DOCSLIB.ORG

Dear Data 1St Edition Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dear Data 1St Edition Free Download FREE DEAR DATA 1ST EDITION PDF Giorgia Lupi | 9781616895327 | | | | | [PDF] Dear Data Download or Online eBooks This copy is for your personal non-commercial use only. Over the summer months, we have been told by Premier Doug Ford and his government that a lot has been learned from wave one of COVID and that we are well prepared for wave two. Science has told us that two key components to keeping COVID under control are testing and Dear Data 1st edition. Testing centres are overloaded and now only do testing by appointment. The delays in getting test results can mean that someone is spreading the virus while waiting for their results. This is a sad, sad situation. With no end in sight for the second wave, the people of Ontario have been seriously let down and we are now paying the price. Public health unit to scale back contact tracing as cases spike, Oct. We have more than one half a year behind us to gather data on COVID and prepare a proper, professional response to any resurgence. That resurgence is now here and the response of our health professionals and political leaders is virtually the same as before, because we have frittered away our opportunity to gather the data which would tell us who is infecting who, when, where and how. All these stories highlight this lack of data. And without data, the number of opinions on what Dear Data 1st edition do multiply and contradict one another. Contact tracing and testing should be top priorities to help us understand this pandemic and exactly what to do about it. Setting these actions aside because we are too busy only ensures that the next wave will be as bad as the first, and likely we will have another after that. COVID is a medical emergency. Modern medicine is based on science. Science needs data to work. Continuing to manage the pandemic on a plethora of opinions, speculation and rumour is wrong. It is shameful to see the Dear Data 1st edition Ford government is penny-pinching when they claim the health of the people is their main concern. Whither the precautionary principle, which SARS taught our public health apparatus? Was the lesson forgotten? Thank you to Olivia Ward for writing this piece. It raises significant concerns about the further spread of the coronavirus, and about its adverse impact on our Dear Data 1st edition, overstretched OHIP, mental Dear Data 1st edition issues and so on. I am not sure how many universities are under lockdown or how stringently students at fault of not following COVID prevention guidelines are monitored and penalized. The Ontario government absolutely needs to take a strong stand and, temporarily, shut down the University of Toronto, if needed. Health-care workers in Canada hit harder by virus, report finds, Oct. It is about double the global average. The new Canada Recovery Sickness Benefit is a good start and does cover self-employed persons. This would not meet the needs of physicians, many nurses, Dear Data 1st edition other fairly well-paid health professionals. They, in turn, should agree to use some of this additional money to provide pandemic sick benefits for Dear Data 1st edition practicing physicians, as well as, if necessary, topping up federal benefits for part-time nurses and other health workers so as to adequately replace their lost income. This will encourage all of them to self-isolate, if required, and should help to control the pandemic. The report of testimony by nursing home residents at the commission of inquiry last week was heart rending. However, since Sept. Now general visitors are no longer allowed inside, and outside visiting with distancing faces weather limitations. I visited my sweetheart almost daily before the mid-March lock-down, and as often as permitted outside, for the past three months. Copyright owned or licensed by Toronto Star Newspapers Limited. All rights reserved. To order copies of Toronto Star articles, please go to: www. Well, the second wave is here and what do we see? What was done to prepare us for wave Dear Data 1st edition Testing capacity was not increased. More robust tracking was not implemented. Phil BuddleToronto. David KisterToronto. How much tax revenue is lost due to the stops and starts and stops again of small businesses? Does the cost of extra testing capacity get balanced by parents being able to trust the shools and that child care facilities are safe enough so they can drop off the kids and get back to work? Graeme ElliottToronto. Basu BoseConcord, Ont. Charles ShaverMD, Ottawa. Bernard KatzToronto. Report an error. Journalistic Standards. About Dear Data 1st edition Star. More Opinion. Top Stories. About Contact Us Feedback. Toronto Star Newspapers Ltd. Privacy Policy Terms of use Accessibility. First Contact: ‘Elementary Dear Data’ Season 2 Episode 3 - The Spoilist The Enterprise is threatened when a character in Data and La Forge's holodeck simulation becomes sentient. Data is then summoned to engineeringwhere Geordi La Forge 's assistantEnsign Clancytells Data that he's with the Victorywhich puzzles Data. Data then walks over and inquires about the Victorysince it is not here yet. In return for indulging him, La Forge gives Data a smoking pipe and invites him to take part Dear Data 1st edition a Sherlock Holmes holographic story. Data, who has memorized all of Arthur Conan Doyle 's stories of Sherlock Holmes, recognizes Holmes office and many of the trinkets in it. Data starts playing the violin and becomes in character as Holmes, while La Forge starts to read, taking on the character of John H. The story seamlessly starts with Inspector Lestrade knocking on the door. However, Data recognizes the story Scandal in Bohemia after only the first few moments, and immediately solves the case. La Forge abruptly freezes the program and storms out of holodeck two. Talking over the Dear Data 1st edition in Ten ForwardLa Forge explains to Data Dear Data 1st edition playing through the story is part of the fun, and since Data knows all the stories, there isn't any fun. La Forge and Data are overheard by Dr. Katherine Pulaskiwho states that Data, while he does have good deductive reasoning, like Holmes, doesn't understand the Human soul, unlike Holmes, and so is incapable of solving a Holmes mystery of which he doesn't already know the answer. With La Forge's suggestion that the computer could create a story in the style, Data takes this as a challenge, and invites Pulaski to join Dear Data 1st edition Forge and him in another Holmes story. This time, Data instructs the computer to create a new mystery in the Holmes style. This is Dear Data 1st edition than successful, however, because the computer merely combines elements of the existing Holmes stories in a way that Data is again easily able to solve by recognition. La Forge makes an attempt, now, and carefully instructs the computer to create a story and a character "capable of defeating Data. The new program runs and the three are off on their new adventure. The story takes an unexpected twist when Dr. Pulaski is actually kidnapped by Sherlock Holmes' arch-enemy, Professor James Moriartywho now "felt like a new man" while witnessing La Forge's use of the holodeck arch earlier. Data and La Forge track the footsteps of the kidnappers, though an unrelated murder distracts them temporarily. Moriarty has been observing them in order to learn about them. Data spots Moriarty going into a warehouse which turns out to be his secret laboratory. Moriarty welcomes them and says he somehow knows Dear Data 1st edition two are not Holmes and Watson and is able to call for the holodeck's archwhich surprises them both. Furthermore, he explains he sees images and has thoughts he doesn't understand. Upon being given a piece of paper with something hand-drawn on it from Moriarty, Data immediately leaves the holodeck with La Forge following in confusion. After trying and failing to deactivate the holodeck because of an override of the holodeck protocolsData reveals to La Forge that the drawing on the paper is a side profile of the Enterpriseand also reveals that Moriarty himself has control of the computer. La Forge asks about Pulaski, and Data replies that " she is in grave danger. Meeting with Captain Picard and the senior officers in the observation loungeLa Forge figures out that it was his instructions to create an adversary capable of defeating Datanot Sherlock Holmes, that initiated the holodeck override control and is preventing them from ending the holodeck program. Furthermore, he has access to the computer and all related libraries. Worf suggests infiltrating the holodeck, and Riker destroying the holodeck creations directly, but Data states Dear Data 1st edition both suggestions would put Pulaski's life at risk. Troi senses a "unifying force," which prompts Data to speculate Moriarty has a consciousness, necessary to defeat him. The ship suddenly lurches due to a temporary control switch to the holodeck, revealing that Moriarty can control the ship if he wants. Picard decides that he must personally meet with him. Meanwhile, Moriarty learns a great deal about the Enterprise from the computer, and somehow constructs a crude device that toggles attitude control in the holodeck. Pulaski deftly plays along with the program while not acknowledging that anything odd is going on. Moriarty, for his part, treats the Doctor as a guest; offering her tea while gently trying to get more information. He reveals that he can call the arch and that he suspects he is on the Enterprise.
Load more

Recommended publications
  • LB – LONG BIO 2019 Copy
    LEVAR BURTON Biography LeVar Burton launched his acting career while still a student at the University of Southern California. Cast in the groundbreaking role of Kunta Kinte in the landmark television series “Roots,” at 19 he found himself on the cover of Time Magazine. A seemingly impossible act to follow, Burton managed to do so in dramatic fashion, achieving further global acclaim as Chief Engineer Geordi La Forge in the iconic “Star Trek: The Next Generation” television series and in feature films. However, it has been his role as host and executive producer of the beloved PBS children’s series “Reading Rainbow” of which he is most proud. Airing from 1983 to 2009, it was not only one of the longest-running children’s television shows in history, but also one of the most acclaimed, earning over 200 awards including multiple Emmys and a Peabody. Always committed to improving children’s education through innovative uses of storytelling, in 2012 Burton launched RRKidz, a digital educational publishing company. In a deal that ended in August, 2017 his company held the global rights to the Reading Rainbow brand through a partnership with series creator, WNED/Buffalo. That partnership resulted in a successful relaunch of the Reading Rainbow brand for a new generation of children. SKYBRARY is a digital reading service filled with over 500 children’s fiction and non-fiction books, more than 150 newly-produced video field trips and new content added every week. With over 16 million books and videos enjoyed since launch, SKYBRARY is a top selling educational app on iTunes and recipient of numerous awards.
    [Show full text]
  • Women at Warp Episode 38: Disability and Ableism in Star Trek [Bumper] Hi, This Is Melinda Snodgrass and You're Listening to W
    Women at Warp Episode 38: Disability and Ableism in Star Trek [bumper] Hi, this is Melinda Snodgrass and you’re listening to Women at Warp. [end bumper] [audio of LeVar Burton] It was really difficult on a weekly basis for the audience to see what Geordi saw. In fact, we never really successfully did it, in the seven years that we did Next Generation. In fact, the audience has never seen it in any of the movies, the audience has never seen what Geordi sees. Geordi sees all of the electromagnetic spectrum. That means he sees everything from infrared to x- ray. Geordi sees sound, ok? [end audio clip] JARRAH: Hi and welcome to Women at Warp. Join us as our crew of four women Star Trek fans boldly go on our bi-weekly mission to explore our favourite franchise. My name is Jarrah. Thanks for tuning in. Today, with us we have crewmembers Andi−− ANDI: Hello JARRAH: And Sue. SUE: Hi, everybody. JARRAH: We also have a very special guest, Kari. And I’m going to get you to introduce yourself and maybe tell us a bit about how you first got into Star Trek. KARI: Yeah, sure. So as you mentioned, my name is Kari. I’ve loved Star Trek since early high school. I started with Voyager because I was particularly inspired by the strong female role models. I loved Janeway. I’m also planning to get my PhD in sociology. So because of that and my analytical nature, Star Trek has always been a very deep well for me to dig into, in terms of having interesting things to analyze.
    [Show full text]
  • STAR TREK the TOUR Take a Tour Around the Exhibition
    R starts CONTents STAR TREK THE TOUR Take a tour around the exhibition. 2 ALL THOSE WONDERFUL THINGS.... More than 430 items of memorabilia are on show. 10 MAGIC MOMENTS A gallery of great Star Trek moments. 12 STAR TREK Kirk, Spock, McCoy et al – relive the 1960s! 14 STAR TREK: THE NEXT GENERATION The 24th Century brought into focus through the eyes of 18 Captain Picard and his crew. STAR TREK: DEEP SPACE NINE Wormholes and warriors at the Alpha Quadrant’s most 22 desirable real estate. STAR TREK: VOYAGER Lost. Alone. And desperate to get home. Meet Captain 26 Janeway and her fearless crew. STAR TREK: ENTERPRISE Meet the newest Starfleet crew to explore the universe. 30 STARSHIP SPECIAL Starfleet’s finest on show. 34 STAR TREK – THE MOVIES From Star Trek: The Motion Picture to Star Trek Nemesis. 36 STAR trek WELCOMING WORDS Welcome to Star TREK THE TOUR. I’m sure you have already discovered, as I have, that this event is truly a unique amalgamation of all the things that made Star Trek a phenomenon. My own small contribution to this legendary story has continued to be a source of great pride to me during my career, and although I have been fortunate enough to have many other projects to satisfy the artist in me, I have nevertheless always felt a deep and visceral connection to the show. But there are reasons why this never- ending story has endured. I have always believed that this special connection to Star Trek we all enjoy comes from the positive picture the stories consistently envision.
    [Show full text]
  • Infinite Diversity in Infinite Combinations: Portraits of Individuals with Disabilities in Star Trek
    Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd An Article Published in TEACHING Exceptional Children Plus Volume 3, Issue 6, July 2007 Copyright © 2007 by the author. This work is licensed to the public under the Creative Commons Attribution License. Infinite Diversity in Infinite Combinations: Portraits of Individuals With Disabilities in Star Trek Terry L. Shepherd Abstract Weekly television series have more influence on American society than any other form of media, and with many of these series available on DVDs, television series are readily ac- cessible to most consumers. Studying television series provides a unique perspective on society’s view of individuals with disabilities and influences how teachers and peers view students with disabilities. Special education teachers can use select episodes to differenti- ate between the fact and fiction of portrayed individuals with disabilities with their stu- dents, and discuss acceptance of peers with disabilities. With its philosophy of infinite diversity in infinite combinations, Star Trek has portrayed a number of persons with dis- abilities over the last forty years. Examples of select episodes and implications for special education teachers for using Star Trek for instructional purposes through guided viewing are discussed. Keywords videotherapy, disabilities, television, bibliotherapy SUGGESTED CITATION: Shepherd, T.L. (2007). Infinite diversity in infinite combinations: Portraits of individuals with disabilities in Star Trek. TEACHING Exceptional Children Plus, 3(6) Article 1. Retrieved [date] from http://escholarship.bc.edu/education/tecplus/vol3/iss6/art1 "Families, societies, cultures -- A Reflection of Society wouldn't have evolved without com- For the last fifty years, television has passion and tolerance -- they would been a reflection of American society, but it have fallen apart without it." -- Kes to also has had a substantial impact on public the Doctor (Braga, Menosky, & attitudes.
    [Show full text]
  • The Arc Falls in Love with Made by Tameka
    Made by Tameka he Arc imes by ameka The Arc Falls in Love with S ptember 2016 of the leaf to a piece Hi, it’s me, Tameka. The Arc Participants also Edition: I use a communicator, and I Staff Members would like of paper and frame it have Cerebral Palsy. I'm going to say thank you to the with Popsicle sticks. Page 1 to be your guide into the very San Antonio Police It was a fabulous fall busy world of The Arc’s Department and Officers, month! Participants. The Participants John Sherrill and David definitely had a spectacular Herrera for bringing the Thank you for taking month of September as you unique experience of a the time to read my will see. guided tour of their newsletter. In the month of September, helicopter to the some of The Arc Participants Participants of West I'll be back next celebrated the beginning of Avenue and The Arc of time with the the fall season which will be highlights of the nd San Antonio / Arc Participants and on Thursday, September 22 . Pam Stephens' Center on outstanding month of Staff Members from Wednesday, August 31st, October. The Arc of West Avenue and the as part of West Avenue’s San Pam Stephens' Center in transportation curriculum Antonio See you then! front of S.A.P.D.’s helicopter (on West themed week. The Arc Avenue) is Participants and Staff extremely Members truly appreciate If you would like to have proud to the San Antonio Police more information on announce The Arc's Life Department's service to Enrichment Program, please that thirty our community.
    [Show full text]
  • Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
    FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc.
    [Show full text]
  • 2017 Rittenhouse Woman of Star Trek Trading Cards Checklist
    Base Cards Card # Image Card Title 001 Vina and Christopher Pike 002 Number One and Christopher Pike 003 Uhura and James Kirk 004 Uhura and Spock 005 Shahna and James Kirk 006 Christine Chapel and Roger Korby 007 Christine Chapel and Spock 008 Christine Chapel and Dr. McCoy 009 Rand and James Kirk 010 Rand and Charlie Evans 011 Andrea and James Kirk 012 Marla McGivers and Khan 013 Edith Keeler and James Kirk 014 Marta and James Kirk 015 Amanda Grayson and Spock 016 Elizabeth Dehner and Gary Mitchell 017 Leila Kalomi and Spock 018 Zarabeth and Spock 019 Marlena Moreau and James Kirk 020 Romulan Commander and Spock 021 Tonia Barrows and Leonard McCoy 022 Martha Landon and Chekov 023 Carolyn Palamas and Apollo 024 Miramanee and James Kirk 025 Natira and Leonard McCoy 026 Ilia and Decker 027 Saavik and Spock 028 Carol Marcus and James Kirk 029 Gillian Taylor and James Kirk 030 Valeris and Spock 031 Beverly Crusher and Jean-Luc Picard 032 Beverly Crusher and Wesley Crusher 033 Beverly Crusher and Deanna Troi 034 Deanna Troi and William Riker 035 Deanna Troi and Worf 036 Deanna Troi and Reginald Barclay 037 Deanna Troi and Lwaxana Troi 038 Guinan and Jean-Luc Picard 039 Guinan and Worf 040 Borg Queen and Data 041 Borg Queen and Jean-Luc Picard 042 Tasha Yar and Data 043 Lal and Data 044 Kamala and Jean-Luc Picard 045 Ro Laren and William Riker 046 Ro Laren and Guinan 047 Salia and Wesley Crusher 048 Robin Lefler and Wesley Crusher 049 Minuet and William Riker 050 Yuta and William Riker 051 Lwaxana Troi and Jean-Luc Picard 052 Nella Daren and Jean-Luc Picard 053 Anij and Jean-Luc Picard 054 Katherine Pulaski and Worf 055 Katherine Pulaski and Data 056 Eline and Jean-Luc Picard 057 Meribor and Jean-Luc Picard 058 Leah Brahms and Geordi La Forge 059 Ishara Yar and Data 060 Vash and Jean-Luc Picard 061 K'ehleyr and Worf 062 Lily Sloane and Jean-Luc Picard 063 Madeline and Jean-Luc Picard as Dixon Hill 064 Kira Nerys and Benjamin Sisko 065 Kira Nerys and Jadzia Dax 066 Kira Nerys and Odo 067 Jadzia Dax and Benjamin Sisko 068 Jadzia Dax and Dr.
    [Show full text]
  • STAR TREK: the NEXT GENERATION "Galaxy's Child"
    STAR TREK: THE NEXT GENERATION "Galaxy's Child" #40274-190 Written by Maurice Hurley Directed by Rick Kolbe THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH THE TELEVISION LEGAL DEPARTMENT. Copyright 1990 Paramount Pictures Corporation. All Rights Reserved. This script is not for publication or reproduction. No one is authorized to dispose of same. If lost or destroyed, please notify the Script Department. REVISED FINAL DRAFT DECEMBER 10, 1990 Converted to .pdf for pdfscreenplays.net STAR TREK: "Galaxy's Child" - 12/10/90 - CAST STAR TREK: THE NEXT GENERATION "Galaxy's Child" CAST PICARD DOCTOR LEAH BRAHMS RIKER DATA BEVERLY TROI GEORDI WORF GUINAN ENSIGN RAGER TRANSPORTER TECHNICIAN ENSIGN PAVLIK COM VOICE COMPUTER VOICE Non-Speaking SUPERNUMERARIES Converted to .pdf for pdfscreenplays.net STAR TREK: "Galaxy's Child" - 12/10/90 - SETS STAR TREK: THE NEXT GENERATION "Galaxy's Child" SETS INTERIORS EXTERIORS USS ENTERPRISE USS ENTERPRISE MAIN BRIDGE CAPTAIN'S READY ROOM OBSERVATION LOUNGE MAIN ENGINEERING TRANSPORTER ROOM TEN FORWARD CORRIDOR HOLODECK (SET FROM: "Booby Trap") GEORDI'S QUARTERS SHUTTLEBAY SHUTTLEBAY CONTROL BOOTH CRAWLSPACE Converted to .pdf for pdfscreenplays.net STAR TREK: "Galaxy's Child" - REV. 12/10/90 - TEASER 1. STAR TREK: THE NEXT GENERATION "Galaxy's Child" TEASER FADE IN: 1 EXT. SPACE - ENTERPRISE (OPTICAL) At impulse power. PICARD (V.O.) Captain's Log, Stardate 44614.6: We are approaching Starbase Three-One-Three, where we will pick up a shipment of scientific equipment for a Federation outpost in the Guernica System. At the same time -- 2 INT.
    [Show full text]
  • Star Trek Generations
    STARTREK.COM: Time Capsule Commentary: When a visitor entered the site's address into his browser, this "splash page" was the first thing he saw. At that time, a typical Internet user might be connected via a dial-up modem running at 2400 baud; today's 56k modems are 24 times faster, and broadband connections are faster still. Given those slow connection speeds, some sites offered two versions: a "graphics-rich" version with images, and a "text- only" version for those users who didn't want to wait for the graphics to download. For this presentation, only the "graphics-rich" version is available. STAR TREK GENERATIONS Enter one of the sites below to access a galaxy of exclusive Generations features. Star Trek Generations Web Site (graphics-rich) Star Trek Generations Web Site (text-only) About this Web site Star Trek (R) is a registered trademark of Paramount Pictures registered in the United States Patent and Trademark Office. TM and Copyright (C) 1995 by Paramount Pictures. ALL RIGHTS RESERVED http://www.startrek.com/custom/include/feature/specials/generations_site/GenerationsBegin.html10/30/2004 3:36:59 PM STARTREK.COM: Time Capsule Commentary: The site was presented in a format that would fit on a 640x480 monitor, typical of those in use at that time. There were no choices for background color or text style, so the site was black Times-font text on white. Links were bright blue, and once you visited them From Paramount Pictures... they turned purple. When a graphic link was STAR TREK GENERATIONS provided, it was common to also provide a text link for those visitors who chose to not display The "Star Trek" generations converge in "Star Trek Generations" starring Patrick Stewart and graphics in their browsers.
    [Show full text]
  • "Second Sight": Double Consciousness in American Literature and Popular Culture
    THE INVISIBILITY OF "SECOND SIGHT": DOUBLE CONSCIOUSNESS IN AMERICAN LITERATURE AND POPULAR CULTURE ASHLIE DABBS A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2011 Committee: JOLIE SHEFFER, Advisor KIMBERLY COATES ii ABSTRACT Jolie Sheffer, Advisor In The Invisibility of “Second Sight”: Double Consciousness in American Literature and Popular Culture I examine the metaphor, “second sight,” as a signifier of the concept of double consciousness, described in William Edward Burghardt Du Bois’s The Souls of Black Folk (1903). I observe how the metaphor operates to express various perceptions of double consciousness as intrinsic to the African-American. As such, I provide a close reading of second sight in Pauline Hopkins’s Of One Blood (1902-3), noting the ways in which her portrayal of second sight as a biological inheritance transforms the metaphor from a signifier of double- consciousness to a signifier of blackness. I subsequently move eighty years beyond Du Bois and Hopkins to scrutinize the depiction of second sight in Gene Rodenberry’s popular television series, Star Trek: The Next Generation (1987-1994). In doing so I illuminate the ways in which Du Bois’s metaphor continued to be relevant in popular culture at the end of the twentieth century. I argue that the three texts depict second sight as a racialized knowledge and reveal a concurrence that race is corporeal and fixed. However, while Hopkins’s text asserts that the African-American will, by way of race, inevitably develop “second sight,” Du Bois and Rodenberry articulate that it is not race, but culture that leads to the successful development of such skills.
    [Show full text]
  • Nemesis.Fdr Script
    STAR TREK N E M E S I S by JOHN LOGAN THE SHOOTING SCRIPT STAR TREK: NEMESIS 1. 9-12-01 (WHITE) 1 INT. MEDICAL MONTAGE DAY 1 Life. Glorious in its many forms. The biological pulse finding its way heroically through the cold manipulation of science. CREDITS as we see a beautiful montage of futuristic medical technology. Through a microscope we see cells multiplying and gene strands exponentially increasing with the vibrancy of exploding flowers. We see laser splicing and biological manipulation on the molecular level. CREDITS continue as we fade to… 2 INT. ROMULAN SENATE CHAMBER NIGHT 2 Politics… In a cavernous, shadowy chamber. Dark figures lean together and talk seriously. Their hushed, urgent tones denote the gravity of their discussion. We can’t make out the words but there is no doubt what they are talking about. The three year old HUMAN BOY who stands before them. The boy is alone and frightened, lost in the sweeping grandeur of the massive chamber. CREDITS continue as we fade to… 3 EXT. REMAN HOMEWORLD NIGHT 3 Labor... On a stark, desert planet with monolithic mountains and harsh crags shooting upward. The only light in this dark netherworld comes from the flames that accompany the hellish mining operations everywhere around us. The human boy gazes over this desolate vista and then he looks up for a moment... at the stars. Then a tall figure leads him firmly into one of the mines. The boy seems to disappear into this flaming crucible. CREDITS end as we go to... 4 EXT.
    [Show full text]
  • Star Trek - the Next Generation 154 - Booby Trap.Pdf
    STAR TREK: THE NEXT GENERATION "Booby Trap" #40273-154 Story by Ron Roman & Michael Wagner Teleplay by Ron Roman Directed by Gabrielle Beaumont THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH THE TELEVISION LEGAL DEPARTMENT. Copyright 1989 Paramount Pictures Corporation. All Rights Reserved. This script is not for publication or reproduction. No one is authorized to dispose of same. If lost or destroyed, please notify the Script Department. REVISED FINAL DRAFT AUGUST 31, 1989 Converted to .pdf for pdfscreenplays.net STAR TREK: "Booby Trap" - REV. 9/5/89 - CAST STAR TREK: THE NEXT GENERATION "Booby Trap" CAST PICARD GOLEK SAR RIKER DATA BEVERLY TROI GEORDI WORF WESLEY O'BRIEN GUINAN CHRISTY LEAH BRAHMS COMPUTER VOICE Non-Speaking CREWMEMBERS GYPSY VIOLIN PLAYER Converted to .pdf for pdfscreenplays.net STAR TREK: "Booby Trap" - REV. 9/1/89 - SETS STAR TREK: THE NEXT GENERATION "Booby Trap" SETS INTERIORS EXTERIORS USS ENTERPRISE USS ENTERPRISE MAIN BRIDGE TEN-FORWARD PROMELLIAN WARSHIP CORRIDOR TRANSPORTER ROOM ENGINEERING HOLODECK THREE OBSERVATION LOUNGE READY ROOM HOLODECK UTOPIA PLANITIA YARDS/ DRAFTING ROOM TROPICAL BEACH PROMELLIAN WARSHIP CORRIDOR BRIDGE COMMUNICATIONS ROOM Converted to .pdf for pdfscreenplays.net STAR TREK: "Booby Trap" - 8/31/89 - PRONUNCIATION STAR TREK: THE NEXT GENERATION "Booby Trap" PRONUNCIATION GUIDE ORELIOUS NINE Oar-LEE-us 9 CLEPONJI Klep-ON-gee MENTHAR MEN-thar KAVIS TEKE KAY-vis Tee-Key ACETON ASS-ah-tawn Converted to .pdf for pdfscreenplays.net STAR TREK: "Booby Trap" - REV. 9/7/89 - TEASER 1. STAR TREK: THE NEXT GENERATION "Booby Trap" TEASER FADE IN: 1 thru OMITTED 3 3A EXT.
    [Show full text]