John Lennon & Yoko Ono in Cambridge 1969
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Scroll to pages –6 for additions and corrections to this book Scroll to pages 7–12 for reviews extracts - latest update May 22 - For an account of Gabriella Daris and her plaque to Lennon & Ono at Lady Mitchell Hall see end here or visit http://www.abar.net/daris.pdf anthony barnett natural music UN john lennon & yoko ono in cambridge 1969 Account of the Circumstances Surrounding Their Appearance at the Natural Music Concert A.B Anthony Barnett UnNatural Music: John Lennon & Yoko Ono in Cambridge Account of the Circumstances Surrounding Their Appearance at the Natural Music Concert POD Published 1 June 278016 in 07printedition54 no no ebook A5, pb, 4 pages, 2 photos and documents including a drawing to the author by John Lennon on the inner sleeve of the author’s copy of Zapple 0 On 2 March the author produced the concert of Natural Music improvised music at Lady Mitchell Hall in Cambridge with some 5 musicians incl. John Tchicai, in which John Lennon and Yoko Ono participated, Lennon’s first public performance away from the Four. John Lennon and Yoko Ono’s part of the concert was released as “Cambridge ” on Zapple Unfinished Music No. : Life with the Lions. Accounts of how the concert came about and its aftermath by Lennon, Ono, Tchicai, and other commentators, in books and online are garbled. After forty-seven years of mostly authorial silence the complete true story of the circumstances surrounding their appearance is now told. Allardyce Book ABP 4 Mount Street, Lewes, East Sussex BN7 HL UK www.abar.net | [email protected] £5 incl. UK mailing [£2 in Lewes incl. from Union Music Store] Payable by cheque to Anthony Barnett or to PayPal ID [email protected] or see below Ordering in UK from Amazon or Amazon-owned Book Depository is not recommended because they are in the habit of sourcing our books from our USA distributor for back importation to UK often at a price higher than our list price US$6, €2 to PayPal - or email for IBAN or BACS transfer info to € or £ accounts UK etc trade orders direct to the Publisher - firm sale only - no single copy discount Also distributed in USA by SPD Books, Berkeley, CA - www.spdbooks.org Additions and corrections to this book 7Correspondent May 216 Lloyd Mills has suggested that “Cambridge ” was not the first public performance by Lennon–Ono together, nor Lennon’s first public performance away from the Four as Lennon said, but the second. This suggestion is not correct. They had, it is true, performed together in front of an audience, as members of Dirty Mac, in , three months earlier, on –2 December 8The, intended Rolling Stones for BBC Rock TVand Rollbut Circuswithheld. The small audience was privately invited. Sound and footage was first released in . It includes “Yer Blues”, played by Dirty Mac, with Ono lying on the floor covered in a black sheet, and “Whole Lotta Yoko”, in which Ono screeches a duet with indifferent improvisations by concert violinist Ivry Gitlis, backed by Dirty Mac. As with “Cambridge ”, it is all posted one way or another on YouTube. The7 May alto 2 saxophonist16 / 18 September described 216 in the photo caption on p. as unidentified is believed to be Chris Francis. / Violinist Mike Piggott confirms definitely Chris Francis, with whom he played in the group Naima. —Mike Piggott, email, 8 September 20 “I7 canMay still 216 remember the duo and how outrageous it was, in the sound, in the muscled roadies and recording crew and then their sudden disappearance as though it had been rehearsed.” —Barre Phillips , email, 7 May 20 28 “I got May to 2 know16 Yoko at first with her husband and child as they had a house opposite or near Regent’s Park Mosque. I remember everything being painted white inside. I was also at the Ornette concert she performed at. And of course heard her screams in Cambridge too. Nuff said.” —Trevor Watts, email, 28 May 20 7David July 2 Toop,16 (Bloomsbury,Into the 20 Maelstrom:) incl. chapter Music, “Postscript:Improvisation Theand the Ballad Dream of ofJohn Freedom and Yoko”Before 1in7 which Fred Frith recalls, with errors, and Toop discusses, “Cambridge ”. 11 November 216 incl. “Cambridge ” has this day been Unfinishedrereleased onMusic CD No. and : Life LP with Secretly the Lions Canadian [a USA label] SC20. See, for ex- ample, article at http://mobile.nytimes.com/2—thank16/1 you/ Pierre/arts/music/yoko-ono-album- Crépon for heads up reissues-interview.html 28Norman December Sheffield, 216 (London, Trident, 203), Chapter 3, “LordLife ofon the Two Ringlets”, Legs: Setting reveals the Record that Norman Straight Sheffield, founder of Trident Studios, and his brother Barry were the Apple engineers at Cam- bridge. Sheffield reveals that Lennon and Ono’s part was also videotaped and he provides a lengthy account of his confusion, before Lennon’s intervention, about how to master “Cambridge ”. [The video is not thought to be extant. Most Trident tapes were dumped in the 80s and if Ono had it she would surely have released it by now.] —thank you Axel Korinth for heads up A28 privateDecember tape 216 of the so-called is circulating in which Lennon talks to the other Beatles, in particularGet Back Paul Sessions McCartney, about the forthcoming Cambridge concert. It is clear that Lennon and Ono intended major disruption. It was recorded 23 January at Apple Studios, 3 Savile Row: “It’s great, ’cause she’s just been invited to do some avant-garde in Cambridge and I’ll go along. And I’ll try to get Eric [Clapton], or whoever is around to do a big rock show! It’s great, that! Like Dylan at the Folk Festival. With his electric band. Can’t wait! ’Cause they all do that. And all written down, too! The whole fucking thing written, that’s the thing that gets me. Forty years writing in, studying at the School of Music!” —thank you Axel Korinth for heads up 28p. 58,December par. 3: 2 16 At some point, [ After the concert,] read not 21pp. February 20–2, 217 [. .] for about six months, mostly in a house which included Nick Totton,read a contributor to , and to which Ian Pat- terson was a frequent visitor. BothNothing poets Doing were in Londonstudying One at the University. —thank you Nick Totton and Ian Patterson 21p. February40, 2[. .1 7.] for a forty-five minute broadcast. [. .] The programme aired at 20:00 onread 2 July [ . sixty minute broadcast. [. .] If I remember correctly the programme went outnot inc August.] —thank you Axel Korinth Reviews extracts ¶ There is something appealing about a music memoir that opens, “I do not have to tell you how disgraceful John’s attitude was and Yoko’s is”. The author of is the poet Anthony Barnett who produced the concertUnNatural in Cambridge Music in , “Lennon’s first public performanceNatural away Musicfrom the Four”. In particular, Mr Barnett has it in for Yoko, a “superficial hood- winker” (he sweetly calls her). When invited to participate in the concert, in which a score of musicians from different countries played three hours of un- rehearsed music, Yoko agreed, but said she wanted to bring her own band. This turned out to be John Lennon, which would have delighted almost anyone, but not Mr Barnett. [. .] —J. C. [James Campbell], , London, 20 May 20 Times Literary Supplement ¶ In the closing lines of this attractively produced little piece of history Anthony Barnett refers to Yoko Ono as Eiko and thereby brings back into focus another little fragment of history. Some eight years ago I received an email from Michael Rumaker, Black Mountaineer who had been taught by Olson in the 50s, in which he commented upon my determination to locate and read his first novel, : The “YouButterfly mentioned you plan to read my this weekend with an eye to comparing it to Douglas Woolf’s Butterfly. I’m glad I have the chance to warn you the comparison will not standWall up. to Wall was my first novel and as with all first novels is riddled with flaws, and inButterfly this case, excessive emotion and not as direct as I would have written it in a later time. That, despite its being highly autobiographical, and also perhaps its being of some historical interest, since the character of ‘Eiko’ is actually Yoko Ono (no secret anymore since Albert Goldman wrote about that fact in his 88 ) and the char- acter of ‘Alice’ is actually Joyce Johnson, formerThe Lives girlfriend of John ofLennon Jack Kerouac who was with him when hit it big.” When Barnett’s recentOn the publicationRoad was reviewed in on May 20th J. C. opened his piece with a fine pieceThe of Timestongue-in-cheekery: Literary Supple- ment“There is something appealing about a music memoir that opens ‘I do not have to tell you how disgraceful John’s attitude was and Yoko’s is’. The author of is the poet Anthony Barnett who produced the concertUnNatural in Cambridge Music in […]” Natural Music The tongue-in-cheekery is of course that Barnett does have to tell us and what he tells is clear and to the point. His historical reconstruction, a past that never simply gets swallowed up in a present, is immaculate and the whole book is presented in a style that over many years Anthony Barnett has made his own: a type of signature publishing dish. Buy a copy now! The historical reconstruction undertaken here is not simply about that con- cert in ; we enter into a spectral world of the past as the book opens with the words “For a while from 5 I worked at Better Books, New Compton Street, round the corner from their Charing Cross Road shop.