Prints from the Brandywine Workshop
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Nationally-Acclaimed Mosaic Artists Showcased at Philly Magic Gardens Shattering Expectations: MOSAIC 2014 Exhibition at Philadelphia’S Magic Gardens
For media and press inquiries, please contact: Megan Smith Ellen M. Owens Brownstone PR Philadelphia's Magic Gardens p: 215-410-9879 p: 215.733.0390 e: [email protected] e: [email protected] Fax: 267.519.3019 FOR IMMEDIATE RELEASE Nationally-acclaimed mosaic artists showcased at Philly Magic Gardens Shattering Expectations: MOSAIC 2014 Exhibition at Philadelphia’s Magic Gardens SOUTH STREET, PHILADELPHIA: Join Philadelphia’s Magic Gardens and the Mosaic Society of Philadelphia for an eye-opening exhibition that celebrates the vibrancy of the American mosaic community. Shattering Expectations: MOSAIC 2014 presents numerous works from eight selected artists – including international award-winners – that illustrate the innovation American artists bring to medium previously dominated by Europeans. The exhibition runs Friday, March 7 – Sunday, April 20, 2014, with a free public reception for the grand unveiling on Friday, March 7, from 6:00 – 9:00 PM. Mosaics are present throughout Philadelphia—in our train stations, our city hall, and even on our streets, thanks to the Mural Arts Program and mural master Isaiah Zagar. Carol Shelkin, President of the Mosaic Society of Philadelphia, says of contemporary mosaic: "I believe [this] is the next step in this city's grand history of artistic and cultural expression." Philly’s own Carol Stirton-Broad, a featured artist in Shattering Expectations and an instructor at Samuel S. Fleisher Art Memorial explains, “It is my great pleasure to be a part of a new resurgence of this ancient art… I love to explore the traditional techniques of mosaics while seeking to create work that expands this discipline.” This exhibition was curated and juried by Nancie Mills Pipgras, editor of mosaicartnow.com , former president of the Society of American Mosaic Artists and an international author and speaker on the topic of modern mosaic. -
Media & Press Information
Philadelphia’s Magic Gardens Media & Press Information WHAT IS PHILADELPHIA’S MAGIC GARDENS? "Zagar's artwork is what makes South Street, South Street." -Ralphi Cipriano, Philadelphia Inquirer, 1998 Philadelphia's Magic Gardens (PMG) is a mosaicked visionary art environment, gallery, and community arts center that preserves, interprets, and provides access to Isaiah Zagar's unique mosaic art environment and his public murals. The Magic Gardens site, Zagar’s largest artwork, includes a fully tiled indoor space and a massive outdoor mosaic sculpture garden that spans half a block on Philadelphia’s famous South Street. Inside, visitors can view folk art statues, bicycle wheels, colorful glass bottles, Zagar's hand-made tiles, and thousands of glittering mirrors. The installation pays tribute to Zagar's artistic influences, along with community and personal experiences. Open to visitors daily, PMG has become a unique Philadelphia destination, hosting year-round, low-cost public programs within its own distinctive venue and the surrounding community. PMG, a nonprofit organization, inspires creativity and community engagement by educating the public about folk, mosaic, and visionary art. Philadelphia’s Magic Gardens History “South Street looked like Berlin after the Russians invaded it. All boarded up buildings and trash strewn lots. If there were 40 buildings on a block, maybe 15 of them were occupied.” –Rick Snyderman, Philadelphia City Paper, 2010 In 1994, Zagar started work in the vacant lots located nearby his studio at 1022-1026 South Street, after tiling his adjacent property. He constructed a fence to protect the area and then spent the next fourteen years excavating tunnels, sculpting multi-layered walls, and mosaicking the 3,000-square-foot space. -
Rare Visions and Roadside Revelations” Episode Guide (1996 - 2010)
“RARE VISIONS AND ROADSIDE REVELATIONS” EPISODE GUIDE (1996 - 2010) NOTE: Main titles refer to specific DVD collection ”Who Says Kansas is Dull”? (1995) - First episode, only issued on VHS MILES & MILES... #201 (1996) - Warrensburg, MO to Sikeston, MO Stops in Missouri include J.C. Carter's metal sculptures and singing dogs near Warrensburg; the world's second-largest collection of farm implement seats in Iona; Larry Bagget's stonework, including a monument to the Trail of Tears outside Rolla; and Lambert's Restaurant, "home of the throwed rolls," in Sikeston. MILES & MILES... #202 (1996) - Hornersville, MO to Fulton, MO Stops include the gravesite of Major Ray, real-life inspiration for Buster Brown, in Hornersville, MO; the workshop of whirligig artist John North in Alton, IL; the Shrine of the Black Madonna in Eureka, MO; and the Elvis Is Alive Museum off I-70 at Wright City. / Ken and Kate Anderson Collection MILES & MILES... #203 (1996) - Springfield, MO to Conway, AK Stops include a visit with painter Robert E. Smith in Springfield, MO; Ralph Lanning's Roadside Sculpture Park in Republic, MO; Quigley's Castle and a giant Ozark shoe tree outside Eureka Springs, AR; and Tiny Town and the bathhouses of Hot Springs, AR. Michael Brewer, half of the musical duo Brewer and Shipley, sings "I Hate Country" on Highway 76 in Branson, MO. PROWLINʼ THE PRAIRIE #204 (1996) - Catoosa, OK to Erie, KS Sights include a 300-foot fence sculpted from tools and appliances in Collinsville, OK; Ed Galloway's Totem Pole Park near Foyil, OK; Big Brutus, the electric mining shovel in West Mineral, KS; the Dinosaur Not-So-National Park near Erie, KS; and "the Flying Nun House" in Pittsburg, KS. -
Hock E Aye VI Edgar Heap of Birds CV
EDGAR HEAP OF BIRDS E-mail: [email protected] EDUCATION: Tyler School of Art, Temple University, Philadelphia, Pennsylvania, Master of Fine Arts in Painting, 1979 Royal College of Art, London, England, Graduate Studies in Painting, 1977 University of Kansas, Lawrence, Kansas, Bachelor of Fine Arts, Painting, 1976 California College of Arts and Crafts, Oakland, California Summer Session, 1975 ACADEMIC EMPLOYMENT: 2004 – 2012 Professor, University of Oklahoma, Norman, Oklahoma 1989 – 2003 Associate Professor, University of Oklahoma, Norman, Oklahoma 2002 Visiting Professor, Rhode Island School of Design, Winter Term, Providence, Rhode Island 2002 – 2003 Visiting Professor, University of Cape Town, Michealis School of Art, Cape Town, South Africa 1998 – 1999 Visiting Senior Professor, Yale University, New Haven, Connecticut 1988 – 1989 Visiting Associate Professor, University of Oklahoma, Norman, Oklahoma SOLO EXHIBITIONS: Most Serene Republics, University Galleries, University of Florida, Gainesville, Florida, 2010 Water Desert Words, CEPA Gallery, Buffalo, New York, 2010 Remembering Shapes, Signs, and Bodies Peggy Phelps Gallery, Claremont Graduate University, Claremont, California, 2009 Beyond the Chief University of Illinois, Champaign-Urbana, Illinois, 2009 Indigenous Survival Kresge Art Museum, Michigan State University, Lansing, 2009 Moving With the Storm See Line Gallery, Santa Monica, California, 2008 Most Serene Republics (see special projects) Venice Biennale, Smithsonian Institution, National Museum of the American Indian, -
Nomination of Historic Building, Structure, Site, Or Object Philadelphia Register of Historic Places Philadelphia Historical
NOMINATION OF HISTORIC BUILDING, STRUCTURE, SITE, OR OBJECT PHILADELPHIA REGISTER OF HISTORIC PLACES PHILADELPHIA HISTORICAL COMMISSION SUBMIT ALL ATTACHED MATERIALS ON PAPER AND IN ELECTRONIC FORM ON CD (MS WORD FORMAT) 1. ADDRESS OF HISTORIC RESOURCE (must comply with an Office of Property Assessment address) Street address:__________________________________________________________230-36 Vine Street, 238 Vine Street, 255 Bodine Street, 237 New Street, Philadelphia________ PA Postal code:_______________19106 Councilmanic District:_______________1 ___________ 2. NAME OF HISTORIC RESOURCE Historic Name:__________________________________________________________Painted Bride Art Center ________ Common Name:_________________________________________________________________ 3. TYPE OF HISTORIC RESOURCE X Building Structure Site Object 4. PROPERTY INFORMATION Condition: excellent X good fair poor ruins Occupancy: X occupied vacant under construction unknown Current use:____________________________________________________________Performance space and gallery ________ 5. BOUNDARY DESCRIPTION Please attach a plot plan and written description of the boundary. See attached. 6. DESCRIPTION Please attach a description of the historic resource and supplement with current photographs. See attached. 7. SIGNIFICANCE Please attach the Statement of Significance. Period of Significance (from year to year): from _________1981 to _________Present Date(s) of construction and/or alteration:_______Built c. 1950,_______________________________________ mosaic added -
HOCK E AYE VI EDGAR HEAP of BIRDS 1954 Born Hock E Aye VI in Wichita, Kansas
HOCK E AYE VI EDGAR HEAP OF BIRDS 1954 Born Hock E Aye VI in Wichita, Kansas EDUCATION 1979 Tyler School of Art, Temple University, Philadelphia, Pennsylvania, Master of Fine Arts in Painting 1977 Royal College of Art, London, England, Graduate Studies in Painting 1976 University of Kansas, Lawrence, Kansas, Bachelor of Fine Arts, Painting 1975 California College of Arts and Crafts, Oakland, California Summer Session ACADEMIC EMPLOYMENT 2004-2016 Professor, University of Oklahoma, Norman, Oklahoma 1989-2002 Associate Professor, University of Oklahoma, Norman, Oklahoma 2002-2003 Visiting Professor, Rhode Island School of Design, Winter Term, Providence, Rhode Island 1998-1999 Visiting Senior Professor, Yale University, New Haven, Connecticut 1988-1989 Visiting Associate Professor, University of Oklahoma, Norman, Oklahoma SOLO EXHIBITIONS 2020 Standing Rock Awakens the World, Fort Gansevoort, New York, New York (Upcoming) 2019 Surviving Active Shooter Custer, MoMA PS1, Queens, New York 2018 Edgar Heap of Birds: Defend Sacred Mountains, Pitzer College Art Galleries, Nicols Gallery, Claremont, California Do Not Dance For Pay, Garis & Hahn, Los Angeles, California 2016 Edgar Heap of Birds: Genocide and Democracy, Secrets of life and Death, Charles H. Scott Gallery, Vancouver, Canada Dead Indian Stories, Honolulu Museum of Art, Honolulu, Hawaii 2015 Secrets In Life and Death, Commons Gallery, University of Hawaii at Manoa, Honolulu, Hawaii 2014 Native Hosts, Outdoor installation/exhibition of 20 tribal sign panels honoring Tongva sacred sites -
Comprehensive Tax Reform Is Needed
November/December 2012 The Newsletter of The Society Hill Civic Association SOCIETYHILL Reporter www.societyhillcivic.org Comprehensive Tax Reform Is Needed ark Wednesday, November 14, on your The Commission also found that Philadelphia Mcalendar. That evening, Jeff Hornstein, compounds the problems of a high overall president of Queen Village Neighbors Asso - tax burden by relying too heavily on wage and ciation, will be joining the Society Hill Civic business taxes — the taxes that are most likely to Association (SHCA) at its General Member - drive residents, businesses and jobs from the city. ship Meeting. Jeff will speak about the need The city’s incomparably high wage and business for comprehensive tax reform in Philadelphia. tax rates have damaged Philadelphia’s economy As reported in past issues, the Society Hill over the past three decades, ultimately reducing Civic Association has joined with 12 other tax revenue and the ability of the City and School civic associations to form the Tax Fairness District of Philadelphia to finance services. Jeff Hornstein, Coalition. Earlier this year, the Coalition Jeff Hornstein, former Service Employees speaker at SHCA’s advocated for delay in implementation of the International Union leader, lives in Queen November General Actual Value Initiative (AVI) until the City had Village and is now president of the Queen Village Membership Meeting completed a thorough and fair assessment. Neighbors Association. He’s also president of the Cooler heads prevailed and Council post- Philadel phia Jewish Labor Committee and has poned the implementation of AVI over the worked for the American Federation of Teachers. recommendation of Mayor Michael Nutter. -
Railroad Bridge, Argenteuil Claude Monet Railroad Bridge, Argenteuil a Small Sailboat Drifts Along the Water in This Looking Questions Tranquil Scene
Railroad Bridge, Argenteuil Claude Monet Railroad Bridge, Argenteuil A small sailboat drifts along the water in this Looking Questions tranquil scene. Warm, golden light brightens the What time of day do you think it is? bridge’s white pillars and the boat’s sail. Their What do you see that makes you think so? reflections in the water add pink, yellow, and orange hues to the blue of the river. Along the Describe the weather. What might it feel like if top of the bridge, a train chugs along, letting out you were there? puffs of smoke that drift across the sky. A gentle What colors are the shadows? What about the wind pushes the boat across the calm river below. reflections in the water? Claude Monet (Clah’d MOE-nay), the French Compare the two modes of transportation 1874 artist who created this work of art, enjoyed depicted. How are they different? Oil on canvas painting the outdoors directly from observation. If you could enter this picture, where would 21 x 28 inches (54.3 x 73.3 inches) He appreciated the variety of colors in the sky, you go and what would you do? Claude Monet water, plants, and trees, especially those seen (French, 1840–1926) at sunrise and sunset. Notice the deep greens, Philadelphia Museum of Art: John G. Johnson Collection, blues, and purples in the grassy riverbank, and 1917, cat. 1050 the blues and yellows in the train’s smoke. Monet had to work quickly to capture the color and light as he saw it, since both frequently change as time passes. -
United States
BEST TRIPS 2020 CITIES Electric, eclectic, and entirely its own city, an STORY BY PHOTOGRAPHS BY PHILADELPHIA American classic returns with a creative splash JOHNNA RIZZO DINA LITOVSKY UNITED STATES All you need is Love Park in downtown Philadelphia. Officially John F. Kennedy Plaza, the fountain- centric CREDIT PHOTO CREDIT PHOTO space earned its nickname after Robert Indiana’s “Love” sculpture was installed102 hereNATGEOTRAVEL.COM in 1976. DECEMBER 2019/JANUARY 2020 103 BEST TRIPS 2020 CITIES and the promise of reinvention that capture my attention and draw me closer. There’s a lot of glimmer in Philadelphia: vibrant murals and glinting metalworks, multihued mosaics and kaleidoscopic light installations, art collectives in garages, and—heaven help my nonna—a traditionally Italian neighborhood famous for cheesesteaks now sprouting vegan-punk-metal coffeehouses. Think of Detroit, Cleveland, and Cincinnati: resurgent, postindustrial American cities that are channeling creative forces to reinvent themselves for a new generation. Philly is like this but better. It’s a scrappy underdog with a heart of gold L and—who can resist the Rocky reference?—the eye of the tiger. Slowly but steadily Philly has changed from a city of industrial might in the first half of the past century to a city of ingenious makers. The evidence is everywhere. Lee Esposito is telling me about the first dinner his wife cooked for him: softball-size arancini, stuffed and deep-fried Italian rice Getting Schooled balls. His gesturing hands move faster than his mouth. “They Tucked into the classrooms of a once defunct vocational school were like rubber,” he says. -
(215) 599-0782, [email protected] Cara Schneider (215) 599-0789, [email protected] Tweet Us: @Visitphillypr
CONTACTS: Donna Schorr (215) 599-0782, [email protected] Cara Schneider (215) 599-0789, [email protected] Tweet Us: @visitphillyPR Tweet It: Art exhibits in @visitphilly in 2019 reveal unsung works by famous and edgy artists: https://vstphl.ly/2E4m6Nw MAJOR PHILADELPHIA ART EXHIBITS FOR 2019 Philly Museums Celebrate A Year Of Creative Diversity PHILADELPHIA, December 6, 2018 – Philadelphia’s celebrated history of dynamic artistic expression shines in a fascinating breadth of art exhibitions in 2019. The lineup features a diverse range of artists and media exploring personal stories and issues of the day. Major museum shows include the Philadelphia Museum of Art’s multimedia impressionist works in The Impressionist’s Eye. The Barnes Foundation hosts a body of work by contemporary video artist Bill Viola, and the Brandywine River Museum looks at the varied work by N.C. Wyeth in New Perspectives. Smaller yet just-as-mighty exhibits represent provocative, beautiful work by artists from minority communities. These include a year-long, three-part artistic examination of the legacy of slavery with Colored People Time: Mundane Futures, Quotidian Pasts and Banal Presents at the Institute of Contemporary Art; a retrospective of artist David Lebe, known for his homoerotic photographs, in Long Light: Photographs by David Lebe at the Philadelphia Museum of Art; and an exhibit from contemporary artists Sonya Clark and Jacolby Satterwhite that challenges traditional assumptions at The Fabric Workshop and Museum. Here’s a look at what art fans can look forward to in the year ahead: Philadelphia Museum of Art, 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org • Re-opening of the Galleries of Chinese Art – In tandem with architect Frank Gehry’s overall plan for the museum, the renovation and reinstallation of the Chinese art collection debuts early in 2019. -
IN the COMMONWEALTH COURT of PENNSYLVANIA in Re: Painted Bride Art : Center, Inc., Non-Profit Corporation : : No. 1642 C.D. 20
IN THE COMMONWEALTH COURT OF PENNSYLVANIA In Re: Painted Bride Art : Center, Inc., non-profit corporation : : No. 1642 C.D. 2019 : Argued: September 17, 2020 Appeal of: Painted Bride Art : Center, Inc. : BEFORE: HONORABLE PATRICIA A. McCULLOUGH, Judge HONORABLE J. ANDREW CROMPTON, Judge HONORABLE BONNIE BRIGANCE LEADBETTER, Senior Judge OPINION NOT REPORTED MEMORANDUM OPINION BY JUDGE CROMPTON FILED: October 20, 2020 Before this Court is the appeal of Painted Bride Art Center, Inc. (Painted Bride), a non-profit corporation, from the September 26, 2019 Decree and Order of the Philadelphia County Court of Common Pleas, Orphans’ Court Division (Orphans’ Court), denying Painted Bride’s Petition (Petition) to approve an agreement of sale of real property to Groom Investments, LLC (Buyer). I. Background Painted Bride is a Pennsylvania nonprofit corporation, exempt from federal income taxation under Section 501(c)(3) of the Internal Revenue Code.1 Painted Bride’s Br. at 10. “It was founded by a group of artists in 1969 as part of 1 26 U.S.C. §501(c)(3) (2020). the “alternative space movement,” dedicated to maximizing cultural diversity and visibility in the arts.” Id. The corporation was named “Painted Bride” because the space it originally occupied was a former bridal shop on South Street in Philadelphia. Id. Painted Bride’s Articles of Incorporation state that it is organized exclusively for the purpose of furtherance of the arts and promotion of cultural endeavors among its members and more particularly in the community by promoting and participating in painting, sculpture, drama, music, dance and poetry not for profit[,] but conducive to physical and mental development of its members and the community and for the purpose of acquiring the necessary property to be used in furthering the purposes of this corporation. -
Edgar Heap of Birds
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | bockleygallery.com Edgar Heap of Birds Opening Reception: Friday, September 8, 5 to 8 pm Exhibition: September 8 through October 14, 2017 Gallery Hours: Wednesday through Saturday, Noon to 5 pm Bockley Gallery is pleased to announce its upcoming exhibition Edgar Heap of Birds. The show will feature a range of Heap of Birds text-based works that span some three decades of his artistic practice, beginning in the mid-1980s. Also on view will be examples of his abstract, acrylic on canvas Neuf paintings and one commissioned public artwork that will be installed on the exterior wall of the gallery. Heap of Birds, who lives in Oklahoma and has taught Native Studies at University of Oklahoma since 1988, is an enrolled citizen of the Cheyenne and Arapaho tribes. Heap of Birds has long been a critical voice in contemporary art, one that challenges viewers to reconsider their stereotypical notions of Indigenous tribes, and to confront the facts about how the colonizers of North America tried to strip native cultures of their spiritual practices, their language and their land. Whether it is the romantic view of the noble Indian on horseback, or the use of Indian images and names as mascots for sports teams, or the historic appropriation of native lands, Heap of Birds illuminates this country’s genesis through a simple but provocative configuration of words, often in a rainbow of colors, that provokes the viewer to confront the truth. Heap of Birds is an artist of his time, and his work reflects contemporary art making practices rather than drawing on indigenous aesthetic traditions.