Metoo and the Promise and Pitfalls of Challenging Rape Culture Through
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Apocalypse As Religious and Secular Discourse in Battlestar Galactica
Volume 6 2014-15 APOCALYPSE & GHOSTS Apocalypse as Religious and Secular Discourse in Battlestar Galactica and its Prequel Caprica Diane Langlumé University of Paris VIII Saint-Denis Abstract he concept of the end of the world is inherent in religious discourse. Illustratively, in T Medieval Christianity, a divine power was held responsible for cataclysmic events. In the post-Hiroshima era, the concept of apocalypse has taken on secular meaning. Not surprisingly, given recent history, the apocalypse has become a prominent component of popular television epics; broadcast narratives, such as Battlestar Galactica and Caprica, entwine both Biblical and secular versions of the apocalypse, thereby creating a novel apocalyptic discourse which, instead of establishing the apocalypse as an end, uses it as a foundation, as a thought-provoking means of conveying a political message of tolerance and acceptance of otherness, of encouraging self-reflectiveness; and as a way of denouncing the empty rhetoric of religious extremism. Keywords: Television series, Battlestar Galactica, Caprica, religion, Book of Mormon, Bible, Book of Revelation, John of Patmos, Genesis, Adam, Garden of Eden, Heaven, God, fall of man, the beast, false prophet, angel, Second Coming, resuscitation, apocalypse, end of the world, nuclear apocalypse, Hiroshima, post-apocalyptic, genocide, intertextuality, parody, pastiche, religious satire, 9/11, America, religious terrorism, suicide bombing, cyborg, robot, humanity, monotheism, polytheism. he television series Battlestar Galactica1 establishes its chronology between a nuclear T apocalypse that has just taken place and the threat of a potential future apocalypse,2 both at the hands of human-looking cyborgs called Cylons. Caprica, its prequel series, set fifty- eight years before the nuclear detonation, unfolds the events leading up to the apocalypse in Battlestar Galactica. -
Metoo and the Promise and Pitfalls of Challenging Rape Culture Through
#MeToo and the Promise and Pitfalls of Challenging Rape Culture through Digital Feminist Activism Kaitlynn Mendes, University of Leicester Jessica Ringrose, University of London, Institute of Education Jessalynn Keller, University of Calgary On 24th October 2017, the #MeToo hashtag began trending on Twitter. Although the phrase was initiated by African American women’s rights activists Tarana Burke in 2006, it gained widespread attention when actress Alyssa Milano used it as a Twitter hashtag in response to allegations of sexual assault by Hollywood producer Harvey Weinstein. Through the #MeToo hashtag, Milano encouraged members of the public to join in to showcase the magnitude of the problem of sexual violence. Capturing both public and media attention, the hashtag was used 12 million times in the first 24 hours alone (CBS, 2017). Since 2014, we have been studying the ways feminists have increasingly turned to digital technologies and social media platforms to dialogue, network and organise against contemporary sexism, misogyny and rape culture (see Mendes et al., forthcoming).i As a research team the sheer volume of attention paid towards this hashtag took us by surprise, but the fact survivors took to social media to share their experiences and engage in a ‘call-out culture’ resonated strongly with our research findings over the past three years. Although #MeToo is perhaps one of the most high-profile examples of digital feminist activism we have yet encountered, it follows a growing trend of the public’s willingness to engage with resistance and challenges to sexism, patriarchy and other forms of oppression via feminist uptake of digital communication. -
Word Search 'Crisis on Infinite Earths'
Visit Our Showroom To Find The Perfect Lift Bed For You! December 6 - 12, 2019 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H W Q A R C F E B M R A L Your Key 2 x 3" ad O R F E I G L F I M O E W L E N A B K N F Y R L E T A T N O To Buying S G Y E V I J I M A Y N E T X and Selling! 2 x 3.5" ad U I H T A N G E L E S G O B E P S Y T O L O N Y W A L F Z A T O B R P E S D A H L E S E R E N S G L Y U S H A N E T B O M X R T E R F H V I K T A F N Z A M O E N N I G L F M Y R I E J Y B L A V P H E L I E T S G F M O Y E V S E Y J C B Z T A R U N R O R E D V I A E A H U V O I L A T T R L O H Z R A A R F Y I M L E A B X I P O M “The L Word: Generation Q” on Showtime Bargain Box (Words in parentheses not in puzzle) Bette (Porter) (Jennifer) Beals Revival Place your classified ‘Crisis on Infinite Earths’ Classified Merchandise Specials Solution on page 13 Shane (McCutcheon) (Katherine) Moennig (Ten Years) Later ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Alice (Pieszecki) (Leisha) Hailey (Los) Angeles 1 x 4" ad (Sarah) Finley (Jacqueline) Toboni Mayoral (Campaign) County Trading Post! brings back past versions of superheroes Deal Merchandise Word Search Micah (Lee) (Leo) Sheng Friendships Call (972) 937-3310 Run a single item Run a single item Brandon Routh stars in The CW’s crossover saga priced at $50-$300 priced at $301-$600 “Crisis on Infinite Earths,” which starts Sunday on “Supergirl.” for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid. -
Dear #Meninists
DEAR #MENINISTS: Graphic: Fia Miller When I first heard the term “meninism,” I thought it was some type of religion (I was confusing it with “Mennonite”). As it turns out, I was very wrong. Meninism began in the early 2000s to describe a semi-satirical movement opposed to sexism and in support of women’s equality. It has since become an ideology mocking radical feminism, claiming that men, too, suffer from gender-based oppression. Highlighting issues like “men’s rights,” “violence against men,” and “victimization by women,” it has taken the idea of feminism and flipped it on its head. And that’s where the problem is. Meninists seem to target misandry and the hatred of men rather than proper, basic feminism—not hatred, but rather the idea that all sexes and genders deserve equal rights and opportunities. They claim that men, too, are victims of sexism, that they have to conform to unrealistic social expectations: they must be tough, never emotional; they should like soldiers and superheroes and never princesses. They insist that boys and men are injured in sports and combat while trying to live up to societal expectations, that stereotypes hurt men, too—and, in these respects, they’re not wrong. Society’s strict gender roles and stereotypes hurt everyone involved—girls shouldn’t have to be pink, boys shouldn’t have to be blue. Lately, a popular debate has been that of gendered toys; why not give little boys Barbies and little girls racecars? I don’t see any reason a child should be prevented from playing with a toy because it is labeled “just for girls” or “boys DEAR #MENINISTS: only.” While women have their own set of stereotypes, men are often expected to be tough and athletic, not sensitive or emotional. -
IS MENINISM the NEW FEMINISM? Meninism. MenIngitis...Men
IS MENINISM THE NEW FEMINISM? Meninism. Meningitis...menstruation...menopause. It would appear that men are at the root of a lot of our problems.Yes, we are talking about meninism. A four syllable semi-satirical name given to a movement birthed from men’s rights activists or MRA’s for short. The term was initially spread on social media platforms to satirise radical feminists and feminism as a whole, but the disturbing thing is this joke has escalated into more than that. These men truly believe they are the oppressed sex and maybe they have a point. But can we really believe what the anti-feminists have to say? What essentially started off as meme culture, “why can’t she buy flowers for him” or the classic “make me a sandwich” meme that everyone has seen with an ironic “#meninist”, has spread its “message” like a nasty rash on people’s timelines; the concept of “meninism” may appear superficially as utterly trivial, as it infested the entire world’s social media, but threads and threads filled with bad jokes, rooting themselves so deeply into our online subconscious have led many to actually supporting the movement. Watch out feminists, the boys are back in town and they are here to bring - drum roll please - gender equality! These so called gender equality activists inhabit multiple forums such as Reddit, the darkest and genuinely most terrifying place on the internet, a cesspool filled with boys and men craving an answer to why the feminazis are corrupting their treasured masculinity. And just to make things more alarming - it is one hundred percent anonymous, so they can spread the word of the feminist antichrist, also known as Paul Elam. -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
WHERE DO ALPHAS COME FROM?: a MEASURE of the VALUE of ACTIVE INVESTMENT MANAGEMENT∗ Andrew W
JOURNAL OF INVESTMENT MANAGEMENT, Vol. 6, No. 2, (2008), pp. 1–29 © JOIM 2008 JOIM www.joim.com WHERE DO ALPHAS COME FROM?: A MEASURE OF THE VALUE OF ACTIVE INVESTMENT MANAGEMENT∗ Andrew W. Lo† The value of active investment management is traditionally measured by alpha, beta, volatility, tracking error, and the Sharpe and information ratios. These are essentially static characteristics of the marginal distributions of returns at a single point in time, and do not incorporate dynamic aspects of a manager’s investment process. In this paper, I propose a measure of the value of active investment management that captures both static and dynamic contributions of a portfolio manager’s decisions. The measure is based on a decomposition of a portfolio’s expected return into two distinct components: a static weighted-average of the individual securities’ expected returns, and the sum of covariances between returns and portfolio weights. The former component measures the portion of the manager’s expected return due to static investments in the underlying securities, while the latter component captures the forecast power implicit in the manager’s dynamic investment choices. This measure can be computed for long-only investments, long/short portfolios, and asset allocation rules, and is particularly relevant for hedge-fund strategies where both components are significant contributors to their expected returns, but only one should garner the high fees that hedge funds typically charge. Several analytical and empirical examples are provided to illustrate the practical relevance of this decomposition. 1 Introduction ∗I thank Nicholas Chan, John Cox, Arnout Eikeboom, Lisa Goldberg, Mark Grinblatt, Stephanie Hogue, Rajnish Kamat, Philippe Luedi, Sara Salem, Nils Tuchschmid, an anonymous With the growing popularity of hedge funds and referee, and participants at the Le Club B 2006 Conference other absolute-return investment strategies, there and the JOIM 2007 Spring Conference for their helpful com- is a widening gap between the performance met- ments and discussion. -
Battlestar Galactica
Diaspora narrative in Battlestar Galactica Grace L. Dillon Science Fiction Film and Television, Volume 5, Issue 1, Spring 2012, pp. 1-21 (Article) Published by Liverpool University Press DOI: 10.1353/sff.2012.0001 For additional information about this article http://muse.jhu.edu/journals/sff/summary/v005/5.1.dillon.html Access provided by Portland State University (11 Jul 2013 09:31 GMT) dummy header Diaspora narrative in Battlestar Galactica Grace L. Dillon Seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare. – Jeremiah 29:7 This article reads the original Battlestar Galactica series and its 1980 sequel as a diasporic narrative. It compares exodus and diaspora, contextualises the Colonial journey within emerging diaspora theory and views the Galactica allegory as an indicator of American imperialism. Reliance on the theme of exodus is a common characteristic that receives little attention in the scholarship on the original Battlestar Galactica (US 1978–9), its spinoff Galactica 1980 (US 1980) and the ‘reimagined’ Battlestar Galactica (US 2004–9). The proliferation of biblical allusions, along with the presence of original series creator Glen A. Larson’s theology, offers exodus as a ready-made description of characters’ movements throughout the narrative. However, ‘exo- dus’ has become the shorthand term of choice for artists and critics. Certainly the association heightens dramatic tension. Invoking it often and casually, how- ever, has diminished its contribution to the Battlestar Galactica storyline while overshadowing the significance of diaspora as a unifying element of original and remade series. -
Antifeminism Online MGTOW (Men Going Their Own Way)
Antifeminism Online MGTOW (Men Going Their Own Way) Jie Liang Lin INTRODUCTION Reactionary politics encompass various ideological strands within the online antifeminist community. In the mass media, events such as the 2014 Isla Vista killings1 or #gamergate,2 have brought more visibility to the phenomenon. Although antifeminism online is most commonly associated with middle- class white males, the community extends as far as female students and professionals. It is associated with terms such as: “Men’s Rights Movement” (MRM),3 “Meninism,”4 the “Red Pill,”5 the “Pick-Up Artist” (PUA),6 #gamergate, and “Men Going Their Own Way” (MGTOW)—the group on which I focused my study. I was interested in how MGTOW, an exclusively male, antifeminist group related to past feminist movements in theory, activism and community structure. I sought to understand how the internet affects “antifeminist” identity formation and articulation of views. Like many other antifeminist 1 | On May 23, 2014 Elliot Rodger, a 22-year old, killed six and injured 14 people in Isla Vista—near the University of California, Santa Barbara campus—as an act of retribution toward women who didn’t give him attention, and men who took those women away from him. Rodger kept a diary for three years in anticipation of his “endgame,” and subscribed to antifeminist “Pick-Up Artist” videos. http://edition.cnn.com/2014/05/26/justice/ california-elliot-rodger-timeline/ Accessed: March 28, 2016. 2 | #gamergate refers to a campaign of intimidation of female game programmers: Zoë Quinn, Brianna Wu and feminist critic Anita Sarkeesian, from 2014 to 2015. -
Gender Studies
© 2019 JETIR April 2019, Volume 6, Issue 4 www.jetir.org (ISSN-2349-5162) GENDER STUDIES Dr. ALLWIN IDHAYA COLLEGE FOR WOMEN KUMBAKONAM ABSTRACT The history of gender studies looks at the different perspectives of gender. This discipline examines the ways in which historical, cultural, and social events shape the role of gender in different societies. The field of gender studies, while focusing on the differences between men and women, also looks at sexual differences and less binary definitions of gender categorization. Gender studies are a field for interdisciplinary study devoted to gender identity and gendered representation as central categories of analysis. This field includes women's studies (concerning women, feminism, gender, and politics), men's studies and queer studies. Sometimes, gender studies are offered together with study of sexuality. These disciplines study gender and sexuality in the fields of literature, language, geography, history, political science, sociology, anthropology, cinema, media studies, human development, law, public health and medicine. It also analyzes how race, ethnicity, location, class, nationality, and disability intersect with the categories of gender and sexuality. This special issue reviews contemporary gender and diversity insights into management and organization studies (MOS). The purpose of this issue is to critically evaluate key threads and concepts contributing to academic debates in diversity, gender and feminist theorizing. This paper highlights key threads in current scholarship, including relationality, power, intersectionality and social constructionist epistemologies and, in so doing, uncovers new insights and contributions. KEYWORDS: Gender Studies, Women Studies, Sexuality and Differences. INTRODUCTION Most of the surviving programmes in the UK are now branded as gender studies or gender and women’s studies. -
NO BOUNDARIES World Wrestling Entertainment, Inc
NO BOUNDARIES World Wrestling Entertainment, Inc. World Wrestling Entertainment, Inc. 1241 E. Main Street Annual Report 2005 Stamford, CT. 06901 Board of Directors Transfer Agent, Dividend Paying Agent and Registrar Vincent K. McMahon Chairman of the Board American Stock Transfer & Trust Company 59 Maiden Lane Linda E. McMahon New York, NY 10038 Chief Executive Officer 877.777.0800 Lowell P. Weicker, Jr. Former Governor of the State of Connecticut and Independent Auditors United States Senator Chairman of Compensation Committee Deloitte & Touche LLP Stamford Harbor Park Robert A. Bowman 333 Ludlow Street President and Chief Executive Officer of MLB Stamford, CT 06902-6982 Advanced Media, LP 203.708.4600 Chairman of Audit Committee David Kenin Corporate Headquarters Executive Vice President of Programming, Crown Media United States, LLC World Wrestling Entertainment, Inc. Member of Audit and Compensation Committees 1241 E. Main Street P.O. Box 1241 Michael B. Solomon Stamford, CT 06901 Managing Principal of Gladwyne Partners, LLC 203.352.8600 Member of Audit and Compensation Committees Joseph Perkins President, Communications Consultants, Inc. Michael Sileck Chief Financial Offi cer Management Certifications In accordance with Section 3.03A.12(a) of the New York Stock Exchange Listed Company Manual, in connection with our last annual meeting Linda McMahon submitted a certification to the NYSE stating that she was not aware of any violations by the Company of the NYSE’s Corporate Governance listing standards. The certifications required by Section 302 of the Sarbanes-Oxley Act with respect to the Company’s Annual Report on Form 10-K for the fiscal year ended April 30, 2005 have been filed with the Securities and Exchange Commission as Exhibits 31.1 through 31.4 thereto.