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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Finding Lionel: Reconciling Multiple Identities As Black, Gay, and Gifted in Dear White People
Taboo: The Journal of Culture and Education Volume 19 Issue 1 Volume 19 Issue 1 - Winter 2020 Article 4 January 2001 Finding Lionel: Reconciling Multiple Identities as Black, Gay, and Gifted in Dear White People Christopher Sewell [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/taboo Recommended Citation Sewell, C. (2020). Finding Lionel: Reconciling Multiple Identities as Black, Gay, and Gifted in Dear White People. Taboo: The Journal of Culture and Education, 19 (1). Retrieved from https://digitalscholarship.unlv.edu/taboo/vol19/iss1/4 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Taboo: The Journal of Culture and Education by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. 30 Taboo,Finding Winter Lionel 2020 Finding Lionel Reconciling Multiple Identities as Black, Gay,, and Gifted in Dear White People Christopher Sewell Abstract What does it mean to be a Black male looking to reconcile their intellectual, sexual, and racial identities? bell hooks (2004) notes that Black masculinity is inherently tied to notions of power; Black males, socialized to be dominant, find this power and dominance in tension with conceptions of power in soci- ety at large. -
Resources on Race, Racism, and How to Be an Anti-Racist Articles, Books, Podcasts, Movie Recommendations, and More
“Not everything that is faced can be changed, but nothing can be changed until it is faced.” – JAMES BALDWIN DIVERSITY & INCLUSION ————— Resources on Race, Racism, and How to be an Anti-Racist Articles, Books, Podcasts, Movie Recommendations, and More Below is a non-exhaustive list of resources on race, anti-racism, and allyship. It includes resources for those who are negatively impacted by racism, as well as resources for those who want to practice anti-racism and support diverse individuals and communities. We acknowledge that there are many resources listed below, and many not captured here. If after reviewing these resources you notice gaps, please email [email protected] with your suggestions. We will continue to update these resources in the coming weeks and months. EXPLORE Anguish and Action by Barack Obama The National Museum of African American History and Culture’s web portal, Talking About Race, Becoming a Parent in the Age of Black Lives which is designed to help individuals, families, and Matter. Writing for The Atlantic, Clint Smith communities talk about racism, racial identity and examines how having children has pushed him the way these forces shape society to re-evaluate his place in the Black Lives Matter movement: “Our children have raised the stakes of Antiracism Project ― The Project offers participants this fight, while also shifting the calculus of how we ways to examine the crucial and persistent issue move within it” of racism Check in on Your Black Employees, Now by Tonya Russell ARTICLES 75 Things White People Can Do For Racial Justice First, Listen. -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
Minnesota Film and TV Board
OFFICE OF THE LEGISLATIVE AUDITOR O L A STATE OF MINNESOTA EVALUATION REPORT Minnesota Film and TV Board APRIL 2015 PROGRAM EVALUATION DIVISION Centennial Building – Suite 140 658 Cedar Street – St. Paul, MN 55155 Telephone: 651-296-4708 ● Fax: 651-296-4712 E-mail: [email protected] ● Website: www.auditor.leg.state.mn.us Through Minnesota Relay: 1-800-627-3529 or 7-1-1 Program Evaluation Division Evaluation Staff The Program Evaluation Division was created James Nobles, Legislative Auditor within the Office of the Legislative Auditor (OLA) in 1975. The division’s mission, as set forth in law, Joel Alter is to determine the degree to which state agencies Caitlin Badger and programs are accomplishing their goals and Valerie Bombach objectives and utilizing resources efficiently. Sarah Delacueva Will Harrison Topics for evaluations are approved by the Jody Hauer Legislative Audit Commission (LAC), which has David Kirchner equal representation from the House and Senate Laura Logsdon and the two major political parties. However, Carrie Meyerhoff evaluations by the office are independently Ryan Moltz researched by the Legislative Auditor’s professional Judy Randall staff, and reports are issued without prior review by Catherine Reed the commission or any other legislators. Findings, Jodi Munson Rodriguez conclusions, and recommendations do not Laura Schwartz necessarily reflect the views of the LAC or any of KJ Starr its members. Jo Vos OLA also has a Financial Audit Division that To obtain reports in electronic ASCII text, Braille, annually audits the financial statements of the State large print, or audio, call 651-296-4708. -
January 24, 2020 PRELIMINARY MATTERS Directions to Meeting Site Future Meeting Sites Prior Meeting Minutes Key Program Elements
PANEL PACKET January 2020 TABLE OF CONTENTS Panel Meeting of January 24, 2020 PRELIMINARY MATTERS Directions to Meeting Site Future Meeting Sites Prior Meeting Minutes Key Program Elements REVIEW AND ACTION ON PROPOSALS Consent Calendar Tab Cell-Crete Corporation------------------------------------------------------------------------------------- 1 Enviro Tech Chemical Services, Inc. ------------------------------------------------------------------ 2 Holz Rubber Company, Inc. ----------------------------------------------------------------------------- 3 Home Away, Inc. dba The Pines Resort ----------------------------------------------------------- 4 Mariani Packing Co., Inc. --------------------------------------------------------------------------------- 5 Northern California Shop Ironworkers Local 790 Apprenticeship and Training Fund Trust ------------------------------------------------------------------------------------------------ 6 The Coca-Cola Company dba Coca-Cola North America ---------------------------------------- 7 The Gap, Inc. (Amendment) ------------------------------------------------------------------------------ 8 Westrock Services, LLC ----------------------------------------------------------------------------------- 9 Zuckerman Family Farms, Inc. ------------------------------------------------------------------------10 Zuckerman-Heritage, Inc. dba Delta Bluegrass Company -------------------------------------11 Proposals for Single-Employer Contractors Tab North Hollywood Regional Office OSI Optoelectronics -
Reframe and Imdbpro Announce Second Round of Films to Receive Reframe Stamp for Gender-Balanced Production
FOR IMMEDIATE RELEASE Media Contacts: August 28, 2018 For Sundance Institute: Spencer Alcorn 310.360.1981 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce Second Round of Films to Receive ReFrame Stamp for Gender-Balanced Production ReFrame and IMDbPro Celebrate 22 ReFrame Stamp Recipients Including A Simple Favor; Booksmart; Crazy Rich Asians; Late Night; Mary Shelley; and The Wife Los Angeles, CA — ReFrame™ (ReFrameProject.org), a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute—whose mission is to increase the number of women of all backgrounds working in film, TV and media—and IMDbPro (imdbpro.com/)— the essential information resource for the entertainment industry—announced today the second round of feature films that qualify for the ReFrame Stamp to recogniZe standout, gender-balanced films. The complete list of stamp recipients can be found at ReFrameProject.org/stamp and imdb.com/reframe. The ReFrame Stamp program launched on June 8, 2018 with the announcement of 12 films that earned the stamp out of 100 films surveyed. We then expanded the program by inviting studio and independent films that have secured U.S. domestic theatrical or streaming distribution to submit their films for stamp consideration. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
The Post-Traumatic Theatre of Grotowski and Kantor Advance Reviews
The Post-traumatic Theatre of Grotowski and Kantor Advance Reviews “A brilliant cross-disciplinary comparative analysis that joins a new path in theatre studies, revitalizing the artistic heritage of two great twentieth-century masters: Tadeusz Kantor and Jerzy Grotowski.” —Professor Antonio Attisani, Department of Humanities, University of Turin “Among the landmarks of postwar avant-garde theatre, two Polish works stand out: Grotowski’s Akropolis and Kantor’s Dead Class. Magda Romanska scrupulously corrects misconceptions about these crucial works, bringing to light linguistic elements ignored by Anglophone critics and an intense engagement with the Holocaust very often overlooked by their Polish counterparts. This is vital and magnificently researched theatre scholarship, at once alert to history and to formal experiment. Romanska makes two pieces readers may think they know newly and urgently legible.” —Martin Harries, author of “Forgetting Lot’s Wife: On Destructive Spectatorship,” University of California, Irvine “As someone who teaches and researches in the areas of Polish film and theatre – and European theatre/theatre practice/translation more broadly – I was riveted by the book. I couldn’t put it down. There is no such extensive comparative study of the work of the two practitioners that offers a sustained and convincing argument for this. The book is ‘leading edge.’ Romanska has the linguistic and critical skills to develop the arguments in question and the political contexts are in general traced at an extremely sophisticated level. This is what lends the writing its dynamism.” —Dr Teresa Murjas, Director of Postgraduate Research, Department of Film, Theatre and Television, University of Reading “This is a lucidly and even beautifully written book that convincingly argues for a historically and culturally contextualized understanding of Grotowski’s and Kantor’s performances. -
Abff-Insider-April-2
KNOW MORE. EXCLUSIVE INTERVIEW LOGAN BROWNING Star of the new Netflix series DEAR WHITE PEOPLE gives us the inside scoop. April 2017 • Issue I ABFF.COM #ABFF2017 #WEAREABFF Feature Story ABFF INSIDER Know More. understand artistic expression and oppres- Ben Howard. I missed him perform at sion. I am prepared to defend this show as a Coachella a few years ago when all my friends brilliant examination of youthful exploration wanted to see 2Chainz who was performing at the and self-awakening! same time on a different stage. That prompted me to buy a ticket to Inverness, Scotland to watch The movie “Dear White People” touched him perform at the Rockness Music Festival on on some pretty heavy topics that college my birthday that year. It was the time of my life: students may have to deal with. Were you drinking scotch, perched on the shoulders of a able to bring any of your experiences at stranger, and singing along with people from all Vanderbilt University to your character, over the world. I can also envision his music as the Samantha White? Going to Vanderbilt, I backdrop to me walking around my Malibu dream anticipated what I think many college home in a white linen smock with my hair blowing freshman do: having an opportunity to in the sea breeze one day. create who I wanted to be. I was a professional actress for 3 years when I Vacation spot: Anywhere I’ve never been before. began my studies so my reputation Shopping habits-Designer, vintage or depart- proceeded me in a way I didn’t plan for. -
Expanding Media Representations of Black Identity in Dear White People
“They See a Caricature”: Expanding Media Representations of Black Identity in Dear White People GRAEME JOHN WILSON Throughout the history of American television, representation of the black community, particularly African Americans, has been problematic at best.1 Early representations of the community on the small screen served to reinforce dominant stereotypes and power structures by portraying “black characters [as] happy-go- lucky social incompetents who knew their place and whose antics served to amuse and comfort culturally sanctioned notions of […] white superiority” (Gray 75). Such caricatured portrayals only endured in subsequent decades, perpetuating regressive stereotypes (Punyanunt-Carter 241-2). Stereotypical characteristics of black Americans in popular media include, but are not limited to, criminality, ignorance, and materialism (Collins 161; Jackson 46; Punyanunt-Carter 243). A significant breakthrough for the community premiered in 1984 in the form of The Cosby Show, which is now regarded as a landmark text in black representation on television (Dates 306-8; Jones 182). The Cosby Show, a sitcom starring comedian Bill Cosby and centered on an affluent African American family in New York City, was acclaimed for breaking stereotypes through its portrayal of “a vast and previously unexplored territory of diversity within blackness—that is, upper- 1 The term black is used to “signif[y] all non-White minority populations,” including the African American and African Caribbean populations. Although “the term Black has a long service in social, political, and everyday life and in its use to denote African ancestry,” African American specifically describes “descendants of [African] persons brought to the Americas as slaves between the 17th and 19th century” (Agyemang et al. -
Tragic Mulatta 2.0: a Postcolonial Approximation and Critique of the Representations of Bi-Ethnic Women in U.S
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 12-2017 TRAGIC MULATTA 2.0: A POSTCOLONIAL APPROXIMATION AND CRITIQUE OF THE REPRESENTATIONS OF BI-ETHNIC WOMEN IN U.S. FILM AND TV Hadia Nouria Bendelhoum California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the African American Studies Commons, Other Film and Media Studies Commons, Visual Studies Commons, and the Women's Studies Commons Recommended Citation Bendelhoum, Hadia Nouria, "TRAGIC MULATTA 2.0: A POSTCOLONIAL APPROXIMATION AND CRITIQUE OF THE REPRESENTATIONS OF BI-ETHNIC WOMEN IN U.S. FILM AND TV" (2017). Electronic Theses, Projects, and Dissertations. 598. https://scholarworks.lib.csusb.edu/etd/598 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. TRAGIC MULATTA 2.0: A POSTCOLONIAL APPROXIMATION AND CRITIQUE OF THE REPRESENTATIONS OF BI-ETHNIC WOMEN IN U.S. FILM AND TV A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Hadia Nouria Bendelhoum December 2017 TRAGIC MULATTA 2.0: A POSTCOLONIAL APPROXIMATION AND CRITIQUE OF THE REPRESENTATIONS OF BI-ETHNIC WOMEN IN U.S. FILM AND TV A Thesis Presented to the Faculty of California State University, San Bernardino by Hadia Nouria Bendelhoum December 2017 Approved by: Liliana Gallegos, Committee Chair, Communication Studies Rueyling Chuang, Committee Member Ahlam Muhtaseb, Committee Member © 2017 Hadia Nouria Bendelhoum ABSTRACT This study analyzes the representations of five bi-ethnic women characters in U.S. -
Re-Presenting Black People Through OTT Television Bradley C
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2018 Re-Presenting Black People Through OTT Television Bradley C. Chatman Eastern Illinois University This research is a product of the graduate program in Communication Studies at Eastern Illinois University. Find out more about the program. Recommended Citation Chatman, Bradley C., "Re-Presenting Black People Through OTT eT levision" (2018). Masters Theses. 3551. https://thekeep.eiu.edu/theses/3551 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� -- F.11,111{\Iil1 I ... ,;; C"1\'l ll'111 Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: •The graduate candidate is the author of this thesis. •The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis.