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    Index Aeschylus 99 on music and verse 64, 65, 66, “After All (The Dead)” 82 67 “After Forever” 25, 34, 69 Nicomachean Ethics 72, 73, 74 Ain, Martin Eric 133 on pleasure 73 “Air Dance” 83 Poetics 63–4, 65, 69, 72 Åkerfeldt, Mikael 133 Politics 66, 72, 73 album artwork 39, 84, 88 Rhetoric 72 Alice in Chains 83–4, 85 on tragedy 69–70 “Am I Going Insane?” 163 art Anthrax 92 of Black Sabbath 63–75 anti-war songs 171 Black Sabbath’s sound of doom apocalyptic literature 22–3 as 87–94 Apollo 96–7, 99, 103–5 defining 87–90 Appice, Vinny 127 and expression 88–9 Aristotle 63–74 non-representational 88 bringing up to date 64–6 and science 91 and concept of genre 78 Aston (Birmingham) 43, 46, 48, on difference between history and 151 poetry 71 Athens/Athenians see Greeks, on drinking 73 ancient on functions of good art 66, 70–1 atomic bomb/war 25, 26, 71, 174, and horror 69,COPYRIGHTED 70 177, MATERIAL179 joining of Black Sabbath 67–8, Augustine, St 15 74 Axenrot, Martin 133 Black Sabbath and Philosophy: Mastering Reality, First Edition. Edited by William Irwin. © 2013 John Wiley & Sons, Inc. Published 2013 by John Wiley & Sons, Inc. 195 IIrwin_bindex.inddrwin_bindex.indd 119595 99/5/2012/5/2012 99:46:13:46:13 PPMM 196 Index band name love is better than hate theme changes in line-ups and continuity 68–9 of 140–8 metaphysics of 115–16 bands name 20 distinction between line-ups and on-stage persona 18 127 as original heavy metal band Bangs, Lester 44 42, 56 Barrett, Syd 127 origins 43–4, 113 Beatles 43, 93 politics of the supernatural in “Behind the
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