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Bibliography Bibliography Backstage Space: The Place of the Performer Bibliography Bibliography This Bibliography is presented in three sections. The first section lists Books, Articles, and Manuscripts, together with a number of other sources (conference and forum presentations, subscription booklets, and brochures). The second section lists Newspaper Articles and Internet Sources. The third section lists Interviews and Correspondence. • Books, Articles, and Manuscripts Aaron, Stephen. Stage Fright: Its Role in Acting. Chicago: University of Chicago Press, 1986. Ackerman, Alan. "Introduction: Modernism and Anti-Theatricality." Modern Drama 44, no. 3 (2001): 275 - 83. Alexander, Jane. “An Actor’s Theater.” In Theaters, edited by Hardy, Holzman, Pfeiffer, and Associates. Melbourne: The Images Publishing Group, 2000. Altman, Irwin, and Setha M. Low. Place Attachment. New York: Plenum Press, 1992. Appleton, Ian. Buildings for the Performing Arts: A Design and Development Guide. Oxford: Butterworth, 1996. Apthorp, Shirley. "Facing up to the Past." Opera, July 2002, 792 - 97. Armfield, Neil. “Message From Neil.” In Company B 2006. Subscription Booklet. Sydney: Company B Ltd., 2005. ———. "Message from Neil." In 2004 Company B Belvoir St Theatre Season Book. Sydney: Company B Ltd., 2003. ———. "Message from Neil." In 2003 Company B Belvoir St Theatre. Subscription Booklet. Sydney: Company B Ltd., 2002. Aronson, Arnold. "Their Exits and Their Entrances: Getting a Handle on Doors." New Theatre Quarterly 20, no. 4 (2004): 331-40. Attenborough, Michael. “Directing for the RSC: The Classic and the New.” In Making Space for Theatre: British Architecture and Theatre since 1958. Edited by Ronnie Mulryne and Margaret Shewring. Stratford-upon-Avon: Mulryne and Shewring Ltd., 1995. Bachelard, Gaston. The Poetics of Space. Translated by Maria Jolas. Boston: Beacon Press, 1994. 292 Backstage Space: The Place of the Performer Bibliography Bafna, Sonit. "Space Syntax: A Brief Introduction to Its Logic and Analytical Techniques." Environment and Behaviour 35, no. 1 (2003): 17-29. Ballantyne, Andrew, ed. What Is Architecture? London: Routledge, 2002. Barish, Jonas. The Antitheatrical Prejudice. Berkeley: University of California Press, 1981. Barkworth, Peter. About Acting (with a Bit of Name-Dropping and a Few Golden Rules). London: Secker and Warburg, 1980. Bates, Brian. The Way of the Actor: A New Path to Personal Knowledge and Power. London: Century, 1986. Bauman, Richard. Verbal Art as Performance. Illinois: Waveland Press, 1984. Baume, Michael. The Sydney Opera House Affair. Melbourne: Thomas Nelson Limited, 1967. Bell, John. The Time of My Life. Sydney: Allen & Unwin, 2002. Bell, Marty. Backstage on Broadway: Musicals and Their Makers. London: Nick Hern Books, 1993. Bergson, Henri. Time and Free Will: An Essay on the Immediate Data of Consciousness. Translated by F.L. Pogson. London: Allen & Unwin, 1950. Berthold, David. "The Griffin Essay: What Can Griffin Be?" The Griffin Guardian, March-June (2004). Bevan, Ian. The Story of the Theatre Royal. Sydney: Currency Press, 1993. Blair, Ron. "Company B." In The Currency Press Companion to Theatre in Australia, edited by Philip Parsons. Sydney: Currency Press, 1995. Bloomer, Kent C., and Charles W. Moore. Body, Memory and Architecture. New Haven: Yale University Press, 1977. Bosselmann, Peter. Representation of Places: Reality and Realism in City Design. Berkeley: University of California Press, 1998. Bourdieu, Pierre. Outline of a Theory of Practice. Translated by Richard Nice. London: Cambridge University Press, 1977. ———. "The Field of Cultural Production, Or: The Economic World Reversed." In The Field of Cultural Production. New York: Columbia University Press, 1993. 293 Backstage Space: The Place of the Performer Bibliography Bourdieu, Pierre, and Loïc J. D. Wacquant. An Invitation to Reflexive Sociology. Chicago: University of Chicago Press, 1992. Bradby, David, and David Williams. "'Communication and the Blood of the Stage': An Interview with Yoshi Oida." In The Paris Jigsaw: Internationalism and the City's Stages, edited by David Bradby and Maria Delgado. Manchester: Manchester University Press, 2002. Brand, Stewart. How Buildings Learn: What Happens after They're Built. New York: Viking, 1994. Brecht, Bertolt. Poems on the Theatre. Translated by John Berger and Anna Bostock. London: Scorpion Press, 1961. Brook, Peter. The Empty Space. London: McGibbon & Kee, 1968. Brown, Janet Mackey. "Programming, Architectural." In Encyclopedia of Architecture: Design, Engineering & Construction, edited by Joseph A. Wilkes and Robert T. Packard. New York: Wiley, 1988. Bryer, Jackson R., and Richard A. Davison, eds. The Actor's Art: Conversations with Contemporary American Stage Performers. New Brunswick: Rutgers University Press, 2001. Caldwell, Zoe. I Will Be Cleopatra. Melbourne: Text Publishing, 2001. Callow, Simon. Being an Actor. London: Penguin, 1988. Campbell, Senator the Hon. Ian. "National Heritage Listing for Sydney Opera House." Media Release C187/05. Canberra: Department of Environment and Heritage, 2005. Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: University of Michigan Press, 2001. ———. Performance: A Critical Introduction. London: Routledge, 1996. ———. Places of Performance: The Semiotics of Theatre Architecture. Ithaca: Cornell University Press, 1989. Carnicke, Sharon M. "Stanislavsky's System: Pathways for the Actor." In Twentieth Century Actor Training, edited by Alison Hodge. London: Routledge, 2000. Carroll, Peter. Paper presented at the Making Theatre Everyday Life Forum, Customs House, Sydney, 25 September 2002. Casey, Edward S. "Between Geography and Philosophy: What Does It Mean to Be in the Place-World?" Annals of the Association of American Geographers 91, no. 4 (2001): 683-93. 294 Backstage Space: The Place of the Performer Bibliography ———. "On Habitus and Place: Responding to My Critics." Annals of the Association of American Geographers 91, no. 4 (2001): 716-23. ———. "J.E. Malpas's Place and Experience: A Philosophical Topography (Cambridge University Press, 1999) Converging and Diverging in/on Place." Philosophy & Geography 4, no. 2 (2001): 225-31. ———. The Fate of Place: A Philosophical History. Berkeley: University of California Press, 1997. ———. "How to Get from Space to Place in a Fairly Short Stretch of Time." In Senses of Place, edited by Steven Feld and Keith H. Basso. Santa Fe: School of American Research, 1996. ———. Getting Back into Place: Toward a Renewed Understanding of the Place- World. Bloomington: Indiana University Press, 1993. Cassell Companion to Theatre. London: Cassell, 1997. Cavett, Dick. "Stage Fright." The Atlantic 257 (1986): 80 - 83. Certeau, Michel de. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984. Cherry, Edith. Programming for Design: From Theory to Practice. New York: John Wiley, 1999. Christoffersen, Erik Exe. The Actor's Way. London: Routledge, 1993. Clark, Justine. "Reflection: Time." Architecture Australia 94, no. 4 (2005): 10. Clifford, James, and George C. Marcus, eds. Writing Culture: The Poetics and Politics of Ethnography. Berkeley: University of California Press, 1986. “Company B Belvoir.” In Company B Belvoir St Theatre 2003. Subscription Booklet. Sydney: Company B Ltd., 2002. “Company B Keepers.” Brochure. Sydney: Company B Theatre Foundation, 2001. Cosgrove, Denis. "Landscape and Landschaft." German Historical Institute Bulletin, no. 35 (2004): 57-71. Cracknell, Ruth. A Biased Memoir. Ringwood: Penguin Books, 1997. Cresswell, Tim. Place: A Short Introduction. Malden: Blackwell Publishing, 2004. Csikszentmihalyi, Mihaly. Beyond Boredom and Anxiety. San Francisco: Jossey-Bass Publishers, 1975. 295 Backstage Space: The Place of the Performer Bibliography ———. "Play and Intrinsic Rewards." Journal of Humanistic Psychology 15, no. 3 (1975): 41 - 63. Curtis, Robert Emerson. A Vision Takes Form: A Graphic Record of the Building of the Sydney Opera House During Stages One and Two. Sydney: A.H. & A. W. Reed, 1967. Denman, Jeffry. A Year with the Producers. New York: Routledge, 2002. Denning, Greg. Mr Bligh's Bad Language: Passion Power and Theatre on the Bounty. Cambridge: Cambridge University Press, 1992. Donnellan, Declan. The Actor and the Target. London: Nick Hern Books, 2002. Dovey, Kim. Framing Places: Mediating Power in Built Form. London: Routledge, 1999. ———. "The Silent Complicity of Architecture." In Habitus: A Sense of Place, edited by Jean Hillier and Emma Rooksby. Aldershot: Ashgate Publishing Limited, 2002. ———. "Redistributing Danger: Enclosure and Encounter in Urban Design." Australian Planner 37, no. 1 (2000): 10-13. ———. "Theorising Power in Built Form." In Environment-Behaviour Research on the Pacific Rim: Proceedings of PaPER98, The 11th International Conference on People and Physical Environment Research, edited by Gary Moore, Jacqui Hunt and Louise Trevellion. Sydney: Faculty of Architecture, University of Sydney, 1998. Drew, Philip. The Masterpiece: Jørn Utzon: A Secret Life. South Yarra: Hardie Grant Books, 1999. ———. Utzon and the Sydney Opera House. Sydney: Morgan Publications, 1999. ———. Sydney Opera House, Jørn Utzon. London: Phaidon, 1995. Duffy, Francis. "Measuring Building Performance." Facilities 8, no. 5 (1990). Dunne, Stephen. "Beyond the Fringe." Paper presented at the Beyond the Fringe Forum, Sydney Theatre Company, Sydney, 5 November 2003. Durrant, Lawrence. Hayes Gordon: The Man and His Dream. Sydney: Hale and Iremonger, 1997.
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