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Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. David J. Schow. Frank Darabont Foreword. He is the favorite artist The Art of Drew Struzan both George Lucas and Steven Spielberg and The Art of Drew Struzan artist behind some of the most iconic images The Art of Drew Struzan our time… he is Drew Struzan. Struzan has worked on the posters for the biggest films of the last 30 years. T: The Extraterrestrial to name but a few. Get A Copy. Hardcoverpages. More Details Original Title. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Art of Drew Struzanplease sign up. Be the first to ask a question about The Art of Drew Struzan. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of The Art of Drew Struzan. Mar 12, Suzannah rated it really liked The Art of Drew Struzan Shelves: picture-booksnon-fiction. This was a fascinating book to leaf through and think over. Drew Struzan is perhaps the king of movie poster art, and this book gives a gorgeous look at some highlights of his work over the years. Particularly valuable are the many "comps" or drafts, often roughed out in pencil, showing the many different concepts Struzan came up with before picking one for the final composition. The text mostly focuses on Struzan's memories of working on each piece--working with directors, cutting up The Art of Drew Struzan t This was a fascinating book to leaf through and think over. The text mostly focuses on Struzan's memories of working on each piece--working with directors, cutting up paintings to save time on painting new figures so as to hit deadlines, finally having his artwork repeatedly nixed by studios in favour of Photoshopped floating heads through the 90's and 00's. I was fascinated by Struzan's comments on his vision for his art--taking advertising, a very commercial proposition, and making beauty out of it. Some of his best work--the Pan's Labyrinth poster you've probably never seen itthe Waterworld poster you've probably never seen that either -- has a very remarkable, transcendant quality about it. Even the posters that hew more closely to the floating-head genre--the Shawshank Redemption or Revenge of the Sith posters--are spectacular. I think that at best, Struzan's artwork awakes that feeling of sehnsucht that CS Lewis spoke of, and by awakening that longing, hints that the film itself may help to satisfy it. Given this elusive note of beauty and drama, it was terribly sad to read about the decline of Struzan's career as studio executives became convinced that painted poster art was out of date. I was also fascinated by Struzan's occasional comments on composition. You don't have The Art of Drew Struzan actually know anything about composition to know that Struzan is clearly a master at it, and I would have loved to have learned more from the book. But perhaps it was beyond the scope of the work. View 2 comments. Mar 16, Michael Hicks rated it it was amazing Shelves: graphic-novel- reporter-reviewscomics. Movie buffs are likely familiar with the works of Drew Struzan, as are many casual fans of cinema even if they don't know his name. With an incredible knack for producing detailed, dead-on portraits of a film's actors and capturing the sense of excitement and grandiosity of cinema, he has illustrated and painted some of Hollywood's most famous movie posters. A frequent collaborator of Steven Spielberg and George Lucas, he was the official illustrator of posters for the Star Wars, Indiana Jones, Movie buffs are likely familiar with the works of Drew Struzan, as are many casual fans of cinema even if they don't know his name. In between are selected works from The Art of Drew Struzan extensive portfolio of images now part of the canon of some of America's most celebrated films. Struzan shares the illustrations produced for Blade Runner: The Final Cut and the anniversary release of The Shawshank Redemption, and offers up interesting glimpses of comp work that was never fully The Art of Drew Struzan into a final form, like The Art of Drew Struzan work for the theatrical version of Buffy the Vampire Slayer. Writing with David J. Schow, Struzan provides a fascinating behind-the-scenes look at designing movie posters by assembling collections of comp artwork basically the rough drafts that would eventually lead to the final images. It's a great chance to see the ideas Struzan worked with as he built towards many of his now famous works. It's also intriguing to see the images that could, or should, have been, but for various reasons never quite congealed. Throughout the book Struzan speaks briefly of the commissioned work, the changes that were requested, and how the ideas were formed, shared, and collaborated upon with the filmmakers in order to develop the art that would come to represent and identify the movie itself. Created with an irreplaceable style and a strong sense of composition his painted illustrations drew in movie-watchers and created a The Art of Drew Struzan of connection between the film and its viewers. By creatively employing the use of direct gaze, filmgoers took part in the experience of a film's world directly, establishing a personal connection with the impeccable portraits of Harry Potter and Indiana Jones, who met their viewer's gaze and invited them into their worlds. His paintings created a cohesive story representative of the movie, showcasing the sense of adventure and excitement of an Indiana Jones movie with perfection, the macho, clueless buffoonery of Big Trouble in Little China's Jack Burton, and the epic space operatics of Star Wars. As enjoyable as it is to share in the visions of Struzan, it is also a bittersweet journey as it highlights the death of the relationship between Hollywood and illustrative art in the marketing of a film. As the years rolled on and technology progressed, movie studio execs learned how much easier, cheaper, The Art of Drew Struzan brainless it was to create a movie poster from publicity stills and promo images in Photoshop. It truly is a shame, and since Struzan's retirement in there has been a noticeable lack of creative, artistic imagery prior to a film's release. Gone are the days of a collective tingling of spines amongst cinemaphiles when the official poster of a long-awaited film was unveiled, as occurred on March 11, forStar Wars: Episode I when Struzan's image was introduced as the worldwide promotional piece for George Lucas's widely awaited continuation of the Skywalker saga. Over the last decade, the spectacle of movie posters has eroded into simplistic images of generic backdrops populated with floating heads staring off into the distance, severing the relationship between the film and its viewers almost immediately. The grandiosity of cinema, the sense of excitement and fun, have been relegated to budget lines. Illustrations that were once sought after by Hollywood's biggest directors were now being scuttled by studio executives who no longer saw the appeal, who simply viewed movies as nothing more than a bottom line in their operating budget, or worse yet, just didn't get it. When asked by a reporter why Struzan's commissioned poster wasn't used for The Art of Drew Struzan Labyrinth, a studio representative said, "We didn't use it because it looks too much like art. Having produced some of the finest images for many of Hollywood's most enjoyable fare, Struzan now offers fans a look at his creative process and showcases the work he is most fond of. Seeing his work collected in The Art of Drew Struzan one is instantly reminded of the glory of film and the emotional and cultural investments we've made in particular favorites. For more than 30 years, his posters have brought to life all the drama, The Art of Drew Struzan, humor and camaraderie of the movie itself, rising far above a simple marketing gimmick and into The Art of Drew Struzan realm of art. They were, and are to this day, a celebration of cinema at its best. Sep The Art of Drew Struzan, Alec Longstreth rated it it was amazing. A fascinating glimpse into the dying days of the movie poster illustration business. The best part of this book is getting to see many of Struzan's comps, which led to the final poster designs in some cases, comps for posters that were never made! Struzan is a real master of composition, and I know I will be pulling this book off the shelf next time I am trying to figure out the design for a book cover. This is a book bursting with ideas, and there are plenty of amazing final illustrations as A fascinating glimpse into the dying days of the movie poster The Art of Drew Struzan business. This is a book bursting with ideas, and there are plenty of amazing final illustrations as well that'll take your breath away. Oct 26, Parka rated it it was amazing Shelves: art-booksmovies. More pictures at parkablogs. All those that I've seen before were in different making-of and art-of books, particularly the Star Wars books. This book has much more than that. The Art of Drew Struzan are works dating back to the from the first Indiana Jones movieStar Wars he drew for all of themBack to the Future, Shawshank Redemption, Police Academy, Hellboy and a few movies which I didn't know existed. Going through this bo More pictures at parkablogs. Going through this book made me feel like watching all those movies again. A very nostalgic collection. The paintings are gorgeous, nicely reproduced, and many printed full page. Also included are many variations of the movie posters, both in sketches and colours, and all almost as detailed as the final piece. There's some sort of magical The Art of Drew Struzan in his paintings that evoke a sense of fantasy and The Art of Drew Struzan. Together with his traditional approach to art, he has created a style that's easily recognisable. Every page is a marvel to look at, to admire. Besides the art, Drew Struzan himself provided some commentary on the background stories and working with people. It's all very interesting to read. This is definitely one of The Art of Drew Struzan top art books for You probably do not want to miss this fantastic book. Jun 22, Joseph R. Drew Struzan was a The Art of Drew Struzan artist working in Hollywood starting in the s and continuing all the way up to the late s. The Art of Drew Struzan by Drew Struzan

Throughout Drew's career and now in his retirement, he occasionally finds time to paint for himself. Check here to see some of these incredible works here. Check here to find other cool mini-poster reprints Drew has signed at conventions, his instructional The Art of Drew Struzan and more! Drew Struzan Bio : In Drew's early life he started out spending a heck of a lot of time at Art Center College of Design picking up tips on drawing and painting. Then he got into doing album covers when there were still such things and when people liked to hang the artwork on their walls. It was fun and kinda crazy in those days. After all, it was the 60s and 70s. Everyone had fun. Then Hollywood came calling and Drew answered the phone. He did a heck of a lot of the The Art of Drew Struzan posters you saw in the 80s and 90s. He did stuff like Star Wars and Indiana Jones. That was when The Art of Drew Struzan thought it was cool to use art on their posters and people liked to hang them on their walls. Drew did a lot of work that way up until he retired at the end of upon finishing his piece for Star Wars Episode VII. For more information, including Drew's oeuvre, illustrations, and personal portfolio, please visit his official website here. Galactic Gallery is proud to be the exclusive art represenTative for Drew Struzan. Welcome to

He has also painted album covers, collectibles, and book covers. Drew Struzan was born in Oregon City, Oregon. A counselor asked Struzan about his interests and told him he had a choice between The Art of Drew Struzan art or illustration. The counselor described the two careers, telling Struzan that as a fine artist he could paint whatever he wanted, but as an illustrator he could paint for money. Struzan chose to be an illustrator, saying, "I need to eat. He graduated in five years, earning a Bachelor of Arts degree with honors. He also completed two years of graduate studies, [5] and eventually returned to the school in later years, after the campus relocated to Pasadena, California to teach for a short time. About his career, Struzan has said: "I was poor and hungry, and illustration was the shortest path to a slice The Art of Drew Struzan bread, as compared to a gallery showing. I had nothing The Art of Drew Struzan a child. Probably why I love drawing so much today is because it was just all I had at the time. There he began designing album covers under the direction of Ernie Cefalurelishing the creative aspects the 12x12" size the record packaging afforded him. Along with a friend with a background in the movie industry, Struzan started a small company, Pencil Pushers, in a collaboration that would last eight years. It was during this time that he honed his distinctive one-sheet style and first became proficient in the use of the airbrush, which would later define him as a master of the tool. His first film poster works started appearing inalthough in those early days Struzan mainly did artwork for B-moviessuch as Empire of the AntsFood of the Godsand Squirm. While his talent steadily grew in demand, it was his The Art of Drew Struzan done for a major science-fiction movie that would establish Struzan and his work in the public eye forever. White, uncomfortable with portraiture, asked Struzan for his help on the project. As such, Struzan painted the human characters in oil paints and White focused on the ships, Darth VaderC-3POand all the mechanical details of the poster art. The unique poster design, popularly called the "Circus" poster, depicts what appears to be a torn posted bill on a plywood construction site wall. What The Art of Drew Struzan we do to make more space on a poster that's already been printed? Let's pretend it's posted, then they can put the type below the actual poster. We painted Obi Wan down the side and stuff across the bottom to make it wider and deeper. By the s, Struzan was producing approximately ten poster designs a year. In the process, Struzan's work became, in the public mind, the defining visual images representing those series. As such, he was also sought after to create new artwork for re-releases and reissues on video and DVD, book covers, theme-park rides and video game titles for those properties. In the s, with the advent of computers and digital manipulation of images utilized to create poster art, Struzan was affected by the decline of traditionally illustrated poster art. While continuing to create artwork for such s and s films as HookHellboy and the American poster for Harry Potter and the Sorcerer's Stonehe started exploring other outlets for his work, including comic books, limited-edition art, and the collectible market. As such, his work has been featured on such diverse items as Franklin Mint collectible plates, including a twelve-piece set commemorating the life of Princess Diana, the cover for Parker Brothers board game Clue[11] [12] and over 30 U. I love the texture of paint made of colored earth, of oil from the trees and of canvas and paper. I love the expression of paint from a brush or a hand smearing charcoal, the dripping of paint and moisture of water, the smell of the materials. I delight in the changeable nature of a painting with new morning light or in the afternoon when the sun turns a painting orange or by firelight at night. I love to see it, hold it, touch it, smell it, and create it. My gift is to share my life by allowing others to see into my heart and spirit through such tangible, comprehensible and familiar means. The paint is part of the expression. From through Struzan's work was shown throughout Japan in a series of one-man exhibitions, which offered his one-sheet work of Lucas and Spielberg films in a successful limited-edition program. InThe Art of Drew Struzan an exhibit entitled Drew: Art of the CinemaStruzan had over 65 pieces of his artwork presented at the Norman Rockwell Museum in Stockbridge, Massachusetts. After completing the extensive artwork required for the campaign of Indiana Jones and the Kingdom of the Crystal SkullStruzan announced his retirement on September 3, Shot in his studio, the DVD is intended to provide an over-the-shoulder look at the thinking and techniques that go into Struzan's posters. A February exhibit entitled Drew Struzan: An Artist's Vision at Gallery Nucleus in Alhambra, California presented select pieces of the artist's for the first public exhibit in 10 years. In September Struzan produced an image for publication in Kurv magazine of Mattel's Barbiein celebration of that doll's 50th anniversary year. To create his finished work projects, Struzan starts by sketching out drawings on gessoed illustration board, then tinting the draftsmanship with airbrushed acrylic paint, finishing up the highlights and other details with colored pencils and more airbrush if needed. The gessoed foundation allows Struzan the luxury of being able to accommodate The Art of Drew Struzan requested changes to the work. Working from reference photographs and live models, Struzan has been known, at times, to include depictions of himself, family members and friends in his work. The Art of Drew Struzan is known for working very quickly; typically takes him a week to two weeks to finish a painting. With the theatrical release of the Star Wars special editions, Struzan created the The Art of Drew Struzan panel triptych within the limited four-week deadline. The poster artwork for John Carpenter 's remake of The Thing was created The Art of Drew Struzan, having received that assignment less than a day before the finished poster was needed. Working from a backyard studio, Struzan lives in California with The Art of Drew Struzan wife, Dylan. He has a son named Christian [31] and since retiring from full-time work in spends much of his time caring for his grandchildren. From Wikipedia, the free encyclopedia. Drew Struzan. Oregon City, OregonUnited States. Daily Emerald. October The Art of Drew Struzan, Montgomery College. Retrieved January 30, Smithsonian National Postal Museum. Orange County Register. Rate Your Music! Archived from the original on September 10, Retrieved January 30,2 The Drew Collectors Page. Norman Rockwell Museum. Originally published in Resource Library Magazine March 10, Archived from the original on May 13, April 9, Gallery Nucleus. Dread Central. Deadline Hollywood. Geek Tyrant. Los Angeles Times. San Diego Comic-Con International. Art Center College of Design. The Life Career Award. Fritz Lang Samuel Z. Broccoli Edward R. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent The Art of Drew Struzan Upload file. Download as PDF Printable version. Wikimedia Commons. Struzan at the Comic-Con International. Poster art, Illustration. 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