Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 11: Tossups
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BAM Presents the New York Premiere of Rules of the Game, by Jonah Bokaer, Daniel Arsham, and Pharrell Williams, As Part of a Triple Bill—Nov 10–12
BAM presents the New York premiere of Rules Of The Game, by Jonah Bokaer, Daniel Arsham, and Pharrell Williams, as part of a triple bill—Nov 10–12 Bloomberg Philanthropies is the Season Sponsor Rules Of The Game Jonah Bokaer and Daniel Arsham With an original score by Pharrell Williams Arranged and co-composed by David Campbell BAM Howard Gilman Opera House (30 Lafayette Ave) Nov 10–12 at 7:30pm Tickets start at $25 RECESS (2010) Choreography and performance by Jonah Bokaer Scenography by Daniel Arsham Music by Stavros Gasparatos Lighting design by Aaron Copp Costumes by Richard Chai Why Patterns (2011) Choreography and direction by Jonah Bokaer Scenography by Snarkitecture (Daniel Arsham and Alex Mustonen) Music by Morton Feldman and Alexis Georgopoulos/ARP Lighting design by Aaron Copp Costumes by Richard Chai Rules Of The Game (2016) Choreography and direction by Jonah Bokaer Scenography by Daniel Arsham Original score by Pharrell Williams Arranged and conducted by David Campbell Exclusive recording by the Dallas Symphony Orchestra Lighting design by Aaron Copp Costumes by Chris Stamp/STAMPD Talk: Dance as Visual Art With Jonah Bokaer in conversation with Jenny Schlenzka, Associate Curator at MoMA PS1 Nov 11 at 6pm BAM Fisher Hillman Studio Tickets: $25 ($12.50 for BAM Members) Master Class: Jonah Bokaer Co-presented by BAM and Mark Morris Dance Group Nov 5 at 4:30pm, Mark Morris Dance Center (3 Lafayette Ave) Price: $30 For dancers of all levels Visit BAM.org/master-classes for more information and to register Oct 11, 2016/Brooklyn, NY—Rules Of The Game—the centerpiece of a triple bill of New York City premieres—is a new multidisciplinary work created by choreographer Jonah Bokaer, visual artist Daniel Arsham, and composer Pharrell Williams. -
Maroon 5 Red Pill Blues Mp3, Flac, Wma
Maroon 5 Red Pill Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Red Pill Blues Country: Brazil Released: 2017 Style: Pop Rock MP3 version RAR size: 1142 mb FLAC version RAR size: 1160 mb WMA version RAR size: 1295 mb Rating: 4.5 Votes: 474 Other Formats: AA XM AUD FLAC WAV ASF RA Tracklist Hide Credits 1.1 –Maroon 5 Best 4 U What Loves Do 1.2 –Maroon 5 + SZA Featuring – SZA 1.3 –Maroon 5 Wait 1.4 –Maroon 5 Lips On You 1.5 –Maroon 5 Bet My Heart Help Me Out 1.6 –Maroon 5 + Julia Michaels Featuring – Julia Michaels Who I Am 1.7 –Maroon 5 + LunchMoney Lewis Featuring – LunchMoney Lewis Whiskey 1.8 –Maroon 5 + A$AP Rocky* Featuring – A$AP Rocky* 1.9 –Maroon 5 Girls Like You 1.10 –Maroon 5 Closure Bônus Track 1.11 –Maroon 5 Denim Jacket 1.12 –Maroon 5 Visions Don't Wanna Know 1.13 –Maroon 5 Featuring – Kendrick Lamar Cold 1.14 –Maroon 5 Featuring – Future 2.1 –Maroon 5 Moves Like Jagger (Live In Manchester) 2.2 –Maroon 5 Stereo Hearts (Live In Manchester) 2.3 –Maroon 5 Animals (Live In Manchester) 2.4 –Maroon 5 Daylight (Live In Manchester) 2.5 –Maroon 5 Maps (Live In Manchester) 2.6 –Maroon 5 This Love (Live In Manchester) Companies, etc. Marketed By – Universal Music Credits Executive-Producer – Adam Levine, Jacob "J Kash" Hindlin* Notes Deluxe edition with exclusive content Barcode and Other Identifiers Barcode: 602567053002 Other versions Category Artist Title (Format) Label Category Country Year 222 Records , Red Pill Blues B0026740-02 Maroon 5 Interscope B0026740-02 US 2017 (CD, Album) Records 222 Records , Red Pill -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
New Vision. New Ideas. New Hope
NEW VISION. NEW IDEAS. NEW HOPE. 50Pases of People andiapasThat WiUOMrigeOur Lives.Witha , Ways to KeynoteEssay by PRESIDENT BILLCUNTON $3.00 #28... W^ffl esquire.com More Naomi Watts* [ THE CHEF ] You want comfortfood?PSlfi Liebrandt is not your man. You Andbringabbndrold THE IMPRESARIOS There'sa43 percent chanceyou'relis- teningto a song from the NeptUPIGS right now The pair producesevery- onefromNoDoubtto MaryJ.Blige— andmakestiiemsparkle. THE INGREDIENTS—lime blos• soms from Nice, ham from a Dover Sole with Vanilla INTERVIEW NUMBER ONE with Pharrell Williams of ace Spanish pig fed exclusively on andBlackTruffie pop-and-rap production duo the Neptunes is canceled be• acorns—are odd enough. The By Psul Liebrandt fusion of those ingredients— cause he is having a house party. Interview two lasts approxi• eel with watermelon, scallops 24 oz Doversole mately ninety seconds, after which Williams says he has to go with chocolate—is still more (depending on size, get some chicken and will call back from the road. peculiar. But that's not even either 2 small fillets or The return call comes two days later. This is interview three, the end of it. That's not even to 1 large fillet) mention the bizarre ways chef 2 cups duck fat and it lasts all of seventy-five seconds, ending with "Hold on one Paul Liebrandt's bizarre food salt and pepper second" and a promise to call right back. Interview four is quite has been served. Diners have 2 tbsp sherry vinegar been blindfolded, fed dessert spectacular: "I want to do this fucking interview," he says. -
CBL Changes School Structure
aw rint May/June 2018 Volume 17, Issue 3 Pharmacy CBL changes school structure BY HOPE ROGERS deserts Staff Writer abound For over a century, American students take seven classes per school systems have run on the year and spend at least 120 hours BY JONATHAN ZHANAY basis of strict time allotments; in each class. Staff Writer right now in Illinois, a student Payton social studies teacher The closing of pharmacies must spend approximately 180 Joshua Wiggins pointed out that in many low-income neighbor- days in school, and a Chicago CBL “requires teachers to facili- hoods throughout Chicago is Public Schools student is required tate learning rather than dictate having a detrimental effect on to spend seven or more hours at learning.” CBL in theory trans- people who rely on medical ser- school on most days. This struc- forms the classroom environment vices from their local pharma- ture may soon change because of so that students are more aware of cies. Illinois’ decision to test out a new the expectations set for them and The recent closings of CVS curriculum style called Competen- they have space for individualized stores, the most common phar- cy-Based Learning (CBL). learning. Photo by Michael Haran macy brand in Chicago, are Payton was one of several Payton administration does not Classes will be reimagined to prioritize function over form. Will Pay- making even affordable medi- schools in the state — and one of expect to fully implement CBL ton need traditional textbooks? cation far less accessible, and only six Chicago Public Schools, programming until the fall of revisions to be able to prove com- students arriving or leaving school as both retail and independent as of the initial stage of the pilot 2019 or 2020, but CBL coordina- petency in the long term. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
The Description of Moral Values in Maroon 5'S
THE DESCRIPTION OF MORAL VALUES IN MAROON 5’S SELECTED SONG A PAPER BY MUHAMMAD AREF REG. NO. 152202062 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, Muhammad Aref declare that I am the sole author of this paper. This paper except where the reference is made in the text of this paper. This paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for award of another degree in any tertiary education. Signed : Date : December, 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : Muhammad Aref Tittle of paper : A Description of Moral Values in Maroon 5’s Selected Song Qualification : D-III / AhliMadya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the liberatarian of the Diploma III English Department Faculty of Culture Studies USU on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : Thursday, December 13rd, 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRAK Penelitian ini berjudul “A Description of Moral Values in Maroon 5’s Selected album”. Tujuan penelitian ini adalah untuk mendeskripsikan nilai moral dan perumpaan nilai moral dalam kehidupan sehari-hari yang tergambar pada Maroon 5’s Selected song. -
Nintendo Co., Ltd
Nintendo Co., Ltd. Earnings Release for Fiscal Year Ended March 2018 Supplementary Information [Note] Forecasts announced by Nintendo Co., Ltd. herein are prepared based on management's assumptions with information available at this time and therefore involve known and unknown risks and uncertainties. Please note such risks and uncertainties may cause the actual results to be materially different from the forecasts (earnings forecast, dividend forecast and other forecasts). Nintendo Co., Ltd. Consolidated Statements of Income Transition million yen FY3/2014 FY3/2015 FY3/2016 FY3/2017 FY3/2018 Net sales 571,726 549,780 504,459 489,095 1,055,682 Cost of sales 408,506 335,196 283,494 290,197 652,141 Gross profit 163,219 214,584 220,965 198,898 403,540 (Gross profit ratio) (28.5%) (39.0%) (43.8%) (40.7%) (38.2%) Selling, general and administrative expenses 209,645 189,814 188,083 169,535 225,983 Operating profit -46,425 24,770 32,881 29,362 177,557 (Operating profit ratio) (-8.1%) (4.5%) (6.5%) (6.0%) (16.8%) Non-operating income 53,136 46,043 14,550 28,593 23,509 (of which foreign exchange gains) (39,287) (34,051) ( - ) ( - ) ( - ) Non-operating expenses 624 283 18,641 7,591 1,710 (of which foreign exchange losses) ( - ) ( - ) (18,356) (5,256) (766) Ordinary profit 6,086 70,530 28,790 50,364 199,356 (Ordinary profit ratio) (1.1%) (12.8%) (5.7%) (10.3%) (18.9%) Extraordinary income 4,922 3,737 407 64,775 3,240 Extraordinary losses 79 2,176 1,482 409 1,507 Profit before income taxes 10,929 72,091 27,715 114,730 201,090 Income taxes 34,132 30,228 11,197 12,147 60,144 Profit -23,202 41,862 16,518 102,582 140,945 Profit attributable to non-controlling interests 20 18 13 8 1,354 Profit attributable to owners of parent -23,222 41,843 16,505 102,574 139,590 (Profit attributable to (-4.1%) (7.6%) (3.3%) (21.0%) (13.2%) owners of parent ratio) - 1 - Nintendo Co., Ltd. -
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Inazuma Eleven Go: Light Or Shadow
1 Important Information Basic Information 2 Information Sharing 3 Parental Controls Starting and Quitting 4 Getting Started 5 Quitting the Game Controls 6 System Components 7 Menu Controls 8 Story Mode Controls 9 Match Mode Controls Story Mode 10 About Story Mode 11 Story Mode Screen 12 Facilities 13 The Main Menu 14 Status 15 Moves / Spirits 16 Tactics 17 Inventory 18 Info 19 Save 20 Settings Match Mode 21 About Match Mode 22 Match Preparation 23 Match Screen 24 Moving & Passing 25 Shooting 26 Command Duels 27 Special Moves 28 Special Tactics 29 Fighting Spirits 30 Time Out 31 After a Match Caring For Your Team 32 Stats 33 Elements 34 Learning Special Moves 35 Formations 36 Special Training 37 Competition Routes 38 Recruiting Players Connect 39 Match Menu 40 Connect Match Settings 41 Match Rules 42 StreetPass Challenges 43 Trade 44 Download 45 SpotPass Notifications 46 Connect Settings Support Information 47 How to Contact Us 1 Important Information Please read this manual carefully before using this software. If the software is to be used by young children, the manual should be read and explained to them by an adult. Before use, please also read the Operations Manual for your Nintendo 3DS system. It contains important information that will help you enjoy this software. ♦ Unless stated otherwise, any references to "Nintendo 3DS" in this manual apply to Nintendo 3DS™ and Nintendo 3DS™ XL systems. Health and Safety Information IMPORTANT Important information about your health and safety is available in the Health and Safety Information application on the HOME Menu. -
960 JP Games
Total Games: 2601 EU Games: 960 JP Games: 715 US Games: 887 Other Games: 39 ------------------------------------------------------------------------ 100 All Time Favorites (U) {BOZE F0B9E32F} 1000 Bornes (F) {CMBF 694E13EE} 101 Dino DS (E) {C5NP A7232D52} 101 In 1 Explosive Megamix (E) {CQZP DE381815} 101 in 1 Sports Megamix (U) {B2NE B0EDCC89} 12 Family Games (E) {CI2P 0F445E14} 13-Sai no Hello Work DS (J) {YH3J C5129D15} 1912: Titanic Mystery (E) {BTIP F94EF422} 1-Hi-10-Fun de Egajou Zuni Kakeru DS (J) {YJZJ 3650D48F} 3 in 1: Solitaire, Mahjong and Tangram (E) {B7LP C974A55E} 4 Elements (E) {B4EX 8A1F92FC} 4 Elements (E) {B4EY E1CB6081} 42 All-Time Classics (E) {ATDP FBB7EDF4} 42 All-Time Classics (E) v1.1 {ATDP AB5D4CEA} 7 Wonders II (D) {B7WD 3F5772D0} 7 Wonders II (E) {B7WP DE7D995E} 7 Wonders II (E) {B7WX 3A583709} 7 Wonders II (U) {B7WE 5963D816} 7 Wonders of the Ancient World (E) {Y7WP 7BBAE54D} 7 Wonders of the Ancient World (U) {Y7WE C6D140EF} 700-Mannin no Atama o Yokusuru: Choukeisan DS - 13000-Mon + Image Keisan (J) {C3 KJ 8C7C2E5D} 7th Dragon (J) {CD6J 1171AA49} A Ressha de Ikou DS (J) {BARJ 4BDF1142} A Witch's Tale (U) {CW3E 7F741A38} A.S.H. Archaic Sealed Heat (J) {YASJ 93799D75} Ace Attorney Investigations: Miles Edgeworth (E) {C32P BE547C63} Ace Attorney Investigations: Miles Edgeworth (U) {C32E 04086E38} Actionloop (E) {APLP 4F406891} Addy: Do you speak English? (E) [Multi] {CAFX 87B73D5A} Advance Wars: Dark Conflict (E) {YW2P DF5E85E6} Advance Wars: Days of Ruin (U) {YW2E 6E2AAFE5} Advance Wars: Dual Strike (E) {AWRP -
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