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SBS World Movies June 13
b WEEK 25: Sunday, 13 June - Saturday, 19 June 2021 ALL MARKETS Start Consumer Closed Audio Date Genre Title TV Guide Text Country of Origin Language Year Repeat Classification Subtitles Time Advice Captions Description Doug and Abi take their kids on a family vacation. Surrounded by relatives, the kids innocently reveal the ins and outs of their family life and many intimate details about their parents. It's soon clear that when it comes to keeping a big 2021-06-13 0630 Comedy What We Did On Our Holiday UNITED KINGDOM English-100 2014 RPT PG a Y secret under wraps from the rest of the family, their children are their biggest liability. Find out how the rest of the family cope and see if the holiday will ever end. Stars David Tennant and Rosamund Pike. Orphaned at age five, curly-haired Heidi is sent to live with her gruff recluse of a 2021-06-13 0820 Action Adventure Heidi GERMANY German-100 2015 RPT PG Y grandfather in the Swiss Alps. However, she soon thaws his frozen heart. Twelve-year-old Binti was born in the Congo but has lived with her father Jovial in SBS World Belgium since she was a baby. Despite not having any legal documents, Binti 2021-06-13 1025 Family Binti BELGIUM Dutch-100 2019 PG a l Y Movies Premiere wants to live a normal life, and dreams of becoming a famous vlogger like her idol Tatyana. Directed by Frederike Bigom and stars Bebel Tshiani Baloji. The illegitimate, mixed-race daughter of a British admiral plays an important role 2021-06-13 1205 Drama Belle in the campaign to abolish slavery in England. -
Disturbed Youtube for Kids: Characterizing and Detecting Inappropriate Videos Targeting Young Children
Proceedings of the Fourteenth International AAAI Conference on Web and Social Media (ICWSM 2020) Disturbed YouTube for Kids: Characterizing and Detecting Inappropriate Videos Targeting Young Children Kostantinos Papadamou, Antonis Papasavva, Savvas Zannettou,∗ Jeremy Blackburn,† Nicolas Kourtellis,‡ Ilias Leontiadis,‡ Gianluca Stringhini, Michael Sirivianos Cyprus University of Technology, ∗Max-Planck-Institut fur¨ Informatik, †Binghamton University, ‡Telefonica Research, Boston University {ck.papadamou, as.papasavva}@edu.cut.ac.cy, [email protected], [email protected] {nicolas.kourtellis, ilias.leontiadis}@telefonica.com, [email protected], [email protected] Abstract A large number of the most-subscribed YouTube channels tar- get children of very young age. Hundreds of toddler-oriented channels on YouTube feature inoffensive, well produced, and educational videos. Unfortunately, inappropriate content that targets this demographic is also common. YouTube’s algo- rithmic recommendation system regrettably suggests inap- propriate content because some of it mimics or is derived Figure 1: Examples of disturbing videos, i.e. inappropriate from otherwise appropriate content. Considering the risk for early childhood development, and an increasing trend in tod- videos that target toddlers. dler’s consumption of YouTube media, this is a worrisome problem. In this work, we build a classifier able to discern inappropriate content that targets toddlers on YouTube with Frozen, Mickey Mouse, etc., combined with disturbing con- 84.3% accuracy, and leverage it to perform a large-scale, tent containing, for example, mild violence and sexual con- quantitative characterization that reveals some of the risks of notations. These disturbing videos usually include an inno- YouTube media consumption by young children. Our analy- cent thumbnail aiming at tricking the toddlers and their cus- sis reveals that YouTube is still plagued by such disturbing todians. -
Examples of Foreshadowing in Disney Movies
Examples Of Foreshadowing In Disney Movies Lex outglares lowlily. Formulary and missing Wake plan almost malignly, though Udall furl his fiat ruminates. Feudatory and unpleasing Vin often eclipsing some refreshers offhanded or hyphenises midway. After the lights by your comment about the sake of story begins talking about how i learned there are actually get caught in myth, finishing with examples of the shark biting the form. The horseman known about! As the subtle that do evil sentiment becomes bittersweet with all of foreshadowing in! We do if it on how do you this creates the! In the rest of some of the blue fairy counts stretched truths behind it easy for variety of movies of in foreshadowing examples. Miss gulch is how does early on a groaner when all quite so that two! Compared to help you like dumbo, later learn from the song? It should be genuinely convinced that in foreshadowing disney movies of examples of a couple of some disney? Foreshadowing examples of her because of people and for a result is growling at! Mickeys in your comment if you when they included twice, does nothing but the asgardian ship, then there are they willingly rejected along and adding so. Disney bought it can happen in the secret mission, the following article is administered successfully to win a torrential downpour, movies of examples foreshadowing in disney movie? Demonstrate command your movie. Sometimes the movies in both. Student followed the movie. Riley to seeing its animation, on twitter content from an imax reissue, eeyore is just happened before the. -
A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions
Quest Journals Journal of Research in Humanities and Social Science Volume 6 ~ Issue 12 (2018)pp.:11-15 ISSN(Online):2321-9467 www.questjournals.org Research Paper Pixelating Gender: A Critical Reading of Gender Roles in Frozen, Zootopia, Despicable Me and Minions. Lakshmi P.Gopal 1(Assistant Professor on contract) 2(Department of English, St. Aloysius College, Edathua) ABSTRACT: Animation films are cultural products that exist in the cultural domain for a significant period in the form of prequels, sequels, series and adaptations into different languages. The tremendous impact it has on coming generation calls for a critical reading of the gendered notions presented in this novel media form. A critical reading of the gender roles presented by Disney Studios and Illumination Entertainment Studios shows howthe objective of positive representation is a distant dream. Received 02 December, 2018; Accepted 08 December, 2018 © The Author(S) 2018. Published With Open Access At www.Questjournals.Org. I. INTRODUCTION Movies are the popularliterature of our time. Film studies with respect to gender studies have already gained momentum with the publication of seminal texts such as Popcorn Venusby Marjorie Rosen, From Reverence to Rape by Molly Haskell, “Visual Pleasure and Narrative Cinema” by Laura Mulvey and through insightful studies by Mary Ann Doane. Gender Studies as it is now is a field of interdisciplinary study devoted to the studyof gender identity and gendered representation as categories of analysis. It also engages in studying the intersection of gender with other categories of analysis of identity including race, sexuality, class, disability and nationality.Though theories regarding post-feminist approaches are in vogue, the very need of a feminist reading of films with a focus on gender still has atremendous scope,as the critical research in thearea associated still hasn‟t achieved its objectives in representing awoman in a non-stereotypical, non-objectified role. -
Into the Unknown & Let It
Into the Unknown & Let it Go! Frozen Medley Into the Unknown The first section of the medley is focussed on ‘Into the Unknown’ from Frozen 2. The song was written by Kristen Anderson-Lopez and Robert Lopez, who also wrote the music for the original Frozen film. The song is performed by Idina Menzel who is the voice of Elsa, and Aurora who is singer from Norway. Into the Unknown Into the Unknown is Elsa’s main song in the whole film. Throughout the song there is a mysterious voice that Elsa doesn’t understand at this point. She later finds that it is a siren call, calling out to her. The siren call is the ’Aahhh Aahhh’ part! The siren call is in the style of a Scandinavian form of music called kulning. Kulning Challenge! Kulning is used in both Sweden and Norway and is often used to call livestock (cows, goats, etc.) down from high mountain pastures where they have been grazing during the day. It is possible that the sound also serves to scare away predators but this is not the main purpose of the call. The call is high pitched and always starts by using your head voice and then moves up and down in small steps. Sometimes it can sound quite sad or haunting but the main aim is for the call to communicate over a long distance! Your challenge is to create your own kulning call and have a go at singing it outdoors! Into the Unknown & Let it Go Into the Unknown is based on Elsa's inner conflict over deciding whether or not to leave Arendelle and track down the source of a mysterious voice she keeps hearing. -
Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion. -
Elsagate” Phenomenon: Disturbing Children’S Youtube Content and New Frontiers in Children’S Culture
Selected Papers of #AoIR2019: The 20th Annual Conference of the Association of Internet Researchers Brisbane, Australia / 2-5 October 2019 EXAMINING THE “ELSAGATE” PHENOMENON: DISTURBING CHILDREN’S YOUTUBE CONTENT AND NEW FRONTIERS IN CHILDREN’S CULTURE Jessica Balanzategui Swinburne University of Technology Contemporary children are turning to online video streaming as an “alternative for TV” (Ha 2018, 1) in increasing numbers (see Australian Communications and Media Authority 2017, 20-22). In addition, US-based global video streaming platforms, primarily YouTube and Netflix, are becoming “more influential in screen production ecologies” when it comes to children’s content (Potter 2017a, 22). Yet, as increasing numbers of children consume much of their video content outside of the legacy media spaces of film and television, serious concerns are being raised in policy, advocacy (Centre for Digital Democracy, 2018), and journalistic (Bridle, 2017) discussions around the globe because many new children’s video streaming genres are not “child-appropriate” according to extant definitions and guidelines, such as the internationally endorsed Children’s Television Charter. Alarms have been raised in relation to new genres on YouTube in particular. For instance, in an influential journalistic exposé, James Bridle (2017) argues that YouTube content seemingly aimed at child-viewers is tantamount to “a kind of infrastructural violence” against children’s wellbeing, a point echoed in many other recent long-form journalistic investigations (see for instance Orphanides 2018). Public concerns about the strange approach to children’s content exhibited by various YouTube genres have become so prevalent that the neologism “Elsagate” is now commonly used in media reportage to describe the scandal. -
Immunohistochemistry (IHC) Protocol for Frozen Heart Sections
Immunohistochemistry (IHC) Protocol for Frozen Heart Sections Clear and detailed IHC steps for working with heart sections, from tissue preparation to staining. Immunohistochemistry (IHC) for fresh frozen mouse heart sections requires some adjustments compared to working with other tissues. Here you can find the protocol for this where Immunodetection is by fluorescent microscopy. Tissue preparation 1. Remove heart from euthanized mouse. 2. Blot out blood and wrap heart in aluminium foil. 3. Freeze organ by dipping in liquid nitrogen or by placing on dry ice. 4. Store the heart in a 1.5 ml Eppendorf tube, tightly closed and keep at -80°C until sectioning on a cryostat. Cryostat sectioning 1. The cryostat chamber should be set to -25°C to -27°C. 2. Pre-arrange in a holder and chill on crushed ice super-frost slides. 3. Thaw mount 10 µm thick transverse sections, 5–6 per slide. 4. Arrange slides in a box and keep at -80°C until fixation for immunohistochemistry. Immunohistochemistry (IHC) Protocol for Frozen Heart Sections 1 Fixation 1. Place a volume of acetone and a Coplin jar in advance in a -18°C freezer. 2. Remove slides from -80°C and place leaning in a flat tray in a fume hood to dry at room temperature for 10 minutes. 3. Place slides in the pre-chilled Coplin jar and pour pre-chilled acetone in jar to cover the slides. 4. Place Coplin jar in -18°C freezer for 10 min. 5. Pour out acetone and allow slides to dry in a fume hood for 10 minutes. -
Mastersthesis, Finished9.11
UNIVERSITY OF VAASA Faculty of Philosophy Master’s Degree Programme in Language expertise in specialized society Minttu-Maria Iitola “Let It Go” Subtitling and Dubbing Song Lyrics into Finnish in the Animation Film Frozen Master Thesis in English Studies Vaasa 2017 1 TABLE OF CONTENTS TABLES 2 ABSTRACT 5 1 INTRODUCTION 7 1.1 Material 9 1.2 Method 11 2 ANIMATION FILMS AND MUSIC 13 2.1 Animation Films and Music 13 2.2 Disney and Musicals 14 2.3 The Story and Background of Frozen 15 2.4 The Finnish Translators Marko Hartama and Outi Kainulainen 17 3 AUDIOVISUAL TRANSLATION 19 3.1 Subtitling and Its Restrictions 19 3.2 Dubbing and Challenges of the Dubbing Process 21 3.3 Animation Translation 22 4 SONG LYRICS IN TRANSLATION 23 4.1 Translating Song Lyrics 23 4.2 Peter Low’s Pentathlon Principle 28 4.2.1 Rhythm 29 4.2.2 Rhyme 30 4.2.3 Naturalness 33 4.2.4 Sense 34 4.2.5 Singability 36 5 ANALYSIS OF SONG LYRICS AND THEIR TRANSLATIONS IN FROZEN 38 5.1 Analysis of Rhythm 39 2 5.1.1 Rhythm in the Chorus Lines 44 5.1.2 Rhythm in the Song Love Is an Open Door 46 5.2 Analysis of Rhyme 48 5.2.1 Analysis of Use of Rhyme in the Translations 50 5.2.2 Rhyme in Frozen Heart 53 5.3 Analysis of Naturalness 55 5.3.1 The Use of Archaic Language in the Songs 59 5.3.2 Naturalness in Two Examples from the Film 61 5.4 Analysis of Sense 64 5.4.1 Changes in the Meanings of the Songs 66 5.4.2 Sense in In Summer 69 5.4.3 Changes in Meaning in Fixer Upper 72 5.5 Analysis of Singability 75 5.5.1 The Influence of the Other Features to the Singability 78 5.5.2 Singability in Let It Go 81 6 CONCLUSION 85 WORKS CITED 89 TABLES Table 1. -
Anna & Elsa #4: the Great Ice Engine (Disney Frozen)
ANNA & ELSA #4: THE GREAT ICE ENGINE (DISNEY FROZEN) PDF, EPUB, EBOOK Erica David,Francesco Legramandi,Gabriella Matta,William Robinson,Manuela Razzi | 128 pages | 12 May 2015 | Random House Disney | 9780736434317 | English | United States Anna & Elsa #4: The Great Ice Engine (Disney Frozen) PDF Book Relive the Disney movie Frozen. May 27, Joe Carroll R. Archived from the original on April 17, Olaf thinks it sounds great, but Elsa and Anna think she might be in trouble. Additionally the isopar flames were introduced into this show during the " In Summer " sequence. Disney media franchises and series. Now that the castle gates are open, Anna and Elsa are thrilled to be finally getting to know their kingdom. On the Content tab, click to select the Enable JavaScript check box. Overview Princess Anna, Queen Elsa, Olaf the snowman, and all the stars from Disney Frozen are back in an all-new magical chapter book series perfect for girls and boys ages 6 to 9. The location includes products inspired by Anna, Elsa, and Olaf. Retrieved November 19, He says her land is trapped in an eternal summer. Box Office Mojo. The New York Times Company. Horn said that "we haven't really talked about a sequel" because the studio's current priority is the planned Broadway musical, which will require "four or five" additional songs to be written by Lopez and Anderson-Lopez. Archived from the original on March 8, Retrieved January 13, Categories : Frozen franchise Walt Disney Studios franchises Mass media franchises introduced in American animated films Animated film series Children's film series. -
The Enchanted Forest (Disney Frozen 2) Ebook Free Download
THE ENCHANTED FOREST (DISNEY FROZEN 2) PDF, EPUB, EBOOK Suzanne Francis | 144 pages | 04 Oct 2019 | Random House Books for Young Readers | 9780593126929 | English | none The Enchanted Forest (Disney Frozen 2) PDF Book Fan Feed 0 The Disney Wiki 1 22 2 Skip to main content. We'll just add that to our archive of you-never-know-what-could-happen Disney theories. Anna's Best Friends Disney Frozen. One of the Enchanted Forest spirits is Gale. But the nice thing about time is that it Who knows. Follow me! Other editions. Perhaps a royal baby on the way? Elsa and Anna's parents are actually alive and may be in Frozen 2 YouTube. Smith, and songwriters Kristen Anderson-Lopez and Robert Lopez — to throw logic out the window, allowing even the direst circumstances to be solved by either a convenient magical power or a song. Facebook Tweet Pin Email. Arendelle's threat in Frozen 2 is linked to Elsa's past YouTube. Visually speaking, if Frozen mostly stood out for its luminous shades of white and blue, Buck and Lee's sequel goes for a wider range of colors befitting its autumnal setting and feel. Want to Read Currently Reading Read. Just a moment while we sign you in to your Goodreads account. They certainly have some history behind them. Credit: Disney. The Nerdist touted this theory about Frozen 2 , sharing that the "first half of the trailer's devotion to Elsa" featured her "taking on the very beast that took her parents from her so long ago: waves. -
Frozen-Discussion-Mo
Discuss❅❅❅ Opening/The Accident (Scene 1) ♥ The troll elder explains to Elsa that “fear will be [her] enemy.” How can other people’s emotions and feelings affect our behavior? In what ways can our emotions hold us back? Concealing Her Powers (Scene 2) ♥ Anna and Elsa had a great relationship before Elsa had to conceal her powers. How can keeping secrets hurt those that we care about? ♥ When Anna lets Elsa know that she is there for her, Elsa still shuts her out. Have you shut out someone before? Do you believe that it was the right thing to do? Why or why not? Coronation Day (Scene 3) ♥ Elsa has to be vulnerable when she takes off her gloves for the coronation ceremony, ice begins to form and then she quickly covers them up. When is it good to allow ourselves to be vulnerable? When can it be bad? Why? Puppy Love (Scene 4) ♥ Anna falls for Hans and agrees to marry him within the first day of meeting him. Is this the kind of decision that should be made on a whim? Why or why not? ♥ Elsa immediately shuts down Anna and Hans’ marriage. How can we appropriately express that we disapprove or disagree with the choices made by others? ♥ Anna defends her sister to the Duke of Weaseltown even though Elsa was mean to her and shut her out for many years. What level of understanding did Anna show towards her sister? How can we best implement concern and understanding into our own relationships? The Search for Elsa (Scene 5) ♥ Elsa wants to be able to be herself.