Interview: Don Cheadle and Paul Rusesabagina

Total Page:16

File Type:pdf, Size:1020Kb

Interview: Don Cheadle and Paul Rusesabagina Interview: Don Cheadle and Paul Rusesabagina. IGN talks to the star of Hotel Rwanda and the real hero behind the story. US, December 20, 2004 - It would be nice if you could say that events like the genocide that went on in Rwanda in 1994 were behind us. The sad truth is that atrocities like this are still being committed in locations around the globe, much of which we aren't even aware of. The story of Paul Rusesabagina and his incredible and brave struggle to save as many as he could from the massacres in Rwanda is one that many are unfamiliar with. Hotel Rwanda is a film that sets out to spread the story of what went on in Rwanda in 1994 in the hopes that future events of this type can be prevented. Hotel Rwanda is directed by acclaimed director Terry George (In the Name of the Father, The Boxer). It picks up at the start of the bitter battle in the mid-Nineties between the Tutsi and Hutu. Paul Rusesabagina was a diplomat and the former proprietor of the Milles Collines in Rwanda. He came back to the hotel to put some things in order when hell broke out all around him. Rusesabagina quickly gathered his family and brought them to live in the hotel, where things were at least temporarily a little more controlled. Many of the hotel workers took up rooms at the hotel and refugees from throughout Rwanda were soon begging Rusesabagina to take them in at the hotel. He did as much as he could, taking in orphans and as many families as he could fit. As massacres took place all around the hotel, Rusesabagina used his personal charm, his political connections and bribes to help as many people as he could to survive the ordeal. The casting choice of Don Cheadle to portray Rusesabagina on screen is about as perfect a match as one could imagine. In some respects, it's also a refreshing one. While critics have known Cheadle's name for years, he is far from a household name. His work in Hotel Rwanda is exceptional and he is well deserved of all the acclaim he is getting for it. Hopefully this part will give him the boost his career needs so that he can continue to hone his talent in demanding films like this one. At a recent press day in Los Angeles, IGN FilmForce had the unique and enlightening opportunity to speak with both Cheadle and the very man he portrays in Hotel Rwanda, Paul Rusesabagina. Interest in Rusesabagina's story has been brewing almost since the actual events occurred. He wanted to make sure that the story was told properly and done justice before agreeing on a film. "I have been approached by many different moviemakers since 1996. The story of the Milles Collines Hotel interested many different people, especially book writers and filmmakers. They approached me, but we couldn't agree on terms. Some of them wanted to make a movie on the TV, for the cables… Until I met Terry, and then we came to our agreement. I followed the movie right from the beginning. From the time I come to Long Island, I met Terry George and Keir Pearson, we sat together for a couple of days. I told them my story, they wrote a script. We sat down and talked about it, and some things we changed. Until they started filming, I was there, but I never got used [to it], even now. You know, whenever I see the movie, it just reopens the wounds of the genocide." Cheadle as Rusesabagina with Sophie Okonedo as Tatiana. While Cheadle was not necessarily the first choice to play this part, he was the best one. It was just a matter of convincing certain others that that was the case. Cheadle discussed landing the part. "Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me… I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about…' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear…" Before shooting the film, Cheadle spent time with Rusesabagina to prepare to play him. Rusesabagina explained, "When Terry agreed with Don Cheadle, Don sent me an email to know who I was, what I like, movies, art, museums, to know in order to know who I was. Before the shooting of the movie, he came to South Africa, to Johannesburg… We sat together for quite some time, we drank together, sharing a glass of wine in the evening and meals. We stayed together for almost a week, and then I went back. So he does what he used to me, to my manners, my behavior, my way of dressing, to know who I was really. And then also, for the shooting time, I was there. I went back to Johannesburg and I stayed for two weeks. And later on, I also went back, so we became closer. His performance is perfect. He did it properly, sometimes in the Hollywood way, but just perfect." "Whenever I take a part, I'm kind of insecure about the work," Cheadle says. "I never just think, 'I'm going to knock this one out of the park.' I'm always concerned that I'm doing the right thing and that the story's being told properly and I'm doing the right thing. There were a lot of challenges with this one. It was a short schedule compared to what we were trying to do. We had a lot of logistical things to deal with given the size of our budget and the size of our cast and the size of the extras and the scope of the story. 17.5 is not a lot of money to make what really is an epic story…" Cheadle wanted to be careful not to get hung up on minute details, but more so to capture the essence of Rusesabagina. "There were things, some specific, but mostly it was just getting a sense of the nature of him and a sense of his spirit and a sense of how he approached the world. Being with him in social settings, being with him one on one, being at a restaurant with him getting drunk… (Laughs) It was just kind of getting a whole picture of who he was, not just the 110 pages of the script or interviews that I'd seen, but really just sitting with him and joking with him and telling stories and him meeting my kids and me meeting his kids, those things, little details would come off of those things…" Since Rusesabagina served as an advisor on the film, that meant that many of the days in which Cheadle was performing his scenes, the real man that he was playing was watching from only a few feet away. "It's not comfortable. At times it was really daunting and I would say, 'Do you have to sit behind the monitor today? Can I come see you in the trailer afterwards?' But, for the most part, knowing that I wasn't trying to do some kind of direct characterization of him. There are definite things about him that I did incorporate, but they were larger things about his comportment and how he dealt with people and how he dealt with his family and what he thought of himself and his place and that situation…" History-based tales from Hollywood are often notorious for taking the reality out of the story, glamorizing and fictionalizing events until they are almost unrecognizable when compared to what actually happened. Hotel Rwanda achieves the rare feet of not only sticking to the basic story, but also in creating an almost exact replication of what went on in Rusesabagina's life during this period. "Well, you can say that 90 percent of the movie is the reality of what took place at the Milles Collines hotel in 1994. Let's say 10 percent is just in hints of the film… There are places, for instance, romantic times when you see Paul and his wife on the roof, enjoying wine. That good time, I didn't have it. I could go and see my wife and children late in the night, around two, around one, around four in the night, but that good time I didn't have it." Cheadle says that Paul's wife also pointed out another amusing, if not greatly important, inaccuracy. "I remember one day on the set, he and Tatiana were there and we were shooting one of the bedroom scenes, and Tatiana said something to Odette in French, and they all laughed. I said, 'What was so funny?' And she said, 'This scene is not right because Paul sleeps in the nude.' Well, this scene probably just won't be right then, because I'm not dropping trou in this one." (Laughs) I never sat him down and tried to grill him on the specifics of what happened to him.
Recommended publications
  • The BG News February 25, 2005
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-25-2005 The BG News February 25, 2005 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 25, 2005" (2005). BG News (Student Newspaper). 7406. https://scholarworks.bgsu.edu/bg-news/7406 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY February 25, 2005 OSCAR NIGHTS The 77th Annual Academy PM SHOWERS Awards will announce HIGH: 33 LOW 20 winners; PAGE 8 www.bgnews.com independent student press VOLUME 99 ISSUE 121 USG: cheating policy unfair Students accused of time the unidentified stu- ^«%^M H\ - \~ r3 ui! dent involved in this case was cheating need more accused of cheating, he is being dismissed from BGSU for two •mt ^ ^»'—' -^ ^LM0V"ll"HB>MIB*m rights, USG says ■-—** years — unfairly, according to Malkin. By Bridget Triarp REPORTER Malkin said this student's work was taken by classmates USG passed a series of reso- and turned in to his instructor lutions this week that defend without his consent. the rights of students who are "Intent is not a defense," accused of cheating under the Malkin said. "You can't say I University academic honesty policy. didn't intend for it to get stolen — that's not a defense.
    [Show full text]
  • Copy of Copy of Copy of Streetwear Creative Wide Presentation
    "Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own.
    [Show full text]
  • THE FIGHT for AFRICA He Has Campaigned with George Clooney and Produced a Book with Ryan Gosling
    048-049 Giving_Layout 2 27/11/2019 16:43 Page 1 INTERVIEW THE FIGHT FOR AFRICA He has campaigned with George Clooney and produced a book with Ryan Gosling. JOHN PRENDERGAST tells us why the fight against exploitation in Africa has defined his life. WHAT ARE THE ROOTS interests, and objectives. When he decided to because they follow the celebrities and OF YOUR ACTIVISM? ramp up his activism on Africa, we found learn from them. The celebrities also can I am a work-in-progress human rights and ways to work more closely together, help “make it loud,” as George Clooney peace activist, constantly evolving to try to particularly by travelling to African war would say. They make it really hard for make the biggest impact I can with the gifts zones. politicians to turn away or say they didn’t that I have been given. Ever since I was We faced many dangerous situations and know. young, I have always identified with the were inspired by remarkable people underdog. From my own difficult everywhere we went. Those experiences have TELL US ABOUT THE SENTRY childhood I developed a real discomfort created a trust and bond that reinforces our For three decades I worked on with unfairness. commitment to do all we can to make a humanitarian aid, development policy, As I learned more about the world, and difference. We’re two Irish guys from the peacekeeping, conflict resolution, and learned about the injustices and midwestern US doing more than we ever human rights monitoring, all in Africa. But inequalities that are at the core of our thought would be possible.
    [Show full text]
  • Teaching World History with Major Motion Pictures
    Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
    [Show full text]
  • With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
    With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO.
    [Show full text]
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • Hotel Rwanda, Reminds All of Us What One Person Can Accomplish When Moved to Act
    DEAR EDUCATOR, In 1994 almost one million people were killed in a systematic genocide in the central African country of Rwanda. As the world stood by, a handful of brave, resourceful and inspiring individuals did all they could to save Rwandans from brutal deaths. Paul Rusesabagina, whose story is portrayed in the powerful and hopeful film Hotel Rwanda, reminds all of us what one person can accomplish when moved to act. Hotel Rwanda addresses a horrific issue: genocide. This is a difficult and upsetting topic. Yet, as the film shows, while people and governments chose to ignore the 1994 Rwandan genocide, one individual bravely risked his life and stood up to the horror, calling upon all of his resources to first save his family, then ended up saving 1,268 helpless refugees. Terry George, Hotel Rwanda’s director, takes us on Paul’s journey, showing the country’s struggle and how the world turned a blind eye. He leads us in the end to a place of hope and promise. The enclosed teacher’s guide, a companion piece to the film, is produced by Amnesty International USA in cooperation with United Artists. This guide is intended for use by high school age students and can be used in the traditional classroom or a community setting. The purpose of this educator’s guide is to explore the history of the crisis and generate debate on strategies that could have been pursued to prevent the genocide. It is also a tool for analyzing what will be effective in the future as the international community confronts similar conditions.
    [Show full text]
  • AMC-Theatres®-Prepares-For-Marvel's-Iron-Man
    April 5, 2013 AMC Theatres® Prepares For Marvel's Iron Man 3 With Marvel's Iron Man Marathon Guests Can Relive the Iron Man Saga Through Each of the Four Movies, Including 2012's Blockbuster Smash MARVEL'S THE AVENGERS, and the Debut of Marvel's IRON MAN 3 on Thursday, May 2, for just $30 at AMC locations nationwide Kansas City, Mo. (April 5, 2013) - After saving the world with the Avengers, Tony Stark is back in Marvel's IRON MAN 3, which opens May 3. But before witnessing Iron Man's next encounter, fans can see his story unfold from the beginning when AMC Theatres hosts Marvel's IRON MAN Marathon on Thursday, May 2, at 110 AMC locations throughout the country. Marvel's IRON MAN Marathon begins at 1 p.m. and will feature IRON MAN, IRON MAN 2, MARVEL'S THE AVENGERS in RealD 3D, culminating with Marvel's IRON MAN 3 in RealD 3D at 9 p.m. AMC guests at Marvel's IRON MAN Marathon will receive commemorative lanyards shaped like Iron Man's arc reactor and special edition RealD 3D Iron Man glasses while supplies last. In addition, AMC Stubs members who purchase tickets in advance will receive $5 in Bonus Bucks to use on the day of the event. Tickets for the event, which include all four movies, the collectible lanyard and the special edition RealD 3D glasses, are $30. MARVEL'S IRON MAN MARATHON - Thursday, May 2, beginning at 1 p.m. IRON MAN IRON MAN 2 MARVEL'S THE AVENGERS 3D in RealD 3D Marvel's IRON MAN 3 in RealD 3D Tickets for Marvel's IRON MAN Marathon are on sale at AMC now.
    [Show full text]
  • Iron Man 3 Notes
    ADVANCE rom Marvel Studios comes “Iron Man 3,” which continues the epic, big-screen adventures of the world’s favorite billionaire-inventor-Super Hero, Tony Stark aka FIron Man. Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? Based on the ever-popular Marvel comic book Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968, “Iron Man 3” returns Robert Downey Jr. (“Sherlock Holmes: A Game of Shadows,” “Tropic Thunder”) as Tony Stark, the iconic Super Hero, along with Gwyneth Paltrow (“Thanks for Sharing,” “Contagion”) as Pepper Potts, Don Cheadle (“Flight,” “Hotel Rwanda”) as James “Rhodey” Rhodes, Guy Pearce (“The Hurt Locker,” “Memento”) as Aldrich Killian, Rebecca Hall (“The Prestige,” “The Town,”) as Maya Hansen, Jon Favreau ( “Identity Thief,” “People Like Us”) as Happy Hogan and Ben Kingsley (“Schindler’s List,” “Gandhi,”) as The Mandarin.
    [Show full text]
  • Season 10 Social Media Toolkit Social Media Assets Relevant Handles
    Season 10 Social Media Toolkit PBS SoCal and Variety present Variety Studio: Actors on Actors, a series of half-hour specials that take you inside the biggest TV shows of the year through candid conversations between some of today's most acclaimed actors. Social Media Assets Preview Videos Download: https://www.dropbox.com/sh/7kyaetopdwid2gn/AAAErl-cJ0aYi_W6uCccQ5UXa?dl=0 Pictures: https://www.flickr.com/photos/pbssocal/albums/72157707188153471 ​ ​ Relevant Handles & Hashtags #ActorsOnActors 1001 Facebook Twitter Instagram Julia Roberts @juliaroberts @PatriciaArquetteOffici Patricia Arquette al @PattyArquette @patriciaarquette Amy Adams Richard Madden @_richardmadden @maddenrichard Taraji P. Henson @TherealTaraji @TherealTaraji @tarajiphenson Ellen Pompeo @EllenPompeo @ellenpompeo 1002 @MichaelDouglasOffici Michael Douglas al @michaelkirkdouglas Benicio Del Toro Emilia Clarke @emiliaclarke @emilia_clarke Regina Hall @morereginahall @MoreReginaHall @morereginahall Sam Rockwell Renée Zellweger 1003 Robin Wright @Robin Wright @RealRobinWright @robingwright Chris Pine Michelle Williams Patricia Clarkson @SachaBaronCohe Sacha Baron Cohen @SachaBaronCohen n @sachabaroncohen Don Cheadle @DonCheadle @doncheadle 1004 Rachel Brosnahan @Rachel Brosnahan @RachelBros @rachelbrosnahan Billy Porter @theebillyporter @theebillyporter @theebillyporter @TraceeEllisRossOffic Tracee Ellis Ross ial @TraceeEllisRoss @traceeellisross @mssarahcatharinepaulso Sarah Paulson @MsSarahPaulson n Natasha Lyonne @nlyonneofficial @nlyonne @nlyonne Maya Rudolph @MayaRudolph
    [Show full text]
  • LAMORINDA WEEKLY | "Iron Man 3"
    LAMORINDA WEEKLY | "Iron Man 3" Published May 8th, 2013 "Iron Man 3" By Derek Zemrak Super hero fans, especially Avengers fans, have been waiting with great anticipation for the release of "Iron Man 3." Most fans of this genre will not be disappointed as "Iron Man 3" delivers a one-two punch of action-packed intense scenes with some timely humor thrown in. Tony Stark, portrayed by Robert Downey, Jr., puts on the metal suit as the world is being attacked by the evil terrorist The Mandarin, played by Oscar winner Ben Kingsley ("Gandhi"). The Mandarin is no Gandhi and Kingsley's performance is not worth an Oscar, as it is a little excessive at times. But then again, this is a movie based on comic book characters. The other supporting cast members include Oscar winner Gwyneth Paltrow ("Shakespeare in Love") as Stark's love interest and sidekick, Pepper Potts. Oscar nominee Don Cheadle ("Hotel Rwanda") plays Lt. Col. James 'Rhodey' Rhodes. British actor Guy Pearce ("The Hurt Locker," "Moonrise Kingdom") gives a stellar performance as the troubled scientist, Aldrich Killian, who is still haunted by being shunned by Stark years ago. So what is an evil man supposed to do? Get Revenge! "Iron Man 3" is co-written and directed by Shane Black, who set the bar for action flicks in 1987 with "Lethal Weapon." The two previous Iron Man films were directed by indie favorite, Jon Favreau. Black brings his witty style to "Iron Man 3," which the audience will truly enjoy. The film is already setting records at the box office, boasting the second highest grossing film for a weekend opening with $175.3 million at the ticket counter.
    [Show full text]
  • Hotel Rwanda Production Notes
    When the world closed its eyes, he opened his arms… PRODUCTION NOTES Ten years ago, some of the worst atrocities of the twentieth century took place in the central African nation of Rwanda – yet in an era of high-speed communication and round-the- clock news, the events went almost unnoticed by the rest of the world. Over one hundred days, almost one million people were brutally murdered by their own countrymen. In the midst of this genocide, one ordinary man, a hotel manager named Paul Rusesabagina – inspired by his love for his family and his humanity – summoned extraordinary courage and saved the lives of 1268 refugees by hiding them inside the Milles Collines hotel in Kigali. Hotel Rwanda is Paul’s remarkable story. United Artists is proud to present Don Cheadle, Sophie Okonedo, Joaquin Phoenix, and Nick Nolte in Hotel Rwanda, produced in association with Lions Gate Entertainment, a South Africa/United Kingdom/Italy co-production in association with The Industrial Development Corporation of South Africa, a Miracle Pictures/Seamus production produced in association with Inside Track. Directed by Terry George from a script by Keir Pearson & Terry George, Hotel Rwanda was produced by A. Kitman Ho and Terry George; executive produced by Hal Sadoff, Martin F. Katz, Duncan Reid, and Sam Bhembe; co-executive produced by Keir Pearson and Nicolas Meyer; and co-produced by Bridget Pickering and Luigi Musini. Hotel Rwanda’s behind-the-scenes crew includes director of photography Robert Fraisse, production designers Tony Burrough and Johnny Breedt, editor Naomi Geraghty, costume designer Ruy Filipe, and composer Andrea Guerra.
    [Show full text]