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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Advisory System to Be Reevaluted Changes in Housing Policy
STATE HIOT SOC UF WISC 816 STATE ST NEW INTRAMURAL madison WISC SPORT - SEI INSIDE 51706 Vol. XCVII—No. 24 Lawrence University, Appleton, Wisconsin 549 FHday, 21 Aprii 1978 STATg HIOTPnirM — Faculty votes today on new interdisciplines program and use Chicago as the by Frank Massey year. Two other areas are now basis for further course work and The faculty will vote today on being considered and several research projects. the proposed addition of two new others are in the planning stage. Interdisciplinary areas may interdisciplinary areas to in The program was established also be assembled in computer cluded in next year’s course as an attempt to increase studies, environmental studies, catalogue. These are Urban curricular options open to Management of Complex Studies and Linguistics. Lawrence students. In most Organizations, and Comparative Linguistics is no longer offered areas there are five to seven Literature. as a major although students who courses offered, with either one Richard Warch, Vice-President have already declared a or two courses being required. for Academic Affairs, and the Linguistics major will be able The purpose of the required faculty involved are creating a courses is to give the area of to complete it. new way of approaching a course study a focal point and an overall Assoc. Prof. Richard Winslow of of study at Lawrence. A student the Linguistics committee feels coherence. will be able to gain perspective that this study will give the At present there are numerous and familiarity with a specific student an excellent background faculty members meeting area of interest and still fulfill the in Linguistics, sufficient to together and planning new in requirements of a maior. -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Celebrity Divorces Prostitutes Are Cheaper Than Gold Diggers
CELEBRITY DIVORCES PROSTITUTES ARE CHEAPER THAN GOLD DIGGERS Author: Doug Raynor / Artist: Jason Seiler A full color, fully illustrated, humor book with dozens of photo- graphs and caricatures of celebrities. The book is 8 ½˝ x 11˝ and hardcover. The book’s contents and its page count which will be either 256, 360, or 456 will be determined by the amount of money raised to finance the making of it via crowdfunding in a project on the Kickstarter website. Contact E-mail: [email protected] Website: golddiggersepidemic.com Facebook Page: facebook.com/pages/Gold-Diggers-Epidem- ic/1397423190506953 Twitter Page: twitter.com/golddiggersepidemic YouTube Channel: youtube.com/user/GoldDiggersEpidemic Google+ Page: plus.google.com/u/0/102592606408898586433/posts BOOK DESCRIPTION CELEBRITY DIVORCES: PROSTITUTES ARE CHEAPER THAN GOLD DIGGERS is a humor book poking fun at outrageously expensive celebrity divorces. Its premise is that celebrities who pay enormous divorce settlements to their gold digging ex-spouses would have been better off with the cheaper, CHAPTER DESCRIPTIONS no strings attached alternative of using prostitutes. In addition to the expensive divorces the book will also feature: Chapter 1: What Is A Gold Digger? Definition of the term gold digger and ways to recognize gold diggers. Casting a comical eye on the gold digging that occurs in May-December couples. Chapter 2: Prostitutes Are An Alternative! Commentaries on different aspects of prostitution including: Commentary about Charlie Sheen who enjoys a lifestyle that embraces the fact that prostitutes are cheaper •The Benefits Of Prostitution than gold diggers and is the poster boy for this philoso- •Why Does Marriage Exist? phy. -
Production Biographies
PRODUCTION BIOGRAPHIES MIKE O’MALLEY (Executive Producer & Showrunner, Writer- 201, 207, 210) Truly a multi-hyphenate, Mike O’Malley got his start in front of the camera hosting Nickelodeon’s “Get the Picture” and the iconic game show “Guts”. His success continued in television with standout roles in “Yes Dear”, “My Name Is Earl”, “My Own Worst Enemy”, “Justified”, and his Emmy®-nominated, groundbreaking performance as ‘Burt Hummel’ on the hit show “Glee”. Mike’s feature work includes roles in Eat Pray Love, Cedar Rapids, Leatherheads, Meet Dave, 28 Days, and the upcoming Untitled Concussion Project starring Will Smith which will be released Christmas 2015. Also an accomplished writer, Mike wrote and produced the independent feature Certainty which he adapted from his own play. In television, Mike has served as a Consulting Producer on “Shameless” and is in his second season as creator and Executive Producer of “Survivor’s Remorse” for Starz. LEBRON JAMES (Executive Producer) LeBron James is widely considered one of the greatest athletes of his generation. James’ extraordinary basketball skills and dedication to the game have won him the admiration of fans across the globe, and have made him an international icon. Prior to the 2014-2015 season, James returned to his hometown in Ohio and rejoined the Cleveland Cavaliers in their mission to bring a championship to the community he grew up in. James had previously spent seven seasons in Cleveland after being drafted out of high school by his hometown team with the first overall pick in the 2003 NBA Draft. James led the Cavaliers to five straight NBA playoff appearances and earned six All-Star selections during his first stint in Cleveland. -
Eddie Matthews
EDDIE MATTHEWS Gender: Male Service: 850) 261-0050 Height: 5 ft. 9 in. Mobile: 818) 216-0800 Weight: 170 pounds E-mail: [email protected]... Eyes: Blue Web Site: http://www.imdb.me/e... Hair Length: Regular Waist: 34 Inseam: 31 Shoe Size: 10 Physique: Athletic Coat/Dress Size: 42reg Ethnicity: Other Unique Traits: TATTOOS (Don't Have Them) Photos Film Credits Grudge Match stunt double / Sly Stallone Kevin Scott Home Front stunt/actor Looper Stunt Double: Frank Brennan The Campaign Stunt Double: Zach Galifinakis Hijacked Stunt Player G.I. Joe: Retaliation Stunt Perfromer Jeff, Who Lives at Home Stunts / acting (Kevin drowning father) Snowmen Stunt Coordinator Colombiana Stunts Transformers: Dark of the Moon Stunt Perfromer Green Lantern Stunt Performer Flypaper Stunt Performer In My Sleep Stunt Coordinator The Mechanic Stunt Performer Big Mike (TV Movie) Stunt Double: Steven Eckholdt Blue Blood (TV Movie) Stunt Player Generated on 09/27/2021 03:17:52 am Page 1 of 5 Transit Stunt Perfomer Jonah Hex Stunts The Final Destination Stunts 12 Rounds Stunt Player Jolene Stunt Coordiantor: Arizona You Don't Mess with the Zohan Stunt Player A House Divide Stunt Player The Kingdom Stunt Player Rush Hour 3 Stunts Pride Stunts The Hitcher Stunts Letters from Iwo Jima Stunt Perfromer Flags of Our Fathers Stunts The Guardian Stunts Miami Vice Stunts The Plaeasure Drivers Stunt Coordinator Wasted Stunt Coordinator The Dukes of Hazzard Stunt Performer Faith of My Fathers (TV Movie) Stunt Double: John McCain After the Sunset Stunts The Long Ride -
Download Chapter (PDF)
Cultural Studies and the Un/Popular How the Ass-Kicking Work of Steven Seagal May Wrist- Break Our Paradigms of Culture Dietmar Meinel ‘Steven Seagal. Action Film. USA 2008.’ —German TV Guide The first foreigner to run an aikido dojo in Japan, declared the reincarna- tion of a Buddhist lama, blackmailed by the mob, environmental activist, small-town sheriff, owner of a brand of energy drinks, film producer, writer, musician, and lead in his first film (cf. Vern vii), 1980s martial arts action film star Steven Segal is a fascinating but often contradictory figure. Yet, Seagal is strikingly absent from the contemporary revival of seasoned action-film heroes such as Sylvester Stallone, Arnold Schwarzenegger, Bruce Willis, Jean-Claude Van Damme, Dolph Lundgren, and Chuck Norris in The Expendables (2010), The Expendables 2 (2012), and The Expendables 3 (2014). In contrast, ‘starring’ in up to four direct-to-video releases each year over the last decade, Seagal has become a successful entrepreneur of B movies. The (very) low production values of these films, however, highlight rather than conceal his physical demise as incongruent, confusing, and Godard-style editing replaces the fast-paced martial arts action of earlier movies. While his bulky body has become a disheartening memento of his glorious past, his uncompromising commitment to spiritual enlighten- ment and environmental protection arguably elevates him above the mere ridiculousness of his films. In this essay, I will explore Seagal and his oeuvre as he moved from ac- claimed martial arts action star to bizarre media figure in order to devise a framework for un/popular culture. -
Ken Whittingham Is an American Television Director Who Has Been in the Industry for Over 25 Years
DIRECTOR BIOGRAPHIES KEN WHITTINGHAM (Director – Episodes 101 & 102) Ken Whittingham is an American television director who has been in the industry for over 25 years. He has directed episodes for a wide variety of television series including “Parks and Recreation,” “Brooklyn Nine- Nine,” “Suburgatory,” “Parenthood,” “About a Boy,” “30 Rock,” “The Middle,” “The Office,” “Entourage,” “Community,” “Scrubs,” “My Name is Earl,” “Everybody Hates Chris,” “Rules of Engagement,” “Gilmore Girls,” “King of Queens,” “The Bernie Mac Show,” “Yes, Dear,” “Still Standing,” and many more. Whittingham has been nominated for multiple NAACP Image Awards for “30 Rock,” “Parenthood,” “Entourage,” and “Everybody Hates Chris” and has won four times. He won for Outstanding Directing for a Comedy Series for the “Parks and Recreation” episode “How a Bill Becomes a Law;” “30 Rock” for episode “The Funcooker;” and for “The Office” episodes “Phyllis’s Wedding” and “Michael’s Birthday.” PETER SEGAL (Director – Episode 103) Peter Segal is an award-winning film and television director, producer, and writer whose movies have grossed over $1.1 billion to date. He recently directed Robert De Niro, Sylvester Stallone and Kevin Hart in Warner Bros. boxing comedy Grudge Match. Before that, he teamed up with Steve Carell and Anne Hathaway and Dwayne Johnson in the big screen adaptation of Mel Brooks and Buck Henry’s legendary television series Get Smart, which made $230 million worldwide. In fact, that movie became Segal’s fifth consecutive film to gross over $100 million in domestic box office. A frequent collaborator with Adam Sandler, Segal has directed the actor in such films as 50 First Dates, with Drew Barrymore; Anger Management, which also starred Jack Nicholson, and The Longest Yard, currently the highest-grossing comedy remake of all time and the second-highest grossing sports comedy in history. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
The Rebirth of Slick: Clinton, Travolta, and Recuperations of Hard-Body Nationhood in the 1990S
THE REBIRTH OF SLICK: CLINTON, TRAVOLTA, AND RECUPERATIONS OF HARD-BODY NATIONHOOD IN THE 1990S Nathan Titman A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Simon Morgan-Russell, Advisor Dr. Philip Terrie ii ABSTRACT Simon Morgan-Russell, Advisor This thesis analyzes the characters and performances of John Travolta throughout the 1990s and examines how the actor's celebrity persona comments on the shifting meanings of masculinity that emerged in a post-Reagan cultural landscape. A critical analysis of President Clinton's multiple identities⎯in terms of gender, class, and race⎯demonstrates that his popularity in the 1990s resulted from his ability to continue Reagan's "hard-body" masculine national identity while seemingly responding to its more radical aspects. The paper examines how Travolta's own complex identity contributes to the emergent "sensitive patriarch" model for American masculinity that allows contradictory attitudes and identities to coexist. Starting with his iconic turn in 1977's Saturday Night Fever, a diachronic analysis of Travolta's film career shows that his ability to convey femininity, blackness, and working-class experience alongside more normative signifiers of white middle-class masculinity explains why he failed to satisfy the "hard-body" aesthetic of the 1980s, yet reemerged as a valued Hollywood commodity after neoconservative social concerns began emphasizing family values and white male responsibility in the 1990s. A study of the roles that Travolta played in the 1990s demonstrates that he, like Clinton, represented the white male body's potential to act as the benevolent patriarchal figure in a culture increasingly cognizant of its diversity, while justifying the continued cultural dominance of white middle-class males. -
STARLIGHT EXPRESS Music by Andrew Lloyd Webber Lyrics by Richard Stilgoe
STARLIGHT EXPRESS Music by Andrew Lloyd Webber Lyrics by Richard Stilgoe Personaggi: CONTROL MOTHER GREASEBALL PEARL DINAH BUFFY ASHLEY ROCKY ROCKY II ROCKY III FREIGHT FLAT TOP DUSTIN KRUPP WRENCH PURSE VOLTA JOULE ELECTRA BOBO RUSTY RUHRGOLD ESPRESSO PRINCE OF WALES TURNOV NINTENDO POPPA HTTP://COPIONI.CORRIERESPETTACOLO.IT ACT ONE Overture Control This is control! This is control! Tonight is the most important night in the history of the world! Take your seats for the World Championship Railroad Race! Trains to your tracks Ten, nine, eight, seven, six, five, four, three, two, one Trains gone! Four trains going for two final places Greaseball and Espresso are the early leaders with Nintendo pressing in third This is turning into a real grudge match And here's a surprise: look at that Rusty go - Mother Put those trains away. Control Oh Mum - just five more minutes. Mother Put those trains away and get into bed. Control But... Mother No buts. Control Starlight Express, Starlight Express Are you real - yes or no? Starlight Express, Starlight Express... Entry of the National Trains Control This is control, this is control Tonight is race night Let's hear it for the champion engines of the world From France the 120 mph Sudest. The power of the Sudest - Bobo From Italy - the Rome to Milan Express - the Settebello. Powered by Espresso From Germany - right on time - the Inter-Continental Express. Powered by Ruhrgold From Russia - as fast as possible - the Trans-Siberian express. Powered by Turnov From Japan - the Shinkanssen bullet train - the power of the bullet - Nintendo From Great Britain - battling through the wrong kind of snow - the Royal Train.