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04-05-2019 Traviata Eve.Indd
GIUSEPPE VERDI la traviata conductor Opera in three acts Nicola Luisotti Libretto by Francesco Maria Piave, production Michael Mayer based on the play La Dame aux Camélias by Alexandre Dumas fils set designer Christine Jones Friday, April 5, 2019 costume designer 8:00–11:05 PM Susan Hilferty lighting designer New Production Kevin Adams choreographer Lorin Latarro The production of La Traviata was made possible by a generous gift from The Paiko Foundation Major additional funding for this production was received from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,020th Metropolitan Opera performance of GIUSEPPE VERDI’S la traviata conductor Nicola Luisotti in order of vocal appearance violet ta valéry annina Anita Hartig Jane Bunnell flor a bervoix giuseppe Kirstin Chávez Marco Antonio Jordão the marquis d’obigny giorgio germont Jeongcheol Cha Artur Ruciński baron douphol a messenger Dwayne Croft* Ross Benoliel dr. grenvil Kevin Short germont’s daughter Selin Sahbazoglu gastone solo dancers Scott Scully Garen Scribner Martha Nichols alfredo germont Stephen Costello Friday, April 5, 2019, 8:00–11:05PM JONATHAN TICHLER JONATHAN / MET OPERA A scene from Chorus Master Donald Palumbo Verdi’s La Traviata Musical Preparation J. David Jackson, Joshua Greene, Vlad Iftinca*, and Zalman Kelber* Assistant Stage Directors Jonathon Loy, Sarah Ina Meyers, and Kathleen Smith Belcher Stage Band Conductor Gregory Buchalter Italian Coach -
14 January 2011 Page 1 of 9
Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002
Understanding Local Audiences: Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002 by MiJeong Kim Master’s Project Presented to the Arts and Administration Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Science in Arts Management June 2003 ii “Understanding Local Audiences: Ticket Sales Analysis, Hult Center for the Performing Arts, 1994-2002”, a master’s project prepared by MiJeong Kim in partial fulfillment of the requirements for the Master of Science degree in Arts Management, has been approved and accepted by: __________________________________________________________________________ Dr. Gaylene Carpenter, Arts and Administration Program ______________________________________________ Date iii ABSTRACT This project aimed to advance the knowledge of the Hult Center’s current audiences and the local market, based on the analysis of the previous ticket sales trends. Understanding of the audiences is a crucial basis for arts organizations to strategically plan their activities. The literature reviewed for this project includes issues in audience research and audience development. Taking an audience research initiative at the local level, this project analyzed ticket sales records of the Hult Center for the Performing Arts from 1994 to August 2002. The analysis presents statistics of (1) the local audiences’ attendance behavior by type of performances, show date and time, and ticket price, and (2) overall presentation patterns of different -
August 2012 Calendar of Events
AUGUST 2012 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information LINCOLN CENTER THEATER LINCOLN CENTER LINCOLN CENTER is current as of War Horse OUT OF DOORS OUT OF DOORS Based on a novel by Brandt Brauer Frick Ensemble Phil Kline: dreamcitynine June 25, 2012 Michael Morpurgo (U.S. debut) performed by Talujon Adapted by Nick Stafford Damrosch Park 7:30 PM Sixty percussionists throughout August 1 Wednesday In association with Handspring the Plaza perform a live version of LINCOLN CENTER FILM SOCIETY OF Puppet Company Phil Kline’s GPS-based homage to Vivian Beaumont Theater 2 & 8 PM OUT OF DOORS John Cage’s Indeterminacy. LINCOLN CENTER Josie Robertson Plaza 6:30 PM To view the Film Society's On Sacred Ground: August schedule, visit LINCOLN CENTER PRESENTS Stravinsky’s Rite of Spring LINCOLN CENTER www.filmlinc.com MOSTLY MOZART FESTIVAL Arranged and Performed by OUT OF DOORS Mostly Mozart The Bad Plus LINCOLN CENTER FESTIVAL Damrosch Park 8:30 PM Chio-Tian Folk Drums and Festival Orchestra: Arts Group (U.S. debut) In Paris: Opening Night LINCOLN CENTER THEATER Hearst Plaza 7:30 PM Dmitry Krymov Laboratory Louis Langrée, conductor War Horse Dmitry Krymov, direction Nelson Freire, piano LINCOLN CENTER Based on a novel by and adaption Lawrence Brownlee, tenor OUT OF DOORS With Mikhail Baryshnikov, (Mostly Mozart debut) Michael Morpurgo Kimmo Pohjonen & Anna Sinyakina, Maxim All-Mozart program: Adapted by Nick Stafford Helsinki Nelson: Maminov, Maria Gulik, Overture to La clemenza di Tito In association with Handspring Accordion Wrestling Dmitry Volkov, Polina Butko, Piano Concerto No. -
Yannick Nézet-Séguin Named Musical America's 2016 Artist of The
CONTACT: Katherine Blodgett phone: 215.893.1939 e-mail: [email protected] Alyssa Porambo phone: 215.893.3136 FOR IMMEDIATE RELEASE e-mail: [email protected] DATE: October 14, 2015 Yannick Nézet-Séguin Named Musical America’s 2016 Artist of the Year (Philadelphia, October 14, 2015)—Musical America, the venerable print and online publication utilized by performing arts organizations worldwide for nearly 120 years, today announced the winners of their annual Musical America Awards, recognizing excellence and achievement in all realms of the arts. Yannick Nézet- Séguin, described as the “greatest generator of energy on the international podium,” (Financial Times) has been named the 2016 Artist of the Year, voted on by a panel of his peers. As music director of The Philadelphia Orchestra, the Orchestre Métropolitain, and the Rotterdam Philharmonic, Nézet-Séguin is recognized worldwide as a musical leader of the highest caliber, maintaining his strong sense of musicianship, dedication, and charisma. “I am deeply and sincerely honored to accept this prestigious honor,” said Nézet-Séguin. “In truth, this goes to all of the musicians I conduct, in Philadelphia, Rotterdam, and Montreal, and throughout the world. These are the people creating the magic that connects audiences to the music, spreading messages of hope and joy.” “Yannick is a musician of extraordinary breadth and depth in all facets of music-making,” said Philadelphia Orchestra President and CEO Allison Vulgamore. “From the Baroque to the contemporary, from chamber music to grand opera, his versatility and curiosity extends authentically, through his work onstage and off. He performs in front of millions yet projects an intimacy that connects him on the most genuine level with musicians and audiences alike. -
Symphony Hall, Boston Huntington and Massachusetts Avenues
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 Boston Symphony Grdhe§ira INC. SERGE KOUSSEVITZKY, Conductor FORTY-FOURTH SEASON, 1924-1925 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1925, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President • ERNEST B. DANE . Treasurer FREDERICK P. CABOT ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN ARTHUR LYMAN E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD. Assistant Manager 1177 — THE INST%U34ENT OF THE IMMORTALS IT IS true that Rachmaninov, Pader- Each embodies all the Steinway ewski, Hofmann—to name but a few principles and ideals. And each waits of a long list of eminent pianists only your touch upon the ivory keys have chosen the Steinway as the one to loose its matchless singing tone, perfect instrument. It is true that in to answer in glorious voice your the homes of literally thousands of quickening commands, to echo in singers, directors and musical celebri- lingering beauty or rushing splendor ties, the Steinway is an integral part the genius of the great composers. of the household. And it is equally true that the Steinway, superlatively fine as it is, comes well within the There is a Steinway dealer in your range of the moderate income and community or near you through 'whom meets all the requirements of the you may purchase a new Steinway modest home. -
The Bach Choir Commissions Ten Composers This Season, Including Richard Blackford & Gabriel Jackson at the Royal Festival Hall
The Bach Choir commissions ten composers this season, including Richard Blackford & Gabriel Jackson at the Royal Festival Hall Sunday 24 October 2021, 15:00 Royal Festival Hall Gabriel Jackson The Promise WORLD PREMIERE Tallis Hymn Vaughan Williams Fantasia on a Theme by Thomas Tallis Richard Blackford Vision of a Garden WORLD PREMIERE Fauré Cantique de Jean Racine Fauré Requiem The Bach Choir | David Hill conductor | Philharmonia Orchestra Katy Hill soprano | Gareth Brynmor John baritone ★★★★★ “I have to keep reminding myself that these people are amateurs: I can’t imagine a professional choir giving a more perfect and passionate performance.” The Independent on the Choir’s performance of Bach’s B Minor Mass, February 2020 As they return to live music-making after a year and a half of silence, The Bach Choir and Music Director David Hill announce the premieres of ten newly-commissioned contemporary choral works. Three of the works to be performed this season use texts written by members of the Choir, including the Royal Festival Hall premiere of Richard Blackford’s covid-inspired cantata setting the medical diaries of a Choir member who spent three months in intensive care, and a climate-change inspired commission from Gabriel Jackson. This July, the Choir announces a call for scores for the Sir David Willcocks Carol Competition to premiere two new carols at Cadogan Hall, and heads to the studio to record six newly-commissioned chorales from award-winning young composers in its Bach Inspired project. The Bach Choir, David Hill and the Philharmonia Orchestra are joined at the Royal Festival Hall on 24 October 2021 by soprano Katy Hill and baritone Gareth Brynmor John for a post- COVID programme of music for reflection and hope including the world premiere of Richard Blackford’s Vision of a Garden, based on the COVID diaries of The Bach Choir member Peter Johnstone, who spent three months in intensive care with the virus in Spring 2020. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
Metropolitan Opera 19-20 Season Press Release
Updated: November 12, 2019 New Productions of Porgy and Bess, Der Fliegende Holländer, and Wozzeck, and Met Premieres of Agrippina and Akhnaten Headline the Metropolitan Opera’s 2019–20 Season Yannick Nézet-Séguin, in his second season as Music Director, conducts the new William Kentridge production of Wozzeck, as well as two revivals, Met Orchestra concerts at Carnegie Hall, and a New Year’s Eve Puccini Gala starring Anna Netrebko Sunday matinee performances are offered for the first time From Roberto Alagna to Sonya Yoncheva, favorite Met singers return Debuting conductors are Karen Kamensek, Antonello Manacorda, and Vasily Petrenko; returning maestros include Valery Gergiev and Sir Simon Rattle New York, NY (February 20, 2019)—The Metropolitan Opera today announced its 2019–20 season, which opens on September 23 with a new production of the Gershwins’ classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson. Philip Glass’s Akhnaten receives its Met premiere with Anthony Roth Costanzo as the title pharaoh and J’Nai Bridges as Nefertiti, in a celebrated staging by Phelim McDermott and conducted by Karen Kamensek in her Met debut. Acclaimed visual artist and stage director William Kentridge directs a new production of Berg’s Wozzeck, starring Peter Mattei and Elza van den Heever, and led by the Met’s Jeanette Lerman-Neubauer Music Director Yannick Nézet-Séguin. In another Met premiere, Sir David McVicar stages the black comedy of Handel’s Agrippina, starring Joyce DiDonato as the conniving empress with Harry Bicket on the podium. -
Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number