Boston Secession's Artistic Director Named Conductor for ECS
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Reshaping American Music: the Quotation of Shape-Note Hymns by Twentieth-Century Composers
RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS by Joanna Ruth Smolko B.A. Music, Covenant College, 2000 M.M. Music Theory & Composition, University of Georgia, 2002 Submitted to the Graduate Faculty of The Faculty of Arts and Science in partial fulfillment of the requirements for the degree of Ph.D. in Historical Musicology University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Joanna Ruth Smolko It was defended on March 27, 2009 and approved by James P. Cassaro, Adjunct Assistant Professor, Department of Music Mary S. Lewis, Professor, Department of Music Alan Shockley, Assistant Professor, Cole Conservatory of Music Philip E. Smith, Associate Professor, Department of English Dissertation Advisor: Deane L. Root, Professor, Department of Music ii Copyright © by Joanna Ruth Smolko 2009 iii RESHAPING AMERICAN MUSIC: THE QUOTATION OF SHAPE-NOTE HYMNS BY TWENTIETH-CENTURY COMPOSERS Joanna Ruth Smolko, PhD University of Pittsburgh, 2009 Throughout the twentieth century, American composers have quoted nineteenth-century shape- note hymns in their concert works, including instrumental and vocal works and film scores. When referenced in other works the hymns become lenses into the shifting web of American musical and national identity. This study reveals these complex interactions using cultural and musical analyses of six compositions from the 1930s to the present as case studies. The works presented are Virgil Thomson’s film score to The River (1937), Aaron Copland’s arrangement of “Zion’s Walls” (1952), Samuel Jones’s symphonic poem Let Us Now Praise Famous Men (1974), Alice Parker’s opera Singers Glen (1978), William Duckworth’s choral work Southern Harmony and Musical Companion (1980-81), and the score compiled by T Bone Burnett for the film Cold Mountain (2003). -
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sm20-7_EN_p01_coverV2_sm20-1_BI_pXX 15-06-03 12:55 PM Page 1 RCM_LaScenaMusicale_4c_fp_June+Aug15.qxp_Layoutsm20-7_EN_p02_rcmAD_sm20-1_BI_pXX 15-06-03 12:56 1 2015-05-27PM Page 2 9:33 AM Page 1 2015.16 Terence CONCERT Blanchard SEASON More than 85 classical, jazz, pop, world music, and family concerts to choose from! Koerner Hall / Mazzoleni Concert Hall / Conservatory Theatre Igudesman & Joo Daniel Hope Vilde Frang Jan Lisiecki SUBSCRIPTIONS ON SALE 10AM FRIDAY JUNE 12 SINGLE TICKETS ON SALE 10AM FRIDAY JUNE 19 416.408.0208 www.performance.rcmusic.ca 273 BLOOR STREET WEST (BLOOR ST. & AVENUE RD.) TORONTO sm20-7_EN_p03_torontosummerAD_sm20-1_BI_pXX 15-06-03 12:57 PM Page 3 CELEBRATING 10 YEARS JUL 16-AUG 9 DANISH STRING KARITA MATTILA QUARTET GARRICK AMERICAN OHLSSON AVANT-GARDE DANILO YOA ORCHESTRA OF THE AMERICAS PÉREZ WITH INGRID FLITER AND MUCH MORE! UNDER 35 YEARS OLD? TICKETS ONLY $20! TORONTOSUMMERMUSIC.COM 416-408-0208 an Ontario government agency un organisme du gouvernement de l’Ontario sm20-7_EN_p04_TOC_sm20-1_BI_pXX 15-06-03 12:58 PM Page 4 VOL 20-7 JUNE/JULY/AUGUST 2015 CONTENTS 10 INDUSTRY NEWS 11 Orchestre National de Jazz - Montréal 12 Jazz Festival Picks 14 Classical Festival Picks 19 Arts Festival Picks 21 Summer Listening GUIDES 22 Canadian Summer Festivals 37 REGIONAL CALENDAR 38 CONCERT PREVIEWS YOA ORCHESTRA OF THE AMERICAS 6 FOUNDING EDITORS PUBLISHER OFFICE MANAGER TRANSLATORS SUBSCRIPTIONS Wah Keung Chan, Philip Anson Wah Keung Chan Brigitte Objois Michèle Duguay, Véronique Frenette, Surface mail subscriptions (Canada) cost EDITOR-IN-CHIEF SUBSCRIPTIONS & DISTRIBUTION Cecilia Grayson, Eric Legault, $33/ yr (taxes included) to cover postage and La Scena Musicale VOL. -
PRESS RELEASE CONTACT: Susannah Abbott 978.204.5836 for IMMEDIATE RELEASE [email protected]
PRESS RELEASE CONTACT: Susannah Abbott 978.204.5836 FOR IMMEDIATE RELEASE [email protected] Boston Secession’s (Un)Lucky in Love Celebrates the Vicissitudes of Romance in Honor of Valentine’s Day BOSTON, MA – January 16, 2009 – Boston Secession’s popular alternative Valentine concert, (Un)Lucky in Love, will take place in Cambridge at First Church Congregational on Friday, February 13th and Saturday, February 14th. This year’s performance of (Un)Lucky features all-new repertoire, from classical music to musical theatre and from cabaret to parody, with works by P.D.Q. Bach, Bernstein, Sondheim, Stephen Schwartz, Alan Menken, and many others. 2008-2009 Season In (Un)Lucky in Love, comprised of solos, duets, and small ensembles, featured Bach, Brahms & Schnittke: The Sacred members of Boston Secession take aim at Cupid himself in a program that reveals Imagination the humor and heartbreak, as well as the romance, behind love. “It’s a decidedly November 15, 2008 alternative Valentine concert,” explains Jane Ring Frank, Secession’s Conductor Chestnuts Roasting: and Artistic Director. “This is love, stripped of its sugar-coating, and revealed as A Secession Holiday Concert something truly authentic and moving, whether we’re celebrating a new romance or December 5, 2008 mourning love lost. As always, we’ve peppered the program with some very (Un)Lucky in Love humorous pieces, as well as a few new works we know our audience will enjoy.” February 13 & 14, 2009 World Premiere of In response to sell-out crowds in seasons past, Boston Secession will present Testimony of Witnesses (Un)Lucky in Love on two separate nights this year, accommodating a larger March 22, 2009 audience while keeping the intimate feeling of the concert. -
Keynote Address for Alister Hardy/MCU Conference – the God Experience – Who Has It and Why? July 2004
1 Music as Spiritual experience Keynote address for Alister Hardy/MCU conference – The God experience – who has it and why? July 2004 By Dr June Boyce-Tillman, Professor of Music, University College, Winchester Email [email protected] 1. Introduction There is a fine Jewish story that describes the origins of the Nigun the wordless Jewish song tradition: The rabbi goes to the woods to celebrate his ritual. He finds the place, lights the fire, and sings the service. God says: ‘It is enough.’ The rabbi goes to the woods to celebrate the service. He finds the place but has forgotten how to light the fire. God says: ‘It is enough.’ The rabbi can no longer find the wood but he sings the service. God says: ‘It is enough.’ The rabbi can no longer remember the words of the service. But he sings the tune. God says: ‘It is enough.’ 1 The story represents the move from the time when music was inextricably bound up with religious ritual to a freestanding music independent of the ceremony. And yet in this story, this now wordless song is still conceived of as a religious experience. The song itself constitutes what once was a complex ritual act. HYPOTHESIS ONE: · Does this mean that all music is a sacred experience? · Is there a secular music? · Is the aesthetic a contemporary version of spirituality? HYPOTHESIS TWO · Can music be extracted from its spiritual context and still retain something of its spirituality? What has spirituality to do with culture? · What is the role of words in this process? · Can spirituality be freed from a particular religious tradition? · Is there a universal spiritual music? Music is often used as a metaphor for the spiritual experience. -
MARCH 2019 VOLUME 37 Number 1
CARLETON-WILLARD VILLAGER MARCH 2019 ❀ VOLUME 37 ❁ Number 1 T HE C ARLE T ON -W ILLARD Co-Editors’ Corner ILLAGER V For each issue of the Villager the Board selects Published quarterly by and for the residents a “theme”. This can be a tortuous process as collec- and administration of Carleton-Willard Village, tively we muse and mull, suggest, chew over, reject, a continuing care retirement community at or possibly amend. We repeat these deliberations 100 Old Billerica Road, Bedford, Massachusetts 01730. until we have a number of possible candidates. Finally we take a vote, from which emerges the theme subsequently announced in “Bits and Pieces”. CO-EDITORS We do not view the theme as an assignment, not Alice Morrish and Peggy McKibben like the first week back at school when we all yearned to have something exotic to report in “How I Spent My Summer Vacation”. Rather we hope the theme is EDITORIAL BOARD a nudge to memory or imagination, eliciting quite Madelyn Armstrong • Edwin Cox different responses in would-be contributors. In this Henry Hoover • Stephanie Rolfe issue, first time contributor, Harriet Hathaway, views Anne Schmalz • Nancy Smith A New Leaf quite literally with a horticulturist’s eye. Mary Ellen Turner • Cornelia (Neela) Zinsser Her husband, David, examines the challenges of downsizing from a large house to smaller quarters and a different lifestyle in a retirement community. PRODUCTION DESIGNER And Madelyn Armstrong’s response to the new leaf Kathy Copeland, Allegra theme is to celebrate An Old Leaf! Our intention is that any theme will liberate, not constrain. -
2017 Spring Program.Indd
Fountain in a Wood From Walden to Loch Lomond Saturday, May13, 2017, 4:00 pm Trinity Episcopal Church 81 Elm Street, Concord, MA concordwomenschorus.org Concord Women’s Chorus presents Fountain in a Wood From Walden to Loch Lomond Jane Ring Frank, Artistic Director Scott Nicholas, Pianist With special guest artists Jennifer Slowik, Oboe Johann Soults, Cello This program is generously supported in part by an Alfred Nash Patterson Grant from Choral Arts New England, and by grants from the Acton- Boxborough, Carlisle, Concord, and Lincoln local cultural councils, local agencies which are supported by the Massachusetts Cultural Council, a state agency. President’s Letter Become a Sponsor We wish to thank the following individuals for their support of today’s Welcome, spring! It never gets old, the sense of freshness and promise concert and our long-term and season initiatives: imbued in warming, flowering surroundings and the glorious songs of Fund to Commission New Music birds – Emerson’s “sky-born music.” Each May we relish our chance Ted Danson to join the music by performing for you. As always, we thank you for Anne Hayden and Ivan Burns being an essential part of this lively dynamic. Music Library Fund Kimberly Fox and Robert Fink As the title of our program suggests, we are celebrating a poetic con- Guest Artist Sponsors Tom and Barbara Beal nection between New England and Scotland. Between these places we Walter and Susan Birge feel the consonance of rigor and natural beauty, of history and au- Susie Buttrick thenticity, of a pond and a loch.