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© 2010-2013 Adam Bertocci Please RT: Two Years and Change of Social Mediocrity by Adam Bertocci
Cover photo © Y0jik | Stock Free Images & Dreamstime Stock Photos © 2010-2013 Adam Bertocci Please RT: Two Years and Change of Social Mediocrity by Adam Bertocci “Brevity is the soul of wit.” — Polonius, Hamlet, Act II, Scene ii All tweets featured in this compilation were drawn from my Twitter account, @AdamBertocci, between October 2010 and the end of 2012. Some tweets featured in this compilation have been lightly edited for format or clarity. No tweets featured in this compilation are worth reading. Unsorted The Long Version: I think one of the joys of Twitter, besides updates from your favorite celebrities, is the lack of organization. Left untended, a Twitter feed is a Burroughs cut-up of genres switching every 140 characters, a chronological panoply of near-Cassavetean shifts in tone where the only thing linking any two adjacent posts is the time they were conceived by utterly separate souls. You find something funny (or attempting to be so) shoved up against serious matters just a tweet away from sports or politics or any other topic under the sun. None of the tweets in this section have anything to do with each other and maybe that’s as it should be. I genuinely worry that my grouping of the later ones by subject sort of gives away the joke a bit, or robs you of that crucial element of surprise. I mean, what’s funnier, a joke about ducks after a joke about bears, or the fifth or so joke about ducks in a row? (I’d like it on record that I totally didn’t realize I was typing “ducks in a row” until it happened.) (I’d also like it on record that I do actually know a few jokes about ducks, for what it’s worth.) (Anyway.) I wonder what sound effect plays when crickets tell a joke that no one likes. -
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Local Political Consultant Joins El Camino Hospital Board
Sing for your supper WEEKEND | 25 JULY 17, 2015 VOLUME 23, NO. 25 www.MountainViewOnline.com 650.964.6300 MOVIES | 30 Locals cheer successful mission to Pluto NASA AMES SCIENTISTS HOST PARTY FOR NEW HORIZONS FLY-BY FOR AVID AUDIENCE AT MOFFETT FIELD By Mark Noack several scientists involved in the mission. New Horizons’ ground n what is being called a operations were centered at the “flawless” mission, the NASA John Hopkins Applied Physics Ispacecraft New Horizons this Laboratory in Maryland, but the week successfully performed the events were live-streamed for the first-ever flyby exploration of Ames attendees. Pluto after a nine-year and 3-bil- Just before 6 p.m., the onlook- lion mile voyage — a success met ers burst into cheers as mission with cheers by scientists and the operations manager Alice Bow- public gathered at NASA Ames man announced the probe had Research Center in Mountain transmitted its “phone home” View. signal. MICHELLE LE The New Horizons probe pro- “We have a healthy spacecraft,” Sylvia Targ cleans the glass of the tank that houses Seascape’s most famous denizen, Trinity, the giant duced the first up-close images she said. “And we’re outbound gourami. The specialty pet store is closing down after failing to find a buyer to take over the longtime of the icy dwarf planet which are from Pluto. We did it.” Castro Street business. astounding the astronomy world. With the successful visit to More data is expected to be trans- Pluto, NASA scientists celebrated mitted over the coming months a new milestone — exploring all It’s no fish story: Seascape set to close for researchers to pore over. -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS
Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! Veterans Day HAPPINESS NEVER LIFE BEGINS TODAY BEHIND THE DECEPTIVE PRACTICE: Hawaii Premiere! COMES ALONE aka La vida empieza hoy CANDELABRA The Mysteries and Mentors DOG NAIL CLIPPER (2012-France) (2010-Spain) (2013-US) of Ricky Jay aka Koirankynnen leikkaaja French w/Eng subtitles, w.s. Spanish w/Eng subtitles, w.s. in widescreen (2012-US) in widescreen (2004-Finland) Gad Elmaleh, Sophie Marceau. with Pilar Bardem. with Michael Douglas, Matt Documentary on world- Finnish w/Eng subtitles, ws 12:00, 3:45 & 7:30pm only 12:00, 3:45 & 9:15pm only Damon, Scott Bakula, Debbie renowned magician Ricky Jay. with Peter Franzén. ---------------------------------- ---------------------------------- Reynolds, Rob Lowe. 12:00, 3:45 & 7:30pm only 12 & 8pm only LIFE BEGINS TODAY HACHI-KO ---------------------------------- ---------------------------------- aka La vida empieza hoy (1987-Japan) Directed by HAPPINESS NEVER HACHI-KO (2010-Spain) in Japanese with English Steven Soderbergh. COMES ALONE (1987-Japan) Spanish w/Eng subtitles, w.s. subtitles & in widescreen (2012-France) Japanese w/Eng subtitles, ws with Pilar Bardem. with Kaoru Yachigusa. 12:00, 2:15, 4:30, 6:45 French w/Eng subtitles, w.s. with Kaoru Yachigusa. 2:00 & 5:45pm only 1:45, 5:30 & 7:30pm & 9:00pm 1:45 & 5:30pm only 2, 4 & 6pm 7 8 9 10 11 Hawaii Premiere! Hawaii Premiere! 2 Hawaii Premieres! ROMAN DE GARE 1 LITRE OF TEARS I HIRED A CONTRACT LACKAWANNA BLUES JACK IRISH: (2007-France) Ichi rittoru no namida KILLER (2005-US) in widescreen BAD DEBTS French w/Eng subtitles & ws. -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
English and French-Speaking Legislation Intended to Diminish the Rights Requiring Workers Contribute to Their Own Television Channels Throughout Canada
Join The Stand Up, Fight Back Campaign! IATSE Political Action Committee Voucher for Credit/Debit Card Deductions I hereby authorize the International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States Political Action Committee, hereinafter called the IATSE-PAC to initiate a deduction from my credit card. This authorization is to remain in full force and effect until the IATSE-PAC has received written notification from me of its termination in such time and in such manner as to afford the parties a reasonable opportunity to act on it. Check one: President’s Club ($40.00/month) Leader’s Club ($20.00/month) Activist’s Club ($10.00/month) Choose one: Or authorize a monthly contribution of $________ Mastercard Discover Authorize a one-time contribution of $________($10.00 minimum) VISA American Express Card #: _____________________________________ Expiration Date (MM/YY): ____/____ Card Security Code: ______ Employee Signature_______________________________ Date________________ Last 4 Digits of SSN___________ Local Number_____________ ET Print Name_____________________________________Email______________________________________ Phone Number________________________ Home Address_______________________________________ City ____________________________ State/Zip Code _____________________________ Billing Address_________________________ City_________________ State/Zip Code______________ Occupation/Employer_____________________ This Authorization is voluntarily made based on my specific -
The Relations of Parental Acculturation, Parental Mediation, and Children's Educational Television Program Viewing in Immigrant Families Yuting Zhao
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Relations of Parental Acculturation, Parental Mediation, and Children's Educational Television Program Viewing in Immigrant Families Yuting Zhao Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF EDUCATION THE RELATIONS OF PARENTAL ACCULTURATION, PARENTAL MEDIATION, AND CHILDREN’S EDUCATIONAL TELEVISION PROGRAM VIEWING IN IMMIGRANT FAMILIES By YUTING ZHAO A Thesis submitted to the Department of Educational Psychology and Learning Systems in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Spring Semester, 2012 Yuting Zhao defended this thesis on December 7th, 2011. The members of the supervisory committee were: Beth M. Phillips Professor Directing Thesis Alysia D. Roehrig Committee Member Yanyun Yang Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii TABLE OF CONTENTS LIST OF TABLES .............................................................................................................. v LIST OF FIGURES ........................................................................................................... vi ABSTRACT ...................................................................................................................... vii -
Note Di Produzione
! Note di produzione Questa è la storia dell’ascesa del gruppo più famigerato del mondo. Nel 1987, usando rime brutalmente vere e ritmi hardcore, cinque ragazzi —Ice Cube (O’SHEA JACKSON, JR.), Dr. Dre (COREY HAWKINS di Non-Stop), Eazy-E (JASON MITCHELL di Contraband), DJ Yella (NEIL BROWN, JR. di Fast & Furious) e MC Ren (ALDIS HODGE di Die Hard – Un buon giorno per morire) — hanno trasformato la loro frustrazione e rabbia nei confronti della vita nel loro quartiere a Los Angeles nell’arma più potente che avevano: la loro musica. Verso la fine degli anni ’80, le strade di Compton, California, erano tra le più pericolose del Paese. Il crack si stava diffondendo a una velocità tanto allarmante quanto il business violento delle bande che spingevano il suo uso. Il dipartimento di polizia di Los Angeles (LAPD) e la sua unità specializzata in gang conducevano una guerra contro la droga con una ferocia tanto incontrollata e senza freni da lasciare i residenti della comunità di quella cittadina della California del sud non semplicemente tesi ma scioccati, senza fiducia verso l’autorità e dolorosamente inaspriti. Eazy-E, un carismatico spacciatore e traffichino tanto sveglio da vedere un futuro nell’emergente scena rap di L.A., aveva un piano. Deciso a lasciarsi alle spalle la vita di strada si è messo in contatto con il suo amico Dr. Dre, un deejay locale che lavorava regolarmente nei club di Compton in coppia con DJ Yella. Anche loro erano stanchi di vicoli ciechi e affamati di cambiamento, e Eazy-E aveva le risorse e le connessioni per fare il grande cambiamento. -
“What Is Saving Your Life?” May 10
“What Is Saving Your Life?” May 10, 2020 Psalm 31:1-5, 15-16 Westminster, Greenville Fifth Sunday of Easter Ben Dorr ********************************************************** A number of years ago, the pastor Scott Black Johnston was leading a Sunday School class for 7th graders. He was a guest participant, and the topic was something like “Ask the pastor any question you want”. So one of the teenagers asked: “Is Jesus the only way to salvation?” Scott said he would give them his answer to that question. But first, he wanted to ask them a different question. “What do you think Jesus wants to save you from?” he asked the class. One of the 7th graders said, “Hell.” And Scott says that while he believes the answer was honest, he was also a bit suspicious. Like that was the kind of answer that he imagined a 7th grader THOUGHT the pastor of the church was expecting…better give the “correct” answer, saved from hell, that’s what God does. So Scott reframed the question: “If God was on the ball, what would God save you from?” Like…right now? Suddenly, Scott says, the conversation got VERY interesting. 2 One young man offered up that God could really help by saving him from an upcoming math test. Then another classmate said, “Pressure.” And another said, “My parents’ expectations.” Then another member of the class, a shy kid, said—almost in a whisper: “Fear. I want God to save me from my fears.”1 ****** If you had been in that class, how would you have answered the question? Our Psalmist for today writes: “In you, O Lord, I seek refuge… Be a rock of refuge for me, a strong fortress to save me… Let your face shine upon your servant; save me in your steadfast love.” Save me…it’s a recurring request through the book of Psalms.