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Frank Mcguinness's the Match
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The Match Box by Frank McGuinness: programme note for Galway International Arts Festival Author(s) Lonergan, Patrick Publication Date 2015 Publication Lonergan, Patrick. (2015). The Match Box by Frank Information McGuinness: programme note for Galway International Arts Festival Galway International Arts Festival Programme. Publisher Galway International Arts Festival Link to publisher's http://www.giaf.ie/ version Item record http://hdl.handle.net/10379/6740 Downloaded 2021-09-25T22:02:29Z Some rights reserved. For more information, please see the item record link above. Frank McGuinness’s The Match Box “Grief softens the mind,” says Shakespeare’s great character Queen Margaret – it makes people “fearful and degenerate”. There’s only one valid response to such feelings, she claims: “Think on revenge and cease to weep.” In making those remarks, Margaret places herself in a long line of heroines whose desire for revenge is both glorious and horrifying. Her precursors are figures like Sophocles’ Electra and Euripides’ Hecuba; her ancestors include Hester Swayne in Marina Carr’s brutal By the Bog of Cats. All of those women choose vengeance over grief - and in doing so they go beyond good and evil, committing terrible acts that we can nevertheless understand and perhaps even admire. The plays that dramatize their stories are thus both mythic and intimate: they reveal aspects of the human condition that we all recognize (much as we might prefer not to), and they show how one person’s decisions can unravel a family, a society, or an entire world. -
'You'll Never Beat the System by Bombing Number 1O' Perceptions of the Utility of Political Violence in Anarcho- Punk
1. Title ‘You’ll never beat the system by bombing Number 1o’ Perceptions of the utility of political violence in anarcho- punk, 1977-1987 Rich Cross No Sir, I Won’t: Reconsidering the legacy of Crass and anarcho-punk, Oxford Brookes, 28 June 2013 2. Contention [As slide] Anarcho-punk should not be seen simply as a pacifist-punk culture. The culture’s self-identification as ‘peace punk’ was not immediate, and anarcho-punk quickly became diverse in political and cultural ambition, especially concerning the nature of opposition to the state Perceptions of the utility of political violence changed within a few short years, as anarcho-punk responded to a range of pressures and counter-pressures. Changing views of violence reflect shifts in the centre of political gravity within the movement 3. ‘Boring fucking politics will get us all shot’ Discussion about the recourse to political violence in Britain often starts from the assumption that the use of physical force in pursuit of political aims is somehow ‘alien’ to the British system. To provide the context for a discussion about anarcho-punk’s relationship to political violence means establishing the extent to which political violence (deployed by the state and its opponents) was a recurring feature of British political life in the late 1970s and 1980s. 4. Airey Neave Airey Neave, a senior conservative politician and notable establishment figure, was blow up and killed by the Irish National Liberation Army (INLA) as he left the House of Commons car park in March 1979. 5. Warrenpoint and Mountbatten In August 1979, the Provisional Irish Republican Army (PIRA) carried out its most devastating single attack against the British army, killing 18 paratroopers in a co-ordinated ambush at Warrenpoint. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Bernadette Devlin (Mcaliskey) John Hume Gerry
Bernadette Devlin John Hume Gerry Adams (McAliskey) Born Cookstown, Co.Tyrone 1947 Born Derry 1937 Born 1948 Student at Queen's University, Went to St. Columb's College in Derry Republican family Belfast University of Maynooth BA Left school at 17 to be a barman Involved in civil rights movement Worked as teacher in St. Columb's IRA 1969 and marches organised by NICRA 1964-1965 involved in campaign for Interned 1971 1968-69 university to be located in Derry Involved in secret talks with Northern 1968 involved in left-wing student Involved in civil rights campaign Secretary (Whitelaw) 1972 group People's Democracy Elected to DHAC (Derry Housing Rearrested 1973 ran against Chichester-Clarke in 1969 Action Committee) 1968 Maze Prison election to Stormont Parliament in NI Elected to Stormont Parliament in 1969 Wrote 'Brownie Articles' for Ran in Westminster by-election 1969 1970 helped set up SDLP (Social Republican News as nationalist 'Unity' candidate Democratic and Labour Party) Suggested IRA needed political as Elected MP to Westminster age 21 Involved in negotiations on power- well as military campaign (youngest woman ever elected to sharing which led to Sunningdale Released 1977 House of Commons) Agreement 1974 Vice President SF 1978 Retained her seat in 1970 General Minister for Commerce in NI President SF 1983 Election to Westminster Excecutive set up by Sunningdale 'Armalite in one hand and the ballot Involved in 'Battle of the Bogside' But Executive collapsed May 1974 after box in the other' 1969 general strike organised by unionist -
The Great War in Irish Poetry
Durham E-Theses Creation from conict: The Great War in Irish poetry Brearton, Frances Elizabeth How to cite: Brearton, Frances Elizabeth (1998) Creation from conict: The Great War in Irish poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5042/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Creation from Conflict: The Great War in Irish Poetry The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. Frances Elizabeth Brearton Thesis submitted for the degree of Ph.D Department of English Studies University of Durham January 1998 12 HAY 1998 ABSTRACT This thesis explores the impact of the First World War on the imaginations of six poets - W.B. -
Wilson, MI5 and the Rise of Thatcher Covert Operations in British Politics 1974-1978 Foreword
• Forward by Kevin McNamara MP • An Outline of the Contents • Preparing the ground • Military manoeuvres • Rumours of coups • The 'private armies' of 1974 re-examined • The National Association for Freedom • Destabilising the Wilson government 1974-76 • Marketing the dirt • Psy ops in Northern Ireland • The central role of MI5 • Conclusions • Appendix 1: ISC, FWF, IRD • Appendix 2: the Pinay Circle • Appendix 3: FARI & INTERDOC • Appendix 4: the Conflict Between MI5 and MI6 in Northern Ireland • Appendix 5: TARA • Appendix 6: Examples of political psy ops targets 1973/4 - non Army origin • Appendix 7 John Colin Wallace 1968-76 • Appendix 8: Biographies • Bibliography Introduction This is issue 11 of The Lobster, a magazine about parapolitics and intelligence activities. Details of subscription rates and previous issues are at the back. This is an atypical issue consisting of just one essay and various appendices which has been researched, written, typed, printed etc by the two of us in less than four months. Its shortcomings should be seen in that light. Brutally summarised, our thesis is this. Mrs Thatcher (and 'Thatcherism') grew out of a right-wing network in this country with extensive links to the military-intelligence establishment. Her rise to power was the climax of a long campaign by this network which included a protracted destabilisation campaign against the Liberal and Labour Parties - chiefly the Labour Party - during 1974-6. We are not offering a conspiracy theory about the rise of Mrs Thatcher, but we do think that the outlines of a concerted campaign to discredit the other parties, to engineer a right-wing leader of the Tory Party, and then a right-wing government, is visible. -
Ethnographic Anxiety and Its ‘Telling’ Consequences
Murphy Out of Place: Ethnographic Anxiety and its ‘Telling’ Consequences Liam D. Murphy ABSTRACT: In Belfast, Northern Ireland, as elsewhere, myriad problems of epistemology and research design confront ethnographers entering the field for the first time. While these often remain a permanently taxing wellspring of frustration and anxiety, their apparent resolution through experience can occasionally lull researchers into a false sense of security in the context of social interaction with field respondents. By explor- ing an instance in which the author neglected to apply his understanding of the im- portant Northern Ireland phenomenon of ‘telling’, the article shows how method and epistemology should always be borne in mind during fieldwork situations—even those implicitly discounted a priori as nonethnographic. While such relaxation of self- awareness may precipitate various blunders and ethnographic faux-pas, it also opens up spaces of critical inquiry into the collaborative constitution of selves and others in field situations, and refocuses the ethnographer’s awareness of his positioning as an outsider in webs of social activity. KEYWORDS: fieldwork, reflexivity, telling, religion, Belfast, Northern Ireland, method, ethnography Anthropology is an academic discipline whose this socially complex city proved especially practitioners pride themselves on intimate daunting as I began my doctoral fieldwork knowledge of their surroundings, but this is al- among charismatic and evangelical Christians. ways more easily declared than accomplished— Preoccupied with the most immediate con- regardless of where one chooses to conduct cerns of life, epistemology and the issue of self- fieldwork. Even among seasoned ethnographic representation were, of necessity, secondary veterans, the world as we find it often con- considerations to me in those first weeks. -
Dziadok Mikalai 1'St Year Student
EUROPEAN HUMANITIES UNIVERSITY Program «World Politics and economics» Dziadok Mikalai 1'st year student Essay Written assignment Course «International relations and governances» Course instructor Andrey Stiapanau Vilnius, 2016 The Troubles (Northern Ireland conflict 1969-1998) Plan Introduction 1. General outline of a conflict. 2. Approach, theory, level of analysis (providing framework). Providing the hypothesis 3. Major actors involved, definition of their priorities, preferences and interests. 4. Origins of the conflict (historical perspective), major actions timeline 5. Models of conflicts, explanations of its reasons 6. Proving the hypothesis 7. Conclusion Bibliography Introduction Northern Ireland conflict, called “the Troubles” was the most durable conflict in the Europe since WW2. Before War in Donbass (2014-present), which lead to 9,371 death up to June 3, 20161 it also can be called the bloodiest conflict, but unfortunately The Donbass War snatched from The Troubles “the victory palm” of this dreadful competition. The importance of this issue, however, is still essential and vital because of challenges Europe experience now. Both proxy war on Donbass and recent terrorist attacks had strained significantly the political atmosphere in Europe, showing that Europe is not safe anymore. In this conditions, it is necessary for us to try to assume, how far this insecurity and tensions might go and will the circumstances and the challenges of a international relations ignite the conflict in Northern Ireland again. It also makes sense for us to recognize that the Troubles was also a proxy war to a certain degree 23 Sources, used in this essay are mostly mass-media articles, human rights observers’ and international organizations reports, and surveys made by political scientists on this issue. -
French Elections: Workers Win Big Victory -Pages 2, 7
MAY 22, 1981 75 CENTS VOLUME 45/NUMBER 19 A SOCIALIST NEWSWEEKLY/PUBLISHED IN THE INTERESTS OF THE WORKING PEOPLE FRENCH ELECTIONS: WORKERS WIN BIG VICTORY -PAGES 2, 7 '· The plan Solidarity to slash with miners' strike workers' wages -PAGE 5 -PAGE 4 Black party leaders denounce FBI disruption -PAGE 12 In Our Opinion VOLUME .45/NUMBER 19 MAY 22, 1981 CLOSING NEWS DATE-MAY 13 United States, and around the world will be work force and an incredibly expensive substi U.S. workers & encouraged by this victory, which shows it is tute for personal retirement savings." possible for the workers to throw out right This reflects the bosses' mentality in a French elections wing capitalist governments. nutshell. As long as we produce profits for The May 10 election of Fran~;ois Mitterrand Mitterrand's election will give encourage them, they recognize that it is unfortunately as president of France is a victory for working ment to workers and peasants in the colonial necessary to provide us with some kind of people. and semi-colonial world, too. The French So wage-as long as we don't win "excessive" The Socialist Party candidate defeated in cialist Party is a member of the Socialist Increases. cumbent President Valery Giscard d'Estaing International, which opposes the brutal junta If we can't work any more, however, they by 52 to 48 percent. in El Salvador. Mitterrand is a member of the think we should be thrown on the scrap heap The French franc immediately plummeted. Committee for the Defense of the Revolution in like· a used-up machine. -
Terrorism Knows No Borders
TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS TERRORISM TERRORISM TERRORISM TERRORISM KNOWS KNOWS KNOWS KNOWS NO BORDERS NO BORDERS NO BORDERS NO BORDERS October 2019 his is a special initiative for SEFF to be associated with, it is one part of a three part overall Project which includes; the production of a Book and DVD Twhich captures the testimonies and experiences of well over 20 innocent victims and survivors of terrorism from across Great Britain and The Republic of Ireland. The Project title; ‘Terrorism knows NO Borders’ aptly illustrates the broader point that we are seeking to make through our involvement in this work, namely that in the context of Northern Ireland terrorism and criminal violence was not curtailed to Northern Ireland alone but rather that individuals, families and communities experienced its’ impacts across the United Kingdom, Republic of Ireland and beyond these islands. This Memorial Quilt Project does not claim to represent the totality of lives lost across Great Britain and The Republic of Ireland but rather seeks to provide some understanding of the sacrifices paid by communities, families and individuals who have been victimised by ‘Republican’ or ‘Loyalist’ terrorism. SEFF’s ethos means that we are not purely concerned with victims/survivors who live within south Fermanagh or indeed the broader County. -
Transnational Ireland on Stage: America to Middle East in Three Texts
Transnational Ireland on Stage: America to Middle East in Three Texts Wei H. Kao Introduction: Between the Local and the Global on the Irish Stage Historically, the comprehensive Anglicisation of Ireland from the early nineteenth century, and the geopolitical location of Ireland in Europe, have laid the foundations for more Irish participation on the world stage. The rapid globalisation process, however, has not fully removed the frustration buried deep in the Irish psyche about the country still being in partition, but it has encouraged many contemporary playwrights to express concerns regarding other areas that are just as troubled as the state of their country, despite the fact that the Northern Ireland issue is not yet fully resolved. It is noteworthy that globalisation, as the continuation of nineteenth- and twentieth-century imperialism in a new form, not only carries forward the exercise of colonial incursion but facilitates the oppressively homogenising effects on the less advantaged Other. This is partly due to the rise of critical theory to ‘productively complicate the nationalist paradigm’ by embarking on transnationalism since the 1970s.1 One consequence of this was to prompt reevaluations of existing cultural productions, thus initiating cross-cultural and interethnic dialogues that had usually been absent in colonial and Eurocentric establishments, and prompting the public to envisage the Other across both real and imagined borders. Even more significantly, the meaning of a text starts to shift if it is studied in an international context, and this applies particularly to a text in which the characters venture into unexplored territories and impel ‘meaning [to] transform as it travels’.2 The transformation of meanings is further accelerated by intercultural encounters that are motivated by globalisation that interconnects individuals and societies around the world. -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE.