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In 1978, CASH BOX published the ml comprehensive and authoritative Countn Special in the history year

This yeor, in Music’s spectacular radio, television, filnm^it r^oitfs,

CASH BOX presertBi ^ - ? 1

COUNTRY^ MUSIC nSS \ A tribute to 0e aiiists, fabets, ^ publishers, JhJs and of course, M songs thaw are making history In Nashville! ^

COUNTRY MUSIC t^5 < IS the p^ect vehicle for you^ advertising message

Reserve ad space now for bonus distribution at COUNTRY MUSIC WEEK In Nashville

Aduertising Deadline. October 9

Los Angeles New York Nashville Spence Berland J.B. Carmicle William Fisher 213-464-8241 212-586-2640 615-244-2898 9

* BOX THE INTERNATIONAL MUSIC / COIN MACHINEdSH/ XLIX — 15 — September 28, 1985 HOME ENTERTAINMENT WEEKLY VOLUME NUMBER EDITORIAL C4SHBO< GUEST Is Your Radio Station Alive And Well At All Levels? ^ GEORGE ALBERT President and Publisher By Jimi Fox MARK ALBERT Through the bedroom window my drowsy eyes caught a remarkable respect for each other’s needs and the ultimate Vice President and General Manager glimpse of yet another city as I faintly drifted beyond the edge success of the radio station. The air sound and financial SPENCE BERLANO of darkness. The music faded away, dead silence and darkness success of the station had brought otherwise usually adamant Vice President set in; the space was non-active, nothing stirred. Suddenly, adversaries into a state of cooperation — what no other J.B. CARMICLE like a great lightening bolt, a thundering voice shot through broadcasting facility in the marketplace could begin to boast Vice President the silence and shattered the tranquility. or enjoy. DAVID ADELSON The crowd roared feverishly — the pitch Our programming sound was exciting, Managing Editor of intensity nearly drowned the enthusias- enthusiastic, reflective, stimulating, intrig- u Research tically hoarse voice as it repeated in a uing, informative, consistent; in short, KEITH ALBERT, Manager rhythmic chant;” it’s a touchdown! it’s a down-right DYNAMIC. DARRYL LINDSEY RON ROSENTHAL touchdown! — The hometown team has We are the most talked about station in STEVEN ZAP won with no time left on the clock, what the market, we are the most listened station JEFFERY PLATT * an incredible and truly unexpected ending!” in the marketplace — everywhere you go Editorial The voice continued. “In a matter of 40 we’re turned on. Our listening draw is PETER HOLDEN GREGORY DOBRIN seconds, three fumbles, two penalties, and confirmed by the most recent rating survey. PETER BERK no timeouts left on the clock this remar- A survey, by the way, which is rarely used STEPHEN PADGETT ic BOB SHULMAN kable team did what they have done time as a selling tool for time buys; no need, NADEEN TOOMEY and time again; pulled it out of the fire to our main thrust is IMAGE and IDENTITY. New York Editorial win!” In my vision I reached over and turned Our on-air-talent is astounding, true LEE JESKE, Bureau Chief PAUL lORIO down the radio, smiling, a deep sigh of PROS; consistent, comfortable, efferves- » Nashville Editorial/Research satisfaction arose from my bosom — cent, enthusiastic, real, fun-loving, pheno- LENTZ, General Manager realization that my radio station had again menon. The formatics and music rotation BYRON C. WYNKOOP WILLIAM R. FISHER created an emotional high in the sheer are perfect, surprising, actively passive, I PUBLICATION OFFICES reflective interpretation of the air-talent’s joyfully energetic, consistently relatable, NEW YORK descriptive ending of the hometown game. remarkably enjoyable, astoundingly desir- ' 330 W. 58th Street, (Suite 5D) New York NY ,1001 I knew on Monday my account executive able. In fact, the overall sound is so superb Phone: (212) 586-2640 team would be making their way through you can never get enough of the station. Cable Address: Cash Box NY Circulation that vast concrete business jungle, reaffirm- You want it there at your side at all times. NINA TREGUB, Manager t ing our station’s IMAGE and IDENTITY. I leaned over in my vision and turned up HOLLYWOOD Clients would be bubbling over with acclamations of what a the radio and listened closely as the deep rich sound of a 6363 Sunset Blvd. (Suite 930) great station we are and how effective our in-house produced current contemporary tune filled the air. I listened and smiled I Hollywood CA 90028 464-8241 Phone: (213) commercials had continued to establish a continual steady with contentment as I journeyed in a magical broadcasting TELEX: 6711051 CASBX UW increase of their cash flow. They would want to extend and trance. NASHVILLE expand their present commercial schedule; thus increase their Suddenly my imaginary image was interrupted by the 21 Music Circle East, Nashville TN 37203 Phone: (615) 244-2898 frequency; thus increase our monthly billing. shattering wailing of a disturbing noise. To my early morning Yes, it was wonderful to see our sales manager working disgust, it was that buzzer on my clock radio followed by an CAMILLE COMPASIO, Coin Machine, Mgr. closely with the account executives in planning and streng- unfamiliar sound of some music station. I reached over and 1442 S. 61st Ave, Cicero IL 60650 Phone: (312) 863-7440 thening our approach in servicing our clients. Assisting our began tuning up and down the dial in search of a real live WASHINGTON, D.C. clients in moving their product more effectively — constantly radio reality. However, after a frustrated half-hour search with B. EARL ABRAMS coming up with great marketing and merchandising programs no positive results I flicked off the switch. I thought to myself 3518 N. Utah St., Arlington VA 22207 that help the client considerably. Also increasing our station’s of how radio could and should be dynamic. The truth of the Phone: (703) 243-5664 activity and visibility, as well as billing without jeopardizing matter is that most radio stations across the country haven’t

GENERAL COUNSEL our stations’s IMAGE, IDENTITY, formatics and programming a clue as to how to create such a vehicle. I smiled and got GITTLER & WEXLER philosophies. up out of bed knowing that my lot in life was to create super GREGG J. GITTLER GARY A. WEXLER My camaraderie program had brought together the sales radio and I was blessed with the secret that others would only MIGUEL SMIRNOFF manager and program manager to intercommunicate with wish for. Director of South American Operations ARGENTINA — MIGUEL SMiRNOFF Lavalle 1569, Pico 4, Of. 405 k 1048 Buenos Aires. Argentina TOP POP DEBUTS Phone: 45-6948 > — ALLAN WEBSTER 50 WHO’S ZOOMIN’ WHO — Aretha Franklin — Arista 37 Shelley Street SINGLES Elwood, Australia Phone: 0305315026 79 SOUL TO SOUL — Stevie Ray Vaughan and Double Trouble — Epic BRAZIL — CHRISTOPHER PICKARD /1LBUMS Av. Borges de Mederios, 2475 Apt. 503, Lagoa Rio de Janiero, Brazii Phone: 294-8197 CANADA — GRANT LAWRENCE POP SINGLE POP/1LBUM

. 173 Alfred St. Kingston. Ontario MONEY FOR NOTHING BROTHERS IN ARMS Canada K7L 3R8 WINNER’S Dire Straits Dire Straits (613) 549-2119 L #] Warner Bros. i- Warner Bros. ITALY — MARiO DE LUIGi CIRCLE #1 "Musica e Dischi" Via De Amicis.47

> 201233 Milan. Italy Cash Box research from Phone: (902) 839-18-37/832-79-37 B/C SINGLE both radio and retail activity B/C/1LBUM JAPAN — Adv. Mgr., SACHIO SAITO Editorial Mgr., KOZO OTSUKA indicates the following 3rd Floor of Ch'no-Tatemono bldg, OH SHEILA ROCK ME TONIGHT i exhibits 2-chome, 11-1, ^inbashi, Minato-ku, Ready For The World record 1 Freddie Jackson Tokyo Japan, 105 #1L Phone: 504-1651 MCA Top Ten potential. #:^ Capitol SPAIN — ANGEL ALVAREZ Lopez de Hoyos 178, 5 CD Madrid — 2 Spain COUNTRY SINGLE COUNTRY /1LBUM Phone: 415 23 98

UNITED KINGDOM — CHRISSY ILEY 1 FELL IN AGAIN 54A Cambridge Gardens GREATEST HITS VOL. 2 LAST NIGHT 1 London W10 England Ronnie Milsap The Forester Sisterd 1 Phone: 01-960-2736 #] [ #] HILARY BRIGHT Warner Bros. RCA Flat 3, 162 Bethune Road London N16 5DS England Phone: 01-809-1067 JAZZ MUSIC VIDEO NVINCIBLE-(THEME FROM THE CASH BOX (ISSN 0008-7289) is published weekly DANCING IN THE SUN except Christmas week by Cash Box, 330 W. 58th 1 LEGEND OF BILLIE JEAN) 1 1 George Howard Street, New York, N,Y. 10019 for $125.00 per year. Pat Benatar ^ #1 L ’ m TBA/Palo Alto Second class postage paid at New York, N Y. and Chrysalis additional mailing offices. eCopyright 1985 by the f Cash Box Publishing Co., Inc. All rights reserved. Copyright under Universal Copyright Convention. COMPACT DISC 1 2” SINGLE POSTMASTER: Send address changes to Cash Box, 330 W. 58th Street, New York, N.Y. 10019. BROTHERS IN ARMS OH SHEILA Dire Straits Ready For The World #1 Warner Bros. #1 MCA THE CASH BOX TOP 100 SINGLES CHART IS BASED ON A COMBINATION OF RADIO AIRPLAY AND ACTUAL PIECES SOLD AT RETAIL STORES September 28, 1968

Weeks Weeks On Weeks On On 9/21 Chart 9/21 Chart 9/21 Chart 33 YOU’RE ONLY HUMAN 66 DOWN ON LOVE

I MONEY FOR NOTHING (SECOND WIND) FOREIGNER (Atlantic 7-89493) 59 DIRE STRAITS (Warner Bros. 7-28950) 1 12 BILLY JOEL (Columbia 38-05417) 19 12 0 RUNNING UP THAT HILL A YOU BELONG TO THE CITY KATE BUSH (EMI America B-8285) 74 2 ST. ELMO’S FIRE (MAN IN GLENN FREY (MCA 52651) 43 MOTION) 68 LOVE & PRIDE A BE NEAR ME KING (Epic 34-04917) 63 22 (Atlantic 7-89541) 2 14 ABC (Mercury 880 626-7) 38 6 0 PERFECT WAY Acherish WE BUILT THIS CITY SCRITTI POLITTI (Warner Bros. 7-28949) 77 3 KOOL & THE ® GANG STARSHIP (Grunt/RCA FB-141 70) 42 4 (De-Lite/PolyGram 880 869-7) 4 13 A AND WE DANCED 70 FIRST NIGHT SURVIVOR (Scotti O WE DON’T NEED ANOTHER HOOTERS (Columbia 38-05568) 41 8 Brothers/CBS ZS4 05579) 66 7 HERO (THUNDERDOME) LAY YOUR HANDS ON ME 71 WISE UP TINA TURNER (Capitol B-5491) 3 13 © AMY GRANT (A&M AM-2762) THOMPSON TWINS (Arista AS1-9396) 50 70 5 DON’T LOSE MY NUMBER 39 THERE MUST BE AN ANGEL 0 STAND BY ME PHIL COLLINS (Atlantic 7-89536) o 11 (PLAYING WITH MY HEART) MAURICE WHITE (Columbia 38-05571) 82 6 POWER OF LOVE EURYTHMICS (RCA PB-14160) 23 9 73 GET IT ON (BANG A GONG) HUEY LEWIS AND THE NEWS (Chrysalis THE 40 POWER STATION (Capitol B-5479) 64 17 VS4 42876) 6 14 SHOUT TEARS FOR FEARS (Mercury 880 294-7) 22 15 74 YOU SPIN ME ROUND (LIKE Atake on me COMMUNICATION A-HA (Warner Bros. 7-29011) 12 10 0 A RECORD) THE POWER STATION (Capitol B-5S11) 46 4 Ai^RESS you up DEAD OR ALIVE (Epic 34-04894) 67 18 42 SUMMER ’69 MADONNA (Sire 7-28919) 10 7 OF BROKEN WINGS BRYAN ADAMS (A&M AM-2739) 20 14 AoH SHEILA MR. MISTER (RCA PB-14136) 89 2 IN READY FOR THE WORLD (MCA 52636) 14 11 0BOY THE BOX COREY HART (EMI America B-8287) 54 3 o BORN IN EAST LA. FREEDOM CHEECH & CHONG (MCA A NEVER 52655) 85 2 WHAMI (Columbia 38-05409) 11 10 0 HEART (Capitol B-5512) 56 3 77 MYSTERY LADY O dancing IN THE STREET BILLY OCEAN (Jive/Arista JS1-9374) MICK JAGGER/DAVID BOWIE (EMI 71 13 America B-8288) 16 5 A WINNER’S CIRCLE AFTER THE FIRE * ARE MY LADY ® 12 DARE ME ^YOU (Atlantic 7-89491) 86 2 FREDDIE JACKSON (Capitol B-5495) 62 4 POINTER SISTERS (RCA PB-14126) 13 12 79 ALL FALL DOWN Alonely OL’ night FIVE STAR (RCA PB-14108) .80 3 0LOVE THEME FROM ST. JOHN COUGAR MELLENCAMP EATEN ALIVE (Riva/PolyGram ^ ELMO’S FIRE 880 984-7) 15 __ 7 (RCA PB-14181) 88 2 DAVID FOSTER (Atlantic Asaving all my love for 7-89528) 52 6 47 NO LOOKIN’ BACK 81 YOU LOOK MARVELOUS ^YOU BILLY CRYSTAL (A&M AM-2764) 81 10 MICHAEL MCDONALD (Warner Bros. 7- WHITNEY HOUSTON (Arista AS1-9381) 17 7 28960) 31 10 15 LOVER COME BACK TO ME POP LIFE 48 @ PRINCE AND THE REVOLUTION SMOKIN’ IN THE BOYS DEAD OR ALIVE (Epic 34-05607) 90 (Paisley Park/Warner Bros. 7-28998) 7 10 ROOM 83 YOU GIVE GOOD LOVE MOTLEY CRUE (Elektra 7-69625) 37 12 FORTRESS AROUND YOUR WHITNEY HOUSTON (Arista AS 1-9264) 72 21 A HEART 49 SHAME ^ STING (A&M AM-2767) 18 6 (Capitol B-5497) 39 8 84 LOOKING OVER MY P SHOULDER A PART-TIME LOVER TIL CHARTBREAKER TUESDAY (Epic 34-04935) 73 6 STEVIE WONDER (Tamla/Motown 1808TF) 24 4 ^ WHO’S ZOOMIN’ MISS 18 FREEWAY OF LOVE 0 WHO 01 YOU ARETHA FRANKLIN (Arista AS1-9410) DEBUT KLYMAXX (Constellation/MCA 52606) DEBUT ARETHA FRANKLIN (Arista AS1-9354) 8 15 A CRY 51 NEVER SURRENDER LIKE TO GET TO KNOW GODLEY & CREME (Polydor 881 786-7) 21 10 COREY HART (EMI America B-8268) 44 17 0 YOU WELL HOWARD JONES (Elektra 7-69598) 20 INVINCIBLE (THEME FROM 0YOU WEAR IT WELL DEBUT THE LEGEND OF BILLIE EL DeBARGE with DeBARQE (Gordy/ AND SHE WAS Motown JEAN) 1804GF) 58 5 TALKING HEADS (Sire 7-28917) DEBUT PAT BENATAR (Chrysalis VS4 42877) 9 13 0 WEIRD SCIENCE 88 ROCK ME TONIGHT (FOR A I’M GOIN’ DOWN OINGO BOINGO (MCA 52633) 61 5 OLD TIMES SAKE) BRUCE SPRINGSTEEN (Columbia 38- 0TONIGHT ITS YOU FREDDIE JACKSON (Capitol B-5459) 78 17 05603) 28 4 CHEAP TRICK (Epic 34-05431) 60 9 A LOVIN’ EVERY MINUTE OF IN LOVE OBJECT OF MY DESIRE 0SO STARPOINT (Elektra 7-69621) DEBUT ^IT ORCHESTRAL MANOEUVRES IN THE LOVERBOY (Columbia 38-05569) 26 6 DARK (A&M AM-2746) 68 4 THE SCREAMS OF PASSION ®C-I-T-Y 56 EVERYTIME YOU THE FAMILY (Paisley Park/Wamer Bros. 7- GO AWAY 28953) DEBUT JOHN CAFFERTY AND THE BEAVER PAUL YOUNG (Columbia 38-04867) 45 21 BROWN BAND (Scotti Brothers/CBS ZS4 91 I’LL BE AROUND 05452) 57 IF YOU LOVE 25 8 SOMEBODY WHAT IS THIS (MCA 52593) SET THEM FREE 79 6 A “MIAMI VICE ” THEME STING (A&M AM-2738) 47 17 ~ JAN HAMMER (MCA 52666) 30 A 92 WHO’S HOLDING DONNA EVERY STEP OF 58 SPANISH EDDIE NOW A THE WAY LAURA BRANIGAN (Atlantic 7-89631) 48 10 DeBARQE (Gordy/Motown 1793GF) 75 18 JOHN WAITE (EMI America B-8282) 27 8 59 WHAT Ahead over heels ABOUT LOVE? 93 LAY IT DOWN HEART (Capitol B-5481) 49 18 RATT (Atlantic 7-89546) 76 13 TEARS FOR FEARS (Mercury 880 899-7) 35 O ALL OF ME FOR ALL OF 94 HANGIN’ ON A STRING Athe way you do the 0 YOU things you do/my girl (CONTEMPLATING) 9.9 (RCA PB-14082) 69 5 LOOSE ENDS (MCA 52570) 84 11 DARYL HALL/JOHN OATES (RCA PB- 14178) 29 5 61 LIFE IN ONE DAY 95 LIVE EVERY MOMENT HOWARD JONES (Elektra 7-69631) 51 REO SPEEDWAGON (Epic 34-05412) A I’M GONNA TEAR YOUR 13 83 12 62 1 PLAYHOUSE DOWN WONDER IF 1 TAKE YOU 96 STATE OF THE HEART PAUL YOUNG (Columbia 38-05577) 32 4 HOME RICK SPRINGFIELD (RCA PB-14120) 87 17 LISA-LISA AND CULT JAM WITH FULL 97 GLORY DAYS A SUNSET GRILL FORCE (Columbia 3804686) 53 17 DON HENLEY (Geffen 7-28906) 36 e BRUCE SPRINGSTEEN (Columbia 38- 63 DO YOU WANT CRYING 04924) 91 18 A FOUR IN THE MORNING (I KATRINA AND THE ^ WAVES (Capitol B- 98 RASPBERRY BERET CAN’T TAKE ANY MORE) 5450) 55 10 PRINCE AND THE REVOLUTION NIGHT RANGER (MCA 52661) 34 6 64 TEST OF TIME (Paisley Park/Wamer Bros. 7-28972) 92 20 ONE NIGHT THE ROMANTICS (Nemperor/CBS A LOVE AFFAIR ZS4 99 WILD AND CRAZY LOVE BRYAN ADAMS (A&M AM-2770) 40 05587) 3 65 5 MARY JANE GIRLS (Gordy/Motown 32 I GOT YOU BABE 65 WHEN YOUR HEART IS 1789GF) 93 11 UB40 WITH CHRISSIE HYNDE (A&M AM- WEAK 100 ONLY FOR LOVE 2758) 33 9 COCK ROBIN (Columbia 3804875) 57 15 LIMAHL (EMI America B-8277) 94 11 ALPHABETICAL LISTING ON INSIDE BACK COVER '

HIS ASSOCIATES AND THE EMPLOYEES OF MCA MUSIC ARE PROFOUNDLY SADDENED BY THE PASSING OF THEIR FORMER PRESIDENT, SAL CHIANTIA AND CONVEY DEEPEST CONDOLENCES TO HIS FAMILY.

THANK YOU, SAL

SALVATORE T. CHIANTIA

September 1 3, 1 985 Tenth of a series.

IF YOU’RE NOT IN NEW YORK ON NOVEMBER 7th, THERE’S NO TELUNG WHAT

So why tempt fate? Don't miss the start of this year's CMJ Music Marathon, featuring keynote speakers Bob Guccione Jr. and Laurie Anderson. And on Saturday the 9th, The 1985 New Music Awards take over. The Beacon Theatre, including a special live performance by R.E.M. For reservations and more information, dial (516) 248-9600 . Call today, because tomorrow may be too late. CMJ MUSIC MARATHON

RUNmiWITH THE BEST November 7-10 The Roosevelt Hotel, New York City.

MARATHON HEADQUARTERS: 834 WILLIS AVENUE. ALBERTSON. NY 11507. NEWS

The Ratings ‘Show’ Moves To Washington D.C.

By Eari B. Abrams Stanley Gortikov, has opposed this addi- tional move on the ground that it in many

WASHINGTON — It wasn’t exactly Wood- instances record companies do not have stock, but the staid halls of a U.S. Senate the right to publish the lyrics. office building saw a parade of rock stars But the idea of lyrics won grudging last week addressing the question of approval from Zappa, who has been explicit lyrics in today’s rock records. carrying on a proposal campaign against Virtually to a man they told a Senate the PMRC proposals. Pressed to suggest committee they opposed any idea of some affirmative action, he told the labeling records and that the suggestion senators last week that perhaps this move smacked of censorship. The music stars, might solve all his reservations about the , Dee Snider and John labeling proposal. In his statement, Zappa Denver were united in bucking the prop- castigated the PMRC demands as reading osals advanced by the Parents Music “like an instruction manual for some JESSE’S GOLD — A&M executives awarded Jesse Johnson with a Gold Record Award Resource Center (PMRC) and the Na- sinister kind of ‘toilet training’ program to following his opening night at The Beverly Theatre in L.A. The three sold out evenings tional Parent-Teachers Association to house break all composers and per- the Johnson .’’ of the concerts attracted the support of some of his friends. Joining Jesse label records that contained “explicit formers . . He charged that the PMRC Revue on stage were Sheila E., Morris Day and St. Paul (Peterson) of the Family. lyrics.” has confused song lyrics, videos, record- Pictured backstage at The Beverly Theatre (hr) are: Jerry Moss, chairman of the board, The PMRC and PTA proposals surfaced ing, radio broadcasting and live perfor- A&M Records; John McClain, vice president of black music, A&R, A&M Records; this summer and came to a head when mances — all different mediums. And, he of Records; Jesse Johnson; Jordan Harris, Sr. vice president the former, whose founders include asked, why has PMRC not recommended Gil Friesen president A&M of promotion, A&M Records; Charlie Minor, Sr. VP promotion, A&M Records; Step prominent Washington women, among ratings for comedy records or country

Johnson , vice president of promotion, A&M Records. them wives of administration officials and music? of the Senate, forced the Recording As he has before, Zappa charged that Industry Association of America to agree the record companies caved in to the ASCAP Delivers Financial Report: to a generic label “Parental Guidance — labeling idea in order to win support for Explicit Lyrics” to be affixed to records H.R. 2911, which would impose a special with strong words. More recently, both tax on the sales price of blank audio tapes, Record Revenues Announced organizations have urged that a complete as part of its battle with home-recordings. LOS ANGELES — The American Society 31, the Society had 772 employees; 512 set of lyrics be attached to records so that Snider, who appeared in all his hairy, of Composers, Authors and Publishers in New York and 260 at the branch offices. parents can know what their children are heavy metal attire, emphasized that he only released its financial report for the first Operating cost as a percentage of total (continued on page 36) buying. RIAA, through its president. eight months of 1985 at its West Coast revenue was 17.10 percent for the eight Membership Meeting held at the Beverly month period of 1985. Ratings Opponents Find Hilton Hotel in Los Angeles on September For this same period, a total of 18 . $102,500,000 was made available for Total receipts from January through distribution from domestic sources. The Strong Resistance August of this year amounted to a record domestic amounts by quarters were: high of $160,660,000. The breakdown of 1st Quarter 1985 $31,000,000 By David Adeison record ratings, having appeared on revenue is as follows: 2nd Quarter 1985 33.500.000 — “Sexy rock videos and numerous talk shows, newscasts and in 3rd Quarter 1985 38,000,000 LOS ANGELES From Licensees: $144,744,000 lyrics are destroying the beauty of music,” printed interviews. “Donahue just literally From Interest on On July 10th a foreign distribution of said the newly crowped Miss America shouted us off the air when we were on Investments: From Membership Dues: $13,098,000 was made to ASCAP’s during a recent interview. “It’s really his show,” said Odegard. “He was just Total Domestic members representing monies for 1983 getting to where you have to rate the outraged by the obscenities, the explicit Receipts from from England, France, Germany, Sweden songs.” graphics and heavy metal in general. We Foreign Societies 12.700.000 and South Africa as follows: Miss America’s comments are represen- nearly went out of business after that Total Receipts $160.660.000 Engiand $6,382,000 of the type of media coverage the show because it was so negative for us.” tative Salaries and expenses for the New York France 3.230.000 evoked. In what has Odegard said the NAS has received to 2.386.000 ratings issue has headquarters and the 22 branch offices Germany emotional, well date approximately 7,000 letters on the Sweden 737.000 emerged as a highly to amounted $27,476,000. As of August South Africa 363.000 planned and extremely well presented (continued on page 36) Total $13.098.000 media campaign by the proponents of record ratings, opponents in the music Behind The Bullets In addition, ASCAP distributed industry have been caught off guard, $14,088,000 to its members and affiliated unprepared and disorganized. The media Hooters, Cheap Trick Score! societies representing funds released this issue from escrow after ASCAP’s victory in the circus that has developed over By Stephen Padgett has placed opponents of ratings in the Buffalo Broadcasting case. Therefore, for unenviable position of defending every The Hooters has surprised everyone showing growing strength at radio. the period ending August 31, the total of with its LP, lewd lyric ever written or performed. In debut Columbia "Nervous This week finds the single still being all distributions amounted to Night”. this game of media attention, those On the strength of two well added to many stations, among them $129,686,000. received singles, objecting to ratings in the music industry “Nervous Night” has KQKQ, WLS-AM & FM, WZUU, WLRS, The Society is now processing a foreign are getting creamed. continued its climb up the LP chart. Z102 and KNBQ. distribution, scheduled for December, “You’ve got to understand that nobody Cheap Trick, who has been denied the Cheap Trick which will amount to approximately wins when you speak out on this thing,” hit they so deserve over their past few “Standing On The Edge” bullets to $17,500,000. efforts, has a bona fide its this said Kevin Odegard, executive director of success on 63 week. Richman Brothers re- It is important to remember that this is the National Academy of hands. “Standing On The Edge”, their ports it as Top 10. In the midwest. an interim report covering only the first (NAS). “You just get scorn heaped upon current Epic LP and its single, “Tonight Cheap Trick’s back yard, the LP is eight months of 1985. A report by AS- you when you talk about this thing It’s You” are bulleting and gaining doing very well. Radio Doctor in CAP’s independent auditors for the full because you automatically become the momentum. Milwaukee and Karma in Indianapolis year will be forwarded to ASCAP’s Larry Flynt of the music business.” Hooters show the record Top 15 as does members after the books are closed for Odegard has been a vocal opponent of Philadelphia’s Hooters gained wide Greensboro Record Center in the 1985. exposure with its first single, “All You south. The record is breaking out at Zombies”. “And We Danced”, the Lieberman in Dallas, The Harvard second single, has jumped intotheTop Coop in Boston and Scott’s Wholesale 40, pushing the LP to 33 bullet this in Indianapolis. week. Radio didn’t know if it wanted Hooters has always been a Philadel- another Cheap Trick single. After an

phia favorite, so it is no surprise that initial mild response which brought the Richman Brothers Distributors there single on the Pop Singles Chart in the

reports the LP in its Top 10. Straw- low numbers, it lost its bullet. After a berries in Boston is also Top 10 with couple of weeks of standing on the “Nervous Night”. Elsewhere, the re- edge in the ’70s, “Tonight It’s You” cord is Top 20 at CML One-Stop in looked like it would finally fall off. But St. Louis and Homer’s in Omaha and luck, and a strong single, pulled the Top 30 at Tower Records-San Diego, record through and last week it re- ON THEIR MINDS — ASCAP members Peaches in Kansas City and The bulleted, jumping from 67 to 60. This Rodney Skipworth (!) and Phil Turner (r) MONEY FOR SOMETHING — Dire Straits Harvard Coop. Scott’s Wholesale in week it leaps from 60 to 54 bullet. New are pictured above with ASCAP member- recently performed three sold-out nights Indianapolis and Mainstream in Mil- adds breathing new life into the single ship representative Vivian Scott during at the Greek Theatre in Los Angeles as waukee show the record breaking out. were in from WGFM, WPRO, WKDD, the recent kick-off ceremonies for “Har- part of their first U.S. tour in five years. "And We Danced”, at 37 bullet, is KAFM, B95, KWOD and KLUC. lem Week" at New York's City Hall. Pictured here is Mark Knopfler.

Cash Box/September 28, 1985 7 .

EXECUTIVES ON THE MOVE

Friedman Dill

Buckingham Meiller

Friedman Promoted — Vivien Friedman has been promoted to vice president of public relations and creative services for the Chappell/Intersong Music Group- USA. She is responsible for national public relations for Chappell/Intersong, its roster of writers and writer/artists, and affiliated companies. She was named director THE JETS TAKE OFF — Newly signed MCA recording artists The Jets, consisting of the department in 1984. of 8 of the more youthful members of the Wolfgramm family, recently dropped by Dill Appointed — Johathan Stone, vice president, publishing, Qwest Music Group, the Los ^ngeies headquarters of MCA Records to meet the staff. Originally from has announced the appointment of Deborah Dill to the position of director, writers the Polynesian kingdom of Tonga, located 2,000 miles southwest of Hawaii, the relations, Qwest Music Group, effective immediately. Dill, who has been with Qwest Wolfgramm family eventually settled in Minneapolis. Self-contained, The Jets consist for a year was formerly coordinator creative services for MCA Music Publishing of five young men and three young ladies ranging in age from 11 to 19. Their self- for four years. Her various experiences in music publishing also include ABC Music, titled debut , produced by David Rivkin (Prince’s engineer) and the group’s Infinity Music and Screen Gems. manager, Don Powell, Is due for release in October. Pictured standing (l-r) ard: Norman Golden Named — Kristen A. Golden has been appointed supervisor, contracts, Kurtz, the Jets’ attorney; Eddie of The Jets; Ernie Singleton, national director of r A&R administration, CBS Masterworks. Golden will monitor contract compliance & b promotion, MCA Records; Kathi of the Jets; Jheryl Busby, senior vice president for all Masterworks recordings and review synchronization license and similar music of black music, MCA Records; Irving Azoff, president MCA Records and Music Group; usage requests for Masterworks product. Don Powell, The Jets’ manager and co-producer; Leroy of The Jets; Vake and Michael Macon-Lessinger Named — Sherry Marsh, director of A&M Video, has announced Wolfgramm, mother and father of The Jets. Kneeling from (l-r): Eugene, Elizabeth, the appointment of Steve Macon-Lessinger to the position of national sales Moana, Haini and Rudy of The Jets. marketing manager for A&M Video. Macon-Lessinger had formerly held the position of national sales manager at Active Home Video. Prior to that he was the national BUSINESS NOTES sales consultant at ZBS Industries. Buckingham Named — Bonnie Garner, vice president, A&R, CBS Records Nashville Schwartz Brothers Report has announced the appointment of Nashville-based producer Steve Buckingham to director, A&R/producer, CBS Records Nashville. In his new role with CBS Sales And Earnings Up Records Nashville, Buckingham will work in conjunction with the vice president of A&R in the scouting of talent and material, the evaluation and signing of artists, NEW YORK — Schwartz Brothers, Inc. reported continuing increases in sales and and in the guidance of artists’ recordings. In addition, he will act as producer net income for the second quarter and first half ended July 31, 1985. of selected CBS projects. The distributor of video cassettes, records, tapes, compact discs and related Haft Named — Jack Craigo, president, and Paul Hutchinson, senior vice president accessories said that net income for the second quarter soared 113% to $179,872 of finance. Chrysalis, have announced the appointment of Jonathan D. Haft as from $84,505 on a sales increase of 66% to $15,383,433 from $9,261,301 in the senior director of legal affairs, effective immediately. Haft will be responsible for comparable period last year. Earnings per share were $.22 compared to $.10. Net overseeing contract negotiations and overall legal affairs for Chrysalis. income before extraordinary items was $134,278 or $.16 per share this year and $52,365 Lasher Promoted — Daniel Glass, Chrysalis Records’ senior director of promotion, or $.07 per share a year ago. For the first half, the company’s net income rose 193% has announced that Neil Lasher has joined the company as mid-Atlantic regional to $401,072 from $136,738 on a sales increase of 56% to $30,452,174 from $19,505,676. promotion/marketing manager. Lasher is based in Washington, D.C., and will be Earnings per share were $.50 compared to $.17 in the first half last year. Net income responsible for overseeing promotion/regional marketing activities in the territory before extraordinary items was $296,925 or $.37 per share up from $85;598 or $.11 encompassing Virginia, Washington, New Jersey and eastern Pennsylvania. per share in the first six months last year. Meiller Named — Gramavision Records president, Jonathan Rose, has announced Net income for the first half is the highest in the company’s 40-year history. The the appointment of Jean-Pierre Weiller as vice president and general manager increases are attributed to the surge in distribution sales of video cassettes. In August of the company. Weiller, most recently Charge de Mission for the French Music the company decided to close its computer product division and its Tidewater, Virginia Industry, was founder of Europe Records (1980-1984) and general manager of “one-stop” record and tape wholesale operation. Neither of these operations were Celluloid Records. meeting the company’s profit goals. Caronia Appointed — Brown Meggs, president of Angel Records has announced the appointment of Tony Caronia as vice president, eastern operations, Angel Dionne Warwick to Donate Song Records. Caronia joined Capitol Records distributing corporation 22 years ago today as a salesman in the New York branch. He subsequently served as special Proceeds to Aids Research accounts manager (New York) and Angel sales & promotion manager (East) before being named director, classical operations (East Coast) in November 1976. NEW YORK — Arista Records has announced that the net proceeds from the upcoming Paoletti Promoted — Yvonne Paoletti has been promoted to manager, video sales Dionne Warwick recording “That’s What Friends Are For” will be earmarked for a — west coast, RCA and A&M and associated labels, a new position. The national AIDS research organization. The song, which was written by Burt Bacharach announcement was made by Allan Stein, national video sales manager, to whom and Carole Bayer Sager and produced by Bacharach and Sager, features, in addition she reports. Paoletti has been with RCA Records since 1971, when she joined to Warwick, Stevie Wonder, Elton John and Gladys Knight, all sharing vocals. Warwick the company’s order services department. Most recently she was a Los Angeles and friends had been working on the song for inclusion on her next Arista album sales representative for RCA Records. In her new position, Paoletti will be and after being approached by Elizabeth Taylor, who is in the AIDS research cause, responsible for coordinating all western distribution of RCA video sales product. the singers and writers offered to donate their portion of the proceeds from the song Rabinowitz Promoted — Sheldon Rabinowitz has been named vice president. (as a single and as an album track) will go to the organization as well. Rabinowitz joined Vestron Video in 1983 as controller. He was since been named A video of “That’s What Friends Are For,” directed by John House with all the treasurer and will now serve as vice president and treasurer. He came to Vestron principals on hand, was shot at Conway Studios in L.A., whose personnel donated from the New York office of the Itel Corporation, where he most recently worked their customary fees to the organization. The single is scheduled for a mid-Cctober as director of accounting. Rabinowitz was previously with the public accounting release, with Warwick’s album to follow later in ’85. firm of Ernst and Whinney. Witlin Promoted — Alison Witlin has been promoted to the newly created position i T-l-C-K-E-R-T-A-P-E of professional manager at Unicity Music in Los Angeles. Witlin’s new

: responsibilities include working closely with staff and outside writers and exploiting : NEW YCRK — The Young Black Programmers Coalition, “a black radio organization the existing Unicity Catalog. for progress,” will hold their eighth annual meeting, Nov. 15-17, in Crieans; call ; New de Raaff Appointed -- Andre de Raaff has been appointed as managing director i Barbara Lewis at (504) 242-3131 for details . . . The Library of Congress’ American of Intersong Basart Publishing Group R.V. and Chappell & Co. Holland B.V. de I Folklife Center has just published American Folk Music and Folklore Recordings 1984: Raaff has been general-manager of Intersong Basart Publishing Group B.V. during A Selected List; it is available free of charge from the Library, as is Recording Companies I in North the last three years. America Specializing in Folk Music, Folklore and Ethnomusicology . . . “Design for Music: Feniello Named — Michael J. Feniello has been named national product manager ; Record Cover Design from the ’30s to the ’80s” is the name of a series for Sony Professional Audio Division. His responsibilities include product and of lectures being given on Tuesdays in Nov. at N.Y.’s Cooper-Hewitt Museum by ;-4artina Schmitz of market analysis, product training and trade show support. the Person’s School of Design; (212) 860-6868 . . . Composer/ Wilke Promoted — Michael Wilke has been promoted from product manager, Ampex arranger Mike Barone has joined the Cameron Crg. for personal management 196 and 175 Video Tape Products, to marketing manager. Video Tape Products representation . . . Live From Lincoln Center will celebrate Julliard at 80, over most at Ampex Corporation’s Magnetic Tape Division. ! PBS stations Cct. 5.

8 Cash Box/September 28, 1985 — NEM^

The Biggest Gets Bigger Westwood One Purchases Mutual Broadcasting By David Adelson public offerings of 1985. The purchase will mean Westwood LOS ANGELES — After a year of rumors One’s acquisition of affiliation agree- and speculation, Westwood One, the ments with 860 radio stations in addition nation’s largest producer and distributor to a programming service agreement with of nationally syndicated radio programs, 2,200 other outlets. has effectively doubled its size with the In addition to Mutual’s production and acquisition of the Mutual Broadcast vendor contracts, Westwood One will Systems. acquire the network’s Arlington VA head- The company reached “an agreement quarters and its Bryn Mawr, PA satellite in principle” to acquire the operating up link facility. Mutual staff numbered assets of Mutual from the Amway approximately 200. corporation. Westwood One expects to make few Though the price of the sale has not changes at Mutual, which is headed by been officially announced, sources place former White House Secretary Ron COLUMBIA COLLOQUY AT MTV BASH — Backstage at Radio City Music Hall, the sale price to be under $20 million. Nessen. The Larry King show will remain Columbia Records executives and artists celebrated their victories at the MTV Awards. Amway purchased Mutual in 1977 for on the network. Joining the festivities were: Awards presenters Herbie Hancock and Paul Young; winner approximately $15 million and has con- According to Westwood One chairman, Philip Bailey (for "Best Overall Performance’’); Columbia senior vice president and sistently been unable to turn a profit. Norman Pattiz, “the Mutual Broadcasting general manager Al Teller; Colin Hay; members and manager of Lisa Lisa and Cult Amway will retain its satellite transmis- Systems is the perfect acquisition for Jam and Full Force; members of Loverboy; Cock Robin; and Journey; and Columbia sion services division, which will continue Westwood One. It not only doubles our vps Bob Willcox, Mickey Eichner, Arma Andon, Ray Anderson, Ron Oberman. to transmit mutual programming after the size but it takes maximum advantage of transaction which is tentatively scheduled operational potential that will allow us to to be completed in November of this year. Henley Sweeps MTV Awards expand our excellent margins. Mutual is The transaction is tailor made for a solid, well respected organization in failed to overcome the show’s technical Westwood By Gregory Dobrin One, which has long desired radio Network news. They have some of flaws. Missed ques and botched tape to make a larger penetration in the upper the best people in the business. Larry LOS ANGELES — New York’s Radio City transmission plagued the cable network’s demographics. The acquisition caps over King, Hall Ron Nessen and Jack Clements are Music served as backdrop for the self-salutation, attended by top music eight years of rapid growth which was as good as they come and we look forward recent Second Annual MTV Video Music personalities, including Cyndi industry highlighted by one of the most successful to working with them.” Awards ceremony, where Geffen record- Lauper, Gariy Simon, Boy George and ing artist Don Henley’s The Boys Of Deborah Harry. Summer collected the lion’s share of RCA recording act Eurythmics made awards. Other videos honored by the their 1985 performance debut with a Record Bar, Licorice Pizza network with multiple awards were USA flashy, lip-synched presentation of For Africa’s We Are The World, which won “Would I Lie To You,’’ followed by Hot Foot it At Joint Confab best group video and viewer’s choice performances by Tears For Fears, Pat Padgett award, and The Art of Noise’ Close (To Benatar, John Cougar Mellencamp, Daryl by Stephen The Edit), best editing which won and Hall and John Oates with Eddie Kendrick HILTON HEAD, S.C.— "What’s your most experimental video. and David Ruffin and Sting. name? What’s your greatest fear? What’s Henley’s The Boys Of Summer won Special MTV Vanguard Awards were your goal?" asked Anthony Robbins of awards for best video, best art direction, presented to director Russell Mulcahy, Robbins Research Institute. The blazing best cinematography and best direction. Talking Head David Byrne and performer- mesquite crackled as members of The Aside from Henley, the only other single directors Kevin Godley and Lol Creme. Record Bar/Licorice Pizza management artist to win more than one award was Godley’s acceptance speech (Creme was crowded around the embers. Four Springsteen, Columbia’s Bruce who was ailing in London) criticized the video hundred gathered here for the 25th

awarded best stage performance for his Stagg industry for its “stagnation.” Anniversary and Convention ’85 to mark Dancing In the Dark video, and best male MTV’s Special Recognition Award was 25 successful years in the entertainment video for I’m Fire. Capitol’s Tina On given to Bob Geldof, for his role in retail business. They were also on hand Elisabeth Turner was given the award for best developing the Band Aid and USA For to initiate new ventures, most notably the female video for What’s Love Got To Do Africa projects. The award was presented purchase earlier this year of L.A.-based With It? by Joan Baez and gave heartfelt pause Licorice Pizza by The Record Bar, which for of the eight credit: Nominations each to an otherwise breezy show. extends Record Bar’s reach coast to coast general categories were voted by roughly Superstar presenters included Tina with 192 home entertainment stores. 1,700 members of the music video and Turner, Julian and David Lee But everyone’s attention on opening Photo recording additional community. Seven Roth, who was nominated in six catego- night, Wednesday, Sept. 11, was on categories voted only were on by profes- ries but won no awards for his popular Neuro-Linguistic Programmer Bobbin’s Record Bar president and CEO Ron sionals associated with those categories. videos. MTV’s best new artist award, voice and the fire. Robbins was brought Cruickshank is first behind Tony Robbins All nominations from the 760 came among which honored Eurythmics last year, was in by Record Bar president Ron Cruick- to walk on hot coals at Convention ’85, videos shown on MTV in the voting period given to Epic’s 'til tuesday. shank to lead his people in an exercise Hilton Head SC. — 1984 to 1985. viewer’s May 2, May 1, A carried live he hoped would change their lives — a The ceremony was over difference in people’s lives,” stated choice award was arrived at by viewer 12-foot walk across coals heated to 2400 MTV’s cable network and syndicated in Cruickshank. Cruickshank. who worked phone-ins during a two-week period at the degrees fahrenheit. “The firewalk is 90 markets nationwide by LBS Commun- as a human systems consultant to other end of August, 1985, while special recog- simply a metaphor for dealing with fears,” ications. The broadcast television version companies before joining Record Bar nition awards were determined by a commented Cruickshank. Approximately was edited due to offensive language and three years ago, claims that most com- network panel of 25 officials. 350 participated in the voluntary firewalk, aired through Sept. 22. The MTV awards panies are less than optimally effective The two-hour plus ceremony was five experiencing minor injuries. list is as follows: because their employees, “don’t feel a part hosted in irreverent fashion by Eddie This unusual approach to management OVERALL PERFORMANCE of that company, they don’t experience Murphey, whose forays into the ladies is only a small component of what Philip Bailey & Phil Collins, Easy Lover that company as trying to meet their needs room and onto the street drew laughs, but Cruickshank calls the ’human systems’ (continued on page 23) as individuals, they don’t experience that model. “The feel of our company is the company as hearing them,” he said. “So result of years of orientation on the 25 the focus for our company,” stated part of the (founding Bergman) family in Sal Chiantia Dies Cruickshank, "becomes looking at where terms of how they want to run their our people are, looking at what they are NEW YORK — ASCAP Board Member Sal president of ASCAP. “Sal and I first met business. They’re very people oriented. saying they want and then figuring out Chiantia died Sept. 13 on Long Island at when he was a young lawyer at Leeds They’re very interested in making a how to combine the needs of a $200 the age of 67. Music, and I was a young . I million company with the needs of 2,000 respected him as a colleague and loved Chiantia most recently held the position employees.” Asked about the bottom line him as a friend. I shall miss him.” of chairman of the board and chief and whether these exercises were paying After graduating from the City College executive of the National Music Publish- off in terms of records sold. Cruickshank of New York, Chiantia received his law ing Association and the Harry Fox Agen- responded, “Yeah. I’d say about 50 times.” degree, cum laude, from St. John’s cy. He was the president of those organ- The firewalk was only the beginning of University, and was a member of the New izations from 1966 to 1976. Chiantia also two-and-a-half days of intensive work- York Bar. He served as a captain in the served as President of MCA Music and shops with Robbins aimed at developing U.S. Army during World War II. While Vice President of MCA Inc. and was the leadership and communication skills. The overseas, he met Mariette, to whom he founding President of the International workshops were also designed to en- had been married for 37 years. They have _ Record Bar chairman of the board Barrie Federation of Popular Music Publishing. hance an individual’s self-awareness and one daughter, Melissa, and a granddaugh- ^ Bergman signals ’go’ to the next 25 years personal power. The overwhelming ma "The industry has lost a great advocate ter, Nicole. Chiantia resided in Port 5 after accepting award for Record Bar’s for music in Sal Chiantia," said Hal David, Washington, New York with his wife. !§ 25th Anniversary at Hilton Head, SC. (continued on page 23)

Cash Box/September 28, 1985 9 AIBUM BEliASES

UNCXER A RAGMG MOON mXSER DALTREY EATEN ALIVE — Diana Ross — RCA UNDER A RAGING MOON — Roger AFL1-5422 — Producer: Barry Gibb-Karl Daltrey-Atlantic 81269-1 — Producer: Rfchardson-AIbhy Galuten — List: 8.98 — Alan Shaddock — List: 8.98 — Bar Coded Bar Coded With the single “After The Fire,” the best Ross’ amazing longevity as a formidable piece of Daltrey/Who work in years, taking over the charts, Daltrey’s disc pop singer is staggering, and this Barry second solo Gibb produced LP is another testament is sure to rekindle enthusiasm for this to the vocalist’s taste, talent and commer- spokesperson for a generation. Other cuts cial appeal. From the forceful and rocking like Russ Ballard’s “Breaking Down title track to “Love On The Line” and Paradise,” and Bryan Adams’ “Rebel” give “Don’t Give Up On Each Other,” Gibb’s the vocalist a chance to really cut loose. songwriting and Ross’ vocal interpreta- A sure bet for a long shelf life, “Under tions are intimate, singable and definitive A Raging Moon” is Daltrey’s strongest CHR. work in some time.

LIGHTING UP THE NIGHT — Jack Wagner — Qwest 1-25318 — Producer: TOWN & COUNTRY — The Rave-Ups — Cllf Magness-Glen Ballard — List: 8.98 — Fun Stuff 103 — Producer: Stephen Bar Coded Barnlard — List: 8.98 Country-influenced rock is less a trend When “All I Need” topped the charts last simply potentially fruitful year, it was clear that a new musical/visual now and a personality had arrived, and this LP gives blending of akin musics, as is the case weight to Wagner’s presence as a singer of this debut from L.A.’s Rave-Ups. Full and recording artist. With top songs from of direction and purpose, “Town & producers Clif Magness and Glen Ballard Country” reveals songwriting depth on as well as David Foster and Jeff Lorber the single “Positively Lost Me” send-up and original Warner composition like the fun on “In My Gremlin” and out-and-out shimmering “Let’s Start All Over,” Wagner rock ‘n’ roll throughout the album. A real has the context and talent to deliver a solid find. LP.

MAURICE WHITE — Columbia 39883 — Producer: Maurice White — Bar Coded FLIP YOUR WIG — Husker Du — SST 055 — Producer Bob Mould-Grant Harris Much more pop-oriented than Earth, Wind & Fire LPs, “Maurice White” is an — List: 8.98 appealing solo debut with crossover in its grooves. From the strong tracking “Stand Beneath the faster-louder veneer, this Minnesota trio is one of the underground’s By Me” to “Switch On Your Radio” and the infectious “Children Of Afrika,” White brightest hopes. Already charting with its single “Makes No Sense At All,” Husker showcases his distinctive vocals in an energetic setting. Du’s latest is a self-produced and lyrically rich (if you read them) LP which rocks ASYLUM — Kiss — Mercury 826 099-1 — Producers: Paul Stanley-Gene Simmons with a fistful of speedy melodic turns. Sure to be one of the year’s top-selling — List: 8.98 — Bar Coded college radio . An unmasked Kiss is a Kiss just the same, and expect “Asylum” to continue the band’s commercial appeal. Solid songwriting and trademark vocals make this BLACK KISSES — Curtie and the Boom Box — ?A 1-7024 — Producer: Peter one a sure head-banger’s favorite. KoelewIjn-Albert Boekholt — List: 8.98 — Bar Coded A well-varied effort from the all-female Curtie and the Boom Box which skirts WE COME IN PEACE WITH A MESSAGE OF LOVE — Curtis Mayfield — CRC Euro-disco, American funk and energetic mixes of the two. 2001 — Producer. Curtis Mayfield — Norman Harris — Ron Tyson ~ List: 8.98 A classic voice from the history of soul music, Mayfield’s return with the current SATYAGRAHA — Philip Giass — CBS Masterworks I3M 39672 — Producers: Kurt product is in some ways a throwback to earlier sounds, though sporting a Munkacsi, Michael Riesman contemporary set of lyrics. A beautifully-rendered three-record boxed set, which includes an attractive booklet and complete libretto (in Sanskrit and translated), of Glass’s majestic opera SERIOUS BUSINESS — — Alligator 4742 — Producer: Johnny of the life of Gandhi. An impressive piece of work from the New York City Opera WInter- — Dick Shurman — List: 8.98 Orchestra and Chorus — haunting, gripping and delightful. Winter’s latest Alligator effort is a seamless blending of Winter’s and rock roots which boogies and burns. From the shuffling “Master Mechanic” to the ROBEY — Silver Blue 400073 — Producer. Joel Diamond ~ List: 8.98 — Bar Coded dripping “Murdering Blues” featuring Jon Paris on harp, “Serious Business” is Establishing a name for herself in the music industry with a version of “One just that. Night In Bangkok,” Robey debuts on this LP with an assortment of pop-DOR BETWEEN TWO WORLDS — Wire Train — 415/Columbia 40129 — Producer Peter material. Visual appeal and strong vocal potential make Robey a singer to watch. Manu — Bar Coded BEAT CITY — The Up Beats — Laser LLP 101 — Producers: Various — List: Challenging songwriting and forceful playing from Wire Train make this release 8.98 exhilirating. From the evocative “Last Perfect Thing” to the ringing riffs on “God Singer/songwriter Glen Statiras and company turn in a sizzling melange of punk, On Our Side,” “Between Two Worlds” is Wire Train’s best effort — let’s hope radio folk-rock, and synthesizer — sort of a Frank and the takes notice. noise cross between Zappa Byrds. THE HEAD ON THE DOOR — The Cure — Elektra 60435-1 — Producer Robert PRIVATE BEACH PARTY — Gregory Isaacs — RAS 3007 — Producer: Augustus Smith — Dave Allen — List: 8.98 — Bar Coded “Gussie” Clark — List: 8.98 The Cure’s latest on Elektra is its most potentially commercial in some time, With the title track 12” single becoming one of the summer’s top reggae releases, with the single “In Between Days” already stirring radio interest. Other cuts like this from Isaacs is sure to be a fall favorite. Exceptional songwriting and strong the driving “The Blood,” “A Night Like This” and “Push” are typically challenging LP Isaacs’ full control vocals. U.K. material. instrumentation complements

WITHOUT LOVE — Black ’N Blue — Geffen 24075 — Producer: Bruce Fairbairn KNOCKIN’ ON HEAVEN’S DOOR — Heaven — Columbia 40018 — Producer: John — List: 8.58 — Bar Coded Jansen-Paul O’Neill — List: 8.98 — Bar Coded

MORALLY BANKRUPT — Slime 002 — Producer: Morally Bankrupt — List: 8.98 ECOES IN THE NIGHT — Gary Brooker — Mercury 824 652-1 — Producer: Matthew Fisher — Gary Brooker — List: 8.98 — Bar Coded

TALK OF THE TOWN — Krystol — Epic 40044 — Producer: Leon F. Sylvers Ill- TASTE AND COMPARE — Leroy Airmaster — Mainstream 003 — Producer: Tim Joey Gallo-Wllliam Bryant-Wardell Potts, Jr. — List: 8.98 — Bar Coded Hale — List: 8.98 — Bar Coded SINGl£ RELEASES

ARETHA FRANKLIN (Arista 1-9410) DEAD OR ALIVE (Epic 34-05607) Who’s Zoomin’ Who? (3:59) (Gratitude Lover Come Back To Me (3:08) (Chappell Sky Music-ASCAP/Bellboy Music—BMI) Music/ASCAP) (Dead Or Alive) (Produc- (Walden-Preston-Franklin) (Producer: er: Mike Stock-Matt Aitken) Narada Michael Walden) Following in the wake of Dead Or Alive’s The second single from Aretha Frank- smash “You Spin Me Round (Like A lin’s explosive new LP “Who’s Zoomin’ Record)”, “Lover Come Back To Me” Who?” is this rolling title track guaranteed plays on the same signature rhythm track to pick up where "Freeway Of Love” left with similar results. An explosive chorus off. A brooding verse works into a syn- highlights this dance rock single which copated chorus which features Franklin’s should appeal to younger demos as well powerful-as-ever lead vocal. Sparse and as to a club audience. Look for radio to melodic instrumentation guided by Nar- act fast and for rock clubs to pick up on ada Michael Walden vault this track to hit the just released 12" remix. status.

PHIL COLLINS and MARILYN MARTIN (Atlantic 7-89498) SEE\RATE LIVES Separate Lives (Love Theme From WhItB HOWARD JONES (Elektra 7-69598) Like You Well (How- Nights) (4:06) (Stephen Bishop Music- To Get To Know (4:00) Gold Horizon Music/BMI-Pun Music/ ard Jones-Warner Bros.Adm. by Warner- PHIL COLLINS AND MARILYN MARTIN ASCAP) (Bishop) (Producer: Arif Mardin- Tamerlane/BMI)(H. Jones) (Producer: Phil Collins-Hugh Padgham) Rupert Hine) Howard Jones is on a roll. “Like To Get The Phil Collins golden touch is at it again on this tender ballad, the theme To Know You Well” follows the Top 10 Better” from White Nights. In the vein of the Mike “Things Can Only Get and Top Reno & Ann Wilson single “Almost 25 “Life In One Day”. This light and breezy the first Paradise” of last year, this engrossing and mid-tempo track was successful single in the U.K. and has some of the dramatic arrangement is perfect for CHR elements of Jones’ big U.S. debut, “What radio and is an excellent showcase for both Collins and Martin. A sure bet for Is Love?”. the top ten.

KAJA (EMI America B-8284) EVELYN “CHAMPAGNE” KING (Private I ZS4 05627) Shouldn’t Do That (3:32)(lntersong/ASCAP)(N. Beggs-S. Neale-S. Askew)(Produ- Give It Up (3:45) (WB Music Corp.-Walpergus Music/ASCAP; Sin-Drome music/ cer:Ken Scott) BMI) (D. Matkosky-B. Caldwell) (Producers: Alan George-Fred McFarlane) Nick Beggs And Co. are in vogue with the British penchant for anglicizing Sharp synthesizers drive this sparkling cut from the Fright Night motion picture in American R&B. Elements of soul, disco, funk and rap are wrapped a nifty little soundtrack. Dance diva King gives her all to this vital floor polisher, aided by rhythmic tune. a tight production.

“WEIRD AL” YANKOVIC (Rock ’n’ Roll ZS4 05606) One More Minute (4:02) (Holy Moley Music-Ear Booker Music/BMI) (A. Yankovic) ANGELA BOFILL (Arista AS1-9414) Derringer) (Producer: Rick Tell Me Tomorrow (4:35) (Random Notes-April Music, Inc.-Chappell & Co. Inc.- This Yankovic penned tune is filled with the singer’s usual off-beat approach David Lasley Music/ASCAP) (D. Lasley-R. Goodrum) (Producer: George Duke) this the style with hilarious to parody, time evoking lounge crooner peppered Bofill’s full-bodied voice is the ruling force in this slickly produced ballad. A romance-stopping lyrics. A possible CHR novelty chart racer. sensuous charmer, “Tell Me Tomorrow” has an ethereal ease to seduce new fans to the Bofill fold. Look for extensive B/C crossover play. RUPERT HINE & CY CURNIN (A&M 2772) With One Look (The Wildest Dream) (3:26) (April Music-Almo Music/ASCAP) (Merdur-Hine) (Producer: Rupert Hine) HEAVEN (Columbia 38-05615) Taken from the motion picture Better Off Dead, Rupert Hine here crafts an Knockin’ On Heaven’s Door (3:55) (Ram’s Horn Music/ASCAP) (Dylan) (Producer: energetic and sophisticated tune which works well as both a movie theme and John Janessen) a pop teaser. A bang-up version of the Dylan classic performed with new energy and verve from metalers Heaven. PROPAGANDA (Island 7-99629) Duel (4:11) (Perfect Songs-lsland Music/BMI) (Propaganda) (Producer: Propaganda) CARLY SIMON (Epic 34-05596) ZTT’s Propaganda debuts in the US with this melodic and distinctly pop effort. My New Boyfriend (4:01)(C’est/ASCAP)(Simon)(Producer: Paul Samwell-Smith) An appealing lead vocal, lightly bouncing dance beat and a slick production sheen The new single from “Spoiled Girl” is seventies Simon in an eighties casting. mark this distinctive track. More romantic upheaval as only Simon could express it.

MICHAEL FRANKS (Warner Bros. 7-28928) Your Secret’s Safe With Me (3:56) (Warner-Tamerlane Pub. Corp & Mississippi THE ICONOCLAST (Flipside 001) Mud Music Co./BMI) (M. Franks) (Producer: Rob Mounsey) In These Times (4:27) (The Iconoclast) (Producer: none listed) Astute lyrics and Franks’ breezy, jazz vocal give “Your Secret’s Safe With Me” Murky thrash rock which modulates into gloomy psychedelic breaks. From L.A.’s an appeal to casual and listeners Its J, serious alike. bouncy, hummable melody underground Flipside. could break Franks wide open with CHR.

HERB ALBERT (A&M 2779) FIRE, INC. (MCA 52693) You Are The One (3:40) (Almo Music-Ram Wave Music-Rutland Road Music/ Fast (Lost Boys Music/BMI) (Steinman) (Producer: Jim Steinman) ASCAP-Omeo Music/BMI) (Alpert-Williams-Barnes-Russell) (Producer: Herb Nowhere (3:57) Alpert-Romeo Williams) WHITE (United Voice 111) HOLLAND (Atlantic 7-89501) ELTON Club Party (Pt. (3:31) (United Voice Pub./BMI) (United Voice) (Producer: Elton Gotta Run (3:25) (Polar Frog Songs/ASCAP) (Holland-Cetner-Batio) (Producer: 1) Tom Werman) White) ROY AYERS (Columbia 38-05613) HARD COVER (Shanty Town 7-101) Slip ’n’ Slide (3:31) (Mtume Pub./ASCAP) (Mtume-Sainesbury-Henry) (Producer: Music-Beau-Di-O-Do Music/BMI) (Holland-Dozier- James Mtume) Do You Care (3:58) (Peirponte Holland) (Producer: Brian Holland) : GREENVILLE STATION-KELLI (LeCam 8385) ^Bye Bye Love (3:03) (House of Bryant/BMI) (Bryant-Bryant) (Producer: Major Bill Smith) REBEL (Accent 1397) You Married The Wrong Man (4;20) (S&R Music/ASCAP) (Freeman) (Producer: T.C. WATERS (MNF 8402) Rebelco) Helpless (2:39) (MNF Music/ASCAP) (Waters) (Producer: T.C. Waters)

sh Box/September 28. 1985 ‘ ^

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POINTS WEST NEW F/ICES TO W/4TCH STANDING FOR LOVE — AND MUSIC — Gary Myrick’s latest solo outing “I Stand For Love” is the culmination of a lot of time and work. Myrick is a longtime Los “What the Chili Peppers are,” says Angeles music scene stalwart, who with his band the Figures was one of the Flea, a Red Hot Chili Pepper, “is a highlights of the burgeoning L.A. sound of 1979-80. After splitting the Figures bone-crunching kind of mayhem/funk and recording his first solo effort “Language” in late 1983 and then working with situation. We’re like the wildest band John Waite on the highly successful “No Brakes” record (Myrick co-wrote five that ever walked the Earth, we get into tunes on the album) the guitarist/singer/songwriter felt it was time to commit his the deepest groove to rattle one’s musical evolution to vinyl. Equipped with a new label (Network) and a high-energy booty-o, and we’re just out to make NY producer (John Luongo), Myrick was set, and the results are impressive. everybody groove down in the best “ way. ‘Language’ is still one of my favorite albums, but really it served to set me up And we’re just consistently com- ing up with gems.” for where I wanted to go on this record,” he says. “I had worked with But, oh Flea, just who is this bone- John on a remix for “Guitar, Talk Love crunching mayhem/funk appealing to? And Drums” from ‘Language,’ and I Red Hot Chili Peppers was very impressed. He has done a lot “We’ve got music for the Barry of dance mixes, and so he understands Manilow crowd, music for the Ornette Out popped “Freaky Styley.” the danceability of songs, but he also Coleman crowdr-music for the hard “Working with George Clinton, was has a really good rock feel.” Though rock crowd, we’ve got music for the like, the coolest thing I’ve ever done in life,” Flea, “because George the Texas-born Myrick is well versed funk crowd, we got music for the my says in classic lead guitar playing — anyb- freaks. It’s ‘Freaky Styley,’ man, so is one of the strongest, most warm and you’ve smart, and know-when-to-talk-and- ody who has seen his live shows is got your freaky music, you got when-not-to-talk kind of guys. He just aware of that — “I Stand For Love” your styley music.” live places a lot of emphasis on the songs Fair enough! let us play. Everything was done — didn’t use any kind of computers and the overall arrangements. “I have The Red Hot Chili Peppers are Flea we rhythm machines or to keep the guitar thing in there, (a/k/a Michael Balzary), Anthony or synthesizers or Kiedis, Hillel Slovak and Cliff Martinez. anything like that. He brought out our because I love it, but we wanted to give this record depth and dimension.” Flea and Kiedis started out a couple best, the best we could have done at inspiring — he’s GARY MYRICK — Taking a stand on his Adding surprising vocal edits and a of years ago as a lark. “We just started that time. He’s very exploding in latest Network effort, "I Stand For Love." variety of guitar textures, Luongo and to play,” says Flea, “we never re- like a cosmic love bomb Myrick created a distinctive rock hearsed. We played at this one club all directions at once.” The hot rap/funk of the Red Hot Chili album with something for everybody.” For this album it was really just a question and completely blew the roof off the all “Freaky of writing a lot of songs and then picking the best material, not settling for any house. They asked us to come back Peppers bubbles over If it don’t make your leg shake, filler. I the next week, Styley.” really enjoyed working on the ‘No Brakes’ album, but it also taught me we came back and did two songs, then your leg’s a log. As to their live show. a lot about what I wanted not to do, what to strip down.” With the first single and we did a couple and video — “When Angels Kiss” already out, and many northeastern AORs jumping of other clubs, and we became the Flea says, “We just move the beat in I which rattle all over “I Stand For Love,” this project could be a major success for the hard- hottest band to see in L.A. and Hol- heavy extremist motions the nerves.” working Myrick, and he says, “Its really great being with Network, because they lywood real fast.” the senses and frighten are with is Voila these white funkmeisters with Where, then, do you go from here? t Geffen which with Warner Bros., so its like I have three teams of people their “We’re just going to get dqeper and helping out on the album.” But even with all that help, the real strength is in wild and wooly stage show the music. became red hot in L.A. and managed deeper and branch out and extend says Flea. “The good NEW HAVEN FOR JAZZ — When the Palace Court opened earlier this year (above to come up with an eponymous EMI more and more,” playing funk, which our the Palace in Hollywood) there were complaints that the room was too hard, that debut last year. But wait — some brain thing about labelled, is that it’s a the Vine St. had cornered the Hollywood jazz market and other such dim views, at EMI, or somewhere, decided that in music has been limitless form of music. There are but in less than a year, the Palace Court has established itself as on of the classiest order to bring out the reddest, the very million different ways that you can and most successfuj jazz rooms in the area. Featuring such well-known players hottest, the chiliest in the four lads, it a any as Freddie Hubbard, Harold Butler, Stanley Jordan, Ernie Watts and Jack was necessary to bring in the Towering go in what we’re doing. There’s direction that we can take, and we’re DeJohnette, the club is packing ’em in, and booker Steve Rosen is ecstatic. “People Inferno of funk, George Clinton. Into definitely going to take one or three have been very responsive to the room, and as a matter of fact. I’m getting a the studio they all piled — Clinton, lot Chilis, some P-Funkers, all else. of them.” of calls from people who I never thought I’d be working with,” says Rosen. who A case in point is last week’s two night stint with Rickie Lee Jones. “She actually contacted us,” he explained, “her agent is a good friend of mine, and they called

us a couple of months ago. She was really excited about doing it and we loved it.” Gigs like that and a recent Stan Getz show in the big room downstairs in NARM Indie Conference Set For which Stevie Wonder got on stage and played for almost an hour are helping to give the Palace Court and Rosen a substantial name around town and in jazz October 10 to 12 circles. Wayne Shorter is set for a five-night engagement at the in early Court LOS ANGELES — “Business is good for leading entertainment attorney, will speak October in support of his first solo album out on Columbia. the major independent distributors, most on benefits independent labels can offer ARTICULATION OF TRAGEDY — Presenting a real life tragedy through music of whom are making a profit this year,” artists. M.S. Distributing’s Salstone will or video is always a difficult and sensitive thing, yet the of power Doug Cameron’s according to M.S. Distributing executive speak will speak on how independent debut LP and its first single and video With Mona The Children is just plain searing. vice president and chief operating officer distributors can work together for the A song penned about the true story John Salstone. Salstone will be one of the future. And Leslie Rosen of the Compact of one Mona Mahmudnizhad, a 1 6-year featured speakers at the fourth annual Disc Group will discuss new develop- old Baha’i girl who was hanged in Iran National Association of Recording Mer- ments in that medium. in 1983, “Mona And The Children” is chandisers Independent Distributors Saturday, Oct. 12 has been reserved for in itself an emotionally gripping work, Conference, Oct. 1 0 to 1 2 at the Sheraton more independent distributor/manufac-**^ yet together with its video, Cameron’s Bal Harbour, FL. turer one-on-one meetings. f American debut is quite amazing. The “Much has changed in the 1980s,” he •v Canadian singer/songwriter has a debut said, adding “our demise has been greatly LP out on Gold Mountain/A&M-Danny exaggerated. But the same horses are Goldberg’s label which also features pulling the wagons — independent entre- Bruce Cockburn and Carla Olsen preneurs who are in the street and the among its roster — which is the work in’s and out’s of the business.” of an impressive songwriter, yet the The Conference is being co-chaired by tale of the persecution of Bahai girl — Eric Paulson of Navarre Corp. and Dennis is gripping. tale The stems from an Baker of Action Distributing. It gets incident in which, along with Mona, underway Thursday, Oct. 10 with a nine other women were sentenced to TELLING A STORY — Doug Cameron's welcoming poolside luncheon. Independ- death-by-hanging for refusing to first Gold Mountain/A&M release contains ent distributor/manufacturer one-on-one abandon their religion. The video for the engrossing and tragic story "Mona meetings take up rest of the afternoon. the cut was shot in Toronto by director And The Children. Following an evening reception, the Rodney Charters and features a cast of approximately 250 people. dinner meeting will feature welcoming CLOSE TO THE EDIT — L.A.’s famed Street Scene to be held September 27- remarks by Baker, the NARM President’s 29 will feature Stevie Wonder, the Blasters, Midnight OH, James Brown, Richard welcome by Jack Eugster of the Music- Pryor, Big Joe Turner, Rich, Buddy Etta James and many, many others . . . Dionne land Group, and keynote speaker Lou Warwick’s single “That’s What Friends Are For” on Arista features Warwick, Wonder, Kwiker of Wherehouse Entertainment. Elton John and Gladys Knight, and the Arista release will see all proceeds going Following breakfast on Friday, Oct. 11, to a national AIDS HAGEN DE AIRWAVES — Nina Hagen » research . . . organization Phantom, Rocker & Slicks’ debut is the General Business Session, chaired ' dropped by KNAC, Long Beach's new ! LP hits this streets this week and the group will be in the UK October 7 to take by Eric Paulson. Fantasy Records pres- studios for a live interview. Pictured (I- 3: part in a special TV trib to Carl Perkins. LP includes guest spots from Jeff Beck, ident Ralph Kaffel will address how [ Eric Clapton, r): Roland West, KNAC music director,* *' Jimmy Page and Bill Wyman . . . World Beat comes to L.A. at the independent record companies can help Kevin Glen KNAC promotion director, Palace September 25 with the Looters, Big City, Freaky Executives and MapenzI. assure financial success. Paul Marshall of ^ Hagen and Jimmy "The Saint" Chris- Peter Holden Marshall, Morris and Wattenberg, a topher, KNAC program director. f

12 Cash Box/September 28, 198J ^ Cover Story B4ST COASTINGS

A MAN NEEDS A FARMAID — Woody Allen once remarked that casual sex is a pretty empty experience, though as empty experiences go it rates pretty high. Well, watching Nell Young plough through 30 minute versions of 10 year old songs that were never that good to begin with was likewise a first rate second rate experience. But Young, performing at Pier 84 on September 10, proved he had a heart of gold when he talked mov- ingly about the plight of farmers and repeatedly plugged FARMAID and the Harkin Farm Reform Bill. The next morning he even appeared on ABC’s Good Morning America where he said the farm crisis was on his mind “all the time.” Another side of farm unem- ployment — that is, what farmers do with all their enforced leisure — was jocularly addressed by Ned Sublette at a CBGBs show September 13. Sounding like an AM-radio swamp preacher in an SRO hotel, Sublette ripped through songs like "Cow Mut- SOME GUYS — Steve Lillywhite (I), ilation” and “The Devil Took the F producer and Mick dagger of The Rolling Train.” His five man band will perform finishing Stones, putting the touches on September 27 at a New Music Seminar the forthcoming Stones LP at RPM, NYC. showcase where he’ll likely infect more people with his bubonic humor. THEY’RE AN AMERICAN BAND — New York’s Del Lords ground up the histoi^ of rock ’n roll and chewed it with its mouth open September 15 at Maxwell’s in Hoboken, N.J. Not only does their unpretentious approach to rock sound ready- Shakin’ Up Country made for arenas, but they look like rock heavyweights too, somewhere between the Clash and Creedence Clearwater Revival. At Maxwell’s they performed new rave-ups (“Only Love Can Set You Free”) and old crowd pleasers (“I Believe There’s

. . all By Bill Fisher and more feel than perfection of a Heaven Before I Die”) while spicing the set with a dangerously quiet version

our records are fun . . We work real hard of Springsteen’s “Johnny 99.” Their show was well-paced and well played and

After achieving national recognition as on our vocals, I think, and they are the crowd — they attract the best-looking audiences — was still calling for more the winners of the 1984 Star Search probably the most polished of anything, after they closed with an encore of Neil Young’s “Union Pacific.” television talent competition, and after but you know, the drums are a little more YOU HEARD IT HERE FIRST — Tour dates are set for A&M recording artist Marti signing with Capitol/Curb Records, Saw- rock ’n’ roll, the guitars are a little more Jones, whose A&M debut album “Unsophisticated Time” has already spawned yer Brown’s career has been marked by ragged than a perfect country record . . a single in “(If I Could) Walk Away.” Maxwell’s in Hoboken will be the site of an unusual degree of success — on the ’cause we’re just madmen in there having her first New York area concert on September 26, followed the next night by a charts and in the building of a large, fun.” Sawyer Brown’s reputation for New Music Seminar spotlight show at Irving Plaza. Her touring band will include enthusiastic audience. The future for the manic excitement on stage remains its producer/songwriter Don Dixon on guitar, db Chris Stamey on bass, Ted Lyons band has never been brighter: Capitol/ proudest boast, and the group has been on drums and Mary Mack on keyboards. This temporary Marti Jones band will Curb has just released its second album, extending that reputation tremendously then tour major cities from Miami to Boston later this fall, with west coast dates "Shakin’,” and this week the group is over the last year while touring with Kenny tentatively scheduled for the winter. In between, Dixon will produce the new Bongos jetting to Japan with Kenny Rogers for Rogers. Opening for Rogers has been album. In related news, an engineer at Reflections, the Charlotte studio where a series of shows that the quintet hopes more than a strictly musical experience, Marti’s album was cut, revealed that he recorded five live R.E.M. shows last fall will be the beginning of strong interna- however. Miller observed, “Most of what and has assembled a master tape for potential release as a live album. The as tional acceptance. we’ve learned is from watching how the is released early next year. tour’s been set up — the actual business yet unsigned master ready for mixing and could be by The band is comprised of: Mark Miller, Explains recording engineer Mark Williams, “R.E.M. was getting ready to drop going on . . in taking that kind of an lead vocals and rhythm guitar; Bobby live figured recording it free entourage from city to city every day and a lot of their early material from shows and would Randall, lead guitar, fiddle, steel guitar, them from actually playing it.” not losing anybody. That’s been, I think, harmonica and vocals; Gregg Hubbard, an education in itself.” IN — With no apologies to George C. keyboards and vocals; Jim Scholten, bass; WORLD FAMOUS THE EAST VILLAGE will making half dozen performed with ferocious tape and Joe Smyth, drums and percussion. The band be a Scott, the two-man band They Might Be Giants concert appearances in four Japanese loop backing at the East Village club Neither/Nor. John Flansburgh and John Linnell For its upcoming dates, the group has cities on its upcoming trip, and Miller says are the prolific singing/songwriting play highly entertaining original tunes added a synth player and a reedman to duo who that the group is eager to tap foreign like “She Was a Hotel Detective” and help match the sound of its new album, markets. “We’d iike to tour Europe,” he “32 Footsteps.” They will also which has a slightly bigger sound overall. be said. "We’d like to be an international act playing a New Music Seminar show-

Sawyer Brown’s first Capitol/Curb . . to be able to go to other countries and case at 8 B.C. on September 27. For single, “Leona,” peaked at 28 on the draw a crowd and them be familiar with a sample of this appealing, eccentric country chart in the final week of last year. our music. So this is just kind of the mix, call their Dial-a-Song service at That was a highly respectable debut, to beginning, we’re hoping.” 718-387-6962. be sure, but the second single, "Step That Sawyer Brown is managed by C.K. Step,” went all the way to number one COASTING OUT — The Washington Spurlock and Mickey Baker’s Starbound last May, and the group’s self-titled first Squares, those gone hepcats from Management, and the game plan for shopping album hit number two on the country LP Greenwich Viliage, are AN AUDIENCE WITH THE QUINN — making the band look and sound good for producer for their new chart. That album remains in the top 10 around a Capitol Recording artists Ashford and includes an array of product endorse- . . . Dl reports that her still, with sales around 300,000. A third album Princess took some time backstage ments from Pearl drums, Schecter guitars Simpson favorite song is Spandau single, "Used To Blue,” reached number all-time during a recent NY appearance to chat and D’Addario strings to the group’s her favorite bands two just this month. Ballet’s “True” and with MTV VJ Martha Quinn. After enjoying trademark Converse tennis shoes and, Dire Straits. She are Spandau and the success of their single, "Solid" from possibly in the near future, a clothing The new album, like the first, presents didn’t mention the Sex Pistols . . . Lou their recent of the same title, they have company endorsement. LP a group that is obviously oriented toward is in studio recording his next Reed the written their first Broadway play and are pure entertainment and that means live album due for release in early ’86. The first single from ‘‘Shakin’” is RCA in the recording studios for their upcom- entertainment. The recorded Sawyer Reed’s “don’t settle for walking” print “Betty’s Bein’ Bad,” a song that is the ing 1986 Capitol LP release. Brown is important, but the heart of this spots for Honda scoot- perfect vehicle for Sawyer Brown’s party and TV promo group is found in the spotlight. Said lead been credited by WIeden & Kennedy (Honda’s ad agency) as having time persona. A video of the tune has been ers have singer Mark Miller, "We’re not gonna let had a “significant impact on increased sales” of the motorbike . . . Shannon has completed; shot in Manhattan, it was anything technically imperfect go down her version of Foreigner’s “Urgent” as a single . . . Sheena Easton’s directed by Martin Kahan (who did Ricky just released on the record, but the music’s got to Nile Rodgers produced album (tentatively titled “Do You”) will be released Skaggs’ equally upbeat and very popular new absolutely feel good. Sometimes I think by EMI in October. Included on the album are two songs by Rodgers and a reportedly Country Boy clip). that if you get too technical with your blistering cover of Martha and the Vandella’s “Jimmy Mack.” Little Steven Van music you might — well, ‘we’ would lose The Country Music Association has Zandt has announced, that , Peter Townshend, Daryl Hall and Bob something if everything was just ‘pol- recognized Sawyer Brown’s outstanding Geldof are participating in the recording of “Sun City,” the anti-apartheid song ished,’ freshman success with a nomination for September you know.” Guitarist Bobby Ran- . . . Robert Gordon will bring his brand of rockabilly to the Lone Star on dall added, "I the Horizon Award, and the group has a will perform 18 at think that some producers 27 . . . Buster Poindexter and the Banshees of Blue October and some people work so hard at making good shot at winning. For Sawyer Brown, the Bottom Line. it so perfect, so polished, that they lose the award would mark the end of an Paul lorio a little bit of the personality, a little bit incredibly rewarding first year as a of the feel. Our music is more personality recording group.

ash Box/September 28, 1985 13 POP RADIO "

Z93 — Winston-Salem — Rob Leonard ' MOST ADDED THE JOB MART 1 Thompson Twins 4 D. Ross WZYZ CHR formatted station will be looking for a sales mgr., along with an account executive. Send resume/letter to: Jim Clark, WZYZ Radio, P.O. Box WJZR — Charlotte — Chrysler/Danlels 665, Fairmont N.C. 28340 EOE/MF . . . Q104’s accepting tapes and resumes for future openinqs F. Jackson at the station. T&R goes to Leo Davis, Q104, 752 Chestnut St., Gadsen, K. Bush AL 35901 EOE/MF . . . WZMM, Wheeling powerhouse A/C station is looking for announcers M. White that have a strong voice and strong production skills. No beginners A. Franklin please T&R to: Rick Bryan, WZMM, 98 16th St., Wheeling, WV 26003 EOE/MF . . . TaMara and The K106 is Seen in the market for an aggressive promotions director. Two years of experience in typing/organizational skills are preferred. T&R to: Michael O’Malley, 510 King Street #315, Alexandria, VA 22314. EOE/MF ... FLY KSET — El Paso — Randy Rodriguez 92 is seeking someone for parttime work, the position could possibly become full time. J. Hammer "It’s a great opportunity” says Todd Martin, WFLY, P.O. Box 12279, Albany, New York P. Young 12212 EOE/MF WGR I in Buffalo needs a parttime personality. Send to: Tears For Fears ^ T&R Chuck Lakefleld WGR AM/ FM, 464 Franklin St., Buffalo, New York 14202 . Oingo Boingo EOE/MF . . AOR format station is looking for a powerhouse type jock. Applicant must have good production skills. T&R to Rick Bryan, 98 16th Street, Wheeling, W.V. 26003. EOE/MF WSUS is looking for a full 0103 — Denver — Jack Regan time air talent. A personal interview is needed for the position T&R to: STRONG ADDS B. Springsteen Frank Garrity, WSUS P.O. Box 102, Franklin, New Jersey 07516 EOE/ MF . . . WKVT-AM/FM is O.M.D. seeking a reporter/anchor for its drive time shift in the Scritti Potitti evenings. T&R to: OM, 1490 Brattleboro, VT 05301 EOE/MF . . . Lay Your Hands KAPV in Apple On Me — Thompson A. Franklin Valley is looking for two experienced parttimers. Knowledge of country music is Twins — Arista helpful C&R to Cory Baker, PD, P.O. Box 960, Apple Valley, CA 92307 EOE/MF You Are My Lady — Freddie Jackson Ih- . . . K105 in Oregon is looking for a young CHR personality who has, “incredible — Capitol KIMN — Denver — Doug Erickson goals and enthusiasm” says Dave O’Conner, P.O. Box 4303, Coos Bay, OR 97420 You Belong To The City — G. Frey Ready For The World EOE/MF . . . WZOZ is looking for a morning personality. “It’s a highly professional — MCA J. Cafferty atmosphere to work in,” says the PD. T&R to Ann Kolodziej, PD, WZOZ, 456 So In Love Tears For Fears W — Orchestral Manoeuvres Main St., Oneonta, New York 13820 EOE/MF . . . FM100 is looking for’ a news In The Dark — A&M B. Adams director who is strong in writing skills and news delivery. Interaction with the morning air staff is a must. T&R to Robert John, attn; News Position, FM100 1960 Union Ave., Memphis, TN . . KKXX — Bakersfield — Squires/ 38104 EOE/MF . KGHL has an opening for an STATION ADDS experienced morning Kamper announcer with good production skills. T&R goes to 1 operations mgr., P.O. Box 30198, Billings, Thompson Twins MT 59107. No calls please . . . Kansas City’s KFKF is accepting tapes for future WBLI — Long Island — Bill Terry F. Jackson parttime openings. T&R goes go: Andy Holt, P.O. Box 6394, Kansas City, D. Henley Cheech & Chong MO 64126 EOE/MF . . . KLZS is looking for a morning personality as F. Jackson Mr. Mister soon as possible. “We’ve got a great deal if you can The Family become what people talk about.” T&R to KLZS Radio, 104 S. Emporia, Wichita,

KS 67202 EOE/MF . . . KZEL is WLAY — H. Lewis looking for a parttime jock. T&R goes to Kert Philadelphia — Scott Walker Martin, 2100 W. 11th Street, Eugene, 97402-3578. OR EOE/MF . . . KWRE in MO, Oingo Boingo is looking for a morning man for it’s country formatted station. T&R to: Steve M. White goes KQKQ — Omaha — Tayior/Dean Beeny, KWRE, P.O. Box 220, Warrenton, MO 63383 EOE/MF . . . WMFQ is seeking Mr. Mister an Hooters experience production genius to also handle some on-air duties. T&R to Dead operation Or Alive G. Frey mgr., WMFQ, P.O. Box 2092, Ocala, FL 32678 EOE/MF . . . WMJJ in Birmingham A. Franklin is looking C. Hart for an afternoon drive jock. Send resume to John Jenkins, assistant Starpoint A. Franklin program director, WMJJ, 530 Beacon Parkway West #600, Birmingham, AL 35209 EOE/MF . . . WSTU AM 1450 is looking for a morning man, “take over great numbers and build more . . . top salary will be paid.” WHTX — Pittsburgh Keith Abrams Send T&R to Barry Grant, operations >1 — ZZ99 — Kansas City — Todd Chase manager, WSTU Radio, 1000 Alice Ave., Stuart, FL ABC 33494 EOE/MF . . . WADA is D. Henley looking for a F. Jackson jock to handle its AM stereo afternoon drive. Joe Bello says, “Along O.M.D. with a good salary Talking Heads you will also have a company car.” T&R to: Joe Bello WADA A. Franklin Radio, P.O. Box 2388, Shelby, 28151 NC EOE/MF . . . WFKX in Jackson, TN is looking for air-talent with production skills. Send T&R to J. Michael Pruet, P.O. WPXY — Rochester — Tom Mitchell Box 2763, Jackson, TN WLS-AM — Chicago — John Gehron 38302. EOE/MF ... a top-rated CHR formatted station D. Henley in Lafayette is Night seeking a hot news anchor,” says Jim Stacy, T&R to Jim Stacy, Heart Ranger P.O. Box 1410, Lafayette, IN 47902 or call the station Hooters (317) 474-1410 . . . KOJM A. Franklin is looking Heart for a news/production person. T&R Programming, P.O. Box 7000 Havre H. Jones MT 59501. EOE/MF.

WLS-FM — Chicago — John Gehron Y106 — Orlando — Stacy/Steal ABC ABC Hooters Thompson Twins Thompson Twins Heart DeBarge F. Jackson A. Franklin Klymaxx WBBM — Chicago — Buddy Scott A. Ant ABC A. Franklin

WKXX — Birmingham — Rick Bailey WZUU — Milwaukee — John Driscoll P. Young J. Hammer F. Jackson ABC O.M.D. Hooters A. Franklin G. Frey

1 ^ POP PROGRAMMER’S RCK 1 Programmer Station Market Roger Christian WBEN Buffalo

Song: ''Head Over Heels’ Artist: Tears For Fears Label: Mercury

Comments: CROSBY, STILLS, NASH AND HENSON — Graham Nash of Crosby, Stills and Nash, the dropped by a KHTZ listener party to award an autographed On strength of the LP, the new single will definitely sustain the band. The band, guitar to random drawing because its winner Sandi Henson. Pictured (l-r) are: Nash, Henson, of worldwide influence, is getting crossover from our large Canadian market. KHTZ Guy Davis and Henson's Head Over husband Gary. Heels could establish Tears For Fears in the superstar class.

14 Cash Box/September 28, 1985 .. RADIO NEIi^

>1IRPMY *-4 ’85 — NAB CHANGES Greg Stevens leaves KISS, to program KCFX in Kansas City . . . Dave Ervin has been named as program director at WNIC, Detroit. Ervin comes to the Motor City from a programming stint at KGON, Portland . . . John Larson heads for a warmer climate as he makes the programming move from WCMF, Rochester to KDKB, Phoenix . . . Also in Phoenix, Charlie Quinn becomes the new program director of KKFR. Quinn was program director at WHTT, Boston . . . Leaving Phoenix is Don Cristi who jumps from KNIX to WBCS AM&FM, Milwaukee . . . WGKX, Memphis has named a new program director. He is Jay Christian from WJCW & WQUT, Bristol-Johnson Clty-KIngsport, TN . . . Rick Allen is the new music d irector at KLPX, Tucson. He replaces John Hutchinson . . BUI Hopkinson has been appointed general manager at WGRX, Baltimore

. . . Jim Worthington has been given the position as vice president and general manager at WNIC, Detroit. Worthington held a similar position at WIBA AM&FM, Madison. WNIC was recently purchased by Price Commun-

ications . . . Sandy Sanderson has been promoted to vice president programming for the Rogers Radio AM division. In addition to his current duties at CFTR, Toronto, Sanderson will also be responsible for DEES FREEZE — Kooi and some of the CHRY, Leamington gang stopped by KilS-FM, Los Angeles and CKJD, Sarnia . . Chuck Poet has been promoted from to talk to Rick Dees. Pictured (i-r) Robert program director to general "KoorBeil, the "Koo!" of Kooi & the Gang, manager at WKLT, Kalkaska, Ml . . . Jim Smith Dees and James “J. T." Tayior of Kooi & the Gang. has been named general manager of KMOD, Tulsa . . . Constant Commun- ications has named B.J. Hunter E STREET SHUFFLE — Clarence Clemens chats with KTXQ program director as director of corporate operations for the company Andy Lockridge in the which operates six stations including: KIZN & CBS radio hospitality suite. Q102 is sponsoring two KTOX, Boise; KDUK & KQAK, Eugene; Springsteen shows at the Cotton Bowl. Pictured KWNZ, Reno; and KIVA, Albuquerque. Hunter was afternoon drive (i-r) Lockridge, Clemens. jock at KIMN,’’ Denver before accepting his new position. SEEN AS WELL AS HEARD — From correspondent Jana Sultan we hear television appearances by Los Angeles disc jockeys are on the rise. KRTH’s Dean Goss will appear as a new announcer and “side-kick” with Monty Hall on Let’s Make A Deal for the 1985-86 season beginning September 16. Danny Martinez of sister station KHJ will be seen in the role of officer Fernandez on the one hour opening special Diff’rent Strokes now seen on ABC. This episode, to be aired September 27, deals with the nationwide kidnapping plague. Choice voices are favorites for fund raisers in the city of the angels. From KIIS, Bruce VkJai worked with a myriad of celebrities on a six hour telethon hosted by Jan Murray to benefit Chabad, a nonsectarian organization established by Jewish people for charitable distribution! The telethon commerated Chabad's 20th anniversary and was presented on channel 9. Tim Berrends, alias the David Letterman of Christian radio, will host the Concept Seven Dinner and Dance at the Disneyland Grand Ballroom September 28. Proceeds will go to seven homes providing food and shelter for troubled teenagers. Sultry voiced Talaya and Ken Davis of KUTE will MC the Vital Options Dance for Life at the Beverly Theatre Oct. 13th. Vital Options is a non-profit support group for young cancer victims. Among the guest celebrities are dancers from the casts of Fame and the hit musical. Cats. A special tribute to Minnie RIperton, the ultra- talented vocalist who lost her young life to cancer, will be presented by her widower Richard Rudolph in conjunction with Greg Phlllinganes. Meanwhile KUTE program director Lawrence Tanter has maintained his position as public announcer for the Lakers games at the Forum for three years. ABC TO AIR SPECIAL ON CANCER LIVE 85 — ABC Radio will be presenting a Eddie Fritts, president, National Association of Broadcasters was interviewed by ABC Talkradio’s comprehensive series of reports this Owen Spann at the Dallas Convention Center in a special live month, entitled, “Cancer In America.” broadcast from Radio 85. Among the issues discussed was the warning labels to be placed on albums The reports will focus on various topics by the manufacturers. Pictured (I-r) Fritts, Spann. that will touch on prevention and treatment, to cancer’s impact on the family. “Cancer has touched virtually every American, whether its through a relative’s or friend’s experiences,” commented Kathy Lavinder, general manager, news programming, ABC Radio Network, “The subject is so MILLION-AIRINGS — was important and so powerful that we presented with an award by Frances decided to develop a special project Preston (!) senior vice president Perform- featuring reports designed for all six ing Rights and Ed Cramer (r) BMI pres- of our networks.” ident, for the airing of ’s "You RHYTHM AND NEWS — WZAK, Cleve- Won’t See Me" and "Woman" more than land is launching a monthly newspaper one million times on American radio and j called The WZAK Rhythm and News. TV. It will be aimed at the urban contemporary station’s target audience throughout northwest Ohio. “The urban contemporary music fan-has never had a newspaper dedicated to his or her interests,” said Lee Zapis, WZAK operation director, "The Rhythm and News will fill this void.” BARRON NAMED — The newly formed Radio Express has just named Suzanne Barron as vice president of sales. The new international radio distribution firm was founded recently by Tom Rounds. Barron was formerly international sales director for ABC Watermark. Barron has quickly secured distribution of commercial American radio programming to over 40 countries including such unlikely places as Poland, India and Sri Lanka. INTEREP OPENS FIFTH FIRM — ^ /N — Dr. Ruth Westheimer. host of "Sexually Speaking" on DurpettI & Associates, INTEREP’s new radio NBC Radio Entertainment representative firm, will open in October. was the main attraction at NBC Radio’s hospitality suite The company will specialize in stations P/cfuret/rZ-r; billing in excess Rik Rogers, general manager of WVEE, Atlanta; Westheimer and NBC's of $250,000 per year. Willard Lockridge. Bob Shulman

Cash Box/September 28, 1985 15 "

FUTUREROCK M. CRENSHAW — Little Wild One I^OST ADDED (No.5) VANDENBERG — Once In A Lifetime Once upon a time, in the early days of rock radio, when it had names like DREAM ACADEMY — Life In A North- “underground” or “progressive,” it seemed like the main purpose in life for those ern Town station’s music directors and jocks was to “turn everyone on to” their favorite URGENT — Running music. Over the years words like “ratings,” “research,” “demographics,” “chart CRUZADOS — Motorcycle numbers,” “positioning,” “mass appeal” and “accessible” has caused some of the WIRE TRAIN — Skills Of Summer favorite music of music directors to be played at home but not on the air. Futurerock has taken a mini poll of rock radio music directors to discover three WYNF — Tampa — Ron Diaz of their favorite artists that rarely or never make it to their station’s playlists. T T. SHAW— What If (Remo’s Theme) R.E.M. — Driver 8 PREFAB SPROUT — When Love Breaks Down Erin Riley, music director Bob Bailey, music director BLACK & BLUE ~ various cuts WMMR, Philadelphia WKLS, Atlanta James Taylor Charlie Mingus KZEW — Dallas — Temple Lindsey Split Enz Little Feat M. CRENSHAW — Little Wild One Jeffrey Osborne Joni Mitchell (No.5) Bob Kranes, assistant program director Cindy Bailen, assistant program director CRUZADOS — Motorcycle Girl WBCN, Boston KZEW, Dallas J. WAITE — No Brakes Blow Fly (first album) X J. COUGAR MELLENCAMP — Senator Sam Ervin Marshall Crenshaw Scarecrow STRONG ADDS Patsy Cline Del Fuegos WLLZ — Detroit — Jerry Gavin Rick Allen, music director Lin Brehmer, music director J. COUGAR MELLENCAMP — KLPX, Tucson WXRT, Chicago Cruzados — Motorcycle Girl R.O.C.K. In The U.S.A. Al Jarreau Doc and Merle Watson S. Ray Vaughan — Look At Little Sister THOMPSON TWINS — Lay Your Alex Di Grass! Tore Kunda Kiss — Tears Are Falling Hands On Me Fresh Aire Go-Go Grankin Prefab Sprout — When Love Breaks J. LYNN TURNER — Unendlessly Down Ted Edwards, assistant program director Tom Starr, music director WSKS — Cincinnati — Marty Bender KGB, San Diego WOUR, Utica THOMPSON TWINS — Lay Your Peter Gabriel Bill Evans Hands On Me the blues (in general) Amazing Rhythm Aces STATION ADDS (' B. SPRINGSTEEN — I’m Goin’ Down Aaron Copeland Stewart Copeland DIRE STRAITS — One World Inessa York, music director Chris James, music director KICT — Wichita, KS — Lee Roberts Portland WTPA, Harrisburg KISS — Tears Are Falling WUOG — Athens, GA — Dave Stewart KGON, AdDC — Shake Your Foundation WATERMELON MEN — Tell/Mine/ Robyn Hitchcock Jean-Luc Ponty Butthole Surfers Pointer Sisters THE OUTFIELD — Say It Isn’t So Hope/Days King Sunny Ade (African music in general)Cheech & Chong G. FREY — You Belong To The City AMERICAN MUSIC CLUB — Song/ Club J. BUTCHER AXIS — Stop Bill Prescott, music director m, S. RAY VAUGHAN — Look At Little IMMACULATE FOOLS — Sparks/ KZAP, Sacramento Don Diaz, music director Sister Fools/Counting/What Motley Crue (hard rock in general) WYNF, Tampa J 69 TRIBE — Girls/Elvis Blow Fly John Klemmer WKLT — Traverse City, Ml — Chuck Donovan R ‘n’ B music (in general) KBCO — Boulder, CO — Doug Clifton Poets Dream Academy M. CRENSHAW — Little Wild One Pam Edwards, music director HEART — Never (No.5) KMET, Los Angeles Wally Walker, music director THE OUTFIELD — Say It Isn’t So DREAM ACADEMY— Life In A North- KQRS, Minneapolis PLATINUM BLONDE — Crying Over ern Town Yaz The Pretenders You — JAN HAMMER Miami Vice Theme The King & 1 Soundtrack Meatloaf C. HART — Boy In The Box G. BROOKER — various cuts Russ Ballard Steve Funk, music director J. BUTCHER AXIS — Stop WDVE — Pittsburgh — Herschel KOZZ, Reno Phil Manicki, music director B. COBHAM — Omar Howler HEADPINS — Still The One XTC WWCT, Peoria KISS — Tears Are Falling KFMG — Albuquerque — Michael reggae music (in general) Spirit PREFAB SPROUT — When Love Davis Thomas Dolby Midnight Oil Breaks Down LOVERBOY — Lovin’ Every Minute Of The Innocent J. LYNN TURNER — Unendlessly It Bob Shulman CRUZADOS — Motorcycle STARSHIP — We Built This City t; STING — Fortress Around Your Heart S. RAY VAUGHAN — Look At Little AIR CHECK Sister — Portland, ME — Jeremy WMEX T. SHAW — What If (Remo’s Theme) Prescott J. LYNN TURNER — Unendlessly Station: KDJK B. TEEN Jenny Don ’t Lose SPRINGS — HEADPINS — Still The One Heart Market: Modesto-Stockton, CA S. RAY VAUGHAN — Look At Little 91X — San Diego — Mad Max PD: Jerry Longden Sister WIRE TRAIN — Skills Of Summer M. CRENSHA W — Little Wild One (No. NEW MODEL ARMY— Grandmother’s 5) Footsteps Something rather amazing happened in Northern California radio. A totally brand B. Don’t Stop The Dance FERRY — CRUZADOS — Motorcycle Girl new station hit the airwaves barely three weeks before the start of the Spring — Love PREFAB SPROUT When R. HINE — With One Look Arbitron. The station had a zero promotion budget, yet debuted as the number Breaks Down 1 station in their market! WQMF — Louisville — Duke Meyer The success story belongs to album rocker KDJK, known as DJ95, Modesto- WIZN — Vergennes, VT — Roger J. COUGAR MELLENCAMP — i Stockton, who beat out 17 other stations by posting an 11.6 12+ rating. The station Mayer R.O.C.K. In The U.S.A went on the air March 11 with a 32,000 watt signal that covers nearly a million TALKING — Stay Late TWINS — Lay Your HEADS Up THOMPSON people. COLOURFIELD — Castles In The Air Hands On Me “It was a fairy tale come true,” says program director Jerry Longden, “We knew

that we would show up with the good signal that we have, but we didn’t think I we had a chance of being number one. We really struggled. We were off the air ROCK PROGRAMMER’S PICK didn’t have the equipment we needed a few times, once for two whole days. We !

or the records. Mark Davis, the music director and I went through our private 4 Programmer Station Market record collections to suppliment our library, actually it was our library. We just having so much trouble.” didn’t let the listeners know we were T Kevin Cerenzia WSHE Ft. Lauderdale The station plays approximately 50 percent currents and recurrents. “We are not really influenced by whafs happening in Sacramento and San Francisco Song: ^We Built This City” because their signals don’t get in here, continues Longden. As far as album rock is we are it. We do feel the responsibility to provide Artist: Starship in this market concerned our audience with what’s hot and what’s current. We leave the Madonna and Prince Label: Grunt/RCA records to the three CHR’s in town. We play a little metal at night. I think we were successful because of our honest on-aIr approach and we gave them the Comment: music that they wanted.” “From the first listen, the Starship record was a natural for us. If you’re a rock & KDJK is at 95.1 Mhz and is owned by Gold Rush Broadcasting.

roll station, don ’t miss the boat on this one.

16 Cash Box/September 28, 1985 BUICK CONTE41POR4RY

OBJECT OF ELEKTRA’S DESIRE — Have you ever heard the story about four brothers who were attending college to study law or medicine, when one day in a chemistry class they realized that, “We’re wasting our time in this classroom Tide, Artist, Label, Number, Distributor . . . music is our livlihood, let’s try and record some songs and make some money.” Weeks = Soon after, Ernesto Phillips, Gregory Phillips, George Phillips, Orlando Phillips k Available on Compact Disc On 9/21 Chart and friends Kayobe Adeyemo and Rene Diggs did just that. Says the group’s leader = Platinum (RIAA Certified) = Certified) 38 ALEXANDER O’NEAL and founder, Ernesto Phillips, “My father is a doctor and I guess that all fathers Gold (RIAA On 9/21 Chart (Tabu/CBSFZ3931) 36 25 like their to in their were led in that direction. would sons follow footsteps, so we 39 DANCIN’ IN THE KEY OF I was doing well in school at Howard University, in fact, even in high school we LIFE ROCK ME TONIGHT STEVE ARRINGTON were all enrolled in pre-professional science courses as opposed to industrial art FREDDIE JACKSON (Atlantic 7-81245-1) 34 25 classes. Even though we were plan- (Capitol ST 1 22 12404) 40 WATCHING YOU, ning on professional careers somehow SINGLE LIFE CAMEO WATCHING ME we always would be around music in BILL WITHERS (Columbia FC 39887) 39 11 (Atlanta Artists/PolyGram 824 546-1) 2 13 the house. My parents were very WHITNEY HOUSTON 41 KING OF ROCK (Profile musical, they were into it as a hobby; RUN D.M.C. PRO 1205) 40 39 (Arista AL8-B212) 3 24 42 LUXURY OF LIFE I particularly liked music, and knew THE NIGHT I FELL IN STAR (RCA NFL 1-8052) 43 8 that this was what I wanted to do.” LOVE SAY5 ME LUTHER VANDROSS (Epic FE 39882) 4 27 YOU LOVE From study halls to performing halls, ® JENNIFER HOLLIDAY WHO’S ZOOMIN’ WHO ' Starpoint left school to record and (Geffen GHS 24073) 47 4 ARETHA FRANKLIN (Arista AL8-8286) 5 11 tour, developing a strong family rap- READY FOR THE WORLD 44 THE VISION HOWARD JOHNSON (A&M SP-4982) 44 6 port that was evident on stage as well (MCA 5594) 6 19 45 MEETING IN THE LADIES as in their recordings. With so many oPATTI LaBELLE ROOM (Philadelphia Int'l/CBS FZ 40020) 8 9 names of bands today including the (Constellation/MCA 45 41 THE FAT BOYS ARE BACK KLYMAXX 5529) prefix or suffix of “star” (Midnight Star, 46 DREAM OF A LIFETIME oTHE FAT BOYS (Sutra 1016) 9 7 STARPOINT IS — Kayobe Adelyemo, Atiantic Starr and Starpoint) one might MARVIN GAYE (Columbia FC 39916) 37 18 AROUND THE WORLD IN 47 Orlando Phillips. Rene Diggs, Ernesto wonder, where do these names come A DAY km RAP 2 (Profile PRO-1 207) 46 6 Phillips, Phillips George PRINCE AND THE REVOLUTION Gregory and from? Explaining how the name Star- 48 (Paisley Park/Warner THE COMPLETE STORY Phillips. They will be taping Soul Train Bros. 25286-1) 7 16 point was thought of, Phillips says, “It’s OF ROXANNE . . . THE 10 JESSE JOHNSON’S REVUE kM for the first time with host Don Cornelius funny, we had a friend of ours from ALBUM (A&M SP 6-5024) 10 28 ^(Compleat/PolyGram 671014-1) 48 12 October 4th and 5th. Guyana who was working on his car 11 EMERGENCY MAURICE WHITE and for a starpoint screwdriver, but didn’t know what he was CH he asked us we KOOL & THE GANG (Columbia FC 39883) 60 2 talking about. Then he said, ’You know, the one that has four points and a cross (De-Lite/PolyGram 822 943-1 M-1) 11 43 50 SONGS FROM THE BIG in it.’ Then we thought, ’oh you mean a Phillips screwdriver,’ and it hit us. There’s o THE FAMILY CHAIR (Paisley TEARS FOR four Phillips brothers in the group and the concept of four points made the name Park/Warner Bros. 25322-1) 16 5 FEARS SO MANY RIVERS (Mercury/PolyGram 824 300-1) 50 5 perfect. We strongly believe in striving to be in the best and in pointing to words oBOBBY WOMACK (MCA 561 7) 21 4 51 WORLD CLASS the stars: you can be what you want to be.” 14 CITY LIFE THE WORLD CLASS WRECKIN' CRU SHE’S A LUSHUS DAIM — Leon Sylvers III, producer of the famed Solar-sound THE BOOGIE BOYS (Kru-Cut KC 004) 51 11 is back, this time with a different label, sound, and artist. Sylvers handled production (Capitol ST 12409) 15 7 52 CONQUEST BRASS CONSTRUCTION work for Lushus Daim and the Pretty Vain on his new label Conceited records, 15 STREET CALLED DESIRE RENE & ANGELA (Capitol ST 12423) 53 4 distributed by Motown. (Mercury/PolyGram 824-6071 M-1) 12 15 53 MAKE IT BIG The first single to be released and the title of the album, “More Than You Can 16 U.T.F.O. WHAM! (Columbia FC 39595) 49 37 Handle,” is a mixture of Sylvers’ signature strong rhythm & blues background (Select SEL 21614) 14 18 54 COOLIN’ OUT and Daim’s touch of rock. Daim notes JIml Hendryx as being one of her favorites DENNIS EDWARDS 17 CAN’T STOP THE LOVE (Gordy/Motown 6148GL) 54 9 and greatest influence musically. Born in Los Angeles, Daim spent her early years MAZE featuring FRANKIE BEVERLY 55 DURELL COLEMAN (Capitol ST 12377) 17 29 in Germany and other countries with her family, traveling around military bases. (Island/Atlantic 7-90293-1) 56 3 18 ELECTRIC LADY It was then that she met two music industry veterans on an airplane flight and 56 WILD CON FUNK SHUN ROMANCE HERB ALPERT (A&M SP-5802) 58 3 played her demo for them. They listened and liked what they heard and soon (Mercury/PolyGram 824 345-1 M-1) 18 21 after she moved back to Los Angeles and signed with managers Ron Perry and MODERN MAN 19 CONTACT ® CHARLIE SINGLETON Louis Williams who then brought Daim together with producer Sylvers. POINTER SISTERS (RCA AFL 1-8056) 20 10 RESTLESS (Arista AL8-8389) 63 2 Lushus Daim and the Pretty Vain might remind one of already established 0 58 SUGAR “KISS” STARPOINT (Elektra 9-60424) 23 8 concepts or acts, but to clear up any questions she states, “I am Lushus Daim, SUGARFOOT (Warner Bros. 25166-1) 52 5 LISA LISA AND CULT JAM and always have been. As a matter of fact, you might see me as an image, or WITH FULL FORCE 59 ITS GONNA BE ALRIGHT e 40024) 11 CHERYL LYNN (Columbia FC 55 concept, but I’m just being me. I haven’t created a new person, or patterned myself (Columbia BFC 40135) 25 5 60 THE PLEASURE SEEKERS after anyone. I’ve all life.” HOT SPOT been Lushus my 0 THE SYSTEM DAZZ BAND (Motown 6149ML) 24 6 SIMPLY THE BEST — Every superlative in the dictionary has been when (Mirage/Atlantic 7-90281-1) 11 employed BANGING THE WALL 57 describing her unique talents. She has been and happily continues to be one of 61 TAKE NO PRISONERS 0 BAR-KAYS BRYSON (Elektra 9-60427) 59 14 the music industry’s most cherished performers. She is, to utilize an overused (Mercury/PolyGram 824 727-1) 33 5 AL JARREAU IN LONDON but highly appropriate appellation, a legend, one of this century’s very best. Her AS THE BAND TURNS 0 (Warner Bros. 25331) DEBUT ATLANTIC STARR (A&M SP-5019) 26 21 name is Ella Fitzgerald, and as her recent Hollywood Bowl concert convincingly 0bDARYL HALL & JOHN demonstrated, she’s lost none of the magic. 25 A LITTLE SPICE OATES LIVE AT THE LOOSE ENDS (MCA 5588) 13 20 Accompanied alternately by the APOLLO WITH DAVID 26 GLOW RUFFIN & EDDIE Nelson Riddle Orchestra, the Paul RICK JAMES KENDRICKS (RCA AFL 1- Smith Trio and Joe Pass, Fitzgerald (Gordy/Motown 6135 GL) 19 21 7035) DEBUT made it clear that all she’s lost lately 27 9.9 WE COME IN PEACE WITH (RCA NFL 1-8049) 28 8 ®A MESSAGE OF LOVE is weight. Slimmed down and as SHEILA E. IN ROMANCE CURTIS MAYFIELD (CRC 2001) DEBUT elegant as always, she superbly ran the 1600 65 MATERIAL THANGZ musical gamut from sambas to pop (Paisley Park/Warner Bros. 25317-1) 38 3 THE DEELE (Solar/Elektra 9-60410) 61 IS standards, with a particularly heavy 29 SUDDENLY kM 66 HORSIN’ AROUND BILLY CARRIE LUCAS dose of the blues thrown in along the OCEAN (Jive/Arista JL8-8213) 22 65 (Constellation/MCA 5513) 64 11 way. Whatever the material, though, 30 RHYTHM OF THE NIGHT 67 THE DREAM OF THE BLUE her seemingly boundless vocal ability DeBARGE (Gordy/Motown 6123GL) 27 28 TURTLE was an exercise in virtuosity. From STING (A&M-SP 03750) 66 11 31 SOME OF MY BEST JOKES unbelievable scat wanderings to sim- 68 PADLOCK ARE FRIENDS GWEN GUTHRIE (Garage/Island 2001) 62 7 ple, gentle interpretations of timeless GEORGE CLINTON 69 NEW EDITION * (Capitol ST-12417) 31 12 ballads, Fitzgerald completely mes- (MCA 5515 67 41 merized and delighted the capacity 32 ONLY FOR YOU 70 BEVERLY HILLS COP MARY JANE GIRLS ORIGINAL SOUNDTRACK crowd. As a result, the wildly exhub- (Gordy/Motown 6092GL) 30 30 (MCA 5547) 68 38 erant applause for her was hardly in LIFE LUSCIOUS LUSHUS — Lushus Daim’s 33 DIAMOND 71 PRIVATE DANCER WB polite SADE (Portrait/CBS 39581) 29 32 deference to her age or previous debut album on Conceited/Motown will TINA TURNER (Capitol ST-12330) 69 21 34 WRAP YOUR BODY accomplishments. She won approval be out soon. 72 NO JACKET REQUIRED ONE WAY (MCA 5552) 32 10 the old fashioned way . . . she earned it. PHIL COLLINS (Atlantic 7 81240-1) 70 19 35 SPACE IS THE PLACE FOR A GOOD CAUSE — The sixth annual “Lou Rawls Parade of Stars” telethon NEWCLEUS (Sunneyview Sun 4903) 35 7 73 NIGHTSHIFTWD will air from six p.m.-to-midnight on Saturday, December 28, 1985, on 50 television A.C. COMMODORES (Motown 6124 ML) 73 34 0 74 READ MY LIPS stations across America. All proceeds go to The United Negro College Fund. ANDRE CYMONE (Columbia FC 40037) 41 3 MELBA MOORE (Capitol ST 12362) 71 25 Announcements were made at Chasen’s Restaurant in Beverly Hills at a party hosted LOVE FOREVER 75 WHEN THE BOYS MEET by Wallis Annanberg, and co-hosted by Rawls, Ted Lange, Sidney Poltler and OJAYS THE GIRLS DIahann Carroll. (Philadelphia lnt'l./Manhttan ST 53015) 42 4 SISTER SLEDGE (Atlantic 7-81255-1) 74 14 This year MCs for the six-hour broadcast will again be Rawls and Ed McMahon, and they’ll be looking to beat last year’s grand total of $10,000,000 donated that THE CASH BOX TOP 75 BLACK CONTEMPORARY ALBUM CHART IS went to educate 45,000 students who were enrolled in college 43 private and BASED SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. universities support^ by UNCF. Darryl Lindsey

5®5>ash Box/September 28, 1985 17 TOP lOO BMCK CONTEMPORARY SINGLES

THE TOP 100 BLACK CONTEMPORARV SINGLES CHART IS BASED ON A COMBINATION OF RADIO AIRPLAY AND ACTUAL PIECES SOLD AT RETAIL STORES. ^egtembei^8M985

Weeks Weeks Weeks On On On 9/21 Chart 9/21 Chart 9/21 Chart

34 MY SECRET (DIDJA GETIT?) SHAKE ’EM DOWN 12 0 DIMPLES (RCA PB-14157) NEW EDITION (MCA 52627) 28 80 2 OH SHEILA TRAPPED 68 SO HARD 0 52638) 0 COLONEL ABRAMS (MCA 46 6 WINDJAMMER (MCA 52622) 69 4 READY FOR THE WORLD (MCA 52636) 4 11 36 DANCIN’ IN THE KEY OF JAM MASTER JAMMIN’ 0 1 - LIFE RUN DMC (Profile-Pro 5080) 78 3 (Atlantic 7-89535) 13 STEVE ARRINGTON 31 ARE YOU READY? CHERISH THE TREE 0 KOOL & THE GANG (De-Lite/PolyGram 880 OAK STAPLE SINGERS (Private l/CBS ZS405565) 77 3 0 MORRIS DAY (Warner Bros. 7-28899) 51 3 869-7) 1 11 JUST ANOTHER LONELY 0 SPEND THE NIGHT WITH ME POP LIFE RICK JAMES (Gordy/Motown 1806GF) 86 PRINCE AND THE REVOLUTION NIGHT (Paisley Park/Warner Bros. 7-28998) 3 9 THE O’JAYS (Philadelphia Int'l/Manhattan 42 7 THE ROCK 50013) 0 450SL (Golden Boy GB 7126 B) 79 3 YOU ARE MY LADY STIR IT o FREDDIE JACKSON (Capitol B 5495) 10 8 39 UP PATTI LaBELLE (MCA 52517) 33 14 5 SAVING ALL MY LOVE FOR 40 HELLO STRANGER CHARTBREAKER YOU CARRIE LUCAS (Constellation/MCA 52602) 34 11 WHITNEY HOUSTON (Arista ASI-9361) 2 12 0 EATEN ALIVE AY 41 IF YOU WERE HERE DIANA ROSS (RCA PB 14181) DEBUT I WISH HE DIDN’T TRUST o ME TONIGHT SO MUCH ALEXANDER O’NEAL (Tabu/Epic ZS4-05418) 35 16 74 WHO’S HOLDING DONNA BOBBY WOMACK (MCA 52624) 10 8 MAKE YOUR MOVE ON ME NOW 7 WE DON’T NEED ANOTHER DeBARGE (Gordy/Motown 1793GF) 53 19 HERO (THUNDERDOME) 0 BABY CHARLIE SINGLETON (Arista ASI-9386) 49 4 BABY I’M SORRY TINA TURNER (Capitol B-5491) 5 12 0 THERE’S NOTHIN’ OUT R.J.’S LATEST ARRIVAL (Atlantic 7-89510) 83 2 8 ALL OF ME FOR ALL OF YOU 0 THERE GOTTA BE A WINNER 9.9 (RCA PB-14082) 8 15 0 (Elektra 7-6912) 48 4 HUEY ’’BABY" HARRIS (Profile Pro-5075) 85 2 THE DANCE ELECTRIC YOU WEAR IT WELL A NITE AT THE APOLLO o ANDRE CYMONE (Columbia 38-05436) 11 9 0 O EL DeBARGE with DeBARGE LIVE! I MISS YOU (Gordy/Motown 1804GF) 58 3 DARYL HALL & JOHN OATES (RCA PB- KLYMAXX (Constellation/MCA 52606) 12 10 14178) 90 2 0 45 SISTER FATE THE SCREAMS OF PASSION SHEILA E (Paisley Park/Wamer Bros. 7- CARAVAN OF LOVE o THE FAMILY (Paisley Park/Warner Bros. 7- 28955) 43 9 0 ISLEY, JASPER, ISLEY (CBS ASS. ZS4 28953) 13 10 05611) 87 2 46 CHOOSE ME OBJECT OF MY DESIRE LOOSE ENDS (MCA 52637) 44 7 79 BABY IT’S YOU STARPOINT (Elektra 7-69621) 15 10 CURTIS MAYFIELD (CRC/Paula-001 A) 81 4 0 47 ATTACK ME WITH YOUR 13 DARE ME LOVE I CAN’T BELIEVE IT POINTER SISTERS (RCA PB-14126) 14 11 Artists/PolyGram 880 744-7) 15 0 MELBA MOORE (Capitol B-5520) 88 2 CAMEO (Atlanta 36 PART-TIME LOVER EVERYBODY DANCE STOP PLAYING ON ME STEVIE WONDER (Tamla/Motown 1808TF) 30 4 0 VIKKI LOVE (4th & Broadway/lsland 418) 89 2 0 TA MARA AND THE SEEN (A&M AM 2768) 64 3 15 I’M LEAVING BABY I WANT TO FEEL I’M 82 EYE TO EYE CON FUNK SHUN WANTED GO WEST (Chrysalis VS4 42903) 82 4 (Mercury/PolyGram 880 914-7) 16 12 MAZE featuring FRANKIE BEVERLY SHE’S NOT A SLEEZE 4 SINGLE LIFE (Capitol B 5510) 54 PAUL LAURENCE (Capitol B-5507) DEBUT 0 CAMEO (Atlanta Artists/PolyGram 884-010-7) 25 5 50 SHOUT ROCK THE NATION STAND BY ME TEARS FOR FEARS BILLY & BABY GAP (Total Experience/RCA 0 MAURICE WHITE (Columbia 38-05571) 23 7 (Mercury/PolyGram 880 294-7) 50 5 TES-2424-AS) DEBUT ALL FALL DOWN PRIVATE PROPERTY MIAMI VICE THEME 0 CARL CARLTON 0 FIVE STAR (RCA PB-14108) 20 10 JAN JAMMER (MCA 52666) DEBUT (Casablanca/PolyGram 880 949-7) 56 5 YOUR PLACE OR MINE PICKIN’ UP PIECES 0 BAR-KAYS (Mercury/PolyGram 880 966-7) 21 9 52 WILD AND CRAZY LOVE 0 BRENDA K. STARR (Mirage/Atlantic 7-99618) DEBUT MARY JANE GIRLS (Gordy/Motown 1789GF) 39 13 HOT SPOT DREAMS 53 IT’S OVER NOW 0 0 DAZZ BAND (Motown 1800MF) 22 9 SMOKE CITY (Epic 34-05448) DEBUT LUTHER VANDROSS (Epic 34-04944) 40 16 I’LL BE GOOD 0 YOU LOOK GOOD TO ME 0 RENE & ANGELA SOMEBODY TOOK MY LOVE CHERRELLE (Tabu/CBS 34-5608) DEBUT 0 DURELL COLEMAN (Island/Atlantic 7-99605) 59 4 (Mercury/PolyGram 884 009-7) 27 4 HARD CORE REGGAE 55 GLOW 0 22 FLY GIRL THE FAT BOYS (Sutra SUS 147) DEBUT THE BOOGIE BOYS (Capitol B 5498) 6 13 RICK JAMES (Gordy/Motown 1796GF) 45 15 I’M GONNA TEAR YOUR 23 STRONGER TOGETHER 56 STRANGER IN THE NIGHT 0 PLAYHOUSE DOWN OSBORNE & GILES (Red Label 71000) 57 7 SHANNON (Mirage/Atlantic 7-99631) 24 9 PAUL YOUNG (Columbia 38-05577) DEBUT 57 ME LIKE THE SHOW WHEN YOU LOVE 91 BAD BOYS 0 DOUG E. FRESH and THE GET FRESH THIS BAD BOYS featuring K. LOVE CREW (Reality/Dana/Fantasy D-242) 41 5 MELBA MOORE (Capitol B 5484) 47 16 (Starlite/Fantasy 240) 55 6 25 MYSTERY LADY WHO’S ZOOMIN’ WHO 92 DISRESPECT 0 ' BILLY OCEAN (Jive/Arista JS1-9374) 9 12 ARETHA FRANKLIN (Arista ASI-9410) 75 2 THE GAP BAND 26 FREEWAY OF LOVE PARTY ALL THE TIME (Total Experience/RCA TES1-2418) 61 9 ARETHA FRANKLIN (Arista AS1-9354) 17 15 0 EDDIE MURPHY (Columbia 38-05609) 65 3 93 THE PLEASURE SEEKERS STAND UP COOLIN’ OUT THE SYSTEM (Mirage/Atlantic 7-99639) 62 15 0 HOWARD JOHNSON (A&M AM 2752) 29 9 0 DENNIS EDWARDS (Gordy/Motown 1805GF) 70 4 94 BAD BOY JUICY (Private I/Epic 34-05422) 63 12 28 I WANT MY GIRL 0 BULLET PROOF JESSE JOHNSON’S REVUE (A&M AM 2749) 18 12 GEORGE CLINTON (Capitol B 5504) 67 4 95 JANET 29 ROCK ME TONIGHT (FOR 0 SUSPICIOUS COMMODORES (Motown 1802 MF) 66 4 OLD TIME’S SAKE) THE DEELE (Solar/Elektra 7-69615) 68 4 96 ROMEO PART 1 & 2 ROXANNE with HOWIE TEE FREDDIE JACKSON (Capitol B 5459) 19 27 63 VICTIM DESIRE THE REAL OF (Select FMS 62260) 71 4 HARD TIMES FOR LOVERS VERONICA UNDERWOOD JENNIFER HOLLIDAY (Geffen 7-28958) 37 7 (Philly World/Atlantic 7-99632) 60 6 97 GIRL IF YOU TAKE ME A LITTLE BIT OF HEAVEN 64 PADLOCK HOME 13 FULL FORCE (Columbia 3805395) 73 4 NATALIE COLE (Modern/Atlantic 7-99630) 32 10 GWEN GUTHRIE (Garage/Island 21) 52 DANCING ON THE JAGGED 98 DRESS YOU UP SILVER SHADOW * 0 MADONNA (Sire 7-28919) 74 4 ATLANTIC STARR (A&M AM 2766) 38 6 EDGE SISTER SLEDGE (Atlantic 7-89520) 72 4 99 THE FAT BOYS ARE BACK ! WONDER IF I TAKE YOU HOME 0 (KRUSH GROOVE) CANT FAT BOYS (Sutra 034) 84 13 LISA LISA AND CULT JAM with FULL STOP THE STREET 100 I CAN’T FORGET YOU FORCE (Columbia 38-04486) 26 19 CHAKA KHAN (Warner Bros. 7-28923) 76 3 PATTI LaBELLE (Philadelphia Int’l. 405456) 91 6

ALPHABETICAL LISTING ON INSIDE BACK COVER BIACK/URBAN RADIO

T. Troutman D. Ross Rene

WRAP — Norfolk — Chester Benton WGCI — Chicago — PD — Graham Arm- strong — PD M. Day Tremaine E. Murphy Staple Singers M. Moore Hall & Oates P. Laurence C. Mayfield Ta Mara & The Seen Doug E. Fresh P. Young G. Howard D. Ross

XHRM — San Diego — Duff Lindsey WPAL — Charleston — Don Kendricks — — PD MD Isley, Jasper, Isley P. Laurence P. Young Cherrelle M. Moore S. Bennet Doug E. Fresh

URBAN PROGRAMMER’S PICK Programmer Station Market

Pete Rhodes 93FM Minneapolis, MN Song: “The Dance Electric” Artist: Andre Cymone Label: Columbia Comments: One of the most requested records of last week, the requests seem to come from the 18+ demographics. Andre is presently two on the list, up six, with from a strong possibility GLAMOROUS DINNER — Warner Bros, recording artist, Sheila E. was recently of it going ftI over Ready For The World. Abo Jesse Johnson’s "I Want My Girl" is presented the key to the city by Atlanta's mayor Andrew Young during the WEA nine down from five but we’re starting to get movement on hb next single "Let’s Have hosted dinner at the recent ’’ Jack The Rapper convention. Surrounding her with Some Fun. congratulations are (l-r): Ted Astin, Warner Bros, promotion manager; Jack Gibson, founder and host of the Jack the Rapper convention and mayor Young.

ash Box/September 28, 1985 19 ' ' ' ' ' ' ' BIACK/URBAN RETAIL

Shazada Enterprises — Charlotte Loose Ends Massachusetts One-Stop — Boston HOTNEWSEUfR Jack Gordon Lisa-Lisa And Cult Jam — Ron Heaps W. Houston F. Jackson P. LaBelle F. Jackson W. Houston Cameo Fat Boys B. Womack J. Johnson’s Revue P. LaBelle C. Mayfield Kool & The Gang Fortune Records — Inglewood, CA W. Houston Timmy Fortune Platter Shack — Orlando — Della F. Jackson Greensboro Record Center — r s Wiggins Cameo Greensboro — Susie Hamlin B. Womack W. Houston Atlantic Starr F. Jackson Ready For The World The Family L. Vandross L. Vandross Cameo Con Funk Shun Prince The Family H&W One-Stop — Dallas — Walter L. Vandross Jackson Joe’s Swing Shop — Los Angeles World Class Wreckin' Cru : •, Greta McConnell Cameo Importes Etc. ~ Chicago — Paul -cr F. Jackson Bar-Kays Welsberg Cameo Fat Boys Fuzz Dance L. Vandross L. Vandross R. James STRONGEST SAUS Fat Boys Pointer Sisters W. Houston Benson’s House Of Records Los L. Vandross Angeles — Robert Palacios Bar-Kays F. Jackson •— Capitol Delicious Records — Inglewood, CA J. Johnson’s Revue Cameo — Atlanta Artlsts/PolyGram — Tommy Johnson Lisa-Lisa And Cult Jam W. Houston — Arista Cameo Five Star Baltimore Larry L. Vandross — Epic Music Liberated — F. Jackson Rene & Angela Jeter Maze A. Franklin W. Houston STORE REPORTS W. Houston C. Lucas L. Vandross V. I.P. Records — Inglewood, CA — Starpoint John Chism Barney’s One-Stop — Chicago — Atlantic Starr Penny Lane Records — Tacoma F. Jackson Nellie Thomas F. Jackson Debbie Scheirman L. Vandross W. Houston Ready For The World W. Houston F. Jackson Cameo Cameo A. Franklin Birdland Records Baltimore — Starpoint B. Womack P. LaBalle Beverly Byrston P. LaBelle F. Jackson L. Vandross — — F. Jackson Karma Records Indianapolis L. Vandross Mike Smith Atlantic Starr Webb’s Department Store — Gemini II Records — Chicago F. Jackson Starpoint Philadelphia — Bruce Webb Alonzo King W. Houston P. LaBelle F. Jackson P. LaBelle Cameo W. Houston A. Franklin A. Franklin Atlantic Starr L. Vandross Kool & The Gang Bedford Records — Stanford, CT L. Vandross W. Houston Larry Pema A. Franklin F. Jackson Street Scene — Atlanta — Jay B. Womack Robinson Ready For The World LaGreen’s — Detroit — Steve Holsey U.T.F.O. C. Lucas Fletcher’s One-Stop Chicago P. LaBelle L. Vandross Cameo Ken Fletcher F. Jackson Rap 2 Prince L Vandross L. Vandross World Class Wreckin’ Cru P. LaSalle W. Houston The Family F. Jackson Mary Jane Girls HIIPs Stereo — Norwalk, CT Mary W. Houston Gil’s Records And Tapes — Houston Ann Saracino Sade Radio Doctors Milwaukee — Paul — Gil Bultron B. Womack Kessecki Sheila E. Starpoint Sikhulu’s Record Shack New York Cameo B. Paul Ready For The World — Sikhulu Shange A. Franklin Pointer Sisters Atlantic Starr W. Houston W. Houston Starpoint C. Lucas F. Jackson Prince The Family Cameo F. Jackson Scott’s Wholesale • Indianapolis — Record Boutique — Winston-Salem — L. Vandross Cheryl Gregory Tara One-Stop — Atlanta — Jean Archie Torain The System Bar-Kays Chapman W. Houston F. Jackson Cameo F. Jackson P. LaBelle Skippy White’s Boston — Marc F. Jackson Cameo B. Womack Siegel W. Houston B. Womack Sheila E. P. LaBelle A. Franklin Ready For The World F. Jackson Ready For The World W. Houston

Cameo Tower Records • Sacramento — Rap 2 Jeanie Banvaar

URBAN RETAILER’S PICK

Retailer Store Market Johnny Brown Record Boutique Winston-Salem Album: “Modern Man” Artist: Charlie Singleton 3iH[ Label: Arista

*S1 Comments; l«T San "The album ballads, rock, and pop; it has a broad appeal. has a good mixture of R&B, DOO PROCESS — Columbia recording artists Process and the Doo-Rags recently This album has great crossover potential, Singleton has done it really well. A strong and performed at N.Y’s Red Parrot. Here, doing the backstage hand jive, are (l-r) Dennis ” 50Oi album. “Shorty” Andrews; Michael “Smoothie" Gibson; the band’s manager, LeRoi Johnson; tail James “Process" Hawkins; Richard "Gumps" Graham; and Stacey “Wave" Lattimore.

Cash Box/September 28, 1985 20 ^Bo DANCE

TOP 75 12” SINGLES

Weeks Weeks Weeks On On On 7 9/21 Chart 9/21 Chart 9/21 Chart 29 8 30 54 9 OH SHEILA (EXTENDED VERSION A ALL OF YOU FOR ALL OF ME (REMIX VERSION)/4:57 9 EATEN ALIVE (HOT EXTENDED DANCE MIX)/5:51 PB-14183-A) DEBUT DUBSTRUMENTAL)/6:48 A 4:00 ® A 7:05 €- DIANA ROSS (RCA O 31 1 9.9 (RCA W14083) 30 READY FOR THE WORLD (MCA 23572) 8 ^flk 5155 IF YOU LOVE SOMEBODY SET THEM FREE/ VERSION)/5;40 2 POP LIFE/HELLO (FRESH DANCE MIX)/6:16 A 6:38 32 OBJECT OF MY DESIRE (EXTENDED ANOTHER DAY (Jellybean Rembt)/8KX) A 3:59 PRINCE AND THE REVOLUTION ZSL STARPOINT(Elektra 0-66891) 33 56 STING (A&M SP-12132) 37 8 (Paisley Park/Warner Bros. 0-20357) 2 6 CUSINGLE LIFE (EXTENDED VERSION)/6:30 33 5257 ITS NOT TOO LATE/NOT TOO LATE TO (DUB A 3 THE SHOW/LA-DI°DA>DI (EXTENDED VERSION)/6:40 CAMEO (Atlanta Arlists/PolyGram 884 010-1) 36 EXTENDED VERSION)/5:50 A 655 ft 4:40 ^ffkrLL BE GOOD (SPECIAL MIX A INSTRUMENTAL)/ 34 58 SEOUAL (Joey Boy ID5003) 44 14 DOUG E. FRESH AND THE GET FRESH CREW 6/7:25 A 5:25 " 59 (Reality/Danya/Fantasy 0242) 3 7 RENE & ANGELA (Mercury/PolyGram 884009-1) 32 ONE LIFE/ITS THE WAY YOU DO IT (VELVET 10 DRESS YOU UP/SHOO-BEE-DOO (REMIX A 35 I WANT MY GIRL (EXTENDED VERSION)/4:48 ®60 SPIKE MIX)/6:05 A 4:02 JESSE JOHNSON’S REVUE (A&MSP-12144) 20 LAID BACK (Sire/Warner Bros. 0-20358) 58 2 INSTRUMENTAL)/6:15 A 4:36 61 O 4 ANGEL/INTO THE GROOVE (EXTENDED DANCE YOU SPIN ME ROUND (LIKE A RECORD) (MURDER 0-20369) 5 MADONNA (Sire/Warner Bros. 36 MIX)/6:15 A 4:40 62 MIX) MISTY CIRCLE (EXTENDED VERSION)/8:00 A ftsTHE SCREAMS OF PASSION/YES (EXTENDED 37 MADONNA (Sire/Warner Bros. 0-20335) 26 17 9:10 VERSION)/6:45 A 4:27 EIGHT ARMS TO HOLD YOU (BONUS BEAT A DUB)/ 63 DEAD OR ALIVE (Epic 49-05206) 50 20 THE FAMILY (Paisley Park/Warner Bros. 0-20360) 6 7 6:45 A 3:00 19/THE ASYLUM (ITS WEIRD) (EXTENDED A GOON SQUAD (Epic 49-05247) 19 9 ALL FALL DOWN (EXTENDED VERSION) 64 DESTRUCTION MIX)/5:11 A 7:08 © FIVE STAR (RCA PW-14109) 11 7 THE POWER OF LOVE (JELLYBEAN REMIX A PAUL HAROCASTLE (Chrysalis 4V9 42875) 39 17 INSTRUMENTAL)/7:10 A 4:12 65 CRY VERSION)/4:36 A FLY GIRL/CITY LIFE (EXTENDED HUEY LEWIS & THE NEWS (Chrysalis 4V9 42889) 28 8 GODLEY & CREME (Polydor 881-786-1) 56 5 5:48 STRONGER TOGETHER (LONG A DUB MIX)/4:57 A 66 FREEDOM/HEARTBEAT (LONG MIX A THE BOOGIE BOYS (Capitol V-8645) 7 16 5:03 67 INSTRUMENTAL)/6:16 A 5:10 (Mirage/Atlantic 859) 34 8 (Columbia 44-05238) 46 8 I WONDER IF I TAKE YOU HOME (RAP, CULT JAM SHANNON DMD WHAM! DUB A EXTENDED VERSION)/12:09 A 6:04 raspberry BERET/SHE’S ALWAYS IN MY HAIR 68 BIT BY BIT (THEME FROM “FLETCH’l/4:44 LISA LISA AND CULT JAM with FULL FORCE (Columbia 44-0520) 8 20 (NEW MIX)/7:25 A 6:48 STEPHANIE MILLS (MCA 23564) 48 11 BAD BOYS (VOCAL A DUB MIX)/S:54 A 5:44 PRINCE AND THE REVOLUTION 69 FUZZ DANCE (EP) BAD BOYS featuring K LOVE (Starlite/Fantasy D-240) 4 11 (Paisley Park/Warner Bros. 0-20355} 31 12 VARIOUS ARTISTS (Sire/Warner Bros. 1-25273) 52 12 THE FAT BOYS ARE BACK (EXTENDED VERSION A THE ROOFS ON FIRE (SCRATCHIN* ft JIVIN’)/3:16 ft 70 LOVE A PRIDE (EXTENDED A DUB MIX)/6:14 A 4:05 INSTRUMENTAL)/6:10 A 5:42 3:13 KING (Epic 49-05236) 53 12 FAT BOYS (Sutra SUD 034) 10 11 ROCK MASTER SCOTT AND THE DYNAMIC 3 71 YOU LOOK MARVELOUS (DUB A EXTENDED (EXTENDED DANCE MIX {Reality/Fantasy D 239) 29 12 7:31 DANCING IN THE STREET 72 VERSION)/7:21 A A DUB)/4:40 A 4:41 STIR IT UP (EXTENDED VERSION ft ED1T)/7:13 ft 5:25 BILLY CRYSTAL (A&M SP 12147) 54 8 O 73 DAVID BOWIE & MICK JAGGER (EMI-America V-19200) 16 12 PATTI UBELLE (MCA 23567) 35 11 ROCK ME TONIGHT (FOR OLD TIMES SAKE)/7:48 YOU ARE MY LADY (SPECIAL THEME VERSION)/4:42 GOOD-BYE BAD TIMES (EXTENDED VERSION ft FREDDIE JACKSON (Capitol V-8640) 55 23 74 ® A 4:35 INSTRUMENTAL)/6:30 ft 5:20 GIRL IF YOU TAKE ME HOME/LETS DANCE FREDDIE JACKSON (Capitol V-8650) 14 5 PHILIP OAKEY& (A&MSP-12141) 36 5 75 AGAINST THE WALL (FUNKY FRESH DEF MIX)/5:56 13 PICKIN’ UP THE PIECES (EXTENDED VERSION A STAND UP/SO TUFF (SPECIALLY REMIXED A 5:46 DUB MIX)/6:38 A 6:28 ® VERSION)/6:26 ft 4:50 FULL FORCE (Columbia 44-05232) 61 9 BRENDA K. STARR (Mirage/Allantic 0-96873) 13 9 HOWARD JOHNSON (A&MSP-1 2137) 45 3 PADLOCK (LONG A SHORT VOCAL)/6:54 A 3:53 CONGA (EXTENDED VERSION A INSTRUMENTAL)/ 9 WEIRD SCIENCE (EXTENDED DANCE VERSION)/ GWEN GUTHRIE (Garage/Island ITG-2001) 60 10 ® 6:00 A 4:52 6:38 DANCIN’ IN THE KEY OF LIFE (SPECIAL REMIX A MIAMI SOUND MACHINE (Epic 49-05253) 18 9 \ OINGO BOINGO (MCA 23574) 43 3 INSTRUMENTAL)/6:04 A 5KW 15 DARE ME/I’LL BE THERE (EXTENDED A •J HELLO STRANGER (EXTENDED VERSION)/5:50 STEVE ARRINGTON (Atlantic 0-86874) 62 9 INSTRUMENTAL VERSION)/6:16 A 4:21 CARRIE LUCAS (MCA 23589) 47 2 THE PLEASURE SEEKERS POINTER SISTERS (RCA PW 14127) 15 9 41 INVINCIBLE (REMIX A INSTRUMENTAL)/5:29 A 4:23 THE SYSTEM (Mirage/Atlantic 0-96875) 59 19 a BE NEAR ME (MUNICH A ECSTASY MIX)/5:48 A 4:45 PAT BENATAR (Chrysalis 4V942878) 41 5 I’M ONLY SHOOTING LOVE (EXTENDED A DUB w ABC (Mercury/PolyGram 884-052-1) 21 4 ,THE OAK TREE (EXTENDED VERSION A VERSION).7:21 A 6:16 17 FREEWAY OF LOVE (ROCK MIX A EXTENDED INSTRUMENTAL)/9;06 A 4:32 TIME BANDITS (Columbia 44-05229) 57 7 REMIX)/4;40 A 6:28 ® MORRIS DAY (Warner Bros. 0-20379) DEBUT THE PERFECT KISS/THE KISS OF OEATH/PERFECT ARETHA FRANKLIN (Arista AD 1-9355) 43 CHERISH (REMIX)/FRESH/MISLED (SPECIAL MIX)/ PIT (ORIGINAL A DUB)/8:46 A 8:24 [1 THE DANCE ELECTRIC/RED LIGHTS (LONG 5:40 A 6:10 NEW ORDER (Qwest/Warner Bros. 0-20330) 63 16 W VERSION)/5:31 A 4:57 KOOL& THE GANG (De-Lite/PolyGram 880947-1) 42 9 WE DONT NEED ANOTHER HERO ANDRE CYMONE (Columbia 44-05249) 25 7 FALL DOWN (SPIRIT OF LOVE) (THUNDERDOME) ® SP-12146) 51 2 (Capitol If TRAPPED TRAMAINE (A&M TINA TURNER V-8655) 67 8 r COLONEL ABRAMS (MCA 23568) 22 a PARTY ALL THE TIME (INSTRUMENTAL VERSION)/ ATTACK ME WITH YOUR LOVE (EXTENDED |1 NEEDLE TO THE GROOVE/JAMMING ON THE VERSION)/6:31 A 4:14 W GROOVE (CLUB A DUB VERSION)/6:27 A 4:45 EDDIE MURPHY (Columbia 44-05280) DEBUT CAMEO (Atlantic Artists/PolyGram 880 744-1) 64 10 23 5 MANTRONIX (Sleeping Bag SLX-00015X) 46 ROMEO (PART I A ll)/ROXANNE’S GROOVE GLOW (REPRISE INSTRUMENTAL)/6:56 A 8:16 21 SHOUT(U.S. AU.K. REMIX)/8K>2A7:41) THE REAL ROXANNE with HITMAN HOWIE TEE RICK JAMES (Motown 4539GG) 65 12 TEARS FOR FEARS (Mercury/PolyGram 880-929-1) 12 11 (Select FMS 62260) 40 6 UNEXPECTED LOVERS (EXTENDED VERSION) SISTER FATE/SAVE THE PEOPLE (EXTENDED (KRUSH GROOVE) CANT STOP THE STREET LIME (TSR 837) 66 16 ® VERSION)/5:45 A 8:28 © (EXTENDED DANCE MIX A INSTRUMENTAL)/5:15 A DOUBLE OH OH (MASHED MIX A MIXING PARTS)/ SHEILA E (Paisley Park/Wamer Bros. 0-20359) 6:01 7:33 A 13K» 23 TOO TURNED ON (EXTENDED A DUB VERSION) 6:17 CHAKA KHAN (Warner Bros. 0-20367) DEBUT GEORGE CLINTON (Capitol V8642) 70 10 A3KX) 48 BITE IT (EXTENDED A DUB VERSION)/3:35 A 5:08 irs OVER NOW (REMIX) ALISHA (Vanguard SPV-82) U.T.F.O with FULL FORCE (Select FMS 62263) 49 3 LUTHER VANDROSS (Epic 49-05228) 68 7 DONT LOSE MV NUMBER (EXTENDED VERSION)/ 3 I’M GONNA TEAR YOUR PLAYHOUSE DOWN SWING LOW (LONG VERSION A DUB MIX)/5:42 A ® 6:32 W (SPECIAL YA YA MIX)/6:15 5:25 PHIL COLLINS (Atlantic DMD 872) PAUL YOUNG (Columbia XSM 174580) DEBUT R.J.’S LATEST ARRIVAL (Atlantic DMD 847) 69 14

THE CASH BOX TOP 75 12” SINGLES CHART IS BASED SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES.

1 2” REVIEWS MOST ACTIVE CLUB PICK THE JETS (MCA 23586) Curiosity (7:30) (Knight-Zigman) (Almo Music-Crimsco Music-Irving Music/ ASCAP—BMI) (Producer: Don Powell-David Rivkin-Jerry Knight-Aaron Zigman) Hell In Paradise — Yoko Ono — (Remix: Louil Silas, Jr.) Polydor From America’s dance heartland — Minneapolis — comes another commercially Club: Better Days Forest ripe R&B group, the Jets, and this cut is an excellently arranged and mixed dance Disc-Jockey: Bruce tune with a great song at its core. Location: New York Comments: D.ST. (Celluloid 185) ‘A very uptempo 12" that will work The Of Home Hip Hop (7:10) (Chu Teh-D. Street/BMI) (Showard-Johnson) well in the black clubs. Should do as (Producer: D. St.) well as "Walking On Thin Ice." There An ode to rap/hip hop’s home in the various NY burroughs, D. St.’s latest is are some real high power people a typically hard-hitting and booming cut. Heavy beat and rock guitar accentuate playing on this cut. Should chart high. ” this latest urban dance entry.

riNA HARRIS (Shanachie 6700) RETAIlfR’S PICK While The City Sleeps (5:1 5) (Robinson) (Robin Hill Music) (Producer: Lenny White) (Remix: Lenny White-Ray Bardan) STRONG ACTIVITY British newcomer Tina Harris debuts on normally ethnic-oriented Shanachie with Diana Ross — RCA Records this modern dance rocker. Hooking up with fusion heavyweights — Lenny White Store: Peaches among — Harris’ ’’While them The City Sleeps” is an impressive opener. The Dance Electric — (Columbia) — Manager Sue Detlerage Andre Cymone Location: Ft. Lauderdale ARTHUR BARROW (MCA 23555) Single Life — (Atlanta Artists/Poly- In The Mood (5:37) (Garland) (Shapiro, Bernstein & Co./ASCAP) (Producer: Arthur Gram) — Cameo Comments: Barrow) "Beginning sales have been excel- Object Of My Desire - (Elektra)— This synth vamp of the classic theme is workable on the dance lent. Diana Ross is very popular in this Starpoint floors, but the flip ballad of “Moonlight Serenade” with Thelma Houston is area and should sell well. A very tantalizing. A nice double A-side 12”. Fall Down — (A&M) — Tramaine danceable cut. ”

:ash Box/September 28, 1985 21 ^ALL )

ON J4ZZ

TOP 40^ LBUMS PASSING ON — Cootie Wiliiams, the great trumpet stylist — a master of the growl trumpet the plunger — died September 15 in New York at the age of AVAILABLE ON COMPACT DISC and mute 77. A stylistic descendant of Bubber MIley — who helped put the “jungle” into Duke Ellington’s 1920s “jungle band” — Williams joined the Ellington band in 1928 Weeks Weeks and, though he left in 1940 to join Benny Goodman’s band and, eventually to On On form his own big band — he was back with Duke in 1962 and remained with 9/21 Chart 9/21 Chart the band until Ellington’s death; in fact, up until recently, he still took the odd gig with the Ellington orchestra under the direction of Duke’s son, Mercer. Cootie A DANCING IN THE SUN 21 HOT HOUSE FLOWERS k had something on the trumpet that is fast disappearing in jazz — his own GEORGE HOWARD (TBA TB205) 1 22 WYNTON MARSALIS 2 MAGIC TOUCH (Columbia FC 39530) 21 52 unmistakeable sound and style. He will be missed. STANLEY JORDAN 22 NEW FACES TLC — Ten years or so ago, when I was in Boston, I used to do a lot of hanging (Blue Note BT 85101) 2 29 (GRP 22 11 DIZZY GILLESPIE 1012) out at Sandy’s in Beverly, a marvelous jazz club which played host to the greats 3 HARLEQUIN WILD ROMANCE of the swing and bebop eras. Every DAVE GRUSIN & LEE RITENOUR HERB ALPERT (A&M SP-5082) 25 5 (GRP 1015) 3 2S 24 FIND OUT! once in a while, a musician — Illinois OSKIN DIVE THE STANLEY CLARKE BAND Jacquet or Clark Terry — would call MICHAEL FRANKS (Epic FE 40040) 23 14 up from the audience a cute little (Warner Bros. 25275-1) 5 16 SOARING THROUGH A button of a girl — maybe she was all 5 ALTERNATING © DREAM of nine or 10 — to sit in on the drums. CURRENTS AL Dl MEOLA (Manhattan ST-53011) 28 4 SPYRO GYRA 26 20/20 And the little lass would get up and (MCA 5606) 4 14 GEORGE BENSON kick ass behind the big boys. Well, on 6 MAISHA (Warner Bros. 9 25178-1 26 35 Sept. 28, that girl, Terry Lyne Carring- SADAO WATANABE (Elektra 60431- 1) 6 11 DIGITAL WORKS k ton — now an adult of 20 or so — will O VOCALESE © AHMAD JAMAL (Atlantic 81258) 33 2 THE MANHATTAN TRANSFER 28 SKY DANCE headline a concert at Symphony Space (Atlantic 81266-1) 8 8 RODNEY FRANKLIN in N.Y. that will feature some of the 8 SODA FOUNTAIN (Columbia FC 39962) 24 18 HAMP’S A BMI CHAMP — Among the finest young jazz talent around: Rufus SHUFFLE ATLANTIS attendees at BMi’s “Miiiion-Air" awards Reid, Geri Allen, Billy Childs, Kevin EARL KLUGH (Warner Bros. 0 WAYNE SHORTER iuncheon was Lionet Hampton (c). Join- 25262-1) 7 23 (Columbia FC 40055) DEBUT Eubanks, Jerry Gonzalez, Jimmy Ow- ing in the apptause for artist 9 YOU’RE UNDER ARREST 30 SILENT WITNESS the jazz are ens, John Purcell, Greg Osby, Steve SKYWALK (Zebra ZR 5004) 27 9 Johnny Bienstock (t), senior vice presi- Coleman, Dianne Reeves, and others. MILES DAVIS (Columbia FC 40029) 9 18 31 LIVE AT SWEET BASIL dent, Chappeii & Co., inc., and songw- She’s 1 0 years older — if she’s 1 0 years 10 OPENING NIGHT VOL. 1 riter/arranger Sy Oliver. Hampton’s "Fly- KEVIN EUBANKS (GRP A-1013) 10 9 DAVID MURRAY BIG BAND (Black better, watch out. ing Home” is a BMI "Million-Air” tune. 11 WHITE WINDS Saint BSR 0085) 31 13 H, R & S — I want to make quick ANDREAS VOLLENWEIDER 32 STREETSHADOWS mention here of an engagement that warmed my heart recently. As a diehard I (CBS FM 39963) 12 32 DAVID DIGGS (TBA 207) 32 26 I Lambert, Hendricks & Ross fan, I have been looking forward to the chance to 12 MUSICAN 33 LIVE FROM SAN hear Jon Hendricks and Annie Ross together again — something they’ve avoided ERNIE WATTS (Qwest/Warner Bros. FRANCISCO ^25283) 11 11 MAYNARD FERGUSION (Palo Alto PA since Annie left L, H & R due to "personal problems” some 23 years ago (Dave f|i OASIS 8077) 30 7 Lambert subsequently perished in an auto accident). Well, the two finally reunited 2T JOE SAMPLE (MCA 5481) 16 6 34 CROSSING for a week at the Blue Note recently and, while Annie’s voice is not quite what fn AL JARREAU IN LONDON OREGON (ECM 25025-1) 29 9 it once was, the swing, the feeling, the loose fun of L, H & R were recaptured (Warner Bros. 25331) 20 2 35 TOGETHERING |» AMERICAN EYES - KENNY BURRELL/GROVER in a blink. With the excellent Bruce Scott taking Dave Lambert’s chair, H, R & RARE SILK (Palo Alto PA 8086) 18 25 WASHINGTON JR. S, with all due respect to the younger vocal groups, showed what vocalese is 16 JUNGLE GARDEN (Blue Note BT 85106) 34 30 really about. With stacks of material available to them (their old stuff and all the DAVE VALENTIN (GRP 1016) 14 13 36 HIGH CRIME newer things that Jon has written over the years for Manhattan Transfer and others), 17 HIGH VISIBILITY AL JARREAU (Warner Bros. 25106) 35 11 H, R & S should hit the road and the recording studios. VICTOR FELDMAN'S GENERATION 37 AUTUMN Activities in America, Shirley BAND (TBA TB208) 15 8 GEORGE WINSTON BOPPING AROUND — abound. Ornette: Made 18 JUSTFEELIN’ (Windham Hill/A&M WH-1012) 36 29 Clarke’s feature on the life and times of Ornette Coleman, will premiere at Forth 38 McCOY TYNER (Palo Alto PA 8083) 17 8 MODERN MANNERS Worth’s Caravan of Dreams (9/28), with the filmmaker and subject present . . . SPECIAL EFX (GRP 1021) 40 11 19 GRAVITY View Video (255 E. 23rd St., New York, NY 10010) has got a slew of jazz videos KENNY G&G FORCE 39 DECEMBER available — including tapes featuring Gil Evans, Louie Bellson, Mel Lewis, and (Arista AL8-8282) 13 20 GEORGE WINSTON 20 STRAIGHT TO THE (Windham Hill/A&M WH-1025) 39 47 others, with many, many more to follow . . . Doing good department: The California HEART 40 CIELO DE TERRA Institute of Jazz Studies has been formed to “document, study and promote a AL Dl DAVID SANBORN MEOLA wider interest” in jazz (they’re at 109 4th St., Santa Rosa, CA 95401). The National (Warner Bros. 25150-1) 19 34 (Manhattan ST-53002) 37 18 Academy of Jazz has been formed for “the advancement, enlightenment, and artistry of jazz” (they’re at 15201 Burbank Blvd., Van Nuys, CA 91401). Jazz For Life has THE CASH BOX TOP 40 JAZZ ALBUM CHART IS BASED SOLELY ON been formed “to raise the level of awareness in communities throughout the United ACTUAL PIECES SOLD AT RETAIL STORES. States as to the need for long term assistance to the tragic victims of starvation” (they’re at 2752 Gloucester Way, Ann Arbor, Ml 48104). The National Black Music Association has initiated the “Gold Note Jazz Awards,” which will be presented at Symphony Space (9/27); they’re a not-for-profit organization that tries to “provide FE/1TURE PICKS relevant business expertise to both our membership and to the business community at large” (they’re at P.O. Box 1602, Grand Central Sta., New York, NY 10163). CHANGE OF SEASON — Misha Mengelberg/Steve Lacy/George Lewis/Harjen And, finally, the Congressional Black Caucus has initiated a Jazz Panel; they’ll Gorter/Han Bennink — Soul Note SN 1104 (dist. by PolyGram Special Imports hold their first meeting. Sept. 25, at the Washington Hilton. Now’s the time . . . — Producer: Giovanni Bonandrini — List: 8.98 Mel Torme has checked into N.Y.’s Park Ten, he’s there until Oct. 10 . . . Leonard Herbie Nichols is a pianist who didn’t record enough and, since his death, has Feather, jazz writer extraordinaire, has endowed the Berklee College of Music with disappeared from too many memories. These five tart, intelligent players air seven a permanent $2,000 scholarship for outstanding young musicians . . . “The Jazz of Nichols’ twisting, arching compositions and the playing and the feeling are Idiom: An Instrumental View” is a fall course at UCLA; call them at (213) 825- up there. One of those rare albums where everything falls into place — Mengelberg, 9064 for the registration lowdown . . . Benefits galore: B.B. King and the O’Jays who did the arranging, even captures Nichols well on the keys. will perform in a benefit for Straight & Narrow Inc., a drug and rehabilitation center in Paterson, NJ, and WBGO-FM, at Elizabeth, NJ’s Ritz Theatre (10/4), sponsored SOARING THROUGH A DREAM — Al DiMeola — Manhattan ST 5301 1 — Producer: by Smirnoff . . . “All Nite Soul” will rock the pews of St. Peter’s Church on 54th Al DiMeola — List: 8.98 — Bar Coded will St. from 5:00 p.m.-5:00 a.m., Oct. 6 . . . “Salsa with Soul at the Apollo” benefit the floating A well-titled, dreamy effort, as DiMeola, on several numbers, combines the east Harlem Music School with performances by Ahmad Jamal and Mongo sound of the Synclav with Bazilian rhythms for a good, heady effect. Less dense Santamaria (10/8), Lionel Hampton and Ray Barretto (10/15), and Betty Carter than of the guitarist’s past work, “Soaring” should find fusion and “new some and Paquito D’Rivera (10/22); Johnny Colon, the school’s founder, will open each age” ears both. Good work from the veteran sidemen, too: Airto Moreira, Danny concert (212-534-4711 gets details) . . . The east Oakland Youth Development Gottlieb, Phil Markowitz and Chip Jackson. Foundation’s “Jazz Gala” will bring together Dizzy Gillespie, Max Roach, and Nancy

Wilson, at the Henry J. Kaiser Convention Center (10/27); tickets at BASS . . . DYNAMICS — Bruce Forman/George Cables — Concord Jazz CJ-279 — Producer: Speaking of WBGO, that station is attempting to avoid its annoying on-air Bt Carl E. Jefferson — List: 8.98 fundraising this year by trying to raise $200,000 “in silence” — if the bread is A simpatico, elegant team: guitarist Forman and pianist Cables are both soulful, I . initiated in by Oct. 5, the airwaves will feature only jazz . . L.A.’s KKGO-FM has patient players who know how to solo, know how to accompany and how to fill a series of Fri. night interviews; listen for Ernie Watts (9/27) and Billy Cobham in the gaps. A couple of toe-tappers, a couple of pretty romantic pieces and lots at Civic Center, will offer 1 (10/4) . . . Syracuse, NY’s “Jazz at the Center,” held the of good, swinging jazz. Chuck Mangione (10/27), Jean-Luc Ponty (1 1/10), Dizzy Gillespie and Jimmy Heath

(Tt Tania Maria (3/2/86) . . . There are two clubs IT’S A WONDERFUL WORLD — Dick Meldonian — Statiras SLP 8076 — Producer: (1/12/86), and Bobby McFerrin and in Brooklyn (the home of many jazz giants) offering the sounds: the Valhal Pub i Gus Statiras Kingston Ave.) for those who hang A lovely, loose, swinging LP. tradionalists — (63 Lafayette Ave.) and the Flamingo (259A i Three Meldonian on soprano and clarinet, Marty Grosz on guitar and vocals, Pete Compo on bass — glide through out on the other side of the Bridge. Lee Jeske 11 good old ones (“I Never Knew,” “This Can’t Be Love,” etc.) with greased elan. ' I

22 Cash Box/September 28, 1985 NEIVS

MCA Forms Jazz Division By Lee Jeske also going to be taking a close look at NEW YORK — MCA Records, whose unreleased material.” holdings include the catalogues of Im- Impulse Records was one of the leading pulse, Decca, Dot, Argo and a number of jazz labels of the 1960s which, under the other labels with extensive jazz cata- direction of Bob Thiele, recorded such, logues, has formed a jazz division, which mainstream artists as Coleman Hawkins will be under the direction of Ricky and Earl Hines, but was best known for Schultz, current president of Zebra its quick entry into the avant-garde scene Records. MCA Jazz will reissue, with of the time, recording numerous albums facsimile covers and in premium press- by the John Coltrane Quartet, among ings, the Impulse catalogue; will sign new others. MCA has kept some Impulse artists to the Impulse label; will oversee material in print since they acquired the

the midline Jazz Heritage Series, which catalogue, but has never marketed it very reissues much of the Dot, Decca and other aggressively. Schultz is quick to point out historical catalogues; will revive the that one feature of Impulse is prohibitive Crusaders Records line; will handle the in the mid-’80s — the distinctive gatefold extensive jazz holdings of the Chess/ jackets — but he says that all the infor- BEAT RODEO TEAR UP MUSIC CITY — I.R.S. artists Beat Rodeo took the Music Checker/Cadet/Argo labels; will distrib- mation will be reprinted on inserts in each City by storm recently in their SRO appearance at Rooster's. Following the ute Zebra Records as a custom label; and LP. performance, Beat Rodeo was visited backstage by representatives of MCA Records will distribute the large catalogues of the "One of the things I want to try and (distributor of I.R.S.) and Criterion Music (administrator of I.R.S. Music and Illegal Dutch Timeless label and the German maintain,” says Schultz, “is the freshness- Enja label, the of Songs). Shown backstage at Roosters are (i-r, bottom row:) Dan Howell, professional pending approval the and the contemporary sense that Impulse manager of Criterion Music and executive administrator of I.R.S. Music/Illegal Songs; presidents of those labels (Zebra had always seemed to have — it always Steve Almaas of Beat Rodeo; and MCA Nashville's Tony Brown; (l-r,top row:) Bo been handling Timeless and was about seemed to be on the cutting edge. So I Goldson, vice president of Criterion Music; Beat Rodeo manager Andy Schwartz; to begin distributing Enja). If all goes want to try and maintain that tradition, and Beat Rodeo member Louis King; I.R.S. Records president Jay Boberg; and Beat Rodeo according td^plan, there should be some I want to try and sign some exciting new members Bill Schunk and Dan Prater. MCA-distributed Zebra, Timeless and faces who can be developed to the label, Enja product on the market by Christmas, as well as some specialized projects that with the first 15 MCA Impulse releases — might not be long-term artist signings, but Chrysalis Signs New Agreement 12 reissues from the catalogue and three that will hopefully be of interest to the jazz new LPs, including a Bob Thiele-pro- community.” With Deborah Harry duced Impulse reunion — due in late There are also, according to Schultz, February or early March. MCA Impulse CDs planned. LOS ANGELES — Chris Wright, chairman group Blondie to her status as an inter- “What we have here is MCA setting up “We’re opening our doors right away of the Chrysalis Group P.L.C., has an- national star. As Debbie has recently been a giant umbrella for jazz, under which with a tremendous wealth of material,” nounced the re-signing of Deborah Harry working with Warner Bros, on the produc- there are all these distinctive individual says Ricky Schultz, “and we want to try to an exclusive solo recording deal for all tion and release of a song for the upcom- identities," says Schultz, who is as-yet to be intelligent and aggressive, and if territories worldwide excluding North ing Krush Groove movie soundtrack to untitled. “In some senses it’s like a merger there are other situations that make sense, America, and to a new long-term world- very positive results, we felt it was of sorts between Zebra Marketing and we’ll take a look at them. wide songwriting agreement. Harry’s mutually beneficial for her to continue an MCA — I’m going to be running MCA Jazz, “Part of what I’ve always been about is recordings will be released by Geffen association with Geffen Records, a but I’ll retain ownership of Zebra Records trying to prove to corporate record Records in the U.S. and Canada. Warner-distributed company, in North and presidency of that. America that jazz can be a profit center In commenting on the resigning, Wright America. We look forward to continuing “One of the major thrusts of this whole and is not an area to be overlooked. To said, “Chrysalis and Deborah Harry have our relationship with this unique artist setup is to revive Impulse Records. In be involved with a situation like this is enjoyed a very creative relationship for throughout Europe and the rest of the many senses, it’s hard not to point to the terribly exciting and I’m hoping if we can many years, from her earliest days in the world.” example of Blue Note — there will be the conduct our affairs intelligently and repackaging and remarketing of cata- profitably that we might be able to Chess, The Musical, Coming To logue items — classic titles — as well as stimulate some of the other big companies the signing of new artists to the label. I’m to take our music a little more seriously.” Broadway/London Stage NEW YCRK — An agreement has been colorful pageantry of a world chess RAS/Greensleeves Pact reached to bring Chess, the musical, to championship, representing the political LOS ANGELES — RAS Records President England with our label identification the stage. The Benny Andersson (founder intrigue between the U.S. and U.S.S.R. Gary Himelfarb has announced the final- intact. The agreement establishes Greens- of ABBA), Tim Rice {Joseph and the The plot of Chess revolves around the ization of a major manufacturing and leeves as the sole agent for RAS Records Amazing Technicolor Dreamcoat, Jesus battle between an American and a Russian distribution deal with Greensleeves Re- in Europe and England for a period of two Christ Superstar, Evita) Bjorn and Ulvaeus for the world chess title and the woman cords of London for the RAS Records years.” (co-founder of musical, which has ABBA) both men want. label in Great Britain and Europe. Greensleeves, which has established become a highly successful RCA record- The RCA recording of Chess has already itself as a major European label with it’s ing, will open at the Prince Edward sold over a million copies worldwide and “This deal is an important one for RAS catalogue of over 80 LPs, has introduced Theatre in London in April, 1986, with an has generated two international hit sin- “. . . .,” Himelfarb said, . . because it to reggae audiences such greats as American production opening at a Shu- gles — “One Night in Bangkok,” which introduces our product into Europe and Yellowman and Freddie McGregor. bert Theatre in New York late winter/early has sold over four million copies and “I spring of 1987. Chess will be directed by Know Him So Well,” which was number Record Bar Convention eight-time Tony and Pulitzer Prize win- one in Great Britain for four weeks. Both (continued from page 9) ning director Michael Bennett. songs have also spawned successful The 1985 Artist Awards were as follows: jority of those polled claimed that the Chess is a love story set against the videos. Artist Of The Year — Bruce Springsteen; firewalk experience and the workshops Album Of The Year — “Born In The were “very valuable.” U.S.A.”; New Artist Of The Year — Julian Rosanne Cash, Vince Gill, John Caffer- Lennon; Country Artist Of The Year — MTV Awards ty And The Beaver Brown Band and (continued from page Judds; Classical Artist Of The Year — 9) CONCEPT Stanley Jordan provided entertainment. Wynton Marsalis; Jazz Artist Of The Year STAGE PERFORMANCE Glenn Frey & Duncan Gibbons, Smuggler’s Saturday evening’s awards banquet was — David Sanborn; Label Of The Year — Bruce Springsteen, Dancing In The Dark. Blues (Frey) highlighted by a highly emotional and Columbia; Best Kept Secret — Hooters; NEW ARTIST VANGUARD AWARDS eloquent videotaped acceptance from Best Video — Don't Come Around Here til Tuesday, Voices Carry Russell Mulcahy, David Byrne, Godley & Bob Geldof as he received Record Bar's No More, Tom Petty. EXPERIMENTAL VIDEO Creme Humanitarian Service award. Art of Noise, Close (To The Edit). DIRECTION Lifetime Achievement Awards were ART DIRECTION Jean Baptiste Mondino, The Boys Of given to John Hammond, Quincy Jones, Bryan Jones, The Boys Of Summer (Don Summer Elvis Presley, The Who, John Lennon, Otis Henley). SPECIAL RECOGNITION Redding, Willie Nelson, Harry Chapin CINEMATOGRAPHY Bob Geldof andJoel Friedman. The Bertha K. Berg- Pascal Lebegue, The Boys Of Summer. GROUP VIDEO man Memorial Busineswoman Of The SPECIAL EFFECTS USA For Africa, We Are The World Year Award went to Ruth Sims, newly TORME fli Tony Mitchell, Kathy Dougherty, Peter VIEWERS’ CHOICE promoted senior vice-president and - OCT. 5' Cohen, Dont Come Around Here No'More We Are The World general manager. Licorice Pizza. Manager SEPT. 19 (Tom Petty & the Heartbreakers BEST MALE VIDEO Of The Year was Michelle Cacho, Record EDITING Bruce Springsteen, I’m On Fire Bar #65, Eastlaod Mall, Charlotte, N.C. Zbigniew Rybzcynski, Close (To The Edit) BEST FEMALE VIDEO New Manager of the Year was Tracy -- (Art of Noise) Tina Turner, What’s Love Got To Do With Nanney. Record bar #28, University Mall, ' CHOREOGRAPHY PAQklEI^ It? chapel Hill, N.C. - David Atkins, Sad Songs (Say So Much) BEST VIDEO FL, managed by Tommy Flisek was named TICKETS 212 889-1311

(Elton John) • • Don Henley, The Boys Of Summer Store Of The Year. lO PARK AVT:NLT 1 34th ST.) .VY.C.

Cash Box/September 28, 1985 23 THE CASH BOX TOP 200 ALBUMS CHART IS BASED SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. September 28, 1985

ir = Available on Compact Disc = Platinum (RIAA Certified) = Gold (RIAA Certified)

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34 7 WISHES 8.98 69 8.98 NIGHT RANGER (MCA 5593) MCA 17 LAURAN BRANIGAN (Atlantic 81265) WEA 65 8 IN S 98 I BROTHERS ARMS DIRE STRAITS (Warner Bros. 25264-1) WEA 1 18 35 DIAMOND LIFE *m 70 CRUSH 8.98 SADE (Portrait BFR 39581) CBS 31 ORCHESTRAL MANOEUVRES IN THE DARK

(A&M SP 5077) RCAk 80 11 THE DREAM OF THE BLUE 3^ LOVIN’ EVERY MINUTE OF IT - TURTLES 898 LOVERBOY (Columbia 39953) CBS 3 71 MAVERICK 8.98 STING (A&M SP 3750) RCA 2 13 37 DREAM INTO ACTION * bm GEORGE THOROGOOD AND THE DESTROYERS (EMI America ST-17143) CAP- 73 33 SONOS FROM THE BIG HOWARD JONES (Elektra 60390-1) WEA 25

72 3.98) CHAIR WH 8.98 MASK OF SMILES g.98 GODLEY & CREME (Polydor 825 981-1) POL 79 6 TEARS FOR FEARS (Mercury 824 300-1 M-1) POL 3 27 JOHN WAITE (EMI America ST 17164) CAP 6 73 MARCHING OUT 8.98 BORN IN THE U.S.A. 3^ LITTLE BAGGARIDDIM ess YNGWIE J. MALMSTEEN’S RISING FORCE BRUCE SPRINGSTEEN UB40 (A&M SP-6-5090) RCA 8 (Polydor (Columbia QC 38653) CBS 5 67 825 733-1) POL^2 5 40 BUILDING THE PERFECT 74 I RECKLESS 8.98 8.98 BEAST WH 8.98 JOVI BRYAN ADAMS (A&M SP-5013) RCA 4 44 BON (Mercury 824 509-1) POL 72 21 DON HENLEY (Gotten GHS 24026) WEA 42

75 8.981 GREATEST HITS VOLUME I & 41 “YOUTHQUAKE” TINA TURNER (Capitol ST-12330) CAP' 70 68 II DEAD OR ALIVE (Epic BFE 40119) CBS 13 BILLY JOEL (Columbia 40121) CBS 6 11 76 8.98 42 - JESSE JOHNSON’S REVUE THE MANHATTAN TRANSFER1 NO JACKET REQUIRED WH 9.9s (A&M SP 6-5024) RCA 29 (Atlantic 81266-1) WEA. 76 8 PHIL COLLINS (Atlantic 8124&-1) WEA 7 30 43 NO LOOKIN’ BACK 89s 77 THEATRE OF PAIN am MICHAEL (Warner Bros. 25291-1) MCDONALD BOB DYLAN (Columbia FC 40110) CBSi 63 IS MOTLEY CRUE (Elektra 60418-1) WEA 8 12 WEA S

78 8.981 9 )WHITNEY' HOUSTON 8 98 8 98 SUDDENLY JOHN FOGERTY (Warner Bros. 25203-1) WEA1 67 36 0 (Arista AL8-8221) RCA 11 27 BILLY OCEAN (Jive/Arista JL8-8213) RCA 41 55 10 LIKE A VIRGIN s98 45 THE NIGHT I FELL IN LOVE - MADONNA (Sire 25157-1) WEA 10 34 LUTHER VANDROSS (Epic FE 39882) CBS 39 27 CHARTBREAKER 11 INVASION OF YOUR 46 UNGUARDED 8.98 AMY GRANT SOUL TO SOUL PRIVACY 9 98 (A&M SP 5060) RCA 43 16 ^ STEVIE RAY VAUGHAN AND DOUBLE RATT (Atlantic 81257-1) WEA 9 15 47 OLD WAYS 8.98 DEBUT "l^ SCARECROW 8.98 NEIL YOUNG (Getten GHS 24068) WEA 53 5 JOHN COUGAR MELLENCAMP (Riva 824 865-1) 80 SHAKEN ‘N’ STIRRED B.98 POL 29 3 LISA LISA AND CULT JAM V WITH FULL FORCE 75 17 13 HEART 8.98 (Columbia BFC 40135) CBS 56 5 81 MAD MAX-BEYOND (Capitoi ST-12410) CAP 14 12 THUNDERDOME 99s 49 SINGLE LIFE 8.98 ORIGINAL SOUNDTRACK 14 SACRED HEART bm CAMEO (Atlantic Artists 324 546-1) POL 49 13 DIO (Warner Bros. 25292-1) WEA 18 5 77 7 THE FAT BOYS ARE BACK 8.98 15 82 BOYS AND GIRLS w 1.98 LITTLE CREATURES 8.98 $ THE FAT BOYS (Sutra 1016) IND 58 7 TALKING HEADS (Sire 25305-1) WEA 15 14 BRYAN FERRY (Warner 81 15 51 FLASH 83 MADONNA 8.98 16 MAKE IT BIG JEFF BECK (Epic 39483) CBS 46 11 WHAM! (Columbia FC 39595) CBS 16 34 83 106 52 SOME GREAT REWARD s.98 84) CITY LIFE 8.98 17 THE SECRET OF ASSOCIATION DEPECHE MODE (Sire 25194) WEA 45 30 - 97 5 53 DARE TO BE STUPID PAUL YOUNG (Columbia BFC 39957) CBS 17 19 85 ALL "WEIRD AL" YANKOVIC TOUGH OVER JOHN CAFFERTY AND THE BEAVER BROWN 18 LIVE (Rock 'n' Roll Records FZ 40003) CBS 47 13 WORLD WIDE ags 84 17 SCORPIONS (Mercury 824 344-1) POL 12 12 54 SHOCK 8.98 86 A LITTLE SPICE 8.98 19 AROUND THE WORLD IN A DAY THE MOTELS (Capitol SJ- 12378) CAP 54 7 LOOSE Et 85 12 9.98 55 TAO 9.98 PRINCE 87 U.T.F.O. 8.98 AND THE REVOLUTION RICK SPRINGFIELD (RCA AJ1-S370) RCA 48 23 (Paisley Park/Warner Bros. 25286-1) WEA 13 21 {i 78 16 56 PATTI LaBELLE 20 WHO’S ZOOMIN’ s.98 88 ONLY FOUR YOU 8.98 WHO (Philadelphia InfL/CBS FZ 40020) CBS 52 9 ARETHA FRANKLIN (Arista AS 8286) RCA 19 10 MARY JANE GIRLS i 57" THE FAMILY s.98 88 29 21 s.98 EMERGENCY (Paisley Park/Warner Bros. 25322) WEA 66 5 KOOL & THE GANG (De-Lite 822 943-1) POL 22 24 89}COSI FAN TUTTI FRUTTI 8.98 58 BEVERLY HILLS COP 99s SQUEEZE (A&M ! 114 2 22 READY FOR THE WORLD 8 98 ORIGINAL SOUNDTRACK (MCA 90 GO WEST 5594) MCA 26 14 (MCA 6143) MCA 51 40 (Chrysalis FC 4 91 25 23 BACK TO THE FUTURE i ts 59; DARYL HALL & JOHN OATES ORIGINAL SOUNDTRACK (MCA 6144) MCA 23 9 91 LAST MANGO IN PARIS 8.98 LIVE AT THE APOLLO with JIMMY BUFFETT (MCA 5 86 14 24 BOY IN THE BOX ssa DAVID RUFFIN & EDDIE COREY HART (EMI America 17161) CAP 20 11 92 SUZANNE VEGA 6.98 KENDRICK 8.98 90 9 25 HUNTING HIGH AND LOW sss (RCA AFL1-7035) RCA 74 2 A-HA (Warner Bros. 25300) WEA 31 12 60 SPORTS 93 BROTHER WHERE YOU BOUND 8.98 26 ROCK ME TONIGHT s.98 HUEY LEWIS AND THE NEWS 87 18 FREDDIE JACKSON (Capitol ST 12404) CAP 24 20 (Chrysalis FV 41412) CBS 55 95 94 8.98 27 CONTACT 9 98 61 SHEILA E. In ROMANCE 1600 8.98 SOUTHERN ACCENTS TOM PETTY AND HEARTBREAKERS POINTER SISTERS (RCA AFL 1-8056) RCA (Paisley Park/Warner Bros. 25317) WEA 71 3 27 9 94 25 28 ST. ELMO’S FIRE w 9.93 62 AIN’T LOVE GRAND s.9e ORIGINAL SOUNDTRACK X (Elektra 60430) WEA 62 8 95 FEAR NO EVIL 8.98 (Atlantic 81261-1) WEA 25 12 63 STANDING ON THE EDGE - GRIM REAPER (RCA AFL1-5431) RCA 89 12 TRICK (Epic 29 THE POWER STATION 331/3 8 98 CHEAP FE 39592) CBS 68 7 96 COCK ROBIN THE POWER STATION (Capitol SJ-12380) CAP 21 25 (Columbia BFC 39582) CBS 96 8 64 WIDE AWAKE IN AMERICA 4.98 30 FLY ON THE WALL a 98 U2 (Island 90279-1 -A) WEA 61 15 97 KATRINA AND THE WAVES 8.98 AC/DC (Atlantic 81263) WEA 28 11 65 VOICES CARRY 92 24 TIL TUESDAY (Epic BFE 39458) CBS 59 26 31 FABLES OF THE 98 LONE JUSTICE w 8.98 RECONSTRUCTION asa 66 VITAL SIGNS *m 98 22 R.E.M. (IRS-5592) MCA 30 14 SURVIVOR (Scotti Brothers FZ 39578) CBS 60 48 99 AIR SUPPLY 8.98 32 BE YOURSELF TONIGHT 9 98 67 RHYTHM OF THE NIGHT WB s.98 93 15 EURYTHMICS (RCA AJL 1-5429) RCA 32 20 DeBARGE (Gordy/Motown 6123GL) MCA 64 28 100 THE COMPLETE STORY OF 33 NERVOUS NIGHT w 68 OPEN FIRE 8.98 ROXANNE. . .THE ALBUM 6.98 HOOTERS (Columbia BFC 39912) CBS 38 20 Y&T (A&M SP 5076) RCA 69 11 95 10

i ..., .

Weeks Weeks Weeks On On On 9/21 Chart 9/21 Chart 9/21 Chart

101 WE ARE THE WORLD 136 RHYTHM AND ROMANCE 168 SKIN DIVE 8.98 USA FOR AFRICA (Columbia USA 40043) CBS 99 24 131 13 MICHAEL FRANKS (Warner Bros. 25275-1) WEA 168 16 102 VOX HUMANA W 137) RESLESS 8.98 169 THE FIRM SB 8.98 KENNY LOGGINS (Columbia FC 39174) CBS 100 25 STARPOINT (El 147 4 (Atlantic 81239) WEA 142 26 103 SPOILED GIRL 138 THE CONFESSOR W 8.98 170 WRAP YOUR BODY 8.98 CARLY SIMON (Epic FE 39970) CBS 101 11 141 JOE WALSH ONE WAY (MCA 5552) MCA 144 6 (Pull Moon/Wamer Bi 123 20 104 FACE VALUE 8 98 ^142—s, 171 BREAKOUT SB 9.98 PHIL COLLINS (Atlantic 16029-1) WEA 106 48 (l39)MAHVELOUSI 8.98 POINTER SISTERS (Planet BEL 1-5410) RCA 152 103 BILLY CRYSTAL 153 3 105 LOW LIFE 8.98 >143( 172 ESCAPE B 8.98 NEW ORDER ^4^ THE HEAD ON THE DOOR 8.98 WHODINI (Jive/Arista JL8-8251) RCA 173 42 (Qwest/Warner Bros. 25289-1) WEA 105 18 THE CURE WHAT IS THIS 8.98 144 177 LIBRA (E 157 2 @ (MCA 5598) MCA DEBUT 8 JULIO IGLESIAS (Columbia FC 40180) CBS 116 5 40 HOUR WEEK 8.98 174178 DONT SUPPOSE .. . 8.98 107 KING OF ROCK 8.98 132 31 LIMAHL (EMI America ST-17142) CAP 151 22 RUN D.M.C. (Profile PRO-1205) IND 107 26 HARLEQUINS 179175 BIG BAM BOOM SB 9.98 WELCOME TO THE REAL WORLD 8.98 DAVE GRUSIN & LEE RITENOUR DARYL HALL & JOHN OATES MR. MISTER (RCA NFL1-8045) RCA 119 6 139 15 (RCA AFL 1-5309) MCA 162 49 @ 180 109 FIVE-O 8.98 CRAZY FROM THE HEAT I I 5.99 176 PERFECT S 8.98 HANK WILLIAMS DAVID LEE ROTH 181 ORIGINAL SOUNDTRACK (Curb/Warner Bros. 25267-1) WEA 104 20 127 32 (Arista AL 9-8276) RCA 159 15 182 SO MANY RIVERS 8 98 STREET CALLED DESIRE 8.98 INTERNATIONALISTS 6.98 RENA AND ANGELA (Merc 130 12 @ BOBBY WOMACK (MCA 5617) MCA 125 4 \ 183 THE STYLE COUNCIL (Geffen 24061) WEA 160 14 111 NIGHTSHIFT 8.98 145) DURELL COLEMAN 8.98 ELECTRIC LADY 8.98 172 2 CON FUNK SHUN COMMODORES (Motown 6124ML) MCA 102 34 184 BANGING THE WALL 8 98 146 THE RHYTHMATIST 8.98 (Mercury/PoiyGram 824 345-1M-1) POL 166 20 @ BAR-KAYS (Mercury 824 727-1) POL 122 5 146 6 HIGHWAYMAN 185 113 BARKING AT AIRPLANES 8.98 WILD CHILD 8.98 W. NELSON. K. KRISTOFFERSON, J. CASH, W. KIM CARNES (EMI America SO-17159) CAP 103 13 THE UNTOUCHABLES 186 JENNINGS (Columbia FC 40056) CBS 169 16 SAILS IN THE SUNSET (Stiff/MCA 5364) MCAS 161 2 PEOPLE ARE PEOPLE 8.96 114 RED 187 MIDNIGHT OIL (Columbia BFC 39967) CBS 112 9 148 A VIEW TO A KILL 9.98 DEPECHE MODE (Sire 25124) WEA 170 11 115 ALFW ORIGINAL SOUNDTRACK ALEXANDER O’NEAL (Capitol SJ-124t3) CAP 129 16 ALISON MOYET (Columbia BFC 39956) CBS 110 13 (Tabu FZ 39331) CBS 181 26 9.9 8.98 SHE’S THE 116 DREAMLAND EXPRESS 8.98 1 BOSS SB ^ DEBUT JOHN DENVER (RCA AFL1-5458) RCA 108 12 (RCA NFL 1-8049) RCA MICK JAGGER (Columbia BFC 39940) CBS 180 33 150 S 8.98 117 THE BEACH BOYS THE HURTING THE BREAKFAST CLUB SB 8 98 133 11 (Caribou/Epic BFZ 39964) CBS 111 13 ORIGINAL SOUNDTRACK 151 MEETING IN THE LADIES ROOM 8.98 (A&M SP-5045) RCA 179 30 118 THE ALLNIGHTER ir 8.98 192 KLYMAXX (Constellation/MCA 5529) MCA 163 28 GLENN FREY (MCA 5501) MCA 115 22 HIGH COUNTRY SNOWS S 152 CUPID & PSYCHE '85 8 98 193 DAN FOGELBERG 119 GLOW 8.98 . SCRITTI POLITTI (Warner Bros. 25302) WEA 154 9 (Full Moon/Epic FE 39616) CBS 171 20 RICK JAMES (Gordy/Motown 6135) MCA 117 21 194 r|53) THE ROSE OF ENGLAND IS 8.98 120 THE UNFORGETTABLE FIRE 8.98 MEAT MURDER nick LOWE AND HIS COWBOY OUTFIT (Columbia 195 THE SMITHS (Sire 25269) WEA 182 31 U2 (Island 90231-1) WEA 120 50 FC 39958) CBS DEBUT 121 DREAM OF A LIFETIME 196 AN INNOCENT MAN SB 154 TWO HEARTS* BILLY JOEL (Columbia QC 3873) CBS 186 15 MARVIN GAYE (Columbia FC 3916) CBS 109 17 MEN AT WORK (Columbia FC 40076) CBS 136 15 164 197 UNDER THE BLADE 6.98 122 BEHIND THE SUN W 8 98 155 BLACK CARS ERIC CLAPTON TWISTED SISTER (Atlantic 81256) CBS 175 9 GINO VANNELLI (HME 40077) CBS 155 16 (Duck/Wamer Bros. 25165-1) WEA 113 27 165 188198 I FEEL FOR YOU SB 6.98 (156) BEHAVIOUR CHAKA KHAN (Warner Bros. 25162-1 WEA 185 50 MAURICE WHITE ) (m SAGA (Portrait BFR 40145) CBS DEBUT (Columbia FC 39883) CBS DEBUT 189 1999 SB 12.98 157 GO OUT AND GET IT 8.98 199 IN TIME PRINCE (Warner Bros. 23720-1) WEA 189 51 124 STEPS EDDIE AND THE TIDE (Atco 90289-1) WEA 156 5 KING (Epic BFE 40061) CBS 126 9 y—X 190 THE FIRE STILL BURNS 8.98 (158) LUXURY OF LIFE HOT SPOT 8.98 RUSS BALLARD (EMI America 17162) CAP 178 7 / 5 STAR (RCA NFL 1 -8052) DEBUT DAZZ BAND (Motown 6149 ML) MCA 136 5 191 ANIMOTION S 8.98 @ 159 ALTERNATING CURRENTS 898 (Mercury 822 580-1) POL 177 31 126 AGENT PROVACATEUR 8.98 158 14 FOREIGNER (Atlantic 81999-1) WEA 116 39 WHEN THE GUITAR PLAYS THE BLUES WEIRD SCIENCE 9.98 (Alligator IND 191 6 127 TOOTH AND NAIL W 8.98 0 ORIGINAL SOUNDTRACK 4741) DOKKEN (Eiektra 60376-1) WEA 121 51 174 2 STRIKE LIKE LIGHTNING (Alligator AL 4739-B) IND 193 16 MISPLACED CHILDHOOD 8.98 161 RISING FORCES 8.98 141 THE GOONIES S 8.98 @ MARiLLION (Capitol ST-12431) CAP 5 149 20 ORIGINAL SOUNDTRACK (Epic SE 40067) CBS 1761 76 16 129 MAGIC TOUCH 8 98 162 WHEELS ARE TURNIN’ SB 8.98 STANLEY JORDAN (Blue Note BT 85101) CAP 124 22 137 44 MATERIAL THANGZ 8.98 THE DEELE (Soiar/Eiektra 60410-1) WEA 184 16 AL JARREAU IN LONDON 8.98 163 CAN’T STOP THE LOVE 3 98 (Warner Bros. WEA 143 2 VALOTTESB 8.98 s 25331) MAZE featuring FRANKIE BEVERLY 80184-1) 183 47 131 DANCING IN THE SUN 164 28 JUDAN LENNON (Atlantic WEA GEORGE HOWARD (TBA/Palo Alto 205) IND 128 20 PURPLE RAIN SI 8.98 WHITE WINDS* RHYTHM ROMANCE PRINCE AND THE REVOLUTION ANDREAS VOLLENWEIDER THE ROMANTICS 167 66 (CBS FMC 39963) CBS 190 32 (Nemperor/CBS FZ 40106) CBS 150 2 THE BIG CHILL SI 8.98 STEADY NERVES S 8.98 133 BORN TO RUN -k ORIGINAL SOUNDTRACK GRAHAM PARKER AND THE SHOT BRUCE SPRINGSTEEN (Columbia JC 33785) CBS 134 6 165 101 (Eiektra 60388-1) WEA 187 25 A.C. 166 LONG WAY TO HEAVEN 8.98 TAKE NO PRISONERS 8.98 ANDRE CYMONE (Columbia FC 40037) CBS 148 2 HELIX (Capitol 4XT-1 2411) CAP 138 15 PEABO BRYSON (Eiektra 60427) WEA 188 12 m SAY YOU LOVE ME 8.98 167 CANT SLOW DOWN SB 8.98 200 ELIMINATOR SB 8.98 JENNIFER HOLIDAY (Geffen GHS 24073) WEA 145 4 LIONEL RICHIE (Motown 6059ML) RCA 140 Z.Z. TOP (Warner Bros, 23774-1) WEA 196 28

THE CASH BOX TOP 200 ALBUMS CHART IS BASED SOLELY ON ACTUAL PIECES SOLD AT RETAIL STORES. ^HHMHHI^HH^BBHALPHABETIZED top 200 ALBUMS (BY ARTIST)B^HI^^HHHHH^Hi

AC/DC 30 Dead Or Alive 41 ...166 Mack, Lonnie 193 Richie, Lionel 167 Vannelli, Gino ....155 Adams. Bryan 4 DeBarge 67 ....40 Madonna 10,83 Romantics 132 Vaughan. Stevie Ray 79

A-Ha 25 Deeie 195 ...179 Maimsteen, Yngwie . 83 Roth, David Lee 143 Vega, Suzanne 92

Air Suppiy 99 Denver, John 116 ...135 Manhattan Transfer . 76, 161 Roxanne 100 Vollenweider, Andreas ....197 Alabama 141 Depeche Mode 52, 180 ....33 A4arillion 128 Run D.M.C 107 Waite, John 38 Animotion 191 Dio 14 9 Mary Jane Girls 88 Sade 35 Walsh, Joe ....138 Ballard, Russ 190 Dire Straits 1 ...131 Maze 163 Saga 156 WhamI 16

Bar-Kays 112 Dokken 127 ...106 Mellencamp, John . . 12 Scorpions 18 What Is This ....173 Beach Boys 117 Dylan, Bob 77 ....26 Men At Work 154 ScrIttI Politti 152 White, Maurice ....123 Beck, Jeff 51 E, Sheila 61 ...182 Midnight Oil 114 Simon, early 103 Whodini ....172 Bon Jovi 74 Eddie & The Tide 157 ...119 Motels 54 Smiths 185 Williams, Hank Jr ....109 Boogie Boys 84 Eurythmics 32 ...130 Motley Crue 8 Springfield, Rick 55 Womack, Bobby ....110 Branigan, Laura 69 The Family 57 6. 186 Moyet, Alison 115 Springsteen. Bruce 5, 133 X 62 Bryson, Peabo 189 Fat Boys 50 ....42 Mr. Mister 106 Spyro Gyra 159 Yankovic, ‘V/eird Al" 53 Buchanan, Roy 192 Ferry. Bryan 82 ....37 New Order 105 Squeeze 89 Young, Neil 47 Buffett, Jimmy 91 Firm 164 ...129 Night Ranger 34 Starpoint 137 Young, Paul 17

Cafferty, John 85 5 Star 158 . . . .97 9.9 149 Sting 2 Y&T 68 Cameo 49 Fogelberg, Dan 184 ...186 Ocean, Billy 44 Style Council 177 ZZ Top ....200 Carnes, Kim 113 Fogerty, John 78 King. ...124 O.M.D 70 Supertramp 93

Cash, Rosanne 136 Foreigner 126 ...151 O'Neal. Alexander . . 181 Survivor 66 Cheap Trick 63 Franklin, Aretha 20 ....21 One Way 170 Talking Heads 15 SOUNDTRACKS Clapton, Eric 122 Franks, Michael 168 ....56 Parker, Graham 198 Tears For Fears 3, 150 Back To The Future 23

Cock Robin 96 Frey. Glenn 118 ...196 Petty. Tom 94 Thorogood, George . 71 Beverly Hills Cop 58 Coleman, Durell 145 Gaye, Marvin 121 ....60 Plant. Robert 80 Til Tuesday 65 Big Chill ....165 Collins, Phil 7. 104 Godiey & Creme 72 ...174 Pointer Sisters 27, 171 Turner, Tina 75 Breakfast Club ....183 Commodores Ill Go West 90 ....48 Power Station 29 Twisted Sister 187 Goonies ....194 Con Funk Shun 178 Grant, Amy 46 ...102 Prince .19. 164, 189 UB40 39 Mad Max 81 Copeland, Stewart 146 Grim Reaper 95 ....98 Ratt 11 The Untouchables 147 Perfect ....176 Crystal, Billy 139 Grusin, Dave & Ritenour, Lee 142 ....86 Ready For The World 22 U2 ...64. 120 Purple Rain ....164 The Cure 140 Haii & Oates 59. 175 ....36 R.E.M 31 U.T.F.O 87 St. Eimo’s Fire 28 Cymone, Andre 134 Hart, Corey 24 ...153 Rene & Angela 144 USA For Africa 101 View To A Kill ....148

Dazz Band 125 Heart 13 ....43 REO Speedwagon . . 162 Vandross, Luther 45 Weird Science 160 A survey of product sales in the RETAIL nation's leading retail outlets

HOT NEW SELLER Sting Tears For Fears B. Springsteen RETAILERS VS. PMRC — Sam Gennawey, owner of Camel Records in Huntington retaiiers against B. Adams Beach, CA, announces his intention to organize the demand of PMRC that records be iabeied. “it’s going to end up being us at the store ievei

who have to enforce this stuff, and i just want to organize retaiiers to put a stop

Strawberries — Boston to it. I can’t afford the time it’s going to take to screen kids to see if they’re old Dire Straits enough to buy certain records,” stated Gennawey. All interested retailers are invited Tears For Fears to call Gennawey at 714-963-7091. W. Houston WHEREHOUSE ENTERTAINMENT — WEI announced Sept. 9, 1985 preliminary J. Cougar Mellencamp results of record revenues and net income for the fourth quarter and fiscal year, J' Ready For The World ended June 30, 1985. Twelve-month revenues were $137,777,000 compared to $105,542,000 in the prior year, an increase of 31 percent. Net income was $6,374,000 up from $4,467,000 in fiscal 1984, 43 percent gain. Earnings per share were $1.22 Peaches — Cincinnati compared with $.96 a year ago on 558,250 more shares. Also, the Grand Openings Dire Straits of two new stores in Bakersfield were announced Sept. 12. The Wherehouse has B. Springsteen served Bakersfield at its Valley Plaza Center store since 1973. Commenting on P. Collins the openings, president and CEO of Wherehouse Entertainment, Inc., Louis A. B. Joe! Kwiker said, “The simultaneous openings of two new Wherehouse stores in J. Cougar Mellencamp Bakersfield are part of our aggressive store expansion program and underscore STRONGEST SALES our confidence that the strong market for all major categories of home entertainment Peaches — Kansas City and information software will continue to grow rapidly in this region.” J.-Cougar Dire Straits — Warner Bros. Mellencamp PRISM ENTERTAINMENT — Prism Entertainment Corp. will promote its existing Dire Straits Sting — A&M catalog titles and its new releases in two seperate year-end retail programs offering t Tears Fears — Mercury W. Houston free to participating dealers. “20/20”promotion offers free based For goods The goods 4 B. Springsteen — Columbia P. Collins on the quantity of catalog product purchased by the retailer between September B. Joel 15 and December 31. The promotion takes its name from the discount highlights STORE REPORTS of the program: a retailer who buys five catalog titles gets one free (for an effective Karma Records — Indianapolis discount of 20 percent), while a retailer buying 50 pieces receives an additional Dire Straits 20 pieces free (for the top effective discount of 40 percent). The fall new release Handelman — Detroit Sting promotion, a coupon-redemption program, covers new Prism titles released B. Springsteen between October of this year and January of 1986. The coupon offer expires June Madonna B. Adams Motley -Crue 1, 1986. P. Collins CD GETS LARGER SHARE OF MARKET — Compact Disc is currently averaging Wham! Prince five percent of album unit sales in the . Of the leading rack jobbers, Tears For Fears one-stops and retail chains, cassettes took 61 percent of sales and LPs 34 percent. Scott’s Wholesale — Indianapolis In'a recent survey, retailers said CDs would take a greater portion if larger quantities Dire Straits of new best sellers were available. CDs have the least penetration at rack accounts, Lieberman — Atlanta Sting where over three-quarters of units sold are cassettes, leaving only two percent Dire Straits B. Springsteen in CDs. Retailers see an average of seven percent of units sold in CDs, while Loverboy B. Joel one-stop accounts are close with six percent. Worldwide, CDs are expected to B. Adams W. Houston Tears For Fears take at least three percent of all album unit sales this year. Estimates put CDs at percent of all units sold in only five years. Presently the leading markets B. Joel 42 for CDs and players are Japan, U.S.A. and Western Europe. Richman Bros. — Philadelphia Stephen Padgett ~Dire Straits Greensboro Record Center — B. Springsteen - Greensboro P. Collins Sting Sting Tears For Fears B. Joel RETAILER PROFILE Dire Straits Future Disc Back To The Benson’s House Of Music — Los Store: Boston Compact Pointer Sisters 'Angeles Market: Boston BCD Jesse Johnson Co-owner: Don Rose BOSTON COMPACT DISC i Dire Straits Tower Records — Campbell, CA This week marks the official grand opening of Boston’s first CD only retail store, O.M.D. Dire Straits Boston Compact Disc. While open since July 4, the owners of Boston Compact A. Franklin J. Cougar Mellencamp Disc delayed a grand opening until their inventory levels reached 3,000 units in Sting W. Houston order to fulfill their claim as the most complete compact disc store. Sting “There are a number of phenomena that we realized from being involved in Tower Records — San Diego Tears For Fears ~ CDs from early on, and one of the most important of which, which led to the A* Sting CD store, was that the CD consumer is not necessarily the same person as the Dire Straits J; typical LP consumer. There is a certain alienation factor for a CD consumer to Tower Records — Fresno The Cure go into a record store where CDs, in the perception of the CD consumer, are Dire Straits W. Houston treated as the bastard children of records,” stated Boston Compact Disc co-owner Tears For Fears J. Cougar Mellencamp director of advertising and marketing Don Rose. Loverboy and The 500-square-foot store on Harvard Square is compact in itself, only 350 of B. Joel Seaport One-Stop — Portland those square feet are used for merchandising. The store was designed exclusively P. Collins Dire Straits for CDs. There are no converted LP bins. Sting Rose and his partners John Pinkney and Fred Jeffery have backgrounds in record 1 Radio Doctor — Milwaukee Scorpions retailing. “My background was as a record store owner in the midwest. My two Dire Straits Tears For Fears partners are currently involved as record retailers in the Boston area. So, with Tears For Fears Heart all of this retail background gnd me recognizing a few phenomenal in the CD Sting marketplace the store was a very natural kind of thing,” remarked Rose. B. Adams Tower Records — Seattle The plan calls for aiming specifically at this new music consumer, the CD buyer. Motley Crue Dire Straits Asked if this might be jeopardizing his ability to get the former LP buyer who Sting is converting to CD and still shops in record stores, Rose responded, “Well, you A. Franklin can’t get them all. We’re carving out our niche as the CD specialists. I think the 1 Lieberman — Dallas store Tears For Fears most important thing that I could tell you about the store is that the has Dire Straits you W. Houston an attitude . . as far as the store is concerned, the store says to you when walk in there, ‘We speak CD.’ ” Rose and his staff concentrate on CD exclusively and are thus able to service customer needs for information and assistance. RETAILER'S PICK In order to locate this new consumer, a new strategy had to be devised for advertising. “Anywhere we advertise, we’re looking at only maybe five to 10 percent Retailer One-Stop Market of our impressions being applicable. So we’ve done a mixture of some of the Rose Kellar Great American Music Minneapolis traditional, youth-oriented things that record retailers generally use, like The Boston Phoenix for instance. That’s about half of our thrust. The other half we’ve gone Album: **Old Ways” more for demographics, upper income publications that have nothing to do with Artist: Neil Young music and have nothing to do with youth culture. For instance, we’re advertising in The Dial, which is.the public TV program guide, which is doing very Well for Label: Geffen us. We’re also advertising in Digital Audio come October, which may seem funny Comment: for a single location retailer to advertise in a national magazine. Five percent of like "I the record because it shows his versatility. big western . I’m not a country & their readers are in the Massachusetts, Boston consumer market . but 100 percent fan, but his execution of the songs is very enjoyable. Seeing him perform live made the of their are at least sophisticated in terms of compact disc,” stated Rose. ” readers album even more enjoyable.

26 Cash Box/September 28. 1985 ^ERCH>INDISING

wmrs IN-STORE A Customer Survey By Jude Lyons FLAGS ARE UP — A recent release on the Editions E.G. label (marketed by Jem Records) is Flags featuring the duo of Patrick Moraz and Bill Bruford (EGLP 63). Bruford, formerly of King Crimson, described the album. “The record is our second Location: Tower Records, N.Y.C. as a duo. It features acoustic piano and drums, and the high technology of the Simmons SD57 drum kit and Kurzwell 250 electronic keyboard, from the ancient to the modern (hence the title Flags, a pointer from the past to the present). Titles Purchased: "Scarecrow,” John Cougar Mellencamp Describing the cover of the album, a photo of Bruford and Moraz wearing Karate robes involved in combat exercise, he said, “The cover is a depiction of what > Configuration: LP we were after, a friendly musical grapple between two musicians. Because there Number of Purchases Per Month: Four is only two of us, the musical interplay is very clear.” The duo covers a lot of territory with this release as they jump Comments: "I’ve heard a few of the from jazz to latin to melodic to pro- ^singles on the album. It's a big gressive influences, doing all well. improvement over his other albums.” y Retailers should note that both Bruford and Moraz have a strong and loyal following, and they hope to add new fans with a 19-city tour that includes stops in Los Angeles, San Francisco, Titles Purchased: “West Side Story,' 0 Dallas/Houston, Toronto, Montreal, Leonard Bernstein Boston, Washington D.C., Milwaukee, Configuration: Cassette Chicago, Philadelphia and New York. Number Of Purchases Per Month: Cover displays and in-store play are Three recommended. DYNAMIC — Both Patrick Moraz Comments: "I bought it because of DUO CLASSICAL NEWS — Soon to be and Bill Bruford are internationally re- the reputation of the artist.” released on the Lite Classics Series nowned for their creative electronic work from CBS Masterworks is the classical with the Moody Blues and King Crimson debut on record from Quincy Jones respectively, but it was their mutual need as conductor, along with flutist Hubert Titles Purchased: "Soul To Soul,” for musical balance that to led their Laws and pianist Chick Corea Stevie Ray Vaughan partnership and second album Flags. (M39858). Repertoire includes Tele- Configuration: LP mann’s Suite in A Minor for Flute and String Orchestra featuring Jones as conductor Number Of Purchases Per Month: and Laws on flute, and an arrangement of “Amazing Grace” by Laws who also Two plays flute with Jones conducting, and a new piece by composer Harold Blanchard Comments: “I heard cuts on WNEW- entitled “New Earth Sonata” featuring Laws, Chick Corea, and others. Sounds FM and I think he’s a great guitarist.” like something to look forward to. Also worth noting is Branford Marsalis first classical release. The hot sax player currently touring with Sting should see his Ik first classical endeavor released around March 1986. Brother Wynton Marsalis’ third classical album is due out in January 1986 featuring trumpet concerti by Jolivet and Tomassi. His first two albums were both Grammy award winners. Titles Purchased: “Punch The Clock,” STEREO SOUND — RCA Consumer Electronics has expanded its line of thirteen Elvis Costello: Best Peter, "The Of video cassette recorders to include a “convertible” VCR with the capability of Paul And Mary” recording stereo TV broadcasting. The deluxe VLP970, a five-head, front-load Configuration: LP “convertible” model which, in addition to VHS Hi-Fi and linear stereo playback Number Of Purchases Per Month: capabilities, also includes a built-in broadcast stereo decoder with separate audio Two program (SAP) capability. This top-of-the-line model features a 133-channel cable “I’ve Comments: heard them before tuner, on-screen remote programmability and is also compatible with RCA’s Digital and decided to finally to out and get Command Component System. them.” Ron Rosenthal ^OMPACT

Title. Artist. Label. Number. Distributor Weeks Q Weeks un un 9/21 Chart 9/21 Chart

1 BROTHERS IN ARMS 15.98 21 7 WISHES — DIRE STRAITS (Warner Bros. 25264-2) WEA 1 18 NIGHT RANGER (MCA MCAD 5593) MCA 24 2 2 NO JACKET REQUIRED 15.98 22 CENTERFIELD 15.98 PHIL COLLINS (Atlantic 81240-2) WEA 3 21 JOHN FOGERTY (Warner Bros. 25203-2) WEA 16 32 3 BORN IN THE U.S.A. __ 23 THE WALL BRUCE SPRINGSTEEN {Columbia CK 38653) CBS 4 55 PINK FLOYD (Columbia C2K 36183) CBS 18 18 4 LITTLE CREATURES 15.98 24 AROUND THE WORLD IN A DAY 15.98 TALKING HEADS (Sire 2-25305) WEA 5 7 PRINCE AND THE REVOLUTION (Paisley Park/Warner Bros. 25286-2) WEA 21 21 5 THE DREAM OF THE BLUE TURTLES 25 BROTHER WHERE YOU BOUND — STING (A&M CD 3750) RCA 2 9 SUPERTRAMP (A&M CD 5014) RCA 22 15 6 SONGS FROM THE BIG CHAIR _ 26 WHITNEY HOUSTON — TEARS FOR FEARS (Mercury 824 300-2) POL 7 24 (Arista JRCD-8221) RCA DEBUT — - 7 THE DARK SIDE OF THE MOON — 27 DIAMOND LIFE - PINK FLOYD (Capitol CDP^46001) CAP 6 55 SADE (Portrait RK 39581) CBS 27 21 8 RECKLESS 28 PRIVATE DANCER — BRYAN ADAMS (A&M CD-5013) RCA 10 34 TINA TURNER (Capitol CDP-46041) CAP 30 11 9 SPORTS 29 DREAM INTO ACTION 15.98 HOWARD JONES (Elektra 2-60390) WEA 26 14 HUEY LEWIS AND THE NEWS (Chrysalis VK 41412) CBS 9 15 — 10 GREATEST HITS VOLUME 1 & II 30 CANT SLOW DOWN BILLY JOEL (Columbia J2K 40121) CBS 11 4 LIONEL RICHIE (Motown 6059MD) MCA 29 55 11 BUILDING THE PERFECT BEAST 15.98 31 INVASION OF YOUR PRIVACY 15.98 DON HENLEY (Geflen 24026-2) WEA 8 35 RATT (Atlantic 2-81257) WEA 31 5 12 BE YOURSELF TONIGHT 32 HARLEQUIN — EURYTHMICS (RCA PCD1-5429) RCA 12 10 DAVE GRUSIN & LEE RITENOUR (GRP 1015) IND DEBUT IT — 13 THE UNFORGETTABLE FIRE 15.98 33 MAKE BIG WHAM! (Columbia CK 39595) CBS 34 31 U2 (Island 2-90231) WEA 13 7 14 LIKE A VIRGIN 15.98 34 FRESH AIRE V MANNHEIM STEAMROLLER (American Gramaphone A6CD-385) IND 33 17 MADONNA (Sire 25157-2) WEA 14 44 — 15 A DECADE OF STEELY DAN 35 WE ARE THE WORLD (PolyGram 824 822-2) 28 8 STEELY DAN (MCA MCAD-5570) MCA 15 16 USA FOR AFRICA POL 16 FABLES OF THE RECONSTRUCTION 36 CALIFORNIA PROJECT PAPA DOO RUN RUN (Telarc CD 70501) IND 32 8 R.E.M. (I.R.S. D 5592) MCA 19 4 17 BEVERLY HILLS COP 37 WISH YOU WERE HERE PINK (Columbia 37 19 ORIGINAL SOUNDTRACK (MCA MCAD-5553) MCA 17 22 FLOYD CK 33453) CBS 18 CONTACT 38 BOYS AND GIRLS 15.98 POINTER SISTERS (RCA PCD1-5487) RCA 20 4 BRYAN FERRY (Warner Bros. 25082-2) WEA 38 12 19 CHRONICLES 39 VOICES IN THE SKY — THE BEST OF THE MOODY BLUES THE MOODY BLUES (Threshold 820 155-2) POL 56 31 CREEDENCE CLEARWATER REVIVAL (Fantasy FCD 623-CCR2) IND 25 3 — 20 THE SECRET OF ASSOCIATION 40 VOICES CARRY PAUL YOUNG (Columbia CK-39957) CBS 23 8 TIL TUESDAY (Epic RK 39458) CBS 39 9

>Sash Box/September 28, 1985 27 MUSIC VIDEO

Ready For The World MOST ADDED Urgent Willie and the Poor Boys TOP 30 IDEOS B. Womack X J. Fogerty C. Isaak INVINCIBLE (THEME FROM THE LEGEND OF BILLY JEAN) Caberet Voltaire Pat Benatar (Chrysalis) 8 G. Myrick TAKE A-HA (Warner Bros.) 2 14 The Truth ON ME REM POWER OF LOVE Huey Lewis And The News (Chrysalis) 3 10 SHAME The Motels (Capitol) DO YOU WANT CRYING Katrina And The Waves (Capitol) DANCE TV — Joe Caliro — Producer — Portsmouth, New Hampshire DANCING IN THE STREET David Bowie and Mick dagger (EMI P. Young America) 8 5 sting — Fortress Around Your Heart Rene & Angela — A&M 7 ST. ELMO’S FIRE (MAN IN MOTION) John Parr (Atlantic) 4 10 8 CHERISH Kool And The Gang (De-lite) 10 9 DARE ME Pointer Sisters (RCA) 13 NIGHT TRACKS — Bill Brummell — STRONG ADDS Program Director — Los Angeles 10 OH SHEILA Ready For The World (MCA) 15 Julian Lennon 11 LOOKIN’ Michael Bros.) 11 The NO BACK McDonald (Warner The Oak Tree — Morris Day — Cure 12 Warner Bros. REM WE DON’T NEED ANOTHER HERO (THUNDERDOME) Tina P. Young Turner (Capitol) 7 In Between Days — The Cure — -T C. Singleton Elektra 13 DON’T LOSE MY NUMBER Phil Collins (Atlantic) 14 Miami Sound Machine Running Up That Hill — Kate Bush - EMI M. Day 14 LONELY OL’ NIGHT JOHN COUGAR MELLENCAMP (PolyGram) 16 These Arms of Mine — Willie & The Poorboys — Passport 15 BORN IN EAST L.A. Cheech & Chong (MCA) 17 — RADIO 1990 — Nancy Henry 18 MONEY FOR NOTHING Dire Straits (Warner Bros.) 18 Associate Producer — New York City PROGRAM ADDS King 17 C-l-T-Y John Cafferty and The Beaver Brown Band (CBS) 23 “Weird AT’ Yankovic 18 THE WAY YOU DO THE THINGS YOU DO Daryl Hall/John CATCH 22 — John Frost — Program Y&T Oates (RCA) 20 Director — Anchorage J. Waite 19 IF YOU LOVE SOMEBODY SET THEM FREE Sting (A&M) 19 M. Day Dream Academy 20 DRESS YOU UP Madonna (Sire) 27 N. Rogers U68 — Steven Leeds — Program 21 SAVING ALL MY LOVE FOR YOU Whitney Houston (Arista) DEBUT Director Gap Band — Network 22 FREEWAY OF LOVE Aretha Franklin (Arista) 9 13 E. Martin Ball & Pivot A. Grant M. White 23 YOU LOOK MARVELOUS Billy Crystal (A&M) 25 3 Sting G. Rolie 24 FORTRESS AROUND YOUR HEART Sting (A&M) DEBUT Rough Cut 25 CAN’T GET THERE FROM HERE REM (IRS) 12 8 Sting ’89 KRLR-TV21 — Bob Bell Music UB40 28 SUMMER OF Bryan Adams (A&M) 22 8 Director — Las Vegas K. Bush 27 I GOT YOU BABE UB40 (A&M) DEBUT REM M. Day 28 SEND MY HEART The Adventures (Chrysalis) 26 5 April Wine Minutemen H 29 PERFECT WAY Scritti Politti (Warner Bros.) DEBUT A. Grant Husker Du 30 LIFE IN ONE DAY Howard Jones (Elektra) 21 7 Rough Cutt B. Dylan E. Martin Simply Red THE CASH BOX TOP 30 MUSIC VIDEOS CHART IS BASED ON TELEVISION The Cure V66 — Roxy Myzal Producer ROTATION AT VARIOUS STATIONS AND NETWORKS. Prefab Sprout Depeche Mode TV S — Houston Hit Video — Mike The Outfield Opeika Director — Program Dead Or Alive Willie and the Poor Boys Beat Aid A. Cymone Scritti Politti G. Myrick The Outfield Hooters CALIFORNIA MUSIC CHANNEL — Cherrelle Linda DeFiglio — Associate Producer Hall and Oates Midnight Oil Meatloaf The Truth The Cure REM B. Womack Life By Night Laid Back Scritti Politti K. Bush UB40 Simon F. TV69 — Lisa Roach — Playlist Depeche Mode Information ~ Atlanta K. Bush Simon F. Romantics Sting Eurythmics VIDEO PROGRAMMER’S PICK

PD Program Market Bette Hisiger Friday Night Videos Video: Single Life Artist: Cameo Label: PolyGram WIRED FOR SOUND — Azra recording artist No-Y-Z is pictured in a segment from Comments: its debut music video, The Girl That Walks Around the Block, from the LP "Sheer ^ southern California-based Valley A lot style Electronic Din.” The video was taped for Cable's^ of to this clip. Music and video work well together. Larry Blackmon is Edward Duff; Richie Haas; a true video artist. Eye Music program. Pictured (l-r) ate: Bruce Enigma recording artist John Trubee and Bruce Edward Selzler.

28 Cash Box/September 28, 198 ^DEO NEIVS

>lUDIO/VIDEO THAT AIN’T WORKIN’ ~ When a network rents Radio City Music Hall to celebrate DEOCASSEHES the programming that gives it life, you can expect limosines in droves and a sparkling collection of celebrities. You can expect large numbers of onlookers at the entrance to the theatre, with police barricades, and you can expect a post-awards bash. Weeks Weeks You can also expect several hours of speeches, presentations and general hoopla. On On pr>r 9/21 Chart 9/21 Chart But when it’s MTV that’s staging the ceremony, one might look for something slightly less conventional, though in keeping with mainstream commercial Rock DESPERATELY SEEKING 20 TUFF TURF 8501 20 5 ’n’ Roll, and while the producers (MTV, Ohimeyer Communications, and Radio SUSAN New World Video Thorn/EMI/HBO Video TVA 2991 6 3 21 City Music Hall Television Productions) and host Eddie Murphy made intermittent KING DAVID A SOLDIERS STORY Paramount Home Video 1284 26 3 at last galloping less than convincing irreverance the stabs year’s sarcasm, was RCA/Columbia Pictures Home Video 22 JOHNNY DANGEROUSLY outcome of this year’s MTV Video 60408 3 9 CBS/Fox Video 1456 18 10 7* ^ Music Awards fete. It was a lazy show THE KARATE KID 23 THE PURPLE ROSE OF RCA/Columbia Pictures under Murphy’s lead, lacking in the CAIRO L Home Video 60406 1 18 Vestron Home Video 7082 30 2 effervescence of the network’s first STARMAN 24 TURK 182 ceremony. It’s been argued that Mur- RCA/Columbia Pictures Home Video CBS/Fox Video 7082 28 2 phy’s angle was apropos of the me- 20412 2 14 25 THE MEAN SEASON dium; his unpredictable, off-center RUNAWAY Thorn/EMI/HBO Video TVA 2981 19 8 RCA/Columbia Pictures Home Video handling of the being reflective 26 AMERICAN DREAMER show 60469 5 9 CBS/Fox Video 7082 31 3 of rock’s true nature. Indeed, Kevin FALCON & THE SNOWMAN 27 THE SURE THING Vestron 4 9 Godley’s Video Vanguard acceptance Home Video VA 5073 Embassy Home Entertainment 278 34 2 speech upbraided the video industry STICK 28 CITY HEAT Dist, Corp. 80139 11 5 k.4 MCA Warner Home Video 11433 23 18 for its increasing predictability, and THE TERMINATOR struck deeply with an all-too-unden- 29 PROTOCAL Thorn/EMI/HBO Video TVA 2535 7 22 Tk. Warner Home Video 11454 21 14 iable observation on the profitable rut THE FLAMINGO KID 30 MISSING IN ACTION in which many a director has gotten Vestron Home Video VA 5072 8 10 THE POWER OF VIDEO — Chrysalis MGM/UA Home Video MV 800557 22 16 stuck. His award (he and absent 10 A NIGHTMARE ON ELM 31 BODY DOUBLE recording act Huey Lewis and the News STREET partner Lol Creme’s) might have been RCA/Columbia Pictures Home Video 6- makes its home video debut this month Media Home Entertainment M 790 9 10 20411 bestowed on the merits of this accep- 25 20 in Huey Lewis and the News: The Heart 11 BLOOD SIMPLE 32 DUNE tance speech alone. But Murphy’s MCA Dist. Corp. 80190 15 5 of Rock ’n’ Roll, from Warner Home Video. MCA Dist. Corp. 80161 27 18 L directionless hosting was much more 12 MRS. SOFFEL 33 GHOULIES MGM/US Home Video MV 800600 16 4 than unconventional, it was uninteresting. Nevertheless, the network’s video honors Vestron Home Video VA 5081 29 14 13 INTO THE NIGHT were geared toward many of the more artistic favorites, rather than the commercial 34 THE CARE BEARS MOVIE 80170 10 MCA Home Video 9 Vestron Home Video VA 5082 32 18 ones. Don Henley’s The Boys of Summer, a cinema verite montage of French 14 PLACES IN THE HEART 35 THE RIVER new wave filmmaking was awarded for its art direction, cinematography, direction CBS/Fox Video 6836 12 9 MCA Dist. Corp. 80160 33 14 (John Baptiste Mondino) and, ultimately, as best video of the year. David Lee 15 THE KILLING FIELDS 36 Warner Home Video 11419 24 3 THE COTTON CLUB Roth, whose media blitz of the past year seemed to guarantee a nod from his Embassy Home Entertainment 1714 35 19 16 MICKI & MAUDE large video audience, walked away empty handed. And while national favorite Tina 37 RCA/Columbia Pictures Home Video COUNTRY Touchstone 241 24 Turner fittingly received MTV’s best female video award, and Bruce Springsteen, 20456 13 14 36 the nation’s other favorite, took best male video, less mainstream artistic 17 PINOCCHIO 38 BIRDY RCA/Columbia Pictures Home Video achievements such as Zbigniew Rybczinski’s (best editing - Art of Noise, Close Walt Disney Home Video 239V 14 8 60457 38 10 (To the Edit)), helped substantiate the show’s technical popularity contest amidst 18 A PASSAGE TO INDIA RCA/Columbia Pictures Home Video60485DEBUT 39 GONE WITH THE WIND that of mass appeal. The awards, such as they are, were well-rounded. MTV’s 19 2010 THE YEAR WE MAKE MGM/UA Home Video 900284 39 5 post-awards bash, by the way, at The Palladium in lower Manhattan was even CONTACT 40 WRESTLEMANIA more of a scene than the show itself, with as many fans thronging its entrance MGM/UA Home Video MB 800 591 17 14 Coliseum Video WF004 37 4 as there were at Radio City. The network was generous with drinks and the run THE CASH BOX TOP 40 VIDEOCASSETTES CHART IS BASED SOLELY of one of New York’s more overwhelming dance clubs, which was jammed from ON RENTALS AT VARIOUS RETAIL OUTLETS. its psychodelic basement to the nether reaches of its reconverted auditorium balcony. The one rampant complaint at MTV’s post-awards party was over its generally maddening lack of elbow room, but with the network’s huge requests for entree, if not to the awards, at least to the party, it’s to their credit that as TOP 15 USIC IDEOCASSEHES many as possible were accommodated. It’s a big club. If only Eddie Murphy’s script had been as accommodating. BELUSHI ON VIDEO — In November, Warner Home Video will release The Best H of John Belushi, an hour-long compilation of 16 of the late comic’s sketches from ¥n his Saturday Night Live period. The tape will retail for $24.98, and Warners is 1 PRINCE AND THE REVOLUTION LIVE! Prince And The Revolu- planning large with a holiday season push extensive advertising and promotion. tion (Warner Music Video 38102) 1 7 Saturday Night Live salad days members Dan Aykroyd, Gilda Radnor, Garrett Morris, 2 TINA LIVE-PRIVATE DANCER TOUR Tina Turner (Sony Video Bill Murray, Laraine Newman, Jane Curtin and Chevy Chase also make appearances. Gregory Dobrin 97W 50090) 2 6 3 MADONNA Madonna (Warner Music Video 3-38101) 3 11 The Release Beat 4 WHAM! THE VIDEO Wham! (CBS-Fox Video Music 3048) 4 11

’60s British Invasion afficianados are in for a treat this month from MusicVision 5 SADE: DIAMOND LIFE VIDEO Sade (CBS-Fox Video Music I with their release of British Rock — The First Wave. Documenting the first explosion 7091) 7 6 of British rock on American shores and the world over, the tape features music 6 WE ARE THE WORLD - THE VIDEO EVENT USA For Africa from such legends of the period as , Gerry and the Pacemakers, the (MusicVision 6-20475) 5 11 Animals, , Herman’s Hermits and Freddy and the Dreamers. The tape runs 60 minutes. Also from MusicVision this month are Frankie Goes 7 RATT THE VIDEO Ratt (Atlantic Video 50101) 10 2 To Hollywood — From A Wasteland to an Artificial Paradise (28 mins.); Malcolm 8 DANCEONFIRETheDoors(MCADist. Corp. 80157) 7 6 McLaren — Duck Rock (40 mins.); and The Thompson Twins — Into The Gap 9 PRIVATE Tina Turner (Sony Video 97W50066-7) 8 11 Live (80 mins.). Each of these MusicVision titles is available in VHS HiFi Stereo, DANCER Dolby System and Beta HiFi Stereo and sells for $29.95 suggested retail, except 10 SING BLUE SILVER Duran Duran (Thorn/EMI/HBO Video

Frankie Goes to Hollywood, which lists at $19.95 . . . September releases from 2852) 9 11 Walt Disney Video are led by three premiere volumes of Still The Beaver, the reunion 11 FIRST STING Scorpions (Sony Video 97W00086-7) 13 2 series from the original cast of the ’50s sitcom Leave It To Beaver. Each volume contains two 30-minute cassettes and retails for $59.95. Also heading Disney’s 12 ANIMALIZE LIVE UNCENSORED Kiss (MusicVision 6-20445) 12 10 list for September is the made-for-video movie Breakin' Through, which retails 13 ALL NIGHT LONG Lionel Richie (MusicVision 6-20420) 11 11 for $69.95 (no running time available). Other titles from Disney this month include 20,000 Leagues Under the Sea (120 mins. $79.95); Bedknobs and Broomsticks 14 TONIGHT! Kool & The Gang (MusicVision 6-20368) DEBUT (112 mins. $79.95); The Shaggy D.A. (90 mins. $69.95); Superdad (94 mins. $69.95); 15 U2 LIVE AT RED ROCKS U2 (MCA Dist. Corp. 80067) 14 11 The Moon-Spinners (118 mins. $69.96); and Escape to Witch Mountain (94 mins. this includes Fabulous Fleischer Folio, $69.95). Animation from Disney month The THE CASH BOX TOP 15 MUSIC VIDEOCASSETTES CHART IS BASED ON Fabies. 14 and 75; and Welcome to Poo Corner, Volume 3; Stories and Volume ACTUAL PIECES SOLD AT RETAIL STORES Volumes 5 and 6. Disney’s Buena Vista label has two Western Theatre releases, featuring Hopalong Cassidy. They are The Marauders (64 mins.) and Silent Conflict

(60 mins), both retailing for $39.95 . . . From Prism Entertainment for September, . Goldie and Kids makes its home video debut. Suggested retail is $39.95 (no running time available). Prism also offers its Marvel Comics series this month, each retailing WE TALK TO $1 for $19.95. Other titles from Prism include Legend of Eight Samurai ($59.95); The C4aiBb< ^ a Killing Machine Death Target Cry Panic and Texas ($49.95); ($49.95); ($49.95); Vn**.v.y PEOPLE THAT COUNT Detour ($59.95). Each title is available in VHS and Beta.

Cash Box/September 28, 1985 2< COUNTRY

'T' For Music City Anthem ’^"1 LBUMS Competition By Bill Fisher NASHVILLE — A competition designed industry and civic leaders. Organizers of to produce an official song for the city the competition stress that songs submit- Title, Artist, Label, Number, Distributor of Nashville viras announced Sept. 16 at ted for consideration should be adaptable = •k Available on Compact Disc the office of Mayor Richard Fulton. A to all styles of music. Finalists will be == Platinum (RIAA Certified) coalition of officials from the Nashville announced March 15, 1986, and those = Gold (RIAA Certified) Weeks Weeks On On Songwriters Guild, the Nashville Songw- songs will be performed during Nash- 9/21 Chart 9/21 Chart riters Association International, the Metro ville’s annual Summer Lights festival. The Nashville Arts Commission, ASCAP, BMI, winning song will be arranged for the SESAC, the Nashville Music Association Nashville Symphony and premiered with AgREATEST HITS VOL. 2 ONE GOOD NIGHT DE- RONNIE MILSAP (RCA AHL1-5425) 1 23 SERVES ANOTHER and the Nashville Symphony have joined an as-yet-unnamed star performer in a STEVE WARINER (MCA 5545) 50 31 2 HIGHWAYMAN with Fulton and Irene Ritter, publisher of special celebration on June 1. The win- 39 MAYBE MY BABY W. NELSON, K. KRISTOFFERSON, J. Nashville! magazine, in working out the ning writer or writers will receive prizes CASH. W. JENNINGS (Columbia FC LOUISE MANDRELL (RCA AHL1- details of an “invitational competition” to (still undetermined) and will be the 'n 40056) 2 19 5454) 40 17 Kf PARDNERS IN RHYME 40 HE THINKS HE’S RAY provide Nashville with a signature tune on subject of a cover story in Nashville! THE STATLER BROTHERS (Mercury STEVENS the order of famous, city-related songs magazine. RAY STEVENS (MCA 5517) 23 46 422-824 420-1) 4 21 such as "New York, New York” and “I Left The decision to limit the competition to 41 HEART OVER MIND 4 FIVE-0 My Heart In San Francisco.” recognized songwriters was questioned at HANK WILLIAMS, JR. (Warner Bros. ANNE MURRAY (Capitol SJ-12363) 37 49 Over 250 invitations are being sent the mayor’s meeting, which was attended 1-252671 3 20 42 TILL 1 MADE IT WITH YOU O RHYTHM AND ROMANCE MAC DAVIS (MCA 5590) 43 3 worldwide to professional songwriters, by most of the members of the compe- ROSANNE CASH (Columbia FC- SOMETHING SPECIAL requesting their participation. In addition tition’s executive committee, media repre- GEORGE STRAIT (MCA 5605) 52 2 *r,4 ^^39463) 6 14 to those invited songwriters, anyone who sentatives and a handful of Nashville’s a KERN RIVER TIME STOOD STILL has had a top 10 charted song in any best known writers. BMI’s special projects 0 671012-1) 54 17 MERLE HAGGARD (Epic FE 39602) 9 24 VERN GOSDIN (Compleat 7 SAWYER BROWN 45 DOES FORT WORTH national trade publication is eligible to vice-president, Joe Moscheo, explained, SAWYER BROWN (Capitol/Curb ST EVER CROSS YOUR MIND enter. Qualified songwriters are asked to “To attract the top songwriters, we had 12391) 7 33 GEORGE STRAIT (MCA 5518) 39 49 submit cassettes and lyric sheets of their to have criteria.” Ritter commented that 40 8 HOUR WEEK STREAMLINE original material to the Nashville Songw- closing the contest to unsolicited entries 0 5622) ALABAMA (RCA AHL1-5339) 8 33 LEE GREENWOOD (MCA DEBUT riters Guild by Feb. 1986. The entries will make the judging committee’s task 9 ME AND PAUL 47 LANE BRODY 1, WILLIE NELSON (Columbia LANE BRODY (EMI-America ST- will be judged by a panel of 10 music manageable. FC 7" ^40008) 5 27 17160) 49 3 OlAST mango in PARIS 48 THE THINGS THAT JIMMY BUFFETT (MCA-5600) 12 10 MATTER iIgreatest hits VINCE GILL (RCA CPL1-5348) 41 9 CMA Slates Additional Performers GEORGE STRAIT (MCA-5567) 13 27 THE FORESTER SISTERS HOWARD AND DAVID THE FORESTER SISTERS (Warner THE BELLAMY BROTHERS (MCA/ Bros. 1-25314) DEBUT For Awards Show Curb-5586) 14 10 SOUTHERN PACIFIC SOUTHERN PACIFIC (Warner Bros. NASHVILLE — The Country Music Asso- Skaggs. 1 0 I 13 GREATEST HITS 25206) DEBUT ciation has confirmed 10 additional acts LEE GREENWOOD (MCA 5582) 10 21 FILL The “Highwayman” collaboration of WHO’S GONNA for its 19th annual awards show, to be 14 TOKYO, OKLAHOMA Q THEIR SHOES Nelson, Jennings, Cash and Kristofferson JOHN ANDERSON (Warner Bros. 1- telecast live from the Grand Ole Opry GEORGE JONES (Epic FE 39598) DEBUT will be performing on the show, and 25211) 15 10 THERE’S NO STOPPING House on Oct. 14. several of the entertainers slated to appear ipl RADIO HEART ® YOUR HEART Joining co-hosts Anne Murray and Kris CHARLY McCLAIN (Epic FE 39871) 18 16 MARIE OSMOND (Capitol/Curb ST- are expected to participate in a special Kristofferson and a previously announced 16 WHY NOT ME n4t4) DEBUT salute to Nelson and his songs. THE JUDDS (RCA/Curb AHL1-5319) 11 46 53 BLUE HIGHWAY cast of Hank Williams, Jr., Willie Nelson, 17 STEP ON OUT JOHN CONLEE (MCA 5521) 55 46 Waylon Jennings and Johnny Cash will The 90-minute program will be carried THE OAK RIDGE BOYS (MCA-5555) 16 26 54 ONE STEP CLOSER be the following performers: Alabama, on a stereo radio simulcast by the Mutual IkI brothers SYLVIA (RCA AHLI-5413) 42 30 PARTNERS, Crystal Gayle, Gary Morris, Emmylou Broadcasting System, preceded by a 30- ^ AND FRIENDS 55 MY KIND OF COUNTRY Harris, The Judds, Dave Loggins, Loretta minute pre-awards special and a 60- THE NITTY GRITTY DIRT BAND REBA McENTIRE (MCA 5516) 44 46 H (Warner Bros. 1-25304) 24 S 56 TWO HEART HARMONY Lynn, Ray Price, Kenny Rogers and Ricky minute post-awards show. 19 TURN THE PAGE THE KENDALLS (Mercury 824-250-1 WAYLON JENNINGS (RCA AHL1-5428) 17 9 M-1) 46 22

20 HAVE 1 GOT A DEAL FOR 57 DARLIN’, DARLIN’ YOU DAVID ALLAN COE (Columbia FC Atkins To Perform With REBA McENTIRE (MCA-5585) 21 5 39617) 47 32 CTANYTHING GOES 58 COUNTRY BOY GARY MORRIS (Warner Bros, 1- ‘Prairie Home Companion’ RICKY SKAGGS (Epic FE 39410) 48 50 25279) 30 4 59 PLAIN DIRT FASHION NASHVILLE — Guitarist Chet Atkins, Guitar.” According to publicist Susan ^HIGH COUNTRY SNOWS NITTY GRITTY DIRT BAND (Warner riding the popularity of his recent “Stay Hackney, Atkins and Keillor may sing a r* DAN FOGELBERG (Full Moon/Epic Bros. 9-25113-1) 51 60 FE 39616) 27 17 60 THE BEST OF REBA Tuned” album, will appear in five cities song together on the upcoming road 23 RESTLESS HEART McENTIRE during October and November with the shows. Each stop on the tour will last two RESTLESS HEART (RCA CPL1-5369) 19 23 REBA McENTIRE (Mercury 824-342-1 road version of “Prairie Home Compan- days, with a concert presented on Friday 24 FRIENDSHIP M-1) S3 28 ion,” the acclaimed National Public Radio night and the regular live radio broadcast RAY CHARLES (Columbia FC 39415) 20 60 61 TREADIN’ WATER 25 TRYIN’ TO OUTRUN THE EARL THOMAS CONLEY (RCA AHL1- show hosted by Garrison Keillor. on Saturday. Scheduled cities are: Mil- WIND 5175) 57 49 Atkins has guested on the Minneapolis- waukee (Oct. 11-1 2): Atlanta (Oct. 18-19); JOHN SCHNEiDER (MCA-5583) 22 21 62 GREATEST HITS VO- based show several times. Some of his Baton Rouge (Oct. 25-26); Laramie, WY 26 MY TOOT-TOOT LUME2 appearances have included commercial (Nov. 1-2); and Seattle (Nov. 8-9). ROCKiN' SiDNEY (Epic B5E-40153) 25 9 CHARLEY PRIDE (RCA AHL 1-5426) 56 16 27 DON’T CALL HIM A 63 KEITH STEGALL parodies for the “Chet Atkins Player 4 COWBOY KEITH STEGALL (Epic AL 39892) 64 15 CONWAY TWiTTY (Warner Bros. 9- 64 MAJOR MOVES ^25207-1) 26 25 HANK WILLIAMS, JR. (Warner/Curb @ SOMEBODY ELSES FIRE 9-25088-1) 58 67 JANIE FRICKE (Columbia FC-39975) 31 10 ATLANTA BLUE 29 GREATEST HITS THE STATLERS (Mercury/PolyGram BARBARA MANDRELL (MCA 5566) 28 27 818-652-1) 71 71 30 NOBODY WANTS TO BE 66 SOMETIMES WHEN WE ALONE TOUCH CRYSTAL GAYLE (Warner Bros. 1- TAMMY WYNETTE (Epic FE 39971) 69 23 25154) 29 25 67 CITY OF NEW ORLEANS ill LET IT ROLL WILLIE NELSON (Columbia FC 39145) 70 59 MEL McDaniel (Capitol-EMI ST- 68 GREATEST HITS 2 12402) 34 29 OAK RIDGE BOYS (MCA 5496) 66 57 32 #1’S 69 YOU’VE GOT A GOOD EDDIE RABBITT (Warner Bros, 1- LOVE COMIN’ 25278) 32 12 LEE GREENWOOD (MCA 5488) 68 67 iO LIVIN’ ON THE EDGE 70 CENTERFIELD T. G. SHEPPARD (Columbia FC 9- JOHN FOGERTY (Warner Bros. 4. 40007) 45 14 25203) 63 30 34 REAL LOVE 71 ROLL ON DOLLY PARTON (RCA AHL1-5414) 33 33 ALABAMA (RCA AHL1-4939) 61 87 35 LOVE IS WHAT WE MAKE 72 WHOLE NEW WORLD IT THE WHITES (MCA/Curb MCA-5562) 59 25 KENNY ROGERS (Liberty L051157) 35 24 73 TOO GOOD TO STOP t 36 KENTUCKY HEARTS NOW ROGER MILLER HONORED — Pictured above are some of the guests who gathered EXILE (Epic FE 39424) 36 50 JOHN SCHNEIDER (MCA 5495) 60 57 for a reception at the Nashville home of Francis Preston to honor Roger Miller, 37 THE BALLAD OF SALLY 74 WHAT ABOUT ME? km composer/lyricist of the Tony-winning Broadway musical. Big River (/-r); Buddy Killen, ROSE KENNY ROGERS (RCA AFL1-5043) 62 71 president of Tree International, Miller's publisher; Herb Nanas of Scotti Brothers, EMMYLOU HARRIS (Warner Bros. 9- 75 GREATEST HITS 25205-1) 31 Miller; Preston, senior vice-president, performing rights, 38 GENE WATSON (MCA 5572) 65 23 Miller’s mangement; Frances BMI; MCA vice-president Jimmy Brown and Stan Moress, Scotti Brothers.

30 Cash Box/September 28, 1985 September 28. 1985

Weeks Weeks Weeks On On On 9/21 Chart 9/21 Chart 9/21 Chart 34 HEART DON’T DO THIS TO BABY’S EYES I fell in love A O ME LANE BRODY (EMI-AmerIca B-8283) 75 3 LORETTA LYNN (MCA 52621) 34 12 AGAIN LAST NIGHT SOMEBODY ELBE’S FIRE THE FORESTER SISTERS (Warner Bros. 7- A A THIS AIN’T DALLAS _ JANIE FRICKE (Columbia 38-05617) 80 2 28988) 3 1 4 HANK WILLIAMS. JR. (Warner Bros./Curb 7- IF phone DOESN’T 28912) 41 4 A the RING, ITS ME LOST IN THE FIFTIES 36 I O DON’T KNOW WHY YOU JIMMY BUFFETT (MCA 52664) 79 2 RONNIE MILSAP (RCA PB-1413S) 4 12 DON’T WANT ME _ I’LL STEP 3 DRINKIN’ AND DRAMIN’ ROSANNE CASH (Columbia 38-04809) 17 17 A DANCE THE TWO SHELLY WEST (Warner Bros./Vlva 7-28909) 78 2 WAYLON JENNINGS (RCA PB-14094) 1 15 37 CRY JUST A LITTLE BIT A WITH JUST ONE LOOK IN SYLVIA (RCA PB-14107) 26 15 CHARTBREAKER ^ YOUR EYES 38 LOVE IS ALIVE THE HAIRCUT SONG CHARLY McClain (with WAYNE MASSEY) THE JUDDS (RCA/Curb PB-1 4093) 32 17 o RAY STEVENS (MCA 52657) (Epic 34-05398) 6 13 DEBUT 39 HAVE I GOT A DEAL FOR 5 BETWEEN BLUE EYES AND 72 I’M NOT LEAVING (I’M JUST JEANS YOU REBA McENTIRE (MCA 52604) 37 16 GETTING OUT OF YOUR CONWAY TWITTY (Warner Bros. 7-28966) 5 13 LIE TO YOU FOR YOUR WAY) SHE’S COMIN’ BACK SAY m PRICE A^ TO LOVE RAY (Step One SOR-344) 58 6 GOODBYE THE BELLAMY BROTHERS (MCA/Curb 73 I EVERYONE CRY EDDIE RABBITT (Warner Bros. 7-28976) 7 13 WANT TO MCA-S2668) 51 3 RESTLESS HEART (RCA PB-14086) 60 18 MEET ME IN MONTANA DOWN IN THE FLORIDA 74 DON’T TELL ME LOVE IS O MARIE OSBOND (DUET WITH DAN SEALS) A^ (Capitol B-S478) 10 11 KEYS KIND TOM T. HALL (Mercury 884 017-7) 50 6 ALMOST BROTHERS (MTM B-72053) 61 7 TOUCH A HAND, MAKE A DESPERADOS O FRIEND ® WAITING FOR 75 CAROLINA IN THE PINES MICHAEL MARTIN MURPHEY (EMI-AmarIca THE OAK RIDGE BOYS (MCA-5264e) 11 9 A TRAIN JENNINGS. NELSON. CASH. B-826S) 64 7 9 KERN RIVER KRISTOFFERSON (Columbia 38-05594) 52 3 I’VE GOT THE HEART FOR MERLE HAGGARD (Epic 34-05426) 9 13 A ® DONCHA ^ YOU dl YOU MAKE ME WANT TO T.G. SHEPPARD (Columbia 38-0SS91) 53 4 KEITH WHITLEY (RCA PB-14173) 87 2 MAKE YOU MINE 44 REAL LOVE 77 BE THE JUICE NEWTON (RCA PB-14139) 12 11 YOU COULD ONE DOLLY PARTON (duet with KENNY WOMAN ROGERS) (RCA PB-140S8) 38 19 O SOME FOOLS NEVER LEARN CHANCE (Mercury 880 959-7) 65 9 STEVE WARINER (MCA-52644) 13 10 45 DOWN THE ROAD/ 78 COLD SUMMER DAY IN A LOVE TALKS GEORGIA RONNIE MCDOWELL (Epic 34-O5404) 14 11 MOUNTAIN PASS GENE WATSON (Epic 34-05407) 66 17 DAN FOGELBERG (Full Moon/Epie 34-05446) 47 5 I WANNA HEAR IT FROM A YOU MAKE ME FEEL LIKE A A BREAK AWAY ^ YOU A GAIL DAVIES (RCA PB-14184) DEBUT EDDY RAVEN (RCA PB-14164) 16 8 MAN RICKY SKAGGS (Epic 34-05S8S) 57 3 A ONCE IN A LIFETIME THING CAN’T KEEP A GOOD MAN CINDY ROBYNS (Evergreen EV-1035) DEBUT A^ DOWN 47 I’M TAKIN’ MY TIME BRENDA LEE (MCA 52654) 48 5 river IN THE RAIN ALABAMA (RCA PB-1416S) 18 8 A ROGER MILLER (MCA 52663) DEBUT IS USED TO BLUE THE WAY TO YOU A^ I’LL STILL BE LOVING YOU _ SAWYER BROWN (Capitol B-5477) 2 16 BY HEART A VERN GOSDIN (Compleat CP-145) 54 4 JOE STAMPLEY (Epic 34-05592) DEBUT A WHO’S GONNA FILL THEIR SHOES NOBODY FALLS LIKE A 83 CRAVIN’ YOUR LOVE A^ SIDEWINDER (Willow Wind WWR 0392) 88 2 GEORGE JONES (Epic 34-05439) 19 9 FOOL EARL THOMAS CONLEY (RCA PB-14172) 59 3 ’TIL A TEAR BECOMES A IF IT A © WEREN’T FOR HIM ROSE VINCE GILL (RCA PB-14140) 20 11 50 SHE’S SINGLE AGAIN (Mercury 884 JANIE FRICKE (Columbia 38-04896) 40 21 LEON EVERETTE 040-7) DEBUT A A LONG AND LASTING LOVE UP ON YOUR LOVE CRYSTAL GAYLE (Warner Bros. 7-28963) 21 8 51 I NEVER MADE LOVE (TIL I KAREN TAYLOR-GOOD (Mesa NSD/M-111) DEBUT MADE IT WITH YOU) I’L-I- NEVER STOP LOVING A MAC DAVIS (MCA 52573) 42 1 7 A I’M LOOKIN’ FOR SOMEONE ^ YOU ^ LOOKIN’ FOR LOVE GARY MORRIS (WARNER Bros. 7-28947) 23 6 52 BARROOM ROSES RICE (Door Knob DK 85-234) MOE BANDY (Columbia 38-05438) 43 BOBBY G. DEBUT GONNA LEAVE YOU 6 A^ 53 HE WON’T GIVE IN 87 AIN’T IT JUST LIKE LOVE TOMORROW (MCA/Curb-52 KATHY MATTEA (Mercury 880-867 44 11 BILLY BURNETTE 626) 68 6 JOHN SCHNEIDER (MCA 52648) 22 8 WHEN YOU SEE IT FOR ANGEL IN YOUR ARMS 54 DROWNING IN MEMORIES ® 45 7 A YOURSELF BARBARA MANDRELL (MCA S2645) 24 6 _ JOHN REX REEVES (Socagee SC-114) DEBUT IT AIN’T 55 I WANNA BE A COWBOY ’TIL LOVE 89 HOMETOWN GOSSIP A I ED BRUCE (RCA PB-14150) 25 9 DIE (MCA/Curb-52 615) 67 14 JIM COLLINS (White Gold WQ 22252) 56 5 THE WHITES 23 MODERN DAY ROMANCE 90 PRETTY LADY NITTY GRITTY DIRT BAND (Warner Bros. 7- I THE CHAIR € KEITH SEQALL (Epic 34-04934) 84 16 29027) 8 17 GEORGE STRAIT (MCA 52667) 70 2 HANG ON TO YOUR HEART A STAND UP 91 JUST AS LONG AS 1 HAVE ® MEL McDaniel (Capitol EXILE (Epic 34-05580) 28 7 B-SS13) 69 3 YOU QUS HARDIN AND DAVE LOQQINS (RCA YOU’RE MISS 58 THE FIREMAN PB-1 41 A GONNA ME 59) 73 6 WHEN I’M GONE GEORGE STRAIT (MCA 52586) 46 18 92 HELP IF 1 FALL JUDY RODMAN (MTM B-72054) 27 9 HEAVEN ME 59 CALIFORNIA ROAD VICKI LEE (Rustic R-1028) 77 3 I SAY YES €I WANNA MEL TILLIS (RCA PB-14175) 62 3 93 LOUISE MANDRELL (RCA PB-14151) 29 6 YOU CAN’T RUN AWAY 60 OUT OF SIGHT OUT OF FROM YOUR HEART thing about 38-04884) A you MIND LACY J. DALTON (Columbia 81 17 SOUTHERN PACIFIC (Warner Bros. 7-28943) 30 8 NARVEL FELTS (Evergreen EV-1034) 63 4 94 RHYTHM GUITAR 1 TOO MUCH ON MY HEART 61 EMMYLOU HARRIS (Warner Bros. 7-28952) 82 10 €* THE STATLER BROTHERS (Mercury 884 SMOOTH SAILING (ROCK IN 016-7) 31 6 THE ROAD) 95 MY TOOT-TOOT rvinrtr\ uinn T ^wuiuiiiuia 49 10 ROCKIN' SIDNEY (Epic 34-05430) 83 14 A I DON’T MIND THE THORNS ME AND PAUL 96 WHEN 1 GET HOME (IF YOU’RE THE ROSE) ® WILLIE NELSON (Columbia 38-05597) 74 3 BOBBY BARE (EMI-AmerIca B-8279) 85 8 LEE GREENWOOD (MCA 52656) 35 5 TOKYO, OKLAHOMA 63 HIGHWAYMAN 97 FORTH HOUR WEEK (FOR A A W, NELSON. K. KRISTOFFERSON. J. CASH. JOHN ANDERSON (Warner Bros. 7-28916) 33 7 LIVIN’) W. JENNINGS (Columbia 38-04881) 55 21 ALABAMA (RCA PB-1408S) 86 20 31 BLUE HIGHWAY LOVIN’ UP A STORM JOHN CONLEE (MCA 52625) 15 13 A~ 98 I’M FOR LOVE BANDANA (Warner Bros. 7-28939) 72 3 HANK WILLIAMS. JR. (Warner Bros. 7-29022) 89 21 A YOU’VE GOT SOMETHING HOLDIN’ THE FAMILY ^ ON YOUR MIND A^ 99 LET A LITTLE LOVE COME IN TOGETHER CHARLIE PRIDE (RCA PB-14134) 90 12 MICKEY GILLEY (Epic 34-05480) 39 6 THE SHOPPE (MTM B-72056) 71 3 A TWO OLD CATS LIKE US 100 OLD HIPPIE RAY CHARLES (with HANK WILLIAMS. JR.) 36 5 A IN ANOTHER MINUTE THE BELLAMY BROTHERS (MCA/Curb (Columbia 38-05575) 76 2 MCA-S2S79) 91 21

l COUNTRY RADIO

WOKQ — Jim Murohey MOST ADDED G. Davies J. Stampley J. Fricke WDXE — Dan Hollander Lawrenceburg, TN Bandana J. Stampley N. Larsen K. Taylor-Good R. McEntIre M. Haggard J. Lee C. Robyns B.G. Rice J.R. Reeves S. Johns

KWOC — Ed Morris — Poplar Bluff, MO R. Miller G. Davies OPRY SISTERS — Warner Bros, recording group, the Forester Sisters recently sang STRONG ADDS Joplin their number one song, "I Fell In Love Again Last Night” on the televised segment J.R. Reeves of WSM’s Grand Ole Opry. Pictured (l-r): June, Christy, Kathy and Kim Forester. *r Sherri Ann Break Away — Gail Davies — RCA C. Robyns Once In A Lifetime Thing — Cindy J. Lindsey Robyns ~ Evergreen J. Buffett Jennings, Nelson, Cash, KristoffersonS L. Everette M. McDaniel River In The Rain ~ Roger Miller — Bellamy Bros. W. Nelson MCA KFRM — Randy Hooker Salina C. Farris WTHI — Barry Kent — Terre Haute I’ll Still Be Loving You — Joe Stampley M. THUS B. G. Rice Jennings, Nelson, Cash, Kristofferson — Epic K. Taylor-Good Bellamy Bros. ‘Til A Tear Becomes A Rose — Leon WHIM — Jim O’Brien Providence E.T. Conley J. Fricke J. Fricke Everette — Mercury J. Buffett E.T. Conley J. Stampley J.R. Reeves N. Larsen C. Robyns KFEQ — Bob Orf St. Joseph STATION ADDS R. Stevens B.G. Rice H. Dunn The Shoppe L. Everette KWKH — Kitty Ledbetter E.T. Conley WMTZ ~ Dave Hensley Augusta B. Higgins Shreveport K. Tayor-Good C. Robyns R. Leigh L. Everette R. Miller J. R. Reeves R. Miller N. Felts — Curtis King — Rockford, IL K. Taylor-Good WKKN D. Raye G. Davies B. G. Rice W. Nelson S. Curtis WCCN — Dick Deno Neilsville, Wl R. Miller R. Stevens WKMF — Shelley James Flint B. Mandrell G. Davies J. Glaser H. Williams, Jr. T.G. Sheppard L. Everette M. McDaniel J. Anderson K. Taylor-Good Joplin E.T. Conley Bellamy Bros. C. Robyns G. Morris KIKK — Joe Ladd Houston E. Bruce B.G. Rice Southern Pacific N. Larsen M. McDaniel J.R. Reeves WWVA — Bill Berg Wheeling J. Fricke J. Stampley C. Robyns Bellamy Bros. D. Fogelberg J.R. Reeves L. Brody W. Nelson KIKF — Chris Adams — Orange WDSY — Mary Jo Kacsan Bandana R. Miller Pittsburgh K. Whitley J. Fricke G. Strait D. Fogelberg KYKX — Bill McClain Longview, TX H. Williams, Jr. N. Larsen B.G. Rice J. Fricke Jennings, Nelson, Cash, Kristofferson G. Davies Davies KCJB — Jay Davis Minot G. W. Nelson J. Glaser WDZQ — Dan Jensen Decatur, IL M. Bandy G. Handley R. Skaggs J. Rex Reeves V. Gosdin G. Strait KRPM — Cary Taylor Tacoma M. McDaniel Bellamy Bros. Bellamy Bros. G. Davies J. Buffett E.T. Conley R. Skaggs W. Nelson M. Gilley J. Anderson M. McDaniel Bellamy Bros. THE COUNTRY MIKE E.T. Conley KRYS — Joey Garcia • Corpus T. Jones Christ! STATION PROFILE — KTOM/SaTinas, California serves the central coastal area V. Gosdin T.G. Sheppard of the Golden State with a cross section of current and classic country. KTOM’s J. Glaser E.T. Conley coverage area, which includes Santa Cruz, Monterey and Carmel, encompasses Bandana L. Greenwood a diverse economy base primarily on agriculture, tourism, and a growing high- H. Williams, Jr. WFMS — J. D. Cannon — tech manufacturing industry. Operations for the 5,000-watt AM’er are overseen J. Rodman Indianapolis by general manager Steve Dean and operations and program/music director Marc R. Charles/H. Williams, Jr. KEED — Billy Pilgrim Eugene, OR Hahn. The air shifts feature the talents of Andy McCoy from 5-9 a.m.. Buddy Wheeler Jennings, Nelson, Cash, Kristofferson D. Fogelberg from 9 a.m. to 2 p.m., Marc Hahn from 2-6 p.m., and Paul Baca from R. Stevens J. Fricke 6 p.m. to midnight. One of KTOM’s features is the weekly “Country Gold with J. Rodman N. Larsen Johnny Hicks.” Hicks was one of the founders of the "Big D Jamboree” in Dallas during the 1 940s. The show is devoted to traditional country and has hosted COUNTRY PROGRAMMER’S PICK such performers as Little Jimmy Dickens and Sonny James. KTOM is Programmer Station Market currently running its “NFL Jackpot.” The promo awards winners with up to Jim Stricklan KBRQ Denver $2,000 per week and will continue throughout the season . . . KBRQ/ Song: “Amber Waves of Grain” Denver recently acquired the KLAK A rtist: Merle Haggard record library. The 25-year-old collec- tion consists of approximately 5,000 iMe] Label: Epic albums and 30,000 singles. This li- Comments: brary, along with the acquired collec- "I feel this record is not only an important country record, but an important American tions of KERE/Denver and KPIK/ record . . . Haggard, probably more than really anyone, strikes the soul of the American Colorado Springs, gives KBRQ one of people with his music . . . it’s the most important record he’s done in terms of meaning ” the most complete country libraries in since "A Buck Was Still Silver. the west.

32 Cash Box/September 28, 1985 COUNTRY

ALBUM RELEASES SINGLE RELEASES

TENDER LOVING CARE — Tom Jones OUT OF THE BOX — Mercury/PolyGram 422-826-1 40-1 M- 1 — ProducerGordon Mills ROSANNE CASH (Columbia 38-05621) The ballad master’s new album contains Never Be You (3:23) (Gone Gator — a couple of country classics (“That’s All ASCAP) (T. Petty, B. Tench) (Producers- That Matters,” “It’s Four In The Morning”) :Rodney Crowell, Dave Thoener) and a soulful cover of Billy Swan’s “I Can “Never Be You” follows the number one Help.” “Hold Me To It” was written by two- success of “I Don’t Know Why You Don’t thirds of the writing team that gave us “Not Want Me” and comes at a time when Another Heart Song” (the new single), and Rosanne Cash is more visible in all media it has the same “modern Nashville” than she has been for years. Written by structure and sound. Jones’ solid follow- Tom Petty and Heartbreakers’ keyboard- ing will make this LP the latest success ist Benmont Tench, “Never Be You,” with in an illustrious career. its plaintive lead vocal, hard-edged guitar and Springsteen-like keyboard motive, will continue Cash’s across-the-board SWEET DREAMS — Music From The reemergence. Motion Picture Soundtrack — Patsy Ciine — MCA-6149 — Producer. Owen Bradiey THE NITTY GRITTY DIRT BAND (Warner Beyond this album’s sweetening, remix- Bros. 7-28897) ing and added instrumental tracks — all Home Again In My Heart (3:31)(Warner- of which was respectfully and lovingly Electra-Asylum/Mopage/Screen Gems- accomplished under the direction of EMI/Moon and Stars — BMI) (J. Leo, W. Owen Bradley, Cline’s original producer Waldman) (Producers: Marshall Morgan, — beyond all that stands the voice of Patsy Paul Worley) Cline. That voice had power surpassing A solo, slow-picking banjo kicks off description, and the tragedy of its loss is “Home Again In My Heart,” the second deeply felt to this day. Whether or not the release from “Partners, Brothers And

film succeeds (and it is likely to do quite Friends.” The chorus rings with the Dirt well), this soundtrack album should have Band’s fine harmony, and the words speak a healthy life of its own. Valuable produc- to everyone who has ever felt like “one tion notes and musicians' credits are in a million in a lonely town.” This heart- included. tugging ballad will be quickly added and will undoubtedly be a fast mover. F/1CES LARRY GATLIN AND THE GATLIN NEW TO W4TCH BROTHERS (Columbia 38-05632) Runaway Go Home (4:47) (Larry Gatlin is probably getting Judy Rodman — BMI) (L. Gatlin) (Producers: Larry used to “firsts.” She was the first artist Gatlin, Steve Gatlin, Rudy Gatlin, Chip signed to MTM Records, a division of Young) Nashville’s new MTM Music Group. This song is longer than most, but the the singer of the label’s first She was subject of runaway children is important single release first charted record, and and Larry Gatlin’s lyric takes the neces- “I’ve Been Had By Love Before,” which sary tirtie to present a fairly complete peaked at 26 last May. She was the picture of the problem from the runaway’s label’s first act on video and she has point of view. Exploring the feelings of the first album release:“Judy,” MTM runaways in two different situations, the which shipped last week. Rodman is Gatlins offer a clearly-stated solution in spearheading the advance of a roster the context of a vocally superior country/ which includes singer Holly Dunn pop song. Taken from the forthcoming (who is, like Rodman, also a songw- “Smile” LP (due the third week of Octob- riter), The Almost Brothers, The JUDY RODMAN er), this song will hit particularly hard due Shoppe and other acts loaded with ground work in the mid-’70s, and by to the recent lack of Gatlin product. potential. Given the position she the time she met her current producer, occupies, it’s only natural that Rodman MTM senior vice president Tommy has mixed feelings about the extra West, she had sung for over half a FE/1TURE PICKS attention and consequent responsibil- dozen national jingle accounts (and ity that is hers. many others) and had sung backup for “It’s good in a way and it’s bad in names such as Johnny Cash, George THE KENDALLS (Mercury 884 140-7) a way,” she commented. “I mean Jones, Dolly Parton, Crystal Gayle, Two Heart Harmony (3:04) (Nashlon—BMI/Dejamus—ASCAP) (G. Harrison, R. getting picked for new ideas or new Merle Haggard and Ray Charles. Giles, G. Fought, B. McMaken) (ProducerBrien Fisher) ways they want to go about this thing Judy Rodman’s songwriting talent is The title cut from The Kendalls’ latest album is a lot more country-sounding of making me known . . . some of ’em also notable: she has material on her than “If You Break My Heart,” the last single. A medium-tempo song about a work and some of 'em don’t. So it’s new album, and she co-wrote a song harmonious love affair. a disadvantage in that they’re not using with Dave Loggins ("When I’m In Love proven methods yet — they’re using All Alone”) which is on Loretta Lynn’s me to prove them — but it’s an ad- latest LP.

vantage, of course, in that I am, like, At Fan Fair this year, on several HILLARY KANTER (RCA PB-14185) the first, the flag holder or whatever, Nashville Network appearances and at It’s Such A Heartache (3:20) (DebDave — BMI; Mallven — ASCAP) (E. Stevens,

and I feel so much support from the a recent show in a Nashville club, H. Kanter) (ProducerEven Stevens) label that I just don’t feel anything Rodman has shown her natural ease Kanter’s singing ranges from a chesty tone in the verses to a pure and fluttery negative in it at all. I’m very proud to on stage, and she seems more than head tone in the choruses. From her excellent “Love Letters At Midnight” album. be on the label and to be the first.” ready to back up the release of the new Rodman’s second single, “You’re album with an expanded performance Gonna Miss Me When I’m Gone,” is schedule. A big reason for her eager- THE CHARLIE DANIELS BAND (Epic 34-05638) at 25 bullet this week, and the accom- ness is undoubtedly her relationship American Farmer (3:22) (Hat Band — BMI) (C. Daniels, T. Crain, T. DiGregorio, panying video is in rotation on VH-1 with the people at MTM. “They pick Hayward, F. Edwards) (Producer:John Boylan) and The Nashville Network, with USA C. at me a lot,” she said, “but I never feel Though it doesn't match the supreme coherence of “Still In Saigon,” the message Cable and Showtime air dates sche- bad about it because it’s all done, I of this well-timed song from the upcoming “Me And The Boys" LP will garner duled. know, to help me. And the other artists the single considerable airplay. Rodman started singing jingles at — Holly Dunn and the other people the age of 17 when she did a nationally- — we support each other. There’s no aired commercial for Jeno’s pizza. jealousy or real competitive, unreason- Later she moved to Memphis, where ably competitive, feeling at all. It’s very ROCKIN’ SIDNEY (Epic 34-05639) she sang jingles for the Tanner agency, much a supportive atmosphere around Dance And Show Off (3:41) (Sid Sim/Flat Town — BMI) (S. Simien) (Producers-

gained lots of stage experience in local here. So we laugh about it — about :Sidney Simien, Floyd Soileau, Huey P. Meaux) all bands and shared rooms for a time with them being picky — but I know it’s America popped the cork with Rockin’ Sidney summer long, and this song another ambitious singer named Janie because they love me and they support has the same repetitive charm as “My Toot Toot.”

Fricke. Rodman started to get back- me, so ... I don’t worry about it.”

teash Box/September 28, 1985 33 ( GOSPEL

TOP 30^ LBUMS Elwyn Raymer's Gospel News Inspirational Spiritual And Weeks Weeks Views On On 9/14 Chart 9/14 Chart

7-01-680606-5) Is ©“ISVSgSfT'’,(Myrrh : WILLIAMS BROTHERS (Mala- There No Limit Open 1 19 _ CO4400)CO 4400) 1 21 By Frances Preston MEDALS Jill RUSS TAFF (Myrrh 7-01-679206-4) HAWKINS (Light LS 5857) O article Open 6 11 "Battle’s Over" 3 33 (Editor’s note: This is the third LET THE WIND BLOW 3 TOMORROW in our series of guest commentaries THE IMPERIALS (Myrrh 7-01- THE WINANSi (Light 5857) © directed by Elwyn Raymer, chairman of 682006-8) 4 25 "Secret Place" 2 37 the board of the Gospel Music Associa- CHOOSE LIFE 4 I GIVE MYSELF TO YOU DEBBIE BOONE (Lamb And Lion THR O RANCE ALLEN GROUP tion. Frances Preston is senior vice- LLR 3008) 8 21 (Myrrh 7-01-678406-1) president, performing rights, at Broadcast 5 BEAT THE SYSTEM 5 CHOSEN PETRA (Starsong 7012057881) 2 27 VANESSA BELL ARMSTRONG Music, Inc.) 6 C3825) COMING ON STRONG All styles of music have their own niche, CARMAN (Myrrh 7016807061) 3 27 at He's Done" 5 43 music spans all catego- 7 SONGS FROM THE HEART 6 NO TIME TO LOSE but only gospel SANDI PATTI (Impact R03884) ANDRAE CROUCH (Light LS 5863) ries. It has been my privilege to work with None 5 43 "Right Now” 6 55 writers, publishers, artists and musicians 8 LOOK WHO LOVES YOU NOW 7 I WANT TO KNOW WHAT LOVE SPR in every facet of the- music industry for MICHELLE PILLAR (Sparrow IS 1095) NEW JERSEY MASS CHOIR (Pre- many years. I have experienced the wave ‘ Title Cut 7 33 lude PRL 14113) of with classical, 9 FRITZ popularity pop, jazz, ON THE 8 MADE IN MISSISSIPPI STEVE TAYLOR (Sparrow SPR- JACKSON SOUTHERNAIRS R&B, country, disco, punk and new wave 1105) (Malaco 4372) Open 9 9 and, as I stated earlier, they have all carved Frances Preston No Tears In Heav 8 53 out a special place and following. The only been certified gold by the RIAA. Today,'" 10 WHAT A WAY TO GO MAKING A WAY BILLY SPRAGUE (Reunion SPCN REV. MARVIN YANCYY4 (Nashboro 11 9 form of music that transcends all ages and there are several that have reached gold 701008124) " HEAVY LOAD styles, however, is gospel music. and platinum status. In addition, gospel Open 10 27 s REV. MARVIN YANCY (Nashboro 11 MICHAEL W. SMITH 2 NA 8656) 12 27 Gospel music is the oldest form of music is being performed and marketed MICHAEL W. SMITH (Reunion(R( 11 music known to man, and yet it does not differently today than ever before. 000412-9) KINS & THE SEMINAR its labels "Hosanna" 11 77 MASS CHOIR (Birthright BRS 4045) require any special setting for perfor- Because of these facts, the major SEVEN Open 9 51 mance. It has been performed in clubs, and record company executives are ' © DAVID MEECE (Myrrh 7016812065) 17 9 12 HUMBLE THYSELF symphony halls, fairs, arenas, on the showing greater interest in gospel music. MATTIE MOSS CLARK (DME 7772) 10 27 13 COMMUNICATION concert stage and at festivals. Gospel As the quality of music, lyrics and a DEGARMO ANDI KEY (Benson 13 WE SING PRAISES 01073) 13 27 SANDRA CROUCH (Light-5825) music can be seen and heard in any or recordings are closely monitored, the Open 13 103 14 all of the above-mentioned venues. The results are sure to be phenomenal. i KINGDOM OF LOVE 14 I AM GOING ON SCOTT WESLEY BROWN (Sparrow COMMISSIONED4ED (Light 5861) 14 9 reason for this is that every style and For years, gospel music was considered 1081) Open 12 47 UNSPEAKABLE JOY3Y musical form is used to enhance the lyric a property of the church, but this is no © DOUGLAS MILLERI (Light(Lii 5876) 17 9 15 I’VE JUST SEEN JESUS 16 DeLEON and positive message. longer the case. Gospel music took to the LARNELLE HARRIS (Impact RO 7-01- DeLEON RICHARDS (Word Gospel music has grown to such ex- streets with its music and message. Sales 3732) 680406-2) 16 27 Open 15 9 citing proportions in the past five years soaring, airplay is being 17 SAILIN’ are compounded, 7- HE HOLDS THE KEY SHIRLEY CAESAR (Myrrh SPCN that it is fast becoming the topic of strategic marketing plans are in effect, STEVE GREEN (Sparrow SPR 1104) 19 7 01-673206-1) conversation wherever music industry and a strong industry association exists. SHEEP IN WOLVES CLOTHING Open 15 63 MYLON LEFEVRE & BROKEN 18 ROUGH SIDE OF THE people gather. Over $315 million in record These are the platforms for insured^ o 7-01-6790-06-1/ HEART (Myrrh MOUNTAIN and tape sales were reported in 1984. Five success. In my opinion, there is no limit Word) REV. F.C. BARNES & REV. JANICE ’ Open 20 7 BROWN (Atlanta International years ago only one gospel record had to the future and impact of gospel music. 10059) HOTLINE Open 18 127 o WHITEHEART (Home Sweet Home 7010001391) 19 THE WONDERS OF HIS LOVE ASCAP Sets First Annual Gospel PHILIP BAILEY (Myrrh 701679606- Open 21 7 X) 19 27 WER OF PRAISE HIL DRISCOLL (Sparrow SPR 20 DEDICATED Songwriters Workshop 20 5 1102) 23 9 NICHOLAS (Command CRN 1003) 21 PERFECT PEACE NASHVILLE — Applications are now of an ongoing series of educational^ 20 KEITH PRINGLE (Onyx RO 3784) STRAIGHTAHEAD being accepted for the first annual ASCAP activities sponsored by the ASCAP AMY GRANT (Myrrh 675706-4) Open 21 37 "Angels" 14 83 22 LIVE AT THE WASHINGTON Gospel Workshop, to be held on four Foundation. 21 THE WONDERS OF HIS LOVE TEMPLE C.O.G.I.C. consecutive Tuesday nights from 7 to 9 The workshop will feature special guest PHILIP BAILEY (Myrrh SPCN 7-01- TIMOTHY WRIGHT (Gospearl PL- 12 at speakers and songwriters from all areas 679609-X) 16021) p.m., beginning November ASCAP’s "No Wise Cast You” 16 33 23 TRUST IN GOD Nashville offices. of the gospel music industry. Material AL GREEN (Myrrh SPCN 7-01- 22 HEART & SOUL Leading the workshop will be Niles from writers participating in the workshop , KATHY TROCCOLI (Reunion SPCN 678306-5) 7-01-000512-5) Open 23 47 Borop of Word Music and Lorenz Music’s will be subject to review. Open 18 53 24 WHAT HE’S DONE FOR ME Dick and Melodie Tunney. The Tunneys ASCAP workshops are free of charge_,. 23 THE REV. CLAY EVANS (Savoy SL YELLOW AND BLACK writers of “Sound His Praise,” “O and open to all writers, regardless of ATTACK 14762) are the STRYPER (Enigma EC1064) 22 9 "God Said He Wouid" 24 51 Mighty The Lord,” and “How Excellent is performing rights affiliation, but partici- < 25 IN NO TEARS GLORY is the co-writer of “Via pation is necessarily limited. The first BENNY FROM HERE REV. F.C. BARNES & REV. JANICE His Name”: Borop 9-01- ir BENNY HESTER (Word SPCN BROWN (Atlanta Inti AIR 10077) Dolorosa” and “Proclaim The Glory Of annual gospel songwriter workshop will 638357-3S) 28 Open 25 61 The Lord.”The gospel workshop is part accept 30 participants. 25 ART OF THE STATE 26 I’M GONNA HOLD OUT A.D. (Kerygma KRR5401) 24 THE GEORGIA MASS CHOIR (Sa- ^DONT HIDE YOUR HEART voy 7088) €7 SHEILA WALSH (Sparrow 1101) DEBUT Open 26 33 27 PSALMS HAVE YOURSELF COMMITTED RICHARD SMALLWOOD SINGERS BRYAN DUNCAN (Light LS 5871/ © (Onyx 3833) Lexicon) DEBUT Open 27 55 28 TENDER HEART MICHAEL JAMES MURPHY (Milk 28 THE IMPOSSIBLE DREAM ALBERTINA WALKER (Savoy 12) 28 27 and Honey MH 1055) 26 33 29 MIRACLE “LIVE” 29 BY HIS SPIRIT REV. MILTON BRUNSON/THOMP- SILVERWIND (Sparrow SPR 1097) DEBUT SON COMM. CHOIR (Myrrh 6763) 29 27 30 MORE THAN WONDERFUL 30 LORD LIFT ME UP SANDI PATTI (Impact R3818) BISHOP JEFF BANKS (Savoy Open 30 119 14749) 30 25 GOSPEL PICKS MIRROR OF YOUR HEART — Chris Christian — Home Sweet Home 7-01-000339- 4 — Producers: Chris Christian-Brown Bannister THE BEST OF THE LEWIS FAMILY — The Lewis Family — Canaan 7-01-994013- 7 ~ Producers: Herman Harper- Marvin Norcross SO GOOD — Howard McCrary — Good News SPCN 7-01-812010-1 — Producere: TAYLOR TO MEADOWGREEN — Steven V. Taylor, who earned a Dove award for Win Kutz-Howard McCrary his work on the musical “, ” has joined Meadowgreen Productions^ A staff producer. Pictured above with Taylor (seated) at Tree International studios CATHEDRAL CHRISTMAS, A CAPPELLA — The Cathedral Quartet — Riversong as , ZLP8506 — Producer: Lari Goss are (!) Randy Cox, general manager of Meadowgreen Music Co. and Joe Huffman (r), general manager of Meadowgreen Productions.

34 Cash Box/September 28, 198 INTERNifnONilL

Menon Addresses EMI International Conference By Chrissy Iley

' LONDON —• EMI Music chairman and sion to attract a wide array of recording chief executive, Bhaskar Menon, flew into artists.“lt is mandatory that we continue » London two weeks ago to attend the EMI to support with staying power and con- International Conference, where he del- fidence the extended program of talent " ivered the opening speech. acquisition and delivery power strategies He discussed EMI’s global talent power: initiated in America over the last 18 "EMI Music will remain as strong and as months so as to better insulate Capitol

prosperous as its artists ... I believe this from the volatility of the record business ‘conference will demonstrate abundantly and to insure that a stream of powerful the impressive level of collaboration US product is provided to EMI Music -''between EMI Music and our artists both companies worldwide in the future.” creatively and in gaining preferential Menon ended his speech with the idea access to the global marketplace.” that conferences are not only for learning He went on to explain that although the from one another’s experience and for yearly profits for 1984-85 were down on focusing strategic purposes and defining

the previous year it was entirely as a result goals, but also for enjoyment and fun. of special circumstances in America; The product that was introduced was BIRTH OF A SALES CONFERENCE — UK and international executives pictured at companies in Europe and certainly invigorating. excellent new "whereas our The the recent WEA UK Sales Conference, held in Bournemouth. Pictured (l-r): Siegfried # internationally registered higher profits Kate Bush album was previewed along Loch (Senior vice-president, Europe), Clive Hudson (general manager, Ireland), Ramon than in 1983-84. In the U.S., Capitol is with new products from Diana Ross, John Lopez (vice-chairman and co-CEO. WEA International), Ion Stamboulieh (managing ,)assing through a period of radical Waite, Tina Turner and the debut Capitol director, Greece), Rob Dickins (chairman, WEA UK). Nesuhi Ertegun (chairman and transition." album from Heart. Forthcoming product co-CEO, WEA International), Hans Tonino (Managing Director, Holland), Erik Stenros "Expansion seems to be coming across is also expected from the newly acquired (Director, Finland), Hans Englund (Managing Director, Sweden). the board for the company — Manhattan Grace Jones (Manhattan), Marillion, Blue Note Records was established this Stevie Nicks, and Phantom, Rocker and Trotter as managing director. EMI (Ire- released independently and will be dis- year to concentrate on jazz talent. Coun- Slick, a new group featuring ex-Stray land) Ltd. Trotter, who replaces Terry tributed by DBN, the company headed by •> try and western activity in Nashville Cat’s/Jim Phantom and Lee Rocker, along O’Rourke, was previously general manag- Vicente Justo Amorena. Moris was one is being revitalized under Jim Foglesong with guitar hero . er of EMI Records (UK), sales division. of the artists to start the rock movement full scale classical operations have Arcadia Project, featuring Duran’s and The The Band Aid Trust will get a boost at in the ’60s and has visited Argentina a been resumed with Brown Meggs at the Simon Le Bon, Nick Rhodes and Roger next January’s 20th anniversary Midem couple of times in the last few years. helm of Angel Records”, Menon Taylor, was also given its first airing; it with a free stand donated by organizer CBS continues at work with the Bruce explained. features guest appearances from Sting Bernard Chevry for the charity to sell Springsteen campaign started a couple of The EMi head hopes with this expan- Jones. and Grace merchandise to delegates. The stand will weeks ago, based on the "Born in the also be used by Band Aid representatives USA” LP recorded by this artist. The United Kingdom seeking overseas licensees to handle euphoria produced by the personal merchandise. appearances of Springsteen in the States — In first for British broad- into a computer. ; LONDON a Chevry has also invited Cannes hote- is being applied to radio air play and TV casting, Nescafe will become the first U.S. retail chain Tower Records has liers and restaurateurs to donate a per- ads here, and good results are expected sponsors of a radio show, in a deal worth bought its second U.K. site, in London’s centage of their takings during Midem soon. For the Spanish-speaking crowds, £1 ,000,000 over two years. prestigious Kensington High Street, and week to the Band Aid Trust. the label has the latest LP by Julio Iglesias, The coffee brand, already the U.K.’s top plans to have it ready for trading by mid- "Libra,” Chrissy Iley which will probably become a build- seller, is aiming for the younger consumer November. The 8,000-square-foot standard in short time. ing will also the company’s U.K. through its backing of the Network Chart house Argentina Sicamericana’s Nestor Selasco reports Show, the year old weekly show broadcast HQ. the release of the long awaited recordings by 45 independent commercial stations Contracts for the store are yet to be BUENOS AIRES — A string of successful f of Leon Gieco in various parts of the finalized, but the site will provide Tower personal appearances by local pop artists across the country. It runs in direct country, under the title "De la Quiaca a was continued last week by Alejandro ' competition with BBC Radio 1’s chart with valuable marketing experience be- Ushuaia” (the northern most and southern Lerner, who netted SRO audiences at show. fore it opens its store in Piccadilly Circus, most cities of this country) and gathered will than three times the three shows (one of them started after Nescafe will be identified in the show which be more in three LPs. Gieco has invested about size, year. midnight and ended at 2 a.m.) at the Luna through various jingles. In return it will next three years in this recording, after a 1982 Park, produced by Abraxas. Lerner will distribute £900,000 to the local stations EMI Records (UK) has a new general hit "Solo le pido a Dios;” he has been soon record a new album for Interdisc, that carry the chart, and will be spending manager of the EMI label division. Andrew appearing live as guest artist at concerts + and his latest effort, an LP cut live at the ^ a further £100,000 in promotional Prior has joined from Ariola/Arista Re- starring by other artists, but has not Lola Membrives theatre last year, has backing. cords where he was UK managing direc- returned to the stage alone during this been selling very well. Lerner started - The show, broadcast on Sunday even- tor. He will report to David Munns, time. several years ago with catchy melodies ings, boasts a chart more up to date than director. Artist Development, and will be PolyGram marketing director Leo Ben- meaningful lyrics, this concert has the BBC’s which is still considered the responsible for the marketing, promotion and but tivoglio reports very strong sales for the I shown him more oriented to rock and roll. country’s most authorative chart, compiled and press operations of the EMI label. new Victor Heredia album, "Coraje,” after Rock artist Moris, who has been living : by the market research organization Gal- Nick Gatfield, a former member of Dexys the appearances of the artist at the Luna in lup. the Network Chart is compiled by the Midnight Runners, has been appointed Spain for several years, has returned Park Stadium. As we have informed I for three performances at the Obras ^ rival MRIB market research, who, as well A&R manager at EMI Records (UK) along before, the artist will be launched in Spain Stadium and a trip to the interior of the as taking retail sales totals from a nation- with Rob Sawyer, formerly of EMI Pub- next March. country, plus some television. An album ^ wide selection of stores, also adds a lishing. EMI Records (UK and Eire) have Miguel Smirnoff with his weighting for airplay the information is fed announced the appointment of Andy latest recordings has been INTERN4TION4L BESTSELLERS Argentina Italy United Kingdom TOP TEN 45s TOP TEN 45s T TOP TEN 45# 1 Dancing In The Street — Mick dagger & David Bowie — EMI 1 Do They Know It’s Christmas? — Band Aid — PolyGram 1 L'Estate Sta FInendo — Righeira — CGD 2 Holding Out For A Hero — Bonnie Tyler — CBS 2 Los Muchachos De Hoy — Luis Miguel — EMI I 2 19 — Paul Hardcastle — RCA/Chrysalis 3 Part Time Lover — Stevie Wonder — Motown 3 Smalltown Boy — Bronski Beat — PolyGram 3 Into The Groove — Madonna — WEA/Sire 4 I Got You Babe — UB40 with Chrissie Hynde — DEP 4 Cuatro Estrofas — Alejandro lerner — Interdisc — 4 A View To A Kill Duran Duran — EMI/Parlophone International 5 No More Lonely Nights — Paul McCartney EMI 5 Duel — Propaganda — Ricordi/ZTT 5 Lavender — Marillion — EMI 6 Material Girt — Madonna — WEA 6 Girt’# Got A Brand New Toy — TXT — CBS 6 Tarzan Boy — Baltimore — Columbia 7 Some Guys Have — Rod Stewart — WEA 7 We Are The World — USA For Africa — CBS 7 Body & Soul — Mai Tai — Hot Melt 8 Dlario De Una Mujer — Mari Trini (Music Hall) 8 Tarzan Boy — Baltimore — EMI 8 Drive — The Cars — Elektra 9 Papa ~ Candela — Music Hall i De Domingo 9 Movies — On Air — CGD 9 Knock On Wood (remix) — Amii Stewart — Sedition -X, 10 Supernatural Love — Donna Summer — WEA — Dead Or Alive — CBS/Epic 10 You Spin Me Round 10 Running Up That Hill — Kate Bush — EMI TOP TEN LPs TOP TEN LP# TOP TEN LP#

1 Rockas Vivas — Miguel Mateos — Music Hall 1 La Vita E Adesso — Claudio Baglioni — CBS 1 Now That’s What I Call Music 5 — Various — EMI/Virgin 2 Para Cantarie A La Vida — Valeria Lynch — RCA 2 Cosa Succede In CItta — Claudio Baglioni — CBS 2 Like A Virgin — Madonna Sire 3 Coraje — Victor Heredia — PolyGram 3 Bom In The USA — Bruce Springsteen — CBS 3 Brothers In Arms — Dire Straits — Vertigo 4 MubIm Total — Various Artists — PolyGram 4 Quelll Della Notte — Renzo Arbore — Fonit Cetra 4 The Head On The Door — The Cure — Fiction 5 No Jacket Required — Phil Collins — WEA 5 Kalwanna — Edoardo Bennato — Ricordi 5 Madonna — Madonna — Sire 6 Argentina Es — Various Artists — RCA 6 The Dream Of The Blue Turtles — Sting — PolyGram/A&M 6 No Jacket Required — Phil Collins — Virgin 7 Libra — Julio Iglesias — 7 Centocitta — Antonello Venditti — Heinz Music — — CBS — 7 Songs From The Big Chair Tears For Fears Mercury r 8 USA For Africa — Various Artists — CBS 8 Boys And Girl# — Bryan Ferry PolyGram/EG 8 Sacred Heart — Dio — Vertigo 9 Flebre De Amor — Luis Miguel — EMI 9 CanzonI Per L'Estate N. 3 — Various Artists — CBS 9 In The — Bruce Springsteen — s Bom USA CBS 10 Conclerto — Alejandro Lerner — Interdisc 10 We Are The World — USA For Africa — CBS 10 CosI Fan TuttI FruIttI — Squeeze — A&M —Prensario —Musica e DIschl —Melody Maker n

^g^sh Box/September 28, 1985 35 1 CLISSIFIEDS

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The “Show” Moves To Washington Opponents Find Resistance

(continued from page 7) censorship, Gortikov said, but he isn’t (continued from page 7) an effort to provide a voice for the interests writes about things he believes in and that sure anymore. issue, most of them negative. In addition of the music industry in the media. The he is a moral person. He noted that he Spirited defense of PMRC’s proposals the NAS’ 800 number has received almost industry has a lot of catching up to do. is 30, has a three-year-old son, is a was made by Tipper Gore, wife of Senator as negative calls over the many phone Until this point, artists like Frank Zappa, Christian and doesn’t smoke, drink or do Albert Gore Jr. (D-Tenn.) who is a non-profit organization’s position. “I am Wendy O. Williams and Dee Snider of drugs. He supported the RIAA position member of the Senate Commerce Com- construed as the enemy,” he said. “I am Twisted Sister have taken it upon them- wholeheartedly, claiming also that his mittee. Gore termed the sugges- PMRC the bad guy. I’ve got the black hat on.” selves to vocally oppose the PMRC. “Under the Blade” piece is about surgery, tions as “truth in packaging.” She and So while opponents of ratings are being Williams recently launched a series of not that his “We're Susan Baker, wife of Secretary of the in sadomasochism and put the position of defending the personal attacks on Tipper Gore of the Not Going to Take It Anymore” has no Treasury James Baker, insisted that they sexually deviant, violent, satan worship- PMRC (wife of Senator Albert Gore) violence in its lyrics. Both albums had were not advocating federal legislation or ping element, the has conducted PMRC during a debate in New York. Zappa has been used to illustrate the charge of regulation. Both are founding-members a series of carefully orchestrated media been perhaps the most visible. His recent outrageous lyrics. And, Snider continued, of PMRC. PMRC also is calling for events to publicize its point. debate with Candy Stroud of the PMRC the video of It” is a light-hearted, disclosure of lyrics of labeled music. They “Take “They choose their crowds very care- on ABC’s Nightline was a long, often cartoon-like approach to the of called for the record industry to establish fully,” subject said Odegard of the PMRC. “When humerous exchange of names and accu- children vs. parents. In fact, reported, a one-time panel to set up criteria in they he speak they get huge coverage by the sation. Many believe the highlight of the determining which the United Way has asked permission to records are to be media because of who they are and they evening was Donny Osmond, who noted use segments in its campaign. labeled. Baker noted that “there is a new get incredible responses from the his opposition to record ratings because Snider emphasized that parents can tell element of vulgarity, violence and brutal- audience.” it would hurt his career and force him to

' what is on an album by its graphics on ity to women that is unprecedented . . . Few can deny the effect of a Senator’s tailor his music to get a specific rating. the cover and by reading the titles of the glorifying rape, sadomasochism, incest, wife holding up records by such bands Zappa recently remarked to a gathering songs that are included. and suicide . . . Explicitness is as W.A.S.P., Black Lace, Megadeath, the of industry professionals, “I Heavy metal, he said, is like horror- becoming more and more mainstream,” Rods and others while reciting lyrics may be crazy, but I’m all you got.” monster movies: young kids know it is she said. about masturbation, violence and satan fantasy. One of the highlights (or towlights) of worship. Those members of the music Many people believe the RIAA held out John Denver argued against labeling the hearing was presented by Jeff Ling, industry merely interested in opposing the from involving itself in the rating controv- because, he said, today’s Manassas, VA, consultant to records are then printed no music repres- PMRC, who ratings of as ersy, hoping it would blow over. The ents the thinking of young people. He with slides of record covers reeled off the better than what the PMRC terms purvey- music industry has some important that is lyrics of offending material. Ling, said filth. contended the PMRC approach who ors of interests in Washington, most notably bill based on fear of a “small number of he has worked with college students for “The electronic media has heavily taken 291 the Home Audio Recording Act, HR , suggestive records.” He told the hearing the past 10 years, said such lyrics affect their side of the issue,” said Odegard. which has been in front of the house since that some radio stations banned his 10-12-year-olds severely because they “The American public is emotionalized June and is expected to go in front of the have “Rocky Mountain High” thinking it had to no frame of reference. For older and polarized over this. They’re ready to Senate shortly. The bill would require do with drugs. He explained it dealt with youths such lyrics are reinforcement to back a Congress that has an electioneer- manufacturers of blank tapes to pay the exaltation felt in altitude aberrant behavior. its he high ing issue on hands.” royalties to copyright owners. It also mountain air, skies, stars, etc. Baker also revealed that PMRC has Industry Unprepared provides a royalty paid by the manufac- Cerphe Colwell, talked to MTV about standards for videos all purposes, rating a Washington, D.C., For intensive oppo- turers of recording hardware. g disc jockey (WWDC), called a standard- and will talk again “in the near future.” nents in the music industry have been The music industry is also very inter- ized rating system “over-reaction to the One thing PMRC is asking is the cluster- caught with their pants down. Despite the ested in the well being of the newly formed perceived problem.” And, he added, it ing of innocent videos for young viewers fact the PMRC’s war on record lyrics has American Copyright Council “could in fact produce results contrary to in earlier time periods, she said. existed since early Spring, a unified and the continued help of the F.B.I. that intended” by serving “to unduly focus Millie Waterman, legislative vice pres- industry reaction did not occur until the and other .” federal law enforcement agencies in the attention on these subjects . . ident of the National PTA organization, RIAA addressed the subject. A unified enforcement of copyright The principal record industry position called the warning label idea “a positive industry media campaign has yet to occur. and counterfeit laws. The music industry does not want was expressed by Gortikov who said step by the music industry.” But she said, “Because it happened so fast, we’ve too many enemies in Washington. record companies accounting for 85% of the consumer has no way of knowing basically done nothing,” Odegard re-

popular music were amenable to placing exactly what he is getting. “National PTA marked. “And because of that we’re going It will take an act of Congress to force

j generic labels on records with question- and PMRC,” she said, “is now asking the to suffer greatly because this is going to record companies to label product, an alble lyrics. also, music ! He as he has before, industry to agree on an appropriate be more of a media circus than ever.” action that some do not rule out of the expressed apprehension at symbol that is is i PMRC mo- would be used to designate Despite the actions of the RIAA which question. What certain that the media fives. It is, he said, “attempting to impose a recording containing explicit sexual recently enlisted 24 major labels to circus is continuing, and the music its will on the entire creative community, language, violence, profanity, the occult voluntarily tag product with the words, industry is scrambling to unite and on broadcasters, on record retailers and or the glorification of drugs and alcohol.” PARENTAL GUIDANCE — EXPLICIT organize in order to defend itself. "We’ve ultimately on all who buy or hear recorded PTA suggests that the letter “R” be used, LYRICS, it was only last week that Danny got to do something,” said Kevin Odegard. music.” PMRC says it does not want since it is familiar from its movie usage. Goldberg formed the Musical Majority in “They’re not going to give in.”

36 Cash Box/September 28, 198! AROUND O’Reilly Gets Five Years THE ROUTE In Game Piracy Case

By Camille Compasio CHICAGO — Timothy O’Reilly, a 23-year- importers, manufacturers, distributors and old Canadian citizen convicted on July 24, operators of counterfeit video games. The much talked of Amusement 1985, on criminal charges of dealing in Glenn Braswell, executive director of the Expo ’86, being staged in Peking during counterfeit coin-operated amusement ma- American Amusement Machine Association, the period of 28 thru April March 3, chines in violation of U.S. copyright law, was said that the success of AAMA’s efforts in 1986, has been drawing exceptional re- sentenced in Federal District Court to five aiding the FBI during their recent undercover sponse worldwide. Latest word from years in prison and ordered to pay restitution operation should serve as a warning to other the China International Convention Ser- to Data East USA, Inc. video game pirates that this criminal activity vice is that 350 companies from 15 coun- O’Reilly, a first-year law student in Albany will not be tolerated at any level in the deserved,” stiid tries have expressed interest in partici- Law School (New York), was arrested in April industry. “O’Reilly got what he along with several others, including the Braswell. pating and there is a great deal of recently convicted Tom Goss of Coal Town O’Reilly’s five-year sentence is the maxi- enthusiasm among the Chinese govern- Amusements in Harlan, Kentucky, as a result mum prison term allowed by U.S. copyright ment to uplift the tourist industry out of an undercover FBI operation targeting law. there and improve the living standards and cultural life of the Chinese popula- tion. At this point in time, a number of Fred Skor Acquires World Wide cities construction of large- have begun CHICAGO — Fred Skor, president and chief scale amusement parks, new hotels and executive officer of World Wide Distributors, recreational facilities. There is also Inc., purchased all assets of the firm on great emphasis on education technology September 1 of this year. devices, which will focus on amusement Upon concluding his takeover, Skor recreational facilities, physical educa- declared that he had full confidence in the tion apparatus, vending machines, pho- future of the coin machine industry and nographs, management and consultant predicted a significant growth for World Wide services for amusement parks, as well as in the years ahead. related products and services. Further “We are going forward with certainty that information may be obtained by con- we are entering a new period of development tacting China International Convention and strength,” he said. Service Ltd., Suite 1201-2 Pla- Energy World Wide, with headquarters in Chicago, za, 92 Granville Road, Tsimshatsui, was founded 42 years ago exclusively as a Hong Kong (cable: CHCONVENT; tel- distributor of coin-operated games, phono-

(continued on page 38) graphs and vending machines. Fred Skor

CONTENTS

Industry News iCoin Machine Premier Taps Jeff Walker CHICAGO — Jeff Walker, formerly of Around Nintendo, has joined Premier Technology in the position of national sales manager. He 9m The Route will be responsible for sales/ marketing in the United States and Canada. In his new post. (continued from page 37) were in Chicago recently to participate Walker will be working closely with Gil in the annual National Sporting Goods Pollock, general manager of the Bensenville, ex: 40255 CICS HX). Project manager Assn, convention in McCormick Place Illinois based company, in developing and is Sandra Lai. (9/20-23). The show focuses largely on introducing Premier’s “new look” product consumer products — and AS annually line. To World Wide Dist. prexy Fred takes part (this year in booths 7833-35) “We are pleased to have such a qualified Skor, who recently purchased the noted ‘k with a good sized lineup of equipment. individual like Jeff become a member of our I Chicago-based distrib., we extend our management team,” declared Pollock. “Jeffs wishes. You’ve been Mr. sincere good Incidental info. Did ya know that Oc- experience and knowledge in the market place time, Fred — World Wide for a long tober 8 will mark the 1 14th anniversary will be an added benefit to Premier.” may you enjoy continued success and of the Great Chicago Fire — and the 1 Lenore Sayers, who formerly held the prosperity! kick-off of Natonal Fire Prevention position, will continue to work with the in af- Week, which originated Chicago company until October, when she will depart Big doin’s! The Bally Midwest open ter the Great Fire and has been recog- to pursue personal interests. j. a major indus- house (9/8) proved to be nized nationally since 1922! In com- attendance figure try happening! The memoration of this historic occurance, mark. Over 300 operat- topped the 600 the Hyatt Regency Chicago will host a Bally Intro’s British with Sente ing companies were represented, daylong “Great Chicago Fire Fair” on many bringing the wives and kids along October 3, with proceeds going to the "Trivial Pursuit’ Video Game af- since the event was held on a Sunday Chicago Fire Fighters’ Burn Victims impressive ternoon. There was also an Unit. CHICAGO — Do you know the geographical Baby Boomers, Young Players, All-Star manufacturer’s number of top echelon centre of London . . . or who owns the Oval Sports or Silver Screen to British board or

representatives in attendance. Plenty of State association news. Everything is Cricket Ground . . . or what the Welsh video games. food, beverages, et al were served — shaping up beautifully for the upcoming national emblem is ... or who the first Technically, the Bally Sente “Trivial Pursuit and with such a crowd the waiting line AMOT (Amusement & Music Opera- Christian martyr in Britain was? Well, these Arcade” game is state-of-the-art, as noted by are sample questions from the United King- the firm’s game designer Rich Adam. “An was pretty long most of the time. Bally tors of Tennessee) meeting (9/27-29) at dom edition of “Trivial Pursuit,” the trivia expanded memory cartridge allows us to \ Midwest hosted this open house to the Park Vista Hotel in Gatlinburg. Ten- board game first introduced in Canada in the provide over 1,000 questions for this game,” show off their new facilities in Franklin nessee Public Service Commissioner early ^Os and, for the last three years, a explained Adam. Additionally, the game is Park, Illinois. Distrib’s newly appointed Keith Bissell will be on hand to conduct national pastime in the United States. Now a SAC PAC, or game components package, Margold, who is in head honcho John a special seminar on the new pay tele- the game is creating trivia mania in the British for use on either the SAC I (Sente Arcade the process of relocating from Philly, phone regulations and the resultant bus- Isles. Over 650,000 board games have already Computer) upright or cocktail table cabinet was most pleased with the terrific tur- iness opportunities. In addition to the been sold in England and the adjacent islands now sold by Bally Sente. Twelve other SAC nout, needless to say. business sessions there’ll be a golf tour- since the 1984 introduction of the game and PACs are now available in the company’s nament on Friday afternoon followed the likelihood is strong that sales will go as library of games for the SAC I system which Lucky Dist. in Nashville recently high as two million board games by the end allows these interchangeable components to by a buffet dinner with entertainment hired Bill Beyl, formerly of Boyce Game of 1985. convert a game cabinet to a new game in 10 by country star Eddie Rabbit. Sales, to oversee the distrib’s service In addition to questions with broad to 15 minutes. Instead of moving a bulky knowledge base, the customized U.K. edition cabinet, an operator can switch to a different department. We’re hearing a lot about the resur- includes Briticisms in all six game categories game by simply swapping a software cartridge, gence of interest in pinballs — on the lo- Nice hearing from Mark McCleskey, — history, geography, sports, entertainment, the control panel and header graphics. cation level. We’re also hearing that the formerly of Data East, who relocated to science, arts and leisure. As it did for the U.S. Bally Sente is also considering the inter- source of this interest is, to a large ex- Dallas, where he started his own route versions of the board game. Bally Sente, Inc. pretation of “Trivial Pursuit” into several 1 tent, older pieces, since ops are appar- of Sunnyvale, California has negotiated with European languages. “After our British — Coin Promotions of America. Mark ently still keeping a tight rein on the Trivial Pursuit’s merchandisers to develop a introduction, we’ll make our decision,” said is about to expand his efforts and will purse strings and exercising caution in video game version of this newest edition company president Bob Lundquist. “We’re be making an announcement shortly. buying new pieces. Hopefully, the based on the Genus I game. “We alone are pretty positive about this new venture, i i authorized to use the exact questions and however. One reassuring factor can be found A full contingent from American mounting player interest will alter the si- answers from the board game,” explained in a question from the U.K. Edition of ‘Trivial Shuffleboard Co. — including Nick Me- tuation and create some big sales on Bernard Powers, director of marketing and Pursuit’ — ‘What is Monopoly’s most lone, Sol Lipkin, Dick Delfino, et al — newly released pins. sales for Bally Sente. “Because these questions expensive property?’ The answer is Mayfair! are carefully researched and posed in mind This points out that successful concepts tickling, humorous style, our video game readily transfer across geographical, cultural version is definitely a cut-above-the-others,” and entertainment boundaries,” he concluded. he continued. “And the video game’s success- Bally Continental N.V. Ltd., Wembley, ful earnings in the U.S. can largely be Middlesex is the British distributor of Bally New Equipment attributed to both the distinctness and Sente upright and cocktail table cabinets and familiarity of these questions.” In the U.S., the entire Sente library of games, including board and video game versions have deve- “Trivial Pursuit.” A Pinball First loped into a multiple series of games totally Incidentally, the answers to the four devoted to sports, the movies, the 60’s and questions in the first paragraph of this article the 70’s and the younger players. No an- are: Trafalgar, Prince Charles, the leek and With the release of “Tag Team Pinball,” nouncements were made to convert Genus II, St. Alban! Premier Technology has declared itself the first pinball manufacturer to discover the secret of team competition in a pinball format. Dallas Hosts $40,000 Dynamo “Tag Team Pinball” captures the craze of professional wrestling in its graphics design World Championships and play concept. Four players have the option before starting the game to play CHICAGO — Table soccer enthusiasts, money awarded in the specific game standard four player action or two team match numbering eight hundred to a thousand, from categories. j’. play. The alphanumeric display scoring the U.S., Canada and Europe, gathered at the system shows team scores between each ball The $40,000 Dynamo World Champion- Hyatt Regency Dallas over Labor Day [ and, from what the factory reports the game ships is the culmination of this year’s tour^ weekend to compete in the 1985 Dynamo is attracting a great deal of four player interest. which has already awarded over $120,000 in J S40,000 World Championships of Table ^ * prize money at 35 tournaments across the U.S. Along with the appeal of competitive play, Soccer. Professional, novice and rookie (17 Sanctioned by the United States Table Soccer “Tag Team Pinball” features fast paced years old and under) competed in separate Assn., the tour is sponsored by Dynamo multiball action. categories for a share of the $40,000 in cash Corp., the noted pool and soccer table and trophies during the four-day event. manufacturer based in Richland Hills, Texas. The new model is currently available There was no general admission charge to

through factory distributors. Further infor- the tournament itself and the public was Additional information regarding i: 's ) j mation may be obtained contacting competition program and the sport of table by welcome to attend. The was open soccer m;: .’ Vi Premier Technology, 759 Industrial Drive, to anyone, with entry fees for each event be obtained by calling the United States Table Z/ Bensenville, Illinois 60106. varying according to the amount of prize Soccer Association at 509-534-4580.

38 Cash Box/September 28, 1985- 5 ......

ALPHABETIZED TOP 100 SINGLES (INCLUDING PUBLISHERS AND LICENSEES)

After The (Eel Pie) 78 Four In (Kid Bird/Rough Play—BMI) 30 Money For (Chariscourt LTD. adm. by Almo/ State Of The (Chappell & Co.—ASCAP) % All Fall (Blue MerAfirgin—ASCAP) 79 Freedom (Chappell—ASCAP) 10 Virgin —ASCAP) 1 Summer Of (Adams Communications/Calypso All Of Me (Dat Richfield Kat— BMI/Songs Can Freeway (Gratitude Sky/Polo Grounds—BMI) 18 Mystery (Zomba/Willesden) 77 Toonz—PROC/Irving—BMI) 42

I Sing—ASCAP) 60 Gel It On (Tro-Essex—ASCAP) 73 Never (Makiki adm. by Arista/Strange Euphoria/ Sunset Grill (Cass County/Kortchmar—ASCAP) . . .29 And She (Index/Bleu Disque adm by WB—ASCAP) 87 Glory Days (Bruce Springsteen—ASCAP) 97 Know—ASCAP) 44 Take On Me (ATV—BMI) 7 And We Danced (Dub Notes/Human Boy—ASCAP)37 Rangin' On (Virgin/Brampton Ltd.—ASCAP) 94 Never Surrender (Liesse—ASCAP) 51 Test Of (Forever Endeavor—ASCAP) 64 r Be Near (Neufron/10 adm, by Nymph—BMI) 35 Head Over (Virgin, adm. by Nymph— BMI) 26 No Lookin' (Genevieve/Milk Money/ The Screams (Controversy—ASCAP) 90 Born In (Bruce Springsteen/Los Guys—ASCAP) . . .76 I Got You (Cotillion/Chris Marc—BMI) 32 Edspose—ASCAP) 47 The Way You (Jobete—ASCAP) 27

Boy In (Liesse—ASCAP) 43 I Miss (Spectrum VII—ASCAP) 85 Object Of (AdeKayode/Philesto/Harrindur/Keith Dia- There Must Be (RCA/Blue Network—ASCAP) 39

Broken Wings (Warner-Tamerlane/Entente— BMI) 75 I Wonder (Personal—ASCAP/Mokojumbi—BMI) . . .62 mond/Willesden—BMI) 89 Tonight It's (Adult—BMI/April—ASCAP) 54

C-l-T-Y (John Cafferty—BMI) 23 If You Love (Magnetic Rep. by Reggatta adm. by Oh Sheila (Ready For The World/Excalibur Lace/Trix- We Built (Little Mole/Zomba/Petwolf/Intersong-ASC- Cherish (Delightful—BMI) 3 57 ie Lou BMI) 9 Illegal—BMI) — AP/Tuneworks adm. by Arista—BMI) 36 Communication (Bungalow adm. by Ackee/Tritec/ I'll Be (Assorted/Bellboy/Cookie Box adm. by The One Night (Adams Communications/Calypso We Don't (Irving—BMI/Myaxe-PRS) 4 Virgin—ASCAP) 41 Mighty BMI) 91 Toonz—PROC/Irving—BMI) 31 Three— Weird Science (Music Corp. of America/ 19 Only For (Tritec) 100 Cry (Man-Ken—BMI) I'm Goin' Down (Bruce Springsteen—ASCAP) 21 Maestro—BMI) 53 Part-Time (Jobete/Black Bull—ASCAP) 17 Dancing In The Street (Jobette/Stone I'm Gonna Tear (Irving—BMI) 28 What About (Welbeck/Irving/Calypso 11 Perfect Way (Jouissance/WB—ASCAP) 69 Agate—ASCAP/BMI) Invincible (Makiki/Arista/Rare Blue—ASCAP) 20 Toonz—ASCAP/BMI/PRO) 59 Dare Me (WB/Bob Montgomery/Restless Pop Life (Controversy—ASCAP) 15 Lay It (Ratt/Time Coast/Rightsong— BMI) 93 When Your (Edwin Ellis/Nurk Twins—BMI) 65 Heart- 12 Power Of (Hulex/Red Admiral—BMI) 6 ASCAP) Lay Your (Zomba—ASCAP) 38 Who's Holding (Foster Frees/Garden Rake— BMI) 92 Do You Want (Screen Gems-EMI/ Life In (Howard Jones/Wamer-Tamerlane/Wamer Raspberry (Controversy—ASCAP) 98 Who's Zoomin' (Gratitude Sky—ASCAP/ Megasongs—BMI) 63 Bros.—BMI) 61 Rock Me (Bush Burnin—ASCAP) 88 Bellboy— BMI) Don't Lose (Phil CoMins/Pun/Warner Bros.—ASCAP)5 Running Up (Colgems—EMI—ASCAP) 67 50 Like To (Howard Jones/Wamer Bros, adm by Warner- Wild And (Stone City adm. by National Dress You (House Of Fun—BMI) 8 Saving All (Prince Street—ASCAP/Screen Gems/ Tamerlane BMI) Down On (Somerset Songs/Evansongs/Stray — 86 EMI—BMI) 14 League—ASCAP) 99 Live Every (Fate ASCAP) Wise (River Notes—ASCAP) 66 — 95 Shame (Clean Sheets—BMI) 49 Up Oaks/Tree Group— BMI/Meadow- Lonely Or (Riva—ASCAP) 13 green/Tree Eaten Alive (Gibb Brothers adm. by Unichappell/Mij- Shout (Virgin/10 Music adm. by Nymph—BMI) 40 Group—ASCAP) 71

You Are My (Stone Jam/Burnin' Bush—ASCAP) . . .45 ac adm. by Warner Bros.—BMI) 80 Looking Over (Intersong— USA/’til tunes adm. by Smokin' In The (Big Leaf—ASCAP) 48 You Belong (Red Cloud/Night River—ASCAP) 34 Every Step (House of Cards adm. by Walk On Intersong—USA—ASCAP) 84 So In (Virgin—ASCAP/Charisma/ You Give (Not listed) 83 Moon—BMI) 25 Love & Pride (April—ASCAP) 68 Unichappel—BMI) 55

Everytime (Unichappell/Hot Cha—BMI) 56 Love Theme (Gold Horizon/Foster Frees— BMI) . . .46 Spanish Eddie (Glory—ASCAP) 58 You Look (Face— BMI/Postvalda—ASCAP) 81

First Night (Rude—BMI/WB/Easy Action—ASCAP) 70 Lover Come Back (Chappell—ASCAP) 82 St. Elmo's Fire (Gold Horizon/Foster Frees—BMI). . .2 You Spin (Chappell—ASCAP) 74 Fortress (Magnetic rep. by Regatta/I llegal adm. by Lovin' Every (Zomba—ASCAP) 22 Stand By (Rightsong/Trio adm. by Unichappel/ADT You Wear (Jobete—ASCAP) 52 Atlantic—BMI) 16 "Miami Vice (MCA—ASCAP) 24 Enterprises—BMI) 72 You're Only (Joel—BMI) 33 "

ALPHABETIZED TOP COUNTRY SINGLES (INCLUDING PUBLISHERS AND LICENSEES)

'N' Dixie/ A Long (Almo/Prince Street—ASCAP/Screen Gems/ Have I (Song Media/Friday Night—BMI) 39 America—BMI) 22 Smooth Sailing (Warner House/Down EMI— BMI) 18 He Won't (Mulberry Street—ASCAP) 53 If It Weren't (Benefit/Monster Beach/ Irving— BMI) 61

Ain't It (Billy Bau/Watchpocket—ASCAP) 87 Heart Don't (Songcastle/Lionsmate/ Atlantic—BMI) 17 Some Fools Never (Sweet Babt—BMI) 11 Angel (Song Tailors—ASCAP/I've Got The MCA—ASCAP) 34 If The Phone (Coral Reefer/Willin' David/Blue Sky/ Somebody Else's (Love Wheel—BMI) 68 Music— BMI) 21 Heaven Help (Limmo—BMI) 92 Rider/Coconutley—ASCAP/BMI) 69 Stand Up (Old Friends/Crosskeys/Tree— BMI/ Baby's Eyes (El Body—BMI) 67 Highwayman (White Oak—ASCAP) 63 In Another (Tree/Cross keys— BMI/ASCAP) 66 ASCAP) 57 Barroom Roses (Dejamus/Make Believus/ Holdin' The (Collins Court—ASCAP) 65 Just As Long (MCA/Leeds/Patchwork—ASCAP) 91 The Chair (Tree/Larry Butler— BMI) 56 WB—ASCAP/Royalhaven—BMI) 52 Hometown (Glenwood/Sister John/ Kern River (Mt. Shasta— BMI) 9 The Fireman (Tree— BMI) 58 Between Blue (Hall-Clement/Lionel Dickerson—BMI) 89 Let A Little (Hall-Clement—BMI) 99 The Haircut (Ray Stevens/Michael Nuen— BMI) ... 71

Delmore—BMI) 5 I Don't Know (Chelcait/Atlantic— BMI/Coolwell- Lie To (Rare Blue/Bellamy Bros./Steeple Thing About You (Gone Gator—ASCAP) 27 Blue Highway (Cross Keys/Oven Bird—ASCAP) 31 Granite—ASCAP) 36 Chase—BMI/ASCAP) 40 This Ain't Dallas (Bocephus— BMI) 35

Break Away (Cross Keys/April/ldes of I Don't Mind (Warner Tamerlane/Duck Songs/ Lost In (Lodge Hall/Two Sons/Warner Bros—ASCAP/ Tokyo, Oklahoma (Cedartown/John March—ASCAP) 79 Pullman—BMI) 29 LLEE—BMI) 2 Anderson— BMI) 30

California Road (Cedarwood—BMI) 59 I Fell (Lynn Schawn/Guyasta— BMI) 1 Love Is Alive (Irving— BMI) 38 Too Much On (Statler Brothers—BMI) 28

Can't Keep (Sabal—ASCAf) 14 I Know (Blue Lake/Hookit—BMI) 48 Love Talks (Cross Keys—ASCAP/Tree/ Touch A Hand (Irving/East/Memphis— BMI) 8

Carolina In The Pines (Mystery—BMI) 75 I Never (Hall-Clement— BMI) 51 O'Lyric—BMI) 12 Two Old Cats (WB/Two Sons—ASCAP) 33

Cold Summer (Tapadero— BMI/ I Wanna Be A Cowboy (Baray—BMI) 55 Lovin' Up (Dejamus/Stan Cornelius—ASCAP) 64 Up On Your Love (Music City—ASCAP) 85 Cavesson—ASCAP) 78 I Wanna Hear (Silver Rain/Dejamus—ASCAP) 13 Me And Paul (Willie Nelson—ASCAP) 62 Used To Blue (Montage-ASCAP/Captain

Cravin' Your (Song Pantry/So Sumi— BMI) 83 I Wanna Say (Warner-Tammerlane/Three Meet Me In Montana (Web IV—BMI) 7 Crystal—BMI) 15 Ships— BMI) 26 (Golden Bridge/Mota—ASCAP) 23 Cry Just (EMI—ASCAP) 37 Modern Day When I Get Home (Labor of Love—BMI) 96

I Want Everyone (Warner-Tam'lane/Writers—BMI/ Toot-Toot (Sid Sim/Flat Town— BMI) 95 Desperados Waiting (Chappell, World My When You See (Second Base/Socagee— BMI) 88 WB/B. Montgomery—ASCAP) 73 Nobody Falls (April/New and Used—ASCAP/Black- Song—ASCAP) 42 Who's Gonna (WB/Two Sons—ASCAP/ I'll Dance (WB/Make Believus—ASCAP/ wood/Land of Music—BMI) 49 Don't Tell Me (Uncle Artie—ASCAP) 74 Tree—BMI) 16 Beckeroo—BMI) 70 Old Hippie (Bellamy Bros.—ASCAP) 100 Doncha (Rick Hall—ASCAP) 43 With Just One (Tapadero/Little Shop of I'll Never (MCA— BMI/Leeds/Patchwork—ASCAP) 19 Once In (Jack and Bill—ASCAP) 80 4 Down In The Florida (Hallnote—BMI) 41 Morgansongs— BMI) I'll Still (Mullet/Tapadaro— BMI) 82 Out Of Sight (KAHL— BMI) 60 Unart—BMI/Hickory Grove/ You Can't Run (Screen Gems/EMI/Moon & Down The Road (CBS I'm For Love (Bocephus— BMI) 98 Pretty Lady (April/Kelth Stegall—ASCAP) 90 April— 45 Stars— BMI/Berger Bits—ASCAP) 93 ASCAP) I'm Gonna (Chappell—ASCAP/Unichappell—BMI)20 Real Love (Debdave— BMI/Mallven/ Drinkin' You Could Be The One (WB—ASCAP) 77 And (WB/Two Sons—ASCAP/Blue I'm Lookin' (Door Knob—BMI) 86 Cottonpatch—ASCAP) 44 (Hall-Clement/Ricky Lake— BMI) 3 I'm Not Leaving (Tree/Larry Butler— BMI/ Rhythm Guitar (Emmylou Songs—ASCAP/ You Make Me Skaggs/ Drowning In (Cross Keys/Choskee Welk— BMI) 46 Southwing—ASCAP) 72 Irvinmg—BMI) 94 Bottom—ASCAP) 54 You Make Me Want (Leeds/Patchwork—ASCAP) 10 I'm Takin' (Silverline— BMI/Bait and River In (Tree/Roger Miller—BMI) 81 Forty Hour (MCA—BMI/MCA/Leeds/Patchwork/Don Bear—ASCAP) 47 She's Cornin' (DebDave/Briarpatch— BMI) 6 You're Gonna Miss (Lawyer's Daughter— BMI) 25 Schlitz—ASCAP) 97 I've Got (Make Believus/WB—ASCAP) 76 She's Single (Blackwood— BMI/April/New & You've Got (Blackwood/Easy Day/Tom Collins/ Hang On (Tree/Pacific Island— BMI) 24 It It Ain't (Banjo Man/Music Corp. of Used—ASCAP) 50 Silverline— BMI) 32

ALPHABETIZED TOP B/C SINGLES

Stand By Me (Rightsong/Trio/ADT ENT/BMI) . . .17 (INCLUDING PUBLISHERS AND LICENSEES) Stand Up (Hojo/Irving—BMI/Almo/ A Little (Irving/Buchanon Kerr— BMI) .31 Fly Girl (Lifo/Yeldarps—BMI/ASCAP) .22 Make Your Move (Wun Tun—ASCAP) .42 Crimson—ASCAP) .27 All Fall Down (Blue Mer/Virgin—ASCAP) .18 Freeway (Gratitude Sky—ASCAP/Poio Miami Vice (MCA—ASCAP) .85 Stir It (Unicity/No Pain No Gain—ASCAP/OfI Back- All Of Me For All (Dat Richfield Kat— BMI/Songs Can Grounds—BMI) .26 My Secret (MCA a division of MCA/Bobby street/Strealine— BMI) .39 Sing—ASCAP) ..8 Girl If You Take Me (Forceful— BMI) .77 Hart—ASCAP) .34 Stop Playing On Me (Not listed) 81 A Nite At The Apollo (Jobete—ASCAP) .77 Glow (Stone City—ASCAP) .55 Mystery lady (ZOMBA Enterprise/Willesden) .25 Stranger In The Night (Red Writer/Billy Osborne/ Are You Ready (Hexagram/Modern— BMI) .70 Gotta Be A Winner (Pro-toons—ASCAP) .76 Oh Sheila (Ready For The World/Excalibur Lace/ Captain Z—ASCAP) 56 Attack Me (Larry Jr.—BMI/AII-Seeing- Hard-core Reggae (Amber Pass/Kuwa—ASCAP/ Trixie Lou— BMI) . .1 Stronger Together (Fragile— BMI/Shapiro Bernstein Eye—ASCAP—King Kendricks—BMI) .47 Fools Pray—BMI) .89 Object Of (AdeKayode/Philesto/Harrindur/Keith Dia- & Co./Green Star—ASCAP) 23 Baby I'm Sorry (Arrival— BMI) .75 Hard Time (Black Lion/RC Songs/ Matak—ASCAP)30 mond/Willesden—BMI) .12 Suspicious (Deele Reele/Inner Rhythm/Hip Trip/ Baby It's You (MM & M— BMI) .79 Hello Stranger (Cotillion/Bruintree/Loveland—BMI)40 Padlock (Wakefield—ASCAP) .64 Midstar—BMI) 62

Bad Boy (American League/Tricky Track—BMI) .94 Hot Spot (Jobete/Dazzberry Jam Music—ASCAP/ Part-Time Lover (Jobete/Black Bull—ASCAP) . . .14 The Fat Boys Are Back (Kuwa—ASCAP/Fools Bad Boys (Tap—ASCAP) .91 Stone Diamond/Be Dazzled—BMI) .20 Party All The Time (Stone City—ASCAP) .59 Prayer— BMI) 98

Bullet Proof (Not Listed) .61 I'll Be Good (A La Mode—ASCAP) .21 Pickin' Up (Matak/Black Lion—ASCAP) .86 There's Nothin' (Pub. Johnny Yuma/Hoodoo— BMI/

Can't Stop (Stone City Adm. by National 1 Can't Believe (Willesden/Zomba Private Property (Music Minded—BMI) .51 St. Winevelyn/Outer Snake/Overdue/WB Music

league—ASCAP) .66 Enterprises— BMI—ASCAP) .80 Pop Life (Controversy—ASCAP) . .3 Corp./Peabo—ASCAP) 43 Caravan Of Love (Not Listed) .78 1 Can't Forget (Assorted-BMI/Heart to Heart/Differ Romeo Part 1 & 2 (Select— BMI) .96 The Oak Tree (Ya D Sir—ASCAP) 37 Cherish (Delightful—BMI) ..2 ent/Strokes—ASCAP) 100 Rock Me Tonight (Stone James Burnin' The Pleasure (Science iab/Greenn Star—ASCAP) 93

Choose Me (Virgin/Brampton Ltd.—ASCAPO .46 1 Miss You (Spectrum VII—ASCAP) .10 Bush—ASCAP) 29 The Rock (Rimpau and Aloa— BMI) .72 Coolin' Out (Jotete/Wese/Nannacub—ASCAP/ 1 Want My Girl (Crazy People/Almo Rock The Nation (Temp Co —BMI) .84 The Show (Keejue/Mark of Aries— BMI) .24 Tuneworks— BMI) .60 Corp.—ASCAP) .28 Saving All My Love (Prince Street—ASCAP/Screen The Screams of Passion (Controversy—ASCAP) 11

Dance Electric (Controversy—ASCAP) ..9 1 Want To Feel (Amazement—BMI) .49 Gems EMI—BMI) ..5 Trapped (Moonwalk—ASCAP) .35 Dancin’ In The Key (Konglather—BMI/Motor Music/ If You Were Here (Flyte Tyme/Avant Shake 'Em Down (Pat Richfield/Kat Music— BMI/ Victim of Desire (Philly World—BMI) .63 Cheyenne—ASCAP) .36 Garde—ASCAP) .41 Songs can sing) .67 We Don't Need (Irving— BMI/Myaxe-PRS) ..7 Dancing On (Ardavan/Sakana/admin. by Yellow Brick I'm Gonna Tear Your (Irving—BMI) .90 She's Not A (Stone Jams/Burnin' Bush—ASCAP) Wild And Crazy Love (Slone City/Admin, by Na- of Road/Song the Lorelei—ASCAP) .65 I'm Leaving Baby (Bee-Germaine— BMI) .15 Shout (Virgin/10 Music adm. by Nymph— BMI) . 50 tional league—ASCAP) .52

Dare 1 Me (WB/Bob Montegomery/Restless Wonder (Personal—ASCAP/Mokojumbi— BMI) . .33 Silver Shadow (Almo/Jodaway—ASCAP) 32 When You Love (Willesden— BMI) ..5 Heart—ASCAP) .13 It's Over (April/Uncle Ronnie's/Thriller Miller/admin. Single Life (Larry jr.—BMI/AII Seeing Who's Holding (Foster Frees/Garden Disrespect (Temp Co.—BMI) .92 by MCA Music—ASCAP) .53 Eye—ASCAP) 16 Rake—BMI—April/Random Notes—ASCAP) 7

Dreams (Mane—BMI) .87 1 Wish He Didn't Trust (Pea Pod/Pass It On/Skrabue/ Sister Fate (Toy Box—ASCAP) 45 Who's Zoomin' Who (Gratitude—ASCAP/ Dress You Up (House of Fun—BMI) .98 Legs—ASCAP) ..6 Somebody Took (Ackee/Upward Spiral/Security Bellboy— BMI) .58 Eaten Alive (Gibb Brothers adm. by Unichappel/ Jam Master Jammin' (Pro-toons/ Hog—ASCAP) 54 You Are My Lady (Stone Jam/Burnin' Mijac-adm. by Warner Bros.—BMI) .73 Rushgroove—ASCAP) .69 So Hard (Vogue/Cotlontail (c/o The Welk Music Bush—ASCAP) ..4 Everybody Dance (Crazy People/Almo Janet (Rightsong/Franne Golde/Sin Drome—BMI/Del Group) 68 You Look Good (Flyte Time Tunes—ASCAP) .88 Corp.— ASCAP) .49 Zorro—ASCAP) .95 Spend The Night (Stone City/(Adm. by national You Wear It Well (Jobete—ASCAP) .44 Eye To Eye (ATV Music Group BMI) .82 — Just Another Lonely (Downstairs/Piano— BMI) . .38 League Music—ASCAP) 71 Your Place (Bar-Kays/Warner-Tammerlane-BMI) 19 MAURICE WHITE.

He put the Fire into the sound of Earth, Wind & Fire. Now the innovative singer/songwriter/producer is blazing new trails of his own. With a hot new solo album that includes the hit single, “Stand By the Ben E. King classic that’s quickly become a Maurice White smash.

‘MAURICE WHITE.” His first solo album. Featuring thehit, “STAND BY ME.” Now burning its way up the charts. On Columbia Records, Cassettes and Compact Discs.*

Cl W

Produced by Maurice White for Kalimba Productions.

"Switch On Your Radio," “I Need You” and “Believe In Magic" co-produced by Robbie Buchanan for Robbie Buchanan, Inc. Associate Producers: Martin Page, Brian Fairweather. Management: Alive Enterprises, Inc. (Shep Gordon & Daniel S. Markus).