Royalty Payments on Your Schedule Get On-Demand Royalty Payments with Cash out from Sony/Atv

Total Page:16

File Type:pdf, Size:1020Kb

Royalty Payments on Your Schedule Get On-Demand Royalty Payments with Cash out from Sony/Atv Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 21, 2020 Page 1 of 19 INSIDE Live Music in the US: Tracking • Freelance Coronavirus Concert Closures Workers Shut Out of Pandemic & Reopenings Across the Country Unemployment Aid Could Receive BY BILLBOARD STAFF Relief From New Congressional Bill States and local governments are taking vastly differ- eventually necessitating greater government restric- • Digital Devices ent approaches to reopening their economies amid the tions — and, in the case of California, a rollback of Hit ‘Inevitable’ COVID-19 pandemic, here we chart their regulations reopenings altogether. Milestone, Passing around live concerts. Billboard has compiled the most up-to-date infor- Analog in Listening In early May, Oklahoma and Arkansas began lift- mation for each state’s reopening process in terms of Time for 2020 ing mass gathering bans that forced music venues to capacity and special restrictions for live concerts and • Warner Music shutter their doors for months due to the coronavirus will continue to update each state’s status on a regular Names External pandemic. Since then, other states around the country basis as the pandemic continues. Board of Directors have begun to follow suit — slowly allowing for the See the map . for $100M Social here Justice Fund return of live entertainment. Without federal health mandates at a national • Michele Bernstein level, states and local governments have been left to to Launch Her Own prescribe their own health safety precautions. Most Company And Transition Out of have implemented phased reopenings that require Current Role at WME music venues to take additional precautions as they welcome back guests, including limited capacities, • Burger Records social distancing “pods” separating groups of people, President Steps Down, Label mask mandates and personal protective equipment for Sets ‘Major’ employees. Restructuring After But these measures are not infallible. As the world Sexual Misconduct has seen in Arizona and Florida in early July, lax Allegations regulations can lead to increased COVID-19 spread, (continued) ROYALTY PAYMENTS ON YOUR SCHEDULE GET ON-DEMAND ROYALTY PAYMENTS WITH CASH OUT FROM SONY/ATV Page 3 of 19 IN BRIEF freelance work – a group that includes the bill provides significant leeway for indi- Freelance majority of independent music workers – to vidual states to decide “whether and when” opt into the freelancer-focused Pandemic to implement the expanded coverage – a Workers Shut Unemployment Assistance (PUA) program, condition that could leave self-employed which offers state unemployment benefits workers in states that choose to delay or Out of Pandemic to freelance workers for the first time in U.S. forgo implementation waiting indefinitely history. for more relief. Unemployment First signed into law in March, the “For many workers, the relief provided by CARES Act barred freelancers who sur- the CARES Act is making a crucial differ- Aid Could Receive passed the minimum W2 earnings require- ence in helping make ends meet during this ment for their state’s traditional unemploy- unprecedented period of disruption,” said Relief From New ment system from receiving PUA benefits. Rep. Schiff in a statement. “Yet due to the That led many self-employed workers to nature of independent work, particularly in Congressional Bill receive unemployment relief on the basis industries like entertainment, many workers of their relatively insignificant W2 income, are currently excluded from Pandemic Un- BY CHRIS EGGERTSEN leaving them without the assistance they employment Assistance because they earn needed to pay essential bills during the a living through a mix of self-employment hile millions out of work coronavirus-induced shutdown. Under the and traditional W-2 jobs. Our bill will ensure American citizens have new bill, those workers would be granted that mixed earners are no longer excluded been receiving $600 each access to unemployment relief on the basis from this critical assistance because of the week in federal Pandemic of their earnings from both W2 and free- nature of their employment and income.” UnemploymentW assistance, due to a flaw in lance work combined. Added Rep. Chu, “The coronavirus the CARES Act, many with mixed income Additionally, the bill will provide full ret- pandemic brought the economy to a halt across staff employment and freelance gigs roactive unemployment payments to work- for millions. Fortunately, we were able to have been prevented from receiving state ers who did not previously qualify for either quickly respond and through the CARES Act unemployment benefits based on the full regular unemployment or PUA, including put support into the hands of workers who scope of their earnings. Now, a new Con- the additional $600 weekly federal benefit need it. But our traditional system of sup- gressional bill aims to change that. implemented by the CARES Act. porting unemployed workers was not set up Introduced on Monday (July 20) by U.S. To qualify for the transition to PUA, a for nontraditional workers with mixed in- Representatives Adam Schiff and Judy Chu mixed earner must have brought in at least come, like the many artists and craftspeople (both D-CA) and co-sponsored by 19 others, $7,250 from self-employment earnings in my district who supplement a W-2 with the Mixed Earner Pandemic Unemploy- in 2019, have a qualifying unemployment independent gig work. There is no reason ment Assistance Act would allow individu- reason for PUA and be otherwise eligible for these workers should be penalized now for als who derive much of their income from state unemployment benefits. Notably, the having a mixed income. I’m proud to work DECISIVE INTELLIGENCE. DELIVERED DIGITALLY. CLICK HERE FOR FREE DELIVERY DIGITAL NEWSLETTERS PROMOTION UPCOMING SPECIAL FEATURES COUNTRY GRAMMY® POWER CONTENDERS PLAYERS ISSUE Billboard’s 6th annual Country Power Billboard will publish its annual Players issue will profile the people GRAMMY® Contenders special issue, who have driven another solid year showcasing the music and artists that for the country music industry, made an impact during the eligibility generating billions in sales, streaming, period for the 63rd GRAMMY and touring. Awards®. This special feature will include a This special issue will highlight the photo portfolio featuring the top artists, producers and other creative artists, songwriters, musicians, professionals whose work is in executives, and coverage on the most contention this year, including for talked about topics in country music. Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist. ISSUE DATE: 8/15 ISSUE DATE: 9/19 AD CLOSE: 8/5 AD CLOSE: 9/9 MATERIALS DUE: 8/6 MATERIALS DUE: 9/10 CONTACT: Joe Maimone Gene Smith 201.301.5933 | [email protected] 973.452.3528 | [email protected] Ryan O’Donnell Marcia Olival +447843437176 | [email protected] 786.586.4901 | [email protected] Lee Ann Photoglo Debra Fink 615.376.7931 | [email protected] 213.448.5157 | [email protected] Cynthia Mellow 615.352.0265 | [email protected] BBHA_UPCOMING_ISSUE_2020_GRAMMY&COUNTRY.indd 1 7/8/20 4:50 PM Page 5 of 19 IN BRIEF with my colleague Rep. Adam Schiff to make Digital Devices This article first appeared in the weekly this common sense change to recognize the Billboard Country Update newsletter. Click various ways our constituents earn a living Hit ‘Inevitable’ here to subscribe for free. and ensure they are rightly compensated for that during this crisis.” Milestone, The Mixed Earner Pandemic Unemploy- Warner Music ment Assistance Act was crafted with input Passing Analog in from a number of organizations, including Names External many that represent self-employed music Listening Time for workers. Among others, they include the Board of Directors Recording Academy, Music Artists Coali- 2020 tion, the Recording Industry Association for $100M Social of America (RIAA), the Future of Music BY TOM ROLAND Coalition, American Association of Indepen- Justice Fund dent Music, Songwriters of North America, igital devices are now the ASCAP, BMI and SESAC. dominant method of listening BY TATIANA CIRISANO In a release, Recording Academy chair to music, and the coronavirus and interim president/CEO Harvey Mason seems to be behind the latest arner Music Group Jr. praised the new bill. “The pandemic has Dgrowth wave. (WMG) and the Blavatnik exposed that our nation’s unemployment For the first time since Edison Research Family Foundation have system is not designed for all workers, like began documenting audio consumption announced the external music creators, leaving so many vulner- with its Share of Ear study in 2014, digital boardW of directors for their joint Social Jus- able and without assistance,” he said. “The and on-demand platforms owned over half tice Fund, including executives from a wide Mixed Earner Pandemic Unemployment of consumers’ time spent listening dur- range of backgrounds and disciplines. Assistance Act is a critical solution that will ing the second quarter of 2020. Listeners The $100 million fund was announced in help so many in our community receive the accessed music through smartphones, com- June following “#TheShowMustBePaused,” fair benefits that they deserve. The Record- puters, internet-connected TVs and smart an industry-wide campaign to show solidar- ing Academy thanks Representatives Adam speakers during 53% of their listening hours. ity with those protesting racial injustice and Schiff and Judy Chu for their tireless efforts The other 47% of listening came through reflect on ways to drive change. It is set up to ensure that all workers have equitable more traditional means, such as AM/ FM in partnership with the Blavatnik Family access to unemployment benefits as our cre- receivers, SiriusXM devices, CD players, Foundation, the philanthropic organization ative community faces the long-term effects turntables and standard TV. headed by billionaire Len Blavatnik, who is of this unprecedented crisis.” In the previous study, traditional devices the founder and chairman of WMG parent The Mixed Earner Pandemic Unemploy- still maintained the advantage, amassing Access Industries.
Recommended publications
  • Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
    GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones
    [Show full text]
  • Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
    UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity.
    [Show full text]
  • Jordan Levy 2020 Resume
    JORDAN LEVY Director of Photography www.JordanLevy.com 2701 N 6th St, Burbank, California 91504 - T 323.463.0022 - F 323.375.0231 www.radiantartists.com FEATURES COMPANY PRODUCER DIRECTOR MIAMI BASEL: ART’S WINTER PLAYGROUND VistaLink Josh Leimer Aaron Glickman CHICAGO: THE TERRY KATH EXPERIENCE FilmRise Michelle Kath Michelle Kath JANE WHITE IS SICK & TWISTED The Asylum David Michael Latt David Michael Latt TELEVISION THE CABIN WITH BERT KREISCHER (Series) Netflix Todd Garner Jeff Tomsic UNPROTECTED SETS (Series) Epix Mark Burnett Eric Abrams LAFF MOBB’S LAFF TRACKS (Series) TruTv Matthew Vaughn Eric Abrams THE DEGENERATES (Series) Netflix Matthew Vaughn Jeff Tomsic THIS IS NOT HAPPENING WITH ROY WOOD JR Comedy Central Nate Young Mark Palansky (Series) THIS IS NOT HAPPENING WITH ARI SHAFFIR Comedy Central Nate Young Jeff Tomsic (Series) GIRL CODE (Series) MTV Ryan Ling Laura Murphy GUY CODE (Series) MTV Ryan Ling Andy Stuckey CARPOOL KARAOKE (Pilot) CBS/ Apple Music James Corden Ben Green KAT (Series) Soul Pancake David Warren Megan Raney THE JESELNIK OFFENSIVE (Series) Comedy Central Krysia Plonka/Jim Ziegler Jeff Tomsic ARI SHAFFIR: DOUBLE NEGATIVE (Special) Netflix Matthew Vaughn Eric Abrams JOE DEROSA: YOU LET ME DOWN (Special) Comedy Central Marcus Raboy Joe DeRosa KURT METZGER: WHITE PRECIOUS (Special) Comedy Central Michael Petok/Danny Harris Jeff Tomsic CURB YOUR ENTHUSIASM (Series S02 Ep1-2) HBO Robert Weide Robert Weide TEAM COCO: SENIOR TECH (Mini-Series) TBS Lissette Schuster Jeff Tomsic THE LONE SHOPPING NETWORK (Mini-Series)
    [Show full text]
  • The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
    The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
    [Show full text]
  • Nielsen Music 2017 Year End Music Report Canada
    NIELSEN MUSIC 20I7 YEAR-END MUSIC REPORT CANADA 1 INTRODUCTION The music industry in Canada has never been stronger, with record consumption, growing live music attendance and a new class of emerging artists. Nielsen Music has also had an amazing, transformative year. Technological advancements and new partnerships have allowed us to provide robust, comprehensive data in more accessible, customizable and useful ways in 2017. Over the past year, we received a record number of requests for Nielsen Music research and insight reports. Welcome to the Nielsen Music Year-End Report, which examines the trends that shaped the Paul Shaver Canadian music industry in 2017 with definitive consumption figures and charts. Vice President/ Head of Nielsen Music Canada Overall consumption of albums, songs and On-Demand Audio streaming grew 13.6% year-over- year. On-Demand Audio streaming offset decreases in track and album sales and, on December 3, for the first time in history, it surpassed the 900 million per week mark. Ed Sheeran led all artists in Canada with overall consumption and had the top-selling album of the year. Six Canadians had No. 1 albums on the Billboard Canadian Albums chart in 2017, including The Weeknd’s Starboy, Drake’s More Life, Arcade Fire’s Everything Now, Shania Twain’s Now, Pierre Lapointe’s La Science Du Coeur and Gord Downie’s Introduce Yerself. The passing of Gord Downie captured the nation’s attention. In the week following his death, The Tragically Hip’s overall consumption increased by 1,000% over the previous week. Also, six of the group’s albums re-entered the Billboard Canadian Albums chart.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Terry “Trickman” Minnich and Jeff Lee Home of Terry Minnich – Glendale Heights, IL
    Terry “Trickman” Minnich and Jeff Lee Home of Terry Minnich – Glendale Heights, IL *** Date: October 13, 2015 Location: Home of Terry Minnich (157 Golden Dr.) – Glendale Heights, IL Interviewer(s): Jordan Mynes, Fulgencio Torres Transcription: Jared Wohn, Zhanna Badasyan, Silvia Nunez Length: 2 hours, 30 minutes, 15 seconds Project: History of Coin­Op in Chicago [00:00:00] Jordan Mynes [JM]: Alright I’m Jordan Mynes Fulgencio Torres [FT]: And Fulgencio Torres JM: And we’re interviewing Trickman Terry and I forgot your name, sorry Jeff Lee [JL]: Jeff Lee! 2 JM: Jeff Lee, and this is for our class History of Video Games with Carly Kocurek and the Chicago Coin­Op Archive and just real quick tell us about yourselves, how’d you first get into video games? Terry Trickman [TM]: You first or JL: Well I got into video games back in 1981. I was working as an artist I was working at Triton College in River Grove and I got a call one day from a friend of mine, Richard Tracy, who I’ve known for a number of years socially. We played music together and he knew one of my hobbies was playing games war games, cards, and board games all kinds of stuff like that and he had recently taken a job at D. Gottlieb & Co. which was one of the three, four , five pinball companies in chicago. Chicago being the home of pinball and D. Gottlieb invented the flipper game back in the 30s and JM: It was mostly tilt before that right? JL: Yeah, I guess, I guess so that’s all they did All: [laughs] JL: Supposedly, supposedly, David Gottlieb or even probably one of his engineers invented the flipper then right and anyway the video game boom had commenced and a lot of the companies, Bally Midway, Williams, and Stern, had jumped on that bandwagon.
    [Show full text]
  • Sem. Sem. Pos. Sem. Cert. Actual Ant. Max. Lista Artista Título Sello Promus. TOP 100 CANCIONES + STREAMING
    TOP 100 CANCIONES + STREAMING (Las ventas totales corresponden a los datos enviados por colaboradores habituales de venta física y por los siguientes operadores: Amazon, Amazon Music, i-Tunes, 7Digital, Apple Music, Deezer, Spotify,Napster y Tidal) SEMANA 16: del 16.04.2021 al 22.04.2021 Sem. Sem. Pos. Sem. Cert. Actual Ant. Max.Lista Artista Título Sello Promus. 1 ● 1 1 11 LOS LEGENDARIOS / WISIN / JHAY CORTEZ FIEL LA BASE MUSIC GROUP/ WK RECORDS ** 2 ● 2 2 6 DAVILES DE NOVELDA FLAMENCO Y BACHATA SONY MUSIC ** 3 ● 3 2 11 SECH 911 RICH MUSIC ** 4 ● 4 1 11 ROCHY RD / MYKE TOWERS / NICKI NICOLE ELLA NO ES TUYA (REMIX) SONY MUSIC 2** 5 ● 5 5 4 LIL NAS X MONTERO (CALL ME BY YOUR NAME) SONY MUSIC 6 ▲ 7 5 6 NIO GARCÍA / CASPER MÁGICO / OZUNA / WISIN & YANDEL / MYKETRAVESURAS T FLOW LA MOVIE, INC. * 7 ▲ 15 7 4 KAROL G / MARIAH ANGELIQ EL MAKINON UNIVERSAL 8 E 1 SEBASTIÁN YATRA / MYKE TOWERS PAREJA DEL AÑO UNIVERSAL 9 ▼ 6 1 19 MYKE TOWERS / JUHN BANDIDO WHITE WORLD MUSIC 3** 10 ▲ 18 10 4NIO GARCIA / FLOW LA MOVIE AM FLOW LA MOVIE, INC. 11 ▼ 8 1 8 C. TANGANA / GIPSY KINGS / NICOLAS REYES / TONINO BALIARDOINGOBERNABLE SONY MUSIC ** 12 ● 12 12 5 ALEX ROSE / RAUW ALEJANDRO ME FIJE WK RECORDS * 13 ▼ 11 1 24 C. TANGANA / NIÑO DE ELCHE / LA HUNGARA TÚ ME DEJASTE DE QUERER SONY MUSIC 5** 14 ▼ 10 7 12 OMAR MONTES / ANA MENA / MAFFIO SOLO SONY MUSIC ** 15 ▼ 9 8 5 JUSTIN BIEBER / DANIEL CAESAR / GIVEON PEACHES UNIVERSAL * 16 ▲ 20 16 7 MALUMA / RAUW ALEJANDRO / BEÉLE / DARELL / MAMBO KINGZALOHA / DJ SONY MUSIC * 17 ▼ 13 10 7 CAMILO / EVALUNA MONTANER MACHU PICCHU SONY MUSIC* 18 ▼ 16 7 30 CAMILO VIDA DE RICO SONY MUSIC 3** 19 ▼ 17 1 25 BAD BUNNY / JHAY CORTEZ DAKITI RIMAS ENTERTAINMENT LLC 6** 20 ▼ 14 7 12 SELENA GOMEZ / RAUW ALEJANDRO BAILA CONMIGO UNIVERSAL ** 21 ▼ 19 4 36 ANA MENA / ROCCO HUNT A UN PASO DE LA LUNA SONY MUSIC 4** 22 ▲ 33 22 5 CAMILO KESI SONY MUSIC 23 ▲ 24 23 8 RITON / NIGHTCRAWLERS / MUFASA / HYPEMAN FRIDAY SONY MUSIC * 24 ▼ 22 1 21 BAD BUNNY / ROSALÍA LA NOCHE DE ANOCHE RIMAS ENTERTAINMENT LLC 3** 25 ▲ 26 25 2 J.
    [Show full text]
  • 2019-2020 Annual Review 2 Table of Contents
    2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year.
    [Show full text]
  • How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry
    Seton Hall University eRepository @ Seton Hall Law School Student Scholarship Seton Hall Law 2019 Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry Laura Kozel Follow this and additional works at: https://scholarship.shu.edu/student_scholarship Part of the Law Commons Recommended Citation Kozel, Laura, "Can't Hold Us Down”1: How to Use Inclusion Riders to Increase Gender Diversity in the Music Industry" (2019). Law School Student Scholarship. 1019. https://scholarship.shu.edu/student_scholarship/1019 ABSTRACT Despite improvements in female visibility and a number of movements pushing for equality in recent years, gender imbalance continues to plague the world of entertainment. While strides have been made to achieve parity in the film industry, little progress has been made to achieve the same in music where the disproportionality of females is even worse. Females are chronically underrepresented across virtually all aspects of music, both on-stage and off-stage, whether it be as musicians or as executives, which subsequently effects the amount of nominations, as well as awards that females in music receive. The implementation of inclusion riders in Hollywood has demonstrably improved female representation in popular films, but until now inclusion riders have not been applied to the music industry. This paper explores the application of inclusion riders to the music industry in order to remedy a long-standing history of female exclusion, as well as increase visibility for the vast number of talented females in the music industry that deserve the same opportunities and recognition, but until now have remained invisible.
    [Show full text]
  • Cash out Rapper Age
    Cash out rapper age click here to download John-Michael Hakim Gibson, (born August 15, ), better known by his stage name Cash Out (stylized Ca$h Out) is an American rapper originally from. About. Born John-Michael Hakim Gibson, he is an Atlanta-based Rapper who released mixtapes titled Keisha and Ya Feel Me. He released the song "We. Ca$h Out Net Worth, Bio and Wiki. Cash Out. Real name: John-Michael in with one of the biggest singles “Cashin Out” southern rapper Ca$h Out is back. Cashout wiki. Cashout Chicago rapper biography. Cashout songs and lyrics. Cashout. Age. Also known as. Birth date. Birth name. Born in. Origin, Chicago. Current City, Chicago. Styles, Drill music. Occupation(s), Rapper. Years active. Cash Out is best known as a Rapper who was born in Columbus on Wednesday, August 15, Cash is currently 27 years old. Out's birth sign is Leo. Find Cash Kidd biography and history on AllMusic - Detroit rapper Cash Kidd spits like a young Lil. Though only 22 years old, Chicago rapper CashOut is very streetwise for his age. He knows the rules of the game even though it may be dirty at. n a late-summer Wednesday morning, legendary rapper Nas is lounging “I was music guy for years, and then all of a sudden it's like I hit an age While Nas may have missed out on the sneaker and streetwear deals of. Ca$h Out is an emcee born in Columbus, Georgia and raised in Atlanta, which Cash Out was acquitted of a gun charge in Clayton County, Georgia in Payroll Giovanni is a known American rapper, originated from Detroit and who is a part of a popular gangsta rap group "Doughboyz Cashout".
    [Show full text]
  • Nle Choppa Drops “Shotta Flow 5”
    NLE CHOPPA DROPS “SHOTTA FLOW 5” MUSIC VIDEO DIRECTED BY COLE BENNETT LISTEN HERE – WATCH HERE RAP PHENOM SURPASSES 3 BILLION GLOBAL STREAMS DOWNLOAD "SHOTTA FLOW 5" ARTWORK HERE June 12, 2020 (Los Angeles, CA) – As one of the youngest voices in hip-hop, with billions of streams and looks from The New York Times, Complex, Billboard, GQ, and more, No Love Entertainment / Warner Records rapper, NLE Choppa, keeps his foot on the gas with the release of “Shotta Flow 5.” He enlisted frequent collaborator Cole Bennett to direct an explosive music video that compliments the energy of the track. The unprecedented “Shotta Flow” series has already amassed over 1.1 billion global streams and RIAA platinum certifications. Recently, Choppa channeled his emotions on the song “Different Day” – a remix of Lil Baby’s “Emotionally Scarred." Check it out HERE. The new offerings are a taste of what’s to come from Choppa's major-label debut, Top Shotta, which is slated for release this summer. Listen to “Shotta Flow 5” HERE and watch the video HERE. NLE Choppa’s hit single “Walk Em Down” feat. Roddy Ricch continues to rise on Billboard's Hot 100 chart and has more than 100 million streams on Spotify, making it his fourth single to reach that milestone. Trending on TikTok, YouTube, and more, "Walk Em Down" stands in the Top 20 across all DSPs, with over 66 million YouTube views and 317 million global streams. Listen to “Walk Em Down" HERE and watch the video HERE. ABOUT NLE CHOPPA With poise, charisma, and cleverness way beyond his years, 17-year-old NLE Choppa burst onto the scene and immediately grabbed our attention and captured our hearts.
    [Show full text]