No. 22: Stalinist Terror in the South Caucasus
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Exorcising Stalin's Ghost
TURNING BACK TOTALITARIANISM: Exorcising Stalin’s Ghost Matthew R. Newton The Evergreen State College N e w t o n | 1 "During times of universal deceit, telling the truth becomes a revolutionary act." --George Orwell The death of Joseph Stalin left the Soviet Union in a state of dynastic confusion, and the most repressive elements of the society he established remained. After Nikita Khrushchev secured power in the mid-1950s, he embarked on a campaign to vanquish these elements. While boldly denouncing Stalin’s cult of personality and individual authority in his ‘Secret Speech’ of 1956, he failed to address the problems of a system that allowed Stalin to take power and empowered legions of Stalin-enablers. Khrushchev’s problem was complex in that he wanted to appease the entire Communist Party of the Soviet Union in 1956 and yet legitimize his position of power. The level of embeddedness of Stalinism in the Soviet Union was the biggest obstacle for Khrushchev. Characterized with the “permanent” infrastructure of the Soviet Union, Stalin’s autocratic rule was intertwined with virtually all aspects of Soviet life. These aspects can be broken down into four elements: Stalin’s status as an absolute champion of Communism, and his cult of personality; the enormous amount of propaganda in all forms that underlined Stalin as the “protector” of the Soviet Union during threat and impact of foreign war, and the censorship of any content that was not aligned with this mindset; the necessity and place of the Gulag prison camp in the Soviet economy, and how it sustained itself; and the transformation of Soviet society into something horrifically uniform and populated with citizens whom were universally fearful of arrest and arbitrary repression. -
20Th Century Mass Graves Proceedings of the International Conference Tbilisi, Georgia, 15 to 17 October 2015
IPE International Perspectives 74 in Adult Education 20th Century Mass Graves Proceedings of the International Conference Tbilisi, Georgia, 15 to 17 October 2015 Matthias Klingenberg / Arne Segelke (Editors) International Perspectives in Adult Education – IPE 74 The reports, studies and materials published in this series aim to further the develop- ment of theory and practice in adult education. We hope that by providing access to information and a channel for communication and exchange, the series will serve to increase knowledge, deepen insights and improve cooperation in adult education at international level. © DVV International 2016 Publisher: DVV International Institut für Internationale Zusammenarbeit des Deutschen Volkshochschul-Verbandes e. V. Obere Wilhelmstraße 32, 53225 Bonn, Germany Tel.: +49 (0)228 97569 - 0 / Fax: +49 (0)228 97569 - 55 [email protected] / www.dvv-international.de DVV International is the Institute for International Cooperation of the Deutscher Volkshochschul-Verband e. V. (DVV), the German Adult Education Association. As the leading professional organisation in the field of Adult Education and development cooperation, DVV International provides worldwide support for the establishment and development of sustainable structures for Youth and Adult Education. Responsible: Christoph Jost Editors: Matthias Klingenberg/Arne Segelke Managing Editor: Gisela Waschek Opinions expressed in papers published under the names of individual authors do not necessarily reflect those of the publisher and editors. This publication, or parts of it, may be reproduced provided the source is duly cited. The publisher asks to be provided with copies of any such reproductions. The Deutsche Nationalbibliothek lists this publication in the Deutsche National bibliografie; detailed bibliographic data is available at http://dnb.ddb.de ISBN: 978-3-942755-31-3 Corporate design: Deutscher Volkshochschul-Verband e.V. -
Democratic Republic of Georgia (1918-1921) by Dr
UDC 9 (479.22) 34 Democratic Republic of Georgia (1918-1921) by Dr. Levan Z. Urushadze (Tbilisi, Georgia) ISBN 99940-0-539-1 The Democratic Republic of Georgia (DRG. “Sakartvelos Demokratiuli Respublika” in Georgian) was the first modern establishment of a Republic of Georgia in 1918 - 1921. The DRG was established after the collapse of the Russian Tsarist Empire that began with the Russian Revolution of 1917. Its established borders were with Russia in the north, and the Mountainous Republic of the Northern Caucasus, Turkey, Armenia, and Azerbaijan in the south. It had a total land area of roughly 107,600 km2 (by comparison, the total area of today's Georgia is 69,700 km2), and a population of 2.5 million. As today, its capital was Tbilisi and its state language - Georgian. THE NATIONAL FLAG AND COAT OF ARMS OF THE DEMOCRATIC REPUBLIC OF GEORGIA A Trans-Caucasian house of representatives convened on February 10, 1918, establishing the Trans-Caucasian Democratic Federative Republic, which existed from February, 1918 until May, 1918. The Trans-Caucasian Democratic Federative Republic was managed by the Trans-Caucasian Commissariat chaired by representatives of Georgia, Azerbaijan and Armenia. On May 26, 1918 this Federation was abolished and Georgia declared its independence. Politics In February 1917, in Tbilisi the first meeting was organised concerning the future of Georgia. The main organizer of this event was an outstanding Georgian scientist and public benefactor, Professor Mikheil (Mikhako) Tsereteli (one of the leaders of the Committee -
Historical Fallacies in Communist Propaganda
Historical Fallacies in Communist Propaganda Anna Zofia Cichocka, PhD 'Who controls the past controls the future,' wrote George Orwell in 1984, a novel that portrays the stark nature of totalitarianism. For communists, control over collective memory was an indispensable element of exercising and strengthening power. Its tool was a lie – the foundation of totalitarian enslavement. A story rewritten Once the communists came to power as a result of the coup in Russia in 1917, history became an area of strict political control. It was supposed to serve the current political interests of those in power and the Soviet Empire. It was subject to censorship and became an instrument of propaganda. As a science that explores the past, it was no more. It was constantly being rewritten. As ordered by the Communist Party, which was considered infallible, large-scale manipulation was carried out. Selected facts, dates and people were distorted or deleted. For example, after the removal from office and the killing of the head of the Soviet secret police Lavrentiy Beria in 1953, subscribers to The Great Soviet Encyclopaedia were instructed to use a razor blade to cut out a page containing an entry with his name and portrait and paste new sheets with the entry 'The Bering Sea' in its place. The same thing happened with the famous photograph depicting the Soviet dictator Stalin and Beria's predecessor Nikolay Yezhov. When Yezhov was murdered, he suddenly 'disappeared' from the photo, which was duly prepared before its successive publications. Access to the archives was strictly regulated, and revealing the truth or accepting an interpretation of history different from the official version became a crime, for which people risked being repressed. -
Film: the Death of Stalin
FILM: THE DEATH OF STALIN FDG RATING: 3.2 JJJ Film Discussion Group (FDG) Scale is 1-5 (5 is best) Armando Iannucci: director/co-writer Steve Buscemi: actor, Nikita Khrushchev Simon Russell Beale: actor, Lavrentiy Beria Jeffrey Tambor: actor, Georgy Malenkov DATE: April 22, 2018 DISCUSSION SUMMARY: THE DEATH OF STALIN The Death of Stalin is a clever, raucous political lampoon about bumbling Moscow bureaucrats, backstabbing their way to the top of the heap in an elaborate frantic power struggle to become the next Soviet leader when their tyrannical dictator, Joseph Stalin. drops dead. Among the contenders are sadistic secret police chief Beria who, accompanied by babbling CP Central Committee bigwig Malenkov (Arrested Development’s Jeffrey Tambor), take charge of the situation. Moscow Party Head Nikita Khrushchev (Steve Buscemi) arrives with the rest of the Committee, except for Foreign Minister Molotov, whom Stalin added to his list of enemies the previous night. If these names ring a bell and you can form an historical/political context for the actions that followed, you will have a greater appreciation for the satirical humor that crowds the entire film. The rest of us were at a disadvantage and felt that we were missing a lot of the clever parody and double entendre. But it was just so entertaining, most us laughed out loud anyway. No one really knows what happened behind those heavy red curtains (Wikipedia’s explanation of each character’s role is very helpful) so director/co-writer Armando Iannucci lets the slapstick roll as the farce unfolds while funeral arrangements are made and Stalin’s unstable son Vasily and daughter Svetlana are dealt with. -
Read Book Myths and Legends of the Eastern Front : Reassessing the Great Patriotic War Pdf Free Download
MYTHS AND LEGENDS OF THE EASTERN FRONT : REASSESSING THE GREAT PATRIOTIC WAR PDF, EPUB, EBOOK Boris Sokolov | 320 pages | 13 Nov 2019 | Pen & Sword Books Ltd | 9781526742261 | English | South Yorkshire, United Kingdom Myths and Legends of the Eastern Front : Reassessing the Great Patriotic War PDF Book The opening verses of the Gospel of John were a frequently used text:. If you have feedback about this board game series please use email, this way we can have a constructive back and forth chat without the limits of the store's comment system. Share This Page Tweet. See details for additional description. German victory there. Graham Boak. Yet, we know that the Soviets obtained major victories even when they did not have the winter on their side. Testimonianze popolari tra fede e superstizione , Rome Aracne. Many of these covers featured depictions of soldiers, prominent political leaders, Union or WWII Forums. As a result, as Boris Sokolov shows in this powerful and thought-provoking study, the heroic and tragic side of the war is highlighted while the dark side—the incompetent, negligent and even criminal way the war was run—is overlooked. These cookies are used to make advertising messages more relevant to you. The perfect patriotic notebook to write in, sketch in, doodle in and more. Religious faith and doubt among British and American great war soldiers , Westport Praeger Publishers. The campaigns are based on the time-tested gaming mechanics TBS turn-based strategy enthusiasts are familiar with from both the classic PC war games and legendary tabletop board games. Author Keywords. -
The Montage Rhetoric of Nordahl Grieg's Interwar Drama
humanities Article The Montage Rhetoric of Nordahl Grieg’s Interwar Drama Dean Krouk Department of Scandinavian Studies, University of Wisconsin-Madison, Madison, WI 53706, USA; [email protected] Received: 1 October 2018; Accepted: 10 October 2018; Published: 15 October 2018 Abstract: This essay explains the modernist montage rhetoric of Nordahl Grieg’s 1935 drama Vår ære og vår makt in the context of the playwright’s interest in Soviet theater and his Communist sympathies. After considering the historical background for the play’s depiction of war profiteers in Bergen, Norway, during the First World War, the article analyzes Grieg’s use of a montage rhetoric consisting of grotesque juxtapositions and abrupt scenic shifts. Attention is also given to the play’s use of incongruous musical styles and its revolutionary political message. In the second part, the article discusses Grieg’s writings on Soviet theater from the mid-1930s. Grieg embraced innovative aspects of Soviet theater at a time when the greatest period of experimentation in post-revolutionary theater was already ending, and Socialist Realism was being imposed. The article briefly discusses Grieg’s controversial pro-Stalinist, anti-fascist position, before concluding that Vår ære og vår makt represents an important instance of Norwegian appropriation of international modernist and avant-garde theater. Keywords: theater; modernism; avant-garde; Norwegian literature 1. Introduction The dramatist, poet, and novelist Nordahl Grieg was in many ways the most internationally oriented Norwegian writer of the first half of the twentieth century. He sailed around the world in late adolescence (in the years after the First World War), he studied at Oxford in the early 1920s, and he published travelogues from Greece and China in the late 1920s. -
February 2021. New Acquisitions F O R E W O R D
FEBRUARY 2021. NEW ACQUISITIONS F O R E W O R D Dear friends & colleagues, We are happy to present our first catalogue of the year in which we continue to study Russian and Soviet reality through books, magazines and other printed materials. Here is a list of contents for your easier navigation: ● Architecture, p. 4 ● Women Studies, p. 19 ● Health Care, p. 25 ● Music, p. 34 ● Theatre, p. 40 ● Mayakovsky, p. 49 ● Ukraine, p. 56 ● Poetry, p. 62 ● Arctic & Antarctic, p. 66 ● Children, p. 73 ● Miscellaneous, p. 77 We will be virtually exhibiting at Firsts Canada, February 5-7 (www.firstscanada.com), andCalifornia Virtual Book Fair, March 4-6 (www.cabookfair.com). Please join us and other booksellers from all over the world! Stay well and safe, Bookvica team February 2021 BOOKVICA 2 Bookvica 15 Uznadze St. 25 Sadovnicheskaya St. 0102 Tbilisi Moscow, RUSSIA GEORGIA +7 (916) 850-6497 +7 (985) 218-6937 [email protected] www.bookvica.com Globus Books 332 Balboa St. San Francisco, CA 94118 USA +1 (415) 668-4723 [email protected] www.globusbooks.com BOOKVICA 3 I ARCHITECTURE 01 [HOUSES FOR THE PROLETARIAT] Barkhin, G. Sovremennye rabochie zhilishcha : Materialy dlia proektirovaniia i planovykh predpolozhenii po stroitel’stvu zhilishch dlia rabochikh [i.e. Contemporary Workers’ Dwellings: Materials for Projecting and Planned Suggestions for Building Dwellers for Workers]. Moscow: Voprosy truda, 1925. 80 pp., 1 folding table. 23x15,5 cm. In original constructivist wrappers with monograph MB. Restored, pale stamps of pre-war Worldcat shows no Ukrainian construction organization on the title page, pp. 13, 45, 55, 69, copies in the USA. -
Burden of the Brezhnev Doctrine: New Perspectives on the Collapse
Matthew Newton JSIS A530 Dr. Jones Autumn Quarter 2016 The Burden of the Brezhnev Doctrine: New Perspectives on the Collapse Even before the inception of the Soviet Union, debate raged about how best to achieve socialism in the ailing Romanov empire. The extreme left, Leon Trotsky in particular, advocated for global communism achieved by international revolution. His successor, and later murderer, Joseph Stalin, co-opted Lenin’s policy of “Socialism in one country;” the Soviet Union would be the world’s paragon in the ascent to socialism. Once it achieved it, the workers of the world would unite and build communism globally, and the borders between nations would wither away in accordance with Marxism-Leninism. However, at the end of World War II, the Red Army found itself occupying eight quasi-sovereign states in Eastern and Central Europe. The relationship between the Soviet Union and the subjugated states shifted soon after their integration into the Warsaw Pact (formerly known as the Treaty of Friendship, Co-operation, and Mutual Assistance). During the Soviets’ march to Berlin and the early post-war years, the Red Army carried out a massive transfer of wealth and assets from the peripheries of occupied territory to Moscow. (Applebaum, 2012) Nonetheless, in financially supporting these nations and their leading communist parties, the Soviet empire gradually overextended itself from the inside outward. The relationship between Moscow and its European satellites proved tenuous and politically unviable as early as 1956, when what would become known as the Brezhnev Doctrine was used to retroactively justify the invasion of Hungary. Meanwhile, Nikita Khrushchev wielded the policy of nuclear brinksmanship in order to scare the United States out of initiating nuclear war. -
Phd Student Dieter Bacher University of Graz, Ludwig Boltzmann-Institute for Research Into Consequences of War, Austria
INTERNATIONAL CONFERENCE „WORLD WAR II PRISONERS IN THE NAZI AND SOVIET CAMPS IN 1939–1948“ 14-15 MAY 2015, ŠILUTĖ PhD student Dieter Bacher University of Graz, Ludwig Boltzmann-Institute for Research into Consequences of War, Austria TRACES TO “SIBERIA”. PERSONAL FILES OF AUSTRIAN POWS IN THE RUSSIAN STATE ARCHIVES AND THE POSSIBILITIES OF RESEARCHING INDIVIDUAL FATES IN THE GUPVI First of all I want to thank the organizers for the invitation to this very interesting and important conference. I’m here also on behalf of the director of our institute, Prof. Stefan Karner, who is very sorry that it was not possible to him to come, because of other urgent appointments in Austria at the same time. So, I’m also here on his behalf to present the research of our institute about the Soviet “Main Administration for prisoners of war and internees” GUPVI and the Austrian prisoners of war in the Soviet Union. The Soviet Main Administration for Prisoners of War and Internees (GUPVI) – establishment and development: This part of my presentation I’m doing on behalf of the 20 years of research by Prof. Stefan Karner, director of our institute and expert on the Soviet GUPVI. When he began his research about the camp system for prisoners of war and internees in the Soviet Union and about the Austrian prisoners of war there in 1991, even in Russia hardly nothing was known about this camp system. Until Nikita S. Khrushchev’s denouncement of Stalin in 1956, the camps of the other big camp system, the “GULAG archipelagos”, had not officially existed. -
ROMANS SUTA's LIFE TBILISI PERIOD (1941–1944) from The
ROMANS SUTA’S LIFE TBILISI PERIOD (1941–1944) ROMANS SUTA’S LIFE TBILISI PERIOD (1941–1944) From the history of the later period of the life of a Latvian artist On the occasion of Romans Suta’s 120th birthday Nikolai Javakhishvili [email protected] The late period of life and activity of the famous Latvian painter, designer, and teacher Romans Suta (1896–1944) is connected with Georgia. The presented article dwells on Ro- mans Suta’s Tbilisi period and his nearest Georgian confreres. In the summer of 1941, Romans Suta came to Tbilisi. He started working in a Georgian movie studio as a painter. He has worked on movies: In Black Mountains (1941, Producer Nikoloz She n gelaia), Giorgi Saakadze (1942, Producer Mikhail Chiaureli), The Shield of Jurgai (1944, Pro du cers: Siko Dolidze and David Rondeli). Romans Suta’s successful career was stopped abruptly because of his arrest on 4 Sep- tember 1943. He was charged for being an “enemy of people” and for “faking bread cou- pons”. He was tried and sentenced to be shot on 14 July 1944. In 1959, Romans Suta was partly rehabilitated, because the Military Collegium of the USSR Supreme Court exculpated Romans Suta’s charge of “enemy of people”, but “faking bread cards” still remained into effect. The article shows the real reasons for accusations to Romans Suta. The me moirs of his acquaintances, kept in the archives of the Ministry of Internal Affairs of Georgia, prove that Romans Suta was a member of the Georgian anti-Soviet or ganisation “White George” (in Georgian, “Tetri Giorgi”). -
Lavrentiy Beria - Part I
Volume 3 Number 128 Stalin's Butcher - Lavrentiy Beria - Part I Lead: In a history punctuated by rulers noted for their villainy, Russia produced few leaders as efficiently cruel or as feared as Stalin's exterminator, Lavrentiy Pavlovich Beria. Tag: A Moment in Time with Dan Roberts. Content: In his long rule over the Soviet Union Joseph Stalin acquired a reputation for ruthlessness and near barbarity in the pursuit and maintenance of his power, yet it was some of his henchmen, anxious to do his bidding and please him, who brought a whole new dimension to the practice of state sponsored terrorism. There was Feliks Edmundovich Dzerzhinsky, son of a polish nobleman. He rose out of the ranks of the Lithuanian Socialist Party and was repeatedly arrested for revolutionary activity in the years leading up to the Bolshevik Revolution. Released after the October uprising in 1917, he was the founder and head of the first Soviet secret police, the All Russian Extraordinary Commission for Combating Counterrevolution and Sabotage or CHEKA, which helped stabilize Lenin's dictatorship. In that capacity Dzerzhinsky gained the reputation as an incorruptible, ruthless, and fanatical communist. In 1924 he became an absolute supporter of Joseph Stalin in the struggle for leadership after Lenin's death and was made a candidate member of the Politburo. Two years later, during a frenzied debate in the party's central committee, he collapsed and died. Then there was Nikolai Ivanovich Yeshov, the "Dwarf" or 'Evil Dwarf' by popular reputation. He joined the Bolsheviks in March, 1917 rising through several posts until he became one of Stalin's favorites.