Crystal Gayle We Should Be Together Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Crystal Gayle We Should Be Together mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country Album: We Should Be Together Country: Australia Style: Country MP3 version RAR size: 1460 mb FLAC version RAR size: 1266 mb WMA version RAR size: 1161 mb Rating: 4.4 Votes: 655 Other Formats: DXD MP3 AAC WAV VQF WMA APE Tracklist A1 Sneakin' Out The Back Door A2 You'll Be Loved Someday A3 Beyond You A4 The Best Thing In My Life A5 Time Will Prove That I'm Right B1 Your Kisses Will B2 Your Old Cold Shoulder B3 Through Believing In Love Songs B4 Too Deep For Tears B5 We Should Be Together Companies, etc. Made By – Chiang Huat Co. Pte. Ltd. Credits Producer – Allen Reynolds Notes (p) 1979 Liberty / United Records Inc. Barcode and Other Identifiers Matrix / Runout (Stamped on side 1): UA LA969 H A Matrix / Runout (Stamped on side 2): UA LA969 H B Other versions Category Artist Title (Format) Label Category Country Year Crystal We Should Be Together United Artists UA-LA969-H UA-LA969-H US 1979 Gayle (LP, Album) Records Crystal We Should Be Together United Artists UA-LA969-H UA-LA969-H Canada 1979 Gayle (LP, Album) Records Crystal We Should Be Together United Artists TCK 30256 TCK 30256 1979 Gayle (Cass, Album) Records Crystal We Should Be Together United Artists 8E 074 82708 8E 074 82708 Portugal 1979 Gayle (LP, Album) Records Crystal We Should Be Together United Artists L 36952 L 36952 Australia 1979 Gayle (LP, Album) Records Related Music albums to We Should Be Together by Crystal Gayle Crystal Gayle - Our Love Is On The Faultline Crystal Gayle - Crystal Crystal Gayle - The Very Best Of Crystal Gayle Crystal Gayle - Somebody Loves You / You Never Miss A Real Good Thing (Till He Says Goodbye) Crystal Gayle - Don't It Make My Brown Eyes Blue Crystal Gayle - This Is My Year For Mexico Crystal Gayle - We Must Believe In Magic Crystal Gayle - Half The Way Crystal Gayle - Why Have You Left The One You Left Me For Crystal Gayle - The Woman In Me.

Copy Link

Recommended publications

American Square Dance Vol. 47, No. 8
ANIE 0 SQUARE DANCE -THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES" SINGLE $1.50 AUGUST1992 ANNUAL $15.00 dmi *S 4,\ ..... You , .-,. ,.. i ,,, 11 1 .r a - tar `.- V . /kw.% P., •.. 1 -S.,-#‘'• 40 P glifitJARE DANC‘ i1/Ikfity4*4 . ilk -- SUPREME AUDIO, INC.. The Professional Source for Callers & Cuers Supreme Audio has the Largest Selection of Professional Calling and Cueing equipment -- with continuing after-sale support! Call Supreme Audio before purchasing any equipment! • Hanhurst's Tape & Record Service • Calling & Cueing Sound Systems • Square Dance Tape Service - • Wireless Microphones 12 Tapes per year • Microphones • Round Dance Tape Service - • Record & Equipment Cases 6 Tapes per year • YAK STACK, DIRECTOR & • Publications SUPREME Sound Columns • 50,000 Square & Round Dance • Graduation Diplomas Record Inventory - • Instructional Video Tapes All Labels in Stock • Competitive Prices • Toll Free Order Lines • Fast ... Professional Service! • Computerized Record Information Fh Hanhurst's Square Dance Tape Service The "Original" monthly tape service. The Continuing Choice of more than 1,650 Callers! AN EXCELLENT GIFT IDEA FOR YOUR FAVORITE CALLER ! • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• • TELEX WIRELESS MICROPHONE SYSTEMS • • New Low Prices! • • • • Dual Diversity Lapel Systems now under $400.00 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • We guarantee your satisfaction! No questions asked 1-800-445-7398 (USA & Canada) FREE (201-445-4369 - Foreign) AUDIO Supreme Audio, Inc. CATALOG
[Show full text]
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
[Show full text]
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
[Show full text]
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR.
[Show full text]
Crystal Gayle We Must Believe in Magic Mp3, Flac, Wma
Crystal Gayle We Must Believe In Magic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: We Must Believe In Magic Country: Australia Released: 1977 Style: Country Rock MP3 version RAR size: 1765 mb FLAC version RAR size: 1593 mb WMA version RAR size: 1809 mb Rating: 4.2 Votes: 397 Other Formats: RA MPC AIFF VOC XM MP1 MOD Tracklist Hide Credits A1 Don't It Make My Brown Eyes Blue 2:37 A2 I Wanna Come Back To You 2:54 A3 River Road 3:08 It's All Right With Me A4 Banjo – Courtney JohnsonEffects [Special Effects] – The Newgrass Revival Fiddle – Sam 2:32 Bush A5 Going Down Slow 3:41 B1 All I Wanna Do In Life 2:26 B2 Make A Dream Come True 3:06 B3 Green Door 3:11 B4 Funny 2:05 B5 We Must Believe In Magic 4:09 Credits Acoustic Guitar – Dave Kirby*, Johnny Christopher Acoustic Guitar, Electric Guitar – Jim Colvard* Backing Vocals – Crystal Gayle, Janie Fricke, Marcia Routh, Pebble Daniel, Sandy Mason Theoret* Bass – Joe Allen, Mike Leech Drums, Percussion – Gene Chrisman, Jim Isbell*, Kenny Malone Effects [Special Effects] – The Trolleycar Band Engineer, Backing Vocals – Garth Fundis Fiddle – Buddy Spicher Flute, Clarinet – Billy Puett Guitar – Reggie Young Guitar, Backing Vocals – Allen Reynolds Keyboards – Bobby Wood, Hargus "Pig" Robbins* Keyboards, Arranged By [Strings, Horns] – Charles Cochran Producer – Allen Reynolds Steel Guitar – Lloyd Green Strings – Carl Gorodetzky, Gary Vanosdale, George Binkey*, Lenny Haight*, Marvin Chantry, Roy Christensen, Sheldon Kurland Synthesizer [Moog] – Shane Keister Other versions Category
[Show full text]
American Square Dance Vol. 47, No. 1
AMERICAN SIJURRE ORNCE SINGLE $1.50 JANUARY 1992 ANNUAL $15.00 Spring is Coming 1 American Squareclance, Jan..ary 1992 SUPREME 00E110, INC... The Professional Source for Callers & Cuers TRAK SHUN' DANCE FLOOR TOO SLIPPERY? This marvelous newly-reformulated product helps prevent slipping . It will satisfy your requirements in making asphalt, linoleum, vinyl and wood floors safe for walking, dancing, and other physical activities. Sprinkle sparingly to the slippery area until the floor is safe or pour in an area where dancers can step in it and then enjoy sure footing. This is not rosin! No rosin build-up on your floor. Easily swept away. Long shelf life. Not recommended for polished stone surfaces. Excellent for Square and Round Dance Clubs to have at their dance halls and at weekends and festivals! Trak Shun - 1 lb can $7.00 each plus $3.00 shipping (10% discount for orders of 12 or more) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Available Exclusively From Supreme Audio, Inc. ,• OOO OOOOOOOOOOOOO OO • • • • • • • • • • • • • • • We guarantee your satisfaction! 1-800-445-7398 (USA & Canada) FREE let (201-445-7398 - Foreign) AUDIO Supreme Audio, Inc. CATALOG P.O. Box 687 (Callers & Cu.,. oily - = Ridgewood, NJ 07451-0687 others send 34.00) THE STATUE OF LIBERTY- IS AMERICA'S FAVORITE LADY . She's America's favorite lady ... She's the Statue of Liberty. She stands a proud 300 feet in the air ... on Liberty Island in New York Harbor. She has been the first thrilling sight of free- dom for millions of new citizens as they reached the United States. The Statue of Liberty is one of the wonders of the modern world.
[Show full text]
Crystal Gayle
2008 Induction Class Crystal Gayle One of the most popular and widely recognized female country singers of her era, Crystal Gayle supported her trademark, nearly floor-length hair with a supple voice, a flair for ballads, and a crossover-friendly country-pop style that netted her the occasional mainstream hit. Gayle was born Brenda Gail Webb in Paintsville, KY, in 1951; her older sister was future superstar Loretta Lynn, though Lynn had already left home by the time Brenda was born. The family moved to Wabash, IN, when Brenda was four, and she started singing along with country and pop songs on the radio at a young age. Inspired in part by Lynn's success, Brenda learned guitar and started performing folk songs in high school, also singing backing vocals in her brother's band. Lynn encouraged her younger sister, and started bringing her out on tour for a few weeks each summer. Lynn's label, Decca, signed the young singer as soon as she was done with high school, but suggested a name change so as to avoid confusion with labelmate Brenda Lee. Lynn suggested the name Crystal, inspired by the Krystal hamburger chain, and Brenda adopted her middle name to come up with Crystal Gayle.Gayle's debut single was 1970's "I've Cried (The Blues Right Out of My Eyes)"; done in a style very similar to Lynn's, it reached the country Top 40. Far from encouraging Gayle to develop her own style, Decca pushed for more "little Loretta" records, and Lynn actually wrote some of her early singles.
[Show full text]
Music for Guitar
So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour
[Show full text]
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
[Show full text]
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15).
[Show full text]
Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol.
[Show full text]
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
[Show full text]