringers Library BELLRINGING BOOKS / BELL MUSIC AND OTHER RINGING MEMORABILIA All of this collection is in the ownership of The Southwell and Nottingham Guild of Church Bell Ringers It is located at Saddlers Cottage, Farm Lane, East Markham, NG22 0QH Note: Errors may have been inserted but every effort has been made to be correct. Last Update 18th January 2021 1 CONTENTSU OF THIS LIST ITEMS IN PAPER FORMAT – BOOKS AND LEAFLETS CENTRAL COUNCIL PUBLICATIONS 3 A.R.T. - ASSOCIATION OF RINGING TEACHERS 9 JASPER SNOWDON CHANGE RINGING SERIES 10 SHERBOURNE TEACHING AIDS 11 GENERAL BOOKS ON BELLS 12 LEAFLETS AND/OR ARTICLES FROM BOOKS 19 CHURCH GUIDES, CHURCH BOOKS AND PARISH MAGAZINES 21 RELIGEOUS BOOKS AND NON BELLRINGING 23 NEWSPAPER ARTICLES 24 VARIOUS GUILD AND ASSOCIATION BOOKS 25 DEDICATION OF BELLS SERVICE SHEETS 33 RINGER’S FUNERAL SERVICE SHEETS 33 ITEMS OF NON-BOOK FORMAT GRAMAPHONE RECORDS 8 INCH RECORDS 33 10 INCH 78’s 34 12 INCH 78’s 35 7 INCH 45’s AND 33’s 36 7 INCH BBC SOUND EFFECTS CHURCH BELLS 38 7 INCH BBC SOUND EFFECTS CLOCK BELLS 40 10 INCH 33 1/3rpm RECORDS 42 12 INCH 33 1/3rpm CHURCH BELLS 43 HANDBELLS 44 CARILLON CHURCH BELLS 51 SCHULMERICH ELECTRONIC CARILLON BELLS 54 OTHER VARIOUS TYPES OF BELLS 56 NON RINGING RELIGON 58 COMPACT DISCS BELLS VARIOUS AND COPY OF RECORDS 59 DOCUMENTS – MS WORD AND OTHER FORMATS 69 BOOKS IN PDF FORMAT 70 VHS PAL VIDEO 75 DVD’S 75 CASSETTE TAPES 76 PROJECTOR SLIDES AND LANTERN SLIDES 76 COMPUTER PROGRAMS 77 BELLRINGING MEMORABILIA 78 LIST OF BRITISH TOWER BELLS ON RECORDINGS 81 LIST OF FOREGN BELLS ON RECORDINGS 82 LIST OF HANDBELL TEAMS ON RECORDINGS 84 LIST OF CHURCH BELL CARILLONS ON RECORDINGS 89 LIST OF ELECTRONIC CARILLON BELLS ON RECORDINGS 91 Note: The Whitechepel Foundary closed down in 2018 The Library can be used by all ringers and must be authorised by the Guild Librarian in the first instance. -
MARCH, 2008 St. Ann's Roman Catholic Church Nyack, New York Cover Feature on Pages 34–35
THE DIAPASON MARCH, 2008 St. Ann’s Roman Catholic Church Nyack, New York Cover feature on pages 34–35 Mar 08 Cover.indd 1 2/11/08 10:19:43 AM WWW.TOWERHILL-RECORDINGS.COM LATEST RELEASE NORTH AMERICAN Christopher Houlihan SOURCE FOR CDS BY Louis Vierne, Second Symphony for Organ ensemble amarcord also includes Vierne: Carillon de Westminster Widor: Allegro from Sixth Symphony in G minor, op. 42, no. 2 Andante sostenuto from Gothic Symphony in c minor, op. 70 And so it goes Rel#: RK ap 10102 Introducing Christopher Houlihan, a young American organist on his way to becoming an important talent who will make a significant contribution to the organ performance scene in this Rel#: TH-72018 The Book of Madrigals country. Rel#: RK ap 10106 ORGAN CDS FROM TOWERHILL French Symphonic Organ Works Stewart Wayne Foster Pierre de la Rue - Incessament at First (Scots) Presbyterian Church Rel#: RK ap 10105 Charleston, South Carolina Rel#: TH-71988 The French Romantics John Rose at Cathedral of St. Joseph Hartford, Connecticut Rel#: TH-900101 Nun Komm der Heiden Heiland Rel#: RK ap 10205 Festive and Fun Stephen Z. Cook at Williamsburg Presbyterian Church Williamsburg, Virginia Rel#: TH-72012 Star Wars John Rose In Adventu Domini at Cathedral of St. Joseph Rel#: RK ap 10101 Hartford, Connecticut Rel#: TH-1008 also available: This Son So Young Hear the Voice Rel#: apc 10201 John Rose, Organ Liesl Odenweller, Soprano Primavera Rebecca Flannery, Harp Bach, Grieg, Elgar, Poulenc et al. Rel#: TH-71986 Rel#: AMP 5114-2 WWW.TOWERHILL-RECORDINGS.COM For those who may not be aware of the some justifi able pride on the church’s source, this fl owery description is ex- website (www.fi shchurch.org), which THE DIAPASON cerpted from a much longer article that however makes no mention of what went A Scranton Gillette Publication Dr. -
The Bellringer No 4
THE BELLRINGER. Entered at Stationers*Hall. January 26th, 1907 PALMAWI [ QUI | A F A W EEK' Y JHtJPMfl.L DEVOTED TO THE ART OF R 8NG 1N G AND CHURCH N E W S . , JAN UARY 26th, 1907. P r i c e O n e P e n n y . BY ROYAL WARRANT Bell and Brajs Founders to j(is jYlajesty the Xing. GlLLETT & JOHNSTON J ohn w arner & sons CROYDON (SURREY). 2, Jewitn Crescent, Cripplegate, BELL FOUNDERS & HANGERS LONDON, E.C. CLOCK MANUFACTURERS. CARILLON MAKERS. Diameter Weight 5 tons, 4 cwt. 84 Inches THE TORONTO ‘ TENOR’ Makers of the Great Clocks and Bells at Law Courts, London ; Birmingham Art Gallery ; Toronto City Hall (Canada); Cardiff Town Hall Sydney (N.S.W.); Town Hall, Pietermaritzburg (S. Africa) Town Hall T e n o r , 25 cvvt. W e i g h t o f P e a l , 5 T o n s , 4 cwt. [ qr. 16 lb s. Singapore Victoria Hall ; Monaghan and Ballaghadereen Cathedrals; St. George’s Church, Montreal Huijg in the “Victoria Tower” etc., etc. Founders of the Peals of Bells at ST MARYS CHURCH, CHATHAM. Londonderry Cathedral. Crawley Parish Church. Christ Church St. Leonards. St Mary’s Church, H.R. H. Princess Christian attended at the Dedication St Mary’s Church, Warrington Service by the Bishop of Rochester, Feb. 2nd, 1898 ; Founders and Re-Hangers of numerous 897 In Commemoration of Her Majesty’s Jubilee, i - Peals throughout the Country. THE BELLRINGER. January 26th,^1907. Patentees and Contractors to H. M Royal Ordinance Stores and the Admiralty. -
1 What to See at Christ Church
What to See at Christ Church : A Short Tour Christ Church is an essential element in any visit to Oxford. Two of its famous landmarks, Tom Tower, by Christopher Wren, and Oxford’s Cathedral spire, define the city’s celebrated skyline and mark Christ Church as a unique dual foundation: one of Oxford University's largest colleges and the cathedral church for the diocese of Oxford. The following tour will provide those visiting Christ Church with more information about its community and history. Beginning in the tranquil landscape of Christ Church Meadow, the tour will move through the college in the footsteps of great minds, royalty, poets, prime ministers, a little girl called Alice and even the odd wizard! Gaze upon the beautiful buildings, elegant quadrangles and vibrant stained glass windows and gain an insight into the rich history of an Oxford college and cathedral. The tour has been designed to accompany a visit to Christ Church but if you should need more information feel free to approach the bowler-hatted custodians or one of the cathedral stewards with any queries that should arise. The Meadow Christ Church Meadow is a rare open space at the heart of Oxford, open to the public all year round. Though seemingly tranquil, the meadow is highly variable, with seasonal flooding and a variety of wildlife that comes and goes. During the Civil War it proved invaluable as a defence against the Parliamentarian forces, but visitors are nowadays more likely to encounter a rare English Longhorn cow than a soldier besieging the city. The meadow has long been used as a site for sport, entertainment and recreation. -
Venice from Above: Preserving Venetian Bell Towers Candan T
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects December 2018 Venice From Above: Preserving Venetian Bell Towers Candan T. Iuliano Worcester Polytechnic Institute Fivos Iason Kavassalis Worcester Polytechnic Institute Nicholas David Colucci Worcester Polytechnic Institute Philippe Lessard Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Iuliano, C. T., Kavassalis, F. I., Colucci, N. D., & Lessard, P. (2018). Venice From Above: Preserving Venetian Bell Towers. Retrieved from https://digitalcommons.wpi.edu/iqp-all/5294 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. VENICE FROM ABOVE: An Effort to Preserve Venice’s Bell Towers An Interactive Qualifying Project Report Submitted to the faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment on the requirements for the Degree of Bachelor of Science Submitted to: Professor Fabio Carrera Professor William Michaelson Submitted by: Nick Colucci Candan Iuliano Fivos Kavassalis Phillipe Lessard Sponsors: Curia Patriacale Di Venezia SerenDPT Worcester Polytechnic Institute Email: [email protected] Project Website: https://sites.google.com/site/ve18bells This report represents the work of -
The Chronology of Medival and Renaissance Architecture
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
The Far East
1 Gallery Guide St. Louis, A Musical Gateway: THE FAR EAST Asia, the world’s largest continent on earth, is surrounded by the Pacific, Arctic, and Indian Oceans. Featured in Rooms 1 & 2 of the display are musical instruments from the East Asia geographical region. This region shows the musical intersections influenced by travel and trade among the People’s Republic of China, Taiwan, Mongolia, Japan, Tibet, and South and North Korea. This exhibit is the third in a series that celebrates St. Louis’ multicultural heritage communities. It features rare and beautiful instruments of the Far East and Oceania drawn from the Hartenberger World Music Collection of Historical Instruments Dr. Aurelia & Jeff Hartenberger, Karrie Bopp, Dr. Jaclyn Hartenberger and Kevin Hartenberger. 2 The Far East The musical traditions of the Far East serve to demonstrate important aspects of the social, spiritual, and aesthetic values of their cultures of origin. These traditions have also been shaped over centuries, as people traveled by land and sea along trade routes spanning vast territories. Merchants and travelers exchanged silk and spices as well as languages, ideas, music, and musical instruments. By the eleventh (11th) century musical instruments from the Middle East and Central Asia could be found both in Europe and in parts of East, South, and Southeast Asia. In ancient China, musical instruments were divided into "eight sounds" — based on the materials used in their construction: Metal (jin), stone (shi), silk (si), bamboo (zhu), gourd (pao), clay (tao), leather (ge) and wood (mu). Today, instruments associated with this early classification system are reconstructed for use in ensembles that perform in museums and historical buildings. -
JIGU! Thunder Drums of China Suggested Study Guide* BEFORE SEEING the PERFORMANCE 1
JIGU! Thunder Drums of China Suggested Study Guide* BEFORE SEEING THE PERFORMANCE 1. Ask the class to brainstorm all that they know about China and the Chinese people. 2. Ask students to locate China on a map of the world. How does China’s geographic location, size, and different climates affect the daily lives of the people there? How do they think China’s location and different climates may have affected Chinese history? 3. Have students read and discuss the attached information about the city of Jiangzhou and the province of Shanxi, Chinese daily life, politics, theatre, and the background on Chinese music and the percussive arts. 4. Discuss capitalism and socialism as economic systems. Discuss democracy and communism as political systems. What are the pros and cons of each system? How would your daily life be different if you did not live in a Western democracy? 5. Based on the attached information, have the students compare their daily lives to the daily life of a Chinese drummer or musician. How might their routine differ? How is it the same? 6. Review the attached vocabulary list. Or, assign a portion of the list to different groups of students and have them provide definitions. Have the groups share their definitions with the class as they relate to the actual definitions from the list. 7. Have students read and discuss the attached information about Shanxi Province, China, Chinese daily life, politics, theatre, and background on Chinese Musicians. 8. Have the class compare daily life in China from ten years ago and as it is today.