2011Wahligj.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
Gender and Audience Reception of English-Translated Manga
Girly Girls and Pretty Boys: Gender and Audience Reception of English-translated Manga June M. Madeley University of New Brunswick, Saint John Introduction Manga is the term used to denote Japanese comic books. The art styles and publishing industry are unique enough to warrant keeping this Japanese term for what has become transnational popular culture. This paper represents a preliminary analysis of interview data with manga readers. The focus of the paper is the discussion by participants of their favourite male and female characters as well as some general discussion of their reading practices. Males and females exhibit some reading preferences that are differentiated by gender. There is also evidence of gendered readings of male and female characters in manga. Manga in Japan are published for targeted gender and age groups. The broadest divisions are between manga for girls, shōjo, and manga for boys, shōnen. Unlike Canada and the USA, manga is mainstream reading in Japan; everyone reads manga (Allen and Ingulsrud 266; Grigsby 64; Schodt, Dreamland 21). Manga stories are first serialized in anthology magazines with a specific target audience. Weekly Shōnen Jump is probably the most well known because it serializes the manga titles that have been made into popular anime series on broadcast television in North America (and other transnational markets) such as Naruto and Bleach. Later, successful titles are compiled and reprinted as tankobon (small digest-sized paperback books). The tankobon is the format in which manga are translated into English and distributed by publishers with licensing rights purchased from the Japanese copyright holders. Translated manga are also increasingly available through online scanlations produced by fans who are able to translate Japanese to English. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
Barnett Family Halloween a Vampire and Moana Go Trick-Or-Treating
CaseBarnettLaw.com 949-565-2993 OCTOBER 2018 BARNETT FAMILY HALLOWEEN A VAMPIRE AND MOANA GO TRICK-OR-TREATING On Sept. 1, my wife and son were both ready to start decorating for the season. Ever since he was a baby, The weather outside may still be hot and beautiful, but inside our house, Nicole Finn has loved going in the has created a cozy fall retreat. It even Halloween stores and seeing smells like fall in our house. Meanwhile, Finn is on a mission to turn our home into all the scary, gory decorations. a real house of horrors. We were a little behind on decorating the new house for fall because we spent a week in San Diego while the water restoration team cleaned up Finn’s waterfall. But we’re personalities will be. Finn back on schedule now and the house certainly shows it. has decided he’s going to be a vampire this year, and he A few weeks ago, we took Finn to Lowes, where they had those big wanted Harlow to be a bat. inflatable Halloween decorations on display. Finn became obsessed with When Harlow heard this, them, and long story short, there’s a 16-foot-tall blow-up ghost hanging she just shook her head and out on our front lawn. It’s so obnoxious and awesome — we’re like the declared, “No! Me Moana!” Halloween Griswolds of our neighborhood. Our family goes bananas for She wants to dress like the Halloween, mainly because of Finn. We end up swinging by the pop-up main character from the Halloween store a few times throughout the season to get all the supplies Disney movie “Moana.” Nicole we need. -
Reiterations of Misogyny Embedded in Lesbian and Feminist Communities' Framing of Lesbian Femme Identities
Uncompromising Positions: Reiterations of Misogyny Embedded in Lesbian and Feminist Communities' Framing of Lesbian Femme Identities Anika Stafford is a PhD student with the Introduction Centre for Women's and Gender Studies at There is a popular conception that the University of British Columbia. Her work misogyny, a hatred of women, is solely has been published in anthologies such as perpetuated by "men" as a group against Queers in American Popular Culture and "women" as a group. This notion has Who's Your Daddy? And Other Writings on contributed to the idea that lesbians and/or Queer Parenting. She is currently conducting feminists would not be capable of institutional ethnographic research on perpetuating misogyny. However, misogynist transgender people and elementary school conceptualizations of female bodies have experience. created insidious cultural norms wherein associations with traits deemed feminine Abstract come to be seen in a derogatory light. As Queer femmes in 1950s bar cultures were everyone, regardless of gender or gender often not viewed as "real lesbians;" radical expression, is indoctrinated into dominant feminism condemned femmes as trying to cultural misogynist systems of power, please patriarchy. This paper investigates everyone is implicated in reproducing or ways such views regarding femmes reiterate challenging such norms. misogynist notions of female bodies. It places Within feminist/queer theory, much femme narratives challenging such debate has taken place regarding lesbian conceptualizations as contesting butch-femme bar cultures of the 1950s and counter-cultural reiterations of misogyny. 1960s. Despite myriad debates regarding Résumé revolutionary potentials of such gendered Les femmes queer dans la culture des bars identities, an examination of how views of des années 50 souvent n’étaient pas vues femininity within feminist/queer discourses comme de “vraies lesbiennes”, le féminisme can reiterate misogynist views of female radical condamnait les femmes queer disant bodies has remained under-theorized. -
Representation of Lesbian Images in Films
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2003 Women in the dark: representation of lesbian images in films Hye-Jin Lee Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Lee, Hye-Jin, "Women in the dark: representation of lesbian images in films" (2003). Retrospective Theses and Dissertations. 19470. https://lib.dr.iastate.edu/rtd/19470 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. women in the dark: Representation of lesbian images in films by Hye-Jin Lee A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Tracey Owens Patton, Major Professor Jill Bystydzienski Cindy Christen Iowa State University Ames, Iowa 2003 11 Graduate College Iowa State University This is to certify that the master's thesis of Hye-Jin Lee has met the thesis requirement of Iowa State University Signatures have been redacted for privacy 111 TABLE OF CONTENTS ACKNOWLEDGEMENTS iv ABSTRACT v INTRODUCTION 1 CHAPTER 1: REVIEW OF LITERATURE The Importance of Studying Films 4 Homosexuality and -
Examining Girls‟ Changing Experiences with the Socially Constructed Labels
As the Body Unfolds: Examining Girls‟ Changing Experiences with the Socially Constructed Labels „Tomboy‟ and „Girly Girl‟ by Robyn Barbara Legge A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Adult Education and Counselling Psychology Ontario Institute for Studies in Education University of Toronto © Copyright by Robyn Barbara Legge 2011 AS THE BODY UNFOLDS: EXAMINING GIRLS’ CHANGING EXPERIENCES WITH THE SOCIALLY CONSTRUCTED LABELS ‘TOMBOY’ AND ‘GIRLY GIRL’ Doctor of Philosophy 2011 Robyn Barbara Legge Department of Adult Education and Counselling Psychology University of Toronto Abstract This study explored the lived experiences of girls with the socially constructed labels „tomboy‟ and „girly girl‟. Using a prospective, life history, qualitative methodology, girls between the ages of nine to fourteen years old were interviewed up to four times over five years for an extensive embodiment project. The present study investigated girls‟ narratives of the „tomboy‟/ „girly girl‟ dichotomy to deepen an understanding of how gender discourses affect how girls learn to live in their bodies. A total of 87 interviews were collected from 27 girls representing diverse social and cultural backgrounds as well as different urban and rural Canadian locations. The interviews were transcribed and analyzed for themes using the constant comparison method from Grounded Theory. Examining the data from a feminist poststructuralist theoretical approach, three main dimensions emerged that described these girls‟ experiences of living with these labels from childhood through adolescence. The first dimension described the shared cultural stereotypes of the „tomboy‟ and „girly girl‟ labels. The second dimension delineated the social outcomes in terms of the privileges and consequences associated with each label in childhood and in adolescence. -
“Grisley L Business”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository 10 ‘Grisley “L” business’1? Re-Valuing Female Masculinity and Butch Subjectivity in Tipping the Velvet and The Night Watch Claire O’Callaghan According to the lesbian cultural critic Emma Healey, the figure of the butch lesbian not only carries ‘the weight of nearly one hundred years of stereotyping on her shoulders’, but suffers homophobic ‘scorn and ridicule’ from heterosexist culture as well as ‘internalised lesbophobia’ within lesbian communities.2 As Gayle Rubin indicates, the term ‘butch’ is ‘the lesbian vernacular for women who are more comfortable with masculine gender codes, styles or identities than with feminine ones’ and ‘encompasses a variety of ways of and motivations for using masculine gender codes and preferences’.3 Butchness exists, therefore, as Jack Halberstam points out, on a varied continuum of female masculinities that signify ‘differently gendered bodies’ and female subjectivities.4 Boyish, masculine and/or butch women feature in nearly all of Sarah Waters’s novels. In Tipping the Velvet (1998), Nancy King’s foray into the world of music hall male impersonation and her investment in modes of female masculinity facilitate her discovery of lesbian desire and, as I will discuss later, are integral to her expression of gender and her sexual coming-of-age. Likewise, in Affinity (1999), domestic servant Ruth Vigers is able to pass as male spirit ‘Peter Quick’ in part because of her -
ResourcesToSupport Equity&InclusiveEducation
Resources to Support Equity & Inclusive Education Grades 9-12 Print Resources Book Kits – A selection of Fiction and Nonfiction books on a topic Equity and Inclusive Education: Transgender resources Equity and Inclusive Education: LGBTQ resources Issues 21 is a dynamic, cutting-edge literacy series that dares students to imagine a world where change is possible and, when equipped with the right knowledge, skills, and tools, they can make it happen. Sets of 6 copies with a Teacher’s Guide. Oppression of Women Mental Health Poverty Justice Discrimination Novel Sets – 10 copies in a bin When E v eryth in g Fe e ls Like t h e M o vies I’ll Give You the Sun Calling Dr. Laura (graphic novel ) I Am Malala: How One Girl Stood Up for Education and Changed the World Kite Runner American Born Chinese (graphic novel) A Long Way Gone Bifocal Monster Wenjack -
The Power of Live Performance
THE POWER OF LIVE PERFORMANCE Music director Daniel Meyer tells us why 2011-2012 might be the best season yet for the Asheville Symphony. PAGE 16 Asheville Bravo Concerts opens its 80th season with a performance by the National Acrobats of China, one of four distinct and dynamic performances. PAGE 22 Kristen Hedberg, Asheville Lyric Opera’s new Associate Artistic Director, shares a behind the scenes peek at Madama Butterfly. PAGE 3 PLUS: The Altamont Theatre page 19 Robb Helmkamp, contemporary furniture maker page 21 Chall Gray and Sandee Shaffer Johnson, Steven Samuels owner of the Bizarre Bazaar page 23 at the Magnetic Patti Best, landscape artist page 23 Heritage Weekend Field. PAGE 17 at the Folk Art Center page 24 Blake Sneed of Bogart’s page 37 13th Season Diana Wortham Theatre ashevillelyric.org Box Office: 828-257-4530 PG. 20 A September 2011 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 15, No. 1 PRINTS COLOR RAPID RIVER ARTS performance INTERVIEW WITH INTERVIEWED BY DENNIS RAY Kristen Hedberg uccini’s Madama Butterfly returns to Asheville, this time featuring Jennifer Davison, international soprano, in the title role. Jon Truitt, acclaimed director of last season’s The Magic PFlute, returns to direct this beautiful new production. This Italian opera is set in Nagasaki, Japan at the turn of the last century. The story centers on a young geisha whose life is changed forever by an American naval officer, exploring the sacrifices she makes Kristen Hedberg, Associate Artistic Director, for true love and the cruelty of the world Asheville Lyric Opera. around her. -
LGBTQ Terminology
LGBTQ Terminology Below is a list of words and terms that are common within the LGBTQ community. This is not an all encompassing list, but is a good place start if you are unfamiliar. You may have heard some of these words and didn’t know what they meant. The purpose of this list is to help you understand the terms, and to educate on common terms and preferred terms within the LGBTQ community. AIDS / Acquired Immune Deficiency Syndrome – The stage of HIV infection. An HIV positive person is diagnosed with AIDS when their immune system is so weakened that it is no longer able to fight off illness. People with immune deficiency are much more vulnerable to infections such as pneumonia and various forms of cancer. These diseases are called opportunistic infections because they take advantage of the weakened immune system. Ultimately, people do not die from AIDS itself, they die from one or more of these opportunistic infections. It is believed that all people who become HIV+ will eventually have AIDS. Ally – Someone who confronts heterosexism, homophobia, biphobia, transphobia, heterosexual and gender-straight privilege in themselves and others; a concern for the well-being of lesbian, gay, bisexual, trans, and intersex people; a belief that heterosexism, homophobia, biphobia and transphobia are social. Androgynous - An appearance and/or identification that is neither man nor woman, presenting a gender either mixed or neutral. Asexual – Someone who does not experience sexual attraction. Unlike celibacy, which people choose, asexuality is an intrinsic part of who we are. Asexual people still have the same emotional needs as anyone else, and experience attraction. -
Bi,Butch,And Bar Dyke:Pedagogical Performances of Class,Gender,And Sexuality
SEP-CCC1.QXD 8/11/00 8:57 AM Page 69 Michelle Gibson, Martha Marinara, and Deborah Meem Bi,Butch,and Bar Dyke:Pedagogical Performances of Class,Gender,and Sexuality Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. This article examines the way three feminist, queer teachers of writing experience and perform their gender, class, and sexual identities. We critique both the academy’s tendency to neutralize the political aspects of identity performance and the essentialist identity politics that still inform many academic discussions. Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. Trinh Minh-Ha, for example, describes an “Inappropriate/d Other who moves about with always at least two/four gestures: that of affirming ‘I am like you’ while pointing insistently to the difference; and that of reminding ‘I am different’ while unsettling every definition of otherness arrived at” (8). Elizabeth Ells- worth applies Minh-Ha’s idea to “classroom practices that facilitate such mov- ing about” and the nature of identity that obtains in such classrooms: Identity in this sense becomes a vehicle for multiplying and making more com- plex the subject positions possible, visible, and legitimate at any given historical CCC 52:1 / SEPTEMBER 2000 69 SEP-CCC1.QXD 8/11/00 8:57 AM Page 70 CCC 52:1 / SEPTEMBER 2000 moment, requiring disruptive changes in the way social technologies of gender, race, ability, and so on define Otherness and use it as a vehicle for subordination.