Boston Symphony Orchestra Concert Programs, Season 124, 2004-2005
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Seattle Opera Announces 2021/22 Season— a Return to Live, In-Person Performances
FOR IMMEDIATE RELEASE: May 11, 2021 Contact: Gabrielle Gainor (206) 295-0998, [email protected] Press images: https://seattleopera.smugmug.com/2122 Password: “press” Seattle Opera announces 2021/22 season— a return to live, in-person performances La bohème Orpheus and Eurydice Blue The Marriage of Figaro Plus a special recital by Lawrence Brownlee McCaw Hall and The Opera Center Subscriptions begin at $240 (BRAVO! Club, senior, and student pricing is also available). Single tickets will go on sale closer to each production. seattleopera.org SEATTLE—After more than a year without live, in-person performances due to COVID-19, Seattle Opera will officially return to the theater this fall with its 2021/22 Season. Offerings include immortal favorites (La bohème, The Marriage of Figaro), historic works with a modern twist (Orpheus and Eurydice), plus an award-winning piece speaking to racial injustice in America (Blue). It will take years for Seattle Opera—and the arts sector as a whole—to recover from the pandemic’s economic impact. Feeling the presence and excitement of live performance again is one way that the healing can begin, said General Director Christina Scheppelmann. “The theater, where music, storytelling, lights, performers, and audiences meet, is a space of magic and impact,” Scheppelmann said. “This past year has been difficult and challenging on so many levels. As we process all that we’ve been through, we can come here to enjoy ourselves. We can rediscover the positive moment and outlook we are seeking. Through opera, we can reconnect with our deepest emotions and our shared humanity.” In addition to mainstage productions, the company will offer a special, one-night- only recital by tenor Lawrence Brownlee (April 29, 2022, at McCaw Hall) with pianist John Keene. -
H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: Lawrence H
P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #148 [Closing: Noon, Central Daylight Time; Tuesday, July 18th, 2017] Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #148! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Dayight Time; Tuesday, July 18th, 2017. SPECIAL INSTRUCTIONS FOR ONLINE: The internet version is essentially the same as the print version which is sent worldwide except that no bidsheet is provided, since all you really need to do is send me an e-mail with careful notation of your bids and the lot numbers of the items in which you are interested. A brief description of the item helps in case of mis-readings of lot numbers. If you are a new bidder and I do not have your physical address, obviously I will need it. And if you wish to authorize me to charge your winnings to a Visa, Mastercard or American Express card which I do not already have on file, I do not suggest that you send this information via e-mail since it is not very secure. You are welcome to quote an account number for me via the phone/FAX number or via the physical address shown above – or you may wait for me to send you a copy of your invoice and quote the account number by return mail. -
View the 2019 Conductors Guild NYC Conference Program Booklet!
The World´s Only Manufacturer of the Celesta CELESTA ACTION The sound plate is placed above a wooden resonator By pressing the key the felt hammer is set in moti on The felt hammer strikes the sound plate from above CELESTA MODELS: 3 ½ octave (f1-c5) 4 octave (c1-c5) 5 octave (c-c5) 5 ½ octave Compact model (c-f5) 5 ½ octave Studio model (c-f5) (Cabinet available in natural or black oak - other colors on request) OTHER PRODUCTS: Built-in Celesta/Glockenspiel for Pipe Organs Keyboard Glockenspiel „Papageno“ (c2-g5) NEW: The Bellesta: Concert Glockenspiel 5½ octave Compact model, natural oak with wooden resonators (c2-e5) SERVICES: worldwide delivery, rental, maintenance, repair and overhaul Schiedmayer Celesta GmbH Phone Tel. +49 (0)7024 / 5019840 Schäferhauser Str. 10/2 [email protected] 73240 Wendlingen/Germany www.celesta-schiedmayer.de President's Welcome Dear Friends and Colleagues, Welcome to New York City! My fellow officers, directors, and I would like to welcome you to the 2019 Conductors Guild National Conference. Any event in New York City is bound to be an exciting experience, and this year’s conference promises to be one you won’t forget. We began our conference with visits to the Metropolitan Opera for a rehearsal and backstage tour, and then we were off to the Juilliard School to see some of their outstanding manuscripts and rare music collection! Our session presenters will share helpful information, insightful and inspiring thoughts, and memories of one of the 20th Century’s greatest composers and conductors, Pierre Boulez. And, what would a New York event be without a little Broadway, and Ballet? An event such as this requires dedication and work from a committed planning committee. -
Harvey Milk Page 1 of 3 Opera Assn
San Francisco Orpheum 1996-1997 Harvey Milk Page 1 of 3 Opera Assn. Theatre Production made possible by a generous grant from Madeleine Haas Russell. Harvey Milk (in English) Opera in three acts by Stewart Wallace Libretto by Michael Korie Commissioned by S. F. Opera, Houston Grand Opera, and New York City Opera The commission for "Harvey Milk" has been funded in substantial part by a generous gift from Drs. Dennis and Susan Carlyle and has been supported by major grants from the Lila Wallace-Reader's Digest Opera for a New America, a project of OPERA America; the Caddell & Conwell Foundation for the Arts; as well as the National Endowment for the Arts. Conductor CAST Donald Runnicles Harvey Milk Robert Orth Production Messenger James Maddalena Christopher Alden Mama Elizabeth Bishop Set designer Young Harvey Adam Jacobs Paul Steinberg Dan White Raymond Very Costume Designer Man at the opera James Maddalena Gabriel Berry Gidon Saks Lighting Designer Bradley Williams Heather Carson Randall Wong Sound Designer William Pickersgill Roger Gans Richard Walker Chorus Director Man in a tranch coat/Cop Raymond Very Ian Robertson Central Park cop David Okerlund Choreographer Joe Randall Wong Ross Perry Jack Michael Chioldi Realized by Craig Bradley Williams Victoria Morgan Beard Juliana Gondek Musical Preparation Mintz James Maddalena Peter Grunberg Horst Brauer Gidon Saks Bryndon Hassman Adelle Eslinger Scott Smith Bradley Williams Kathleen Kelly Concentration camp inmate Randall Wong Ernest Fredric Knell James Maddalena Synthesizer Programmer -
Edition 1 | 2019-2020
2 AUSTIN OPERA austinopera.org WHAT'S INSIDE Welcome From the Board Chair ���������������������������������������������������������������������������������������� 7 Q&A with Austin Opera General Director & CEO Annie Burridge �������������� 9 Rigoletto Sponsors ������������������������������������������������������������������������������������������������������������� 5 Spotlight Artist: Carolyn Hoehle ��������������������������������������������������������������������� 13 Directors Note ������������������������������������������������������������������������������������������������ 15 Staff ������������������������������������������������������������������������������������������������������������������� 18 Board ���������������������������������������������������������������������������������������������������������������� 19 Title Page ���������������������������������������������������������������������������������������������������������� 21 Production Page �����������������������������������������������������������������������������������������������23 Synopsis ������������������������������������������������������������������������������������������������������������24 Cast �������������������������������������������������������������������������������������������������������������������28 Creative Team ��������������������������������������������������������������������������������������������������32 Chorus ��������������������������������������������������������������������������������������������������������������35 Orchestra -
Andrea Chénier Giordano
ANDREA CHÉNIER GIORDANO Argument MT / 3 Andrea Chénier Argument 4 / 5 Andrea Chénier Andrea Chénier torna al Liceu amb la producció de David McVicar. (ROH/Bill Cooper) Fitxa L’autèntic 6 / 7 9 45 André Chénier Alain Verjat Repartiment 10 Entrevista a 53 Sondra Radvanovsky Amb el teló abaixat 12 Andrea Chénier al 61 Gran Teatre del Liceu 17 Argument Jaume Tribó Cronologia 27 English Synopsis 68 Jordi Fernández M. Selecció d’enregistraments Andrea Chénier, Javier Pérez-Senz 35 una òpera verista 77 entre el Romanticisme i el romàntic Biografies Jesús Ruiz Mantilla 80 Andrea Chénier Temporada 2017-18 8 / 9 ANDREA CHÉNIER Dramma storico en quatre actes. Llibret de Luigi Illica. Música d’Umberto Giordano. Estrenes 28 de març de 1896: estrena absoluta al Teatro alla Scala de Milà 12 de novembre de 1898: estrena a Barcelona al Gran Teatre del Liceu 17 d’octubre de 2007: última representació al Liceu Total de representacions al Liceu: 49 Març 2018 Torn Tarifa 9 20:00 1 Durada total aproximada 2h 35m 10 20:00 PB 6 (*): Amb audiodescripció 12 20:00 1 13 20:00 PC 6 15 20:00 1 17 20:00 C 4 18 17:00 T 3 19 20:00 G 5 21 20:00 D 3 22 20:00 B 4 24 20:00 E 2 25 18:00 F 3 27 20:00 A 4 28* 20:00 H 4 Uneix-te a la conversa #AndreaChénierLiceu liceubarcelona.cat facebook.com/liceu @liceu_cat @liceu_opera_barcelona Andrea Chénier Andrea Chénier, poeta Madelon, anciana revolucionària Jonas Kaufmann 9, 12 i 15 de març Anna Tomowa-Sintow Jorge de León 9, 12, 15, 18, 21, 24 i 27 de març 10, 13, 17, 19, 22, 25 i 28 de març Elena Zaremba Antonello Palombi 18, 21, -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Following His Heart: Your Next Five Career Moves Your Ears and Your Career from Opera to Jazz with Sylvia Mcnair
December 2016 Michael Chioldi Following His Heart: Your Next Five Career Moves Your Ears and Your Career From Opera to Jazz with Sylvia McNair U.S.A. $6.50 • Can $8.70 CS VOCAL COMPETITION $20,000 Cash Prizes Competition Classical & Musical Theatre $4,000 First Place Prize and No Age Limits! High School, University, and Emerging Professional Divisions First Round - Online or Live Locations, January-May Finals - CS Convention in Chicago, May 26-28, 2017 Convention Classes Four days of masterclasses and presentations by universities, conservatories, summer programs, industry experts, and more. Free for Competition Participants The Expo More than 80 schools, summer programs, and professional companies eager to recruit top singers and offer scholarship and performance opportunities. More than $12,700,000 in Scholarships Offered since 2004 Sponsored by magazine Use the $20 Coupon Code Magazine www.ClassicalSinger.com/vocalcompetition CELEBRATING 15 SHENANDOAH CONSERVATORy’S YEARS CCM VOCAL PEDAGOGY INSTITUTE Vocal Pedagogy for the 21st Century July 15 – 23, 2017 “I will recommend the CCM Institute to literally every vocal pedagogue I know! Shenandoah is offering the world exactly what has been needed for such a long time! I’m so grateful that I took Dr. Matthew Edwards Lifetime Achievement the time to do it, and I will definitely be back.” Artistic Director Award Recipient Dr. Robert Sataloff, Luisa Rodriguez, Boulder, CO Otolaryngologist and 2016 participant Keynote Speaker SESSION 1: JULY 15–17 RESPIRATION AND PHONATION FOR CCM SINGERS Matt Edwards with returning guests Wendy LeBorgne and Marci Rosenberg, authors of “Building on the new format established last summer, we are proud “The Vocal Athlete” to announce our first Lifetime Achievement Award honoree, world renowned otolaryngologist Dr. -
Composing Each Time Robert Morris
Composing Each Time Robert Morris Introduction Each time I finish a piece, there is little time to rest or reflect; something else demands my attention, and I attend to it. Of course, finishing a piece is not really abrupt; after the first draft, there is revision, computer engraving, and editing. During these tasks, new ideas and conceptions begin to enter consciousness so the experience of writing a particular piece fades even before all the work is done. Later, when I return to a work—to coach a performance or lecture on it—I try to reconstruct the process of composition and return to the way it felt to write it, but much of the passion and clarity that brought the work into being is lost. With some thought of addressing this problem I decided immediately after completing my piano piece Each Time to write about it while the experience of its composition was still fresh in my memory. In this way, I hope to express as vividly as possible what I try to put into a piece and how and why—something which might be useful to future performers or listeners. In some respects, Each Time is not very different from my other piano pieces; however, I wanted to express in music some new insights I had into the phenomenology of time derived from Buddhist philosophy. Rather than spelling this out now, I’ll just say that I composed the piece so it might suggest to an attentive listener that impermanence is at the root of experience and that time is both flowing and discontinuous at once. -
Airwaves (1980-06)
AIRW\VES · A Service of Continuing Education and Extension - lm University of Minnesota, DL:Jluth VO~. 1, NUMBER 8 JUNE 1980 A CONVERSATION WITH SONNY ROLLINS SEE PAGE 6 Give a. Gift of Music Give a gift membership in WDTH to someone you love. They will receive "Airwaves" free of charge for a year, as well as the satisfaction of supporting a worthwhile cause. Your donation is TAX DEDUCTIBLE. I'd like to buy a gift membership for: Name ______________________ Street ------'--------------------- City _________ State _______ Zip ____ Enclosed is my membership check for: $20 regular $30 family $10 fixed income & students $50 sustaining $100 Century Club Other___ _ Mail to: WDTH, 130 H, UMD, Duluth, Minnesota 55812 2 \.... I SUPPORT PUBLIC the Listener RADIO Reoort Airwaves is a monthly publication of WDTH-FM, the public radio station at the University of Minne- MARATHON! to be sure that we weren't going coming months, and it could set the sota. Duluth. A yearly membership anywhere. stage for a renovation of our space in the in WDTH costs just $20. Member- Two hundred sixty-three new members future. ship entitles you to receive "Air- and 90 members ofWDTH from the fall It's impossible to stay disappointed waves" mailed directly to your marathon pledged $6,500 to WDTH with someone like that in your corner, SENIORS PROJECT home. during our pledge weekend May 16, 17, and with 900 people like that, I can't be and 18. While we fell short of our goal, anything but ecstatic. We were stunned to receive news that Write or call us at University of the total for the year still works out to an our seniors project would not be funded Minnesota, Duluth, 130 Humani- impressive $21,500 from 900 pledgers.