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Index Aeschylus 99 on music and verse 64, 65, 66, “After All (The Dead)” 82 67 “After Forever” 25, 34, 69 Nicomachean Ethics 72, 73, 74 Ain, Martin Eric 133 on pleasure 73 “Air Dance” 83 Poetics 63–4, 65, 69, 72 Åkerfeldt, Mikael 133 Politics 66, 72, 73 album artwork 39, 84, 88 Rhetoric 72 Alice in Chains 83–4, 85 on tragedy 69–70 “Am I Going Insane?” 163 art Anthrax 92 of Black Sabbath 63–75 anti-war songs 171 Black Sabbath’s sound of doom apocalyptic literature 22–3 as 87–94 Apollo 96–7, 99, 103–5 defining 87–90 Appice, Vinny 127 and expression 88–9 Aristotle 63–74 non-representational 88 bringing up to date 64–6 and science 91 and concept of genre 78 Aston (Birmingham) 43, 46, 48, on difference between history and 151 poetry 71 Athens/Athenians see Greeks, on drinking 73 ancient on functions of good art 66, 70–1 atomic bomb/war 25, 26, 71, 174, and horror 69,COPYRIGHTED 70 177, MATERIAL179 joining of Black Sabbath 67–8, Augustine, St 15 74 Axenrot, Martin 133 Black Sabbath and Philosophy: Mastering Reality, First Edition. Edited by William Irwin. © 2013 John Wiley & Sons, Inc. Published 2013 by John Wiley & Sons, Inc. 195 IIrwin_bindex.inddrwin_bindex.indd 119595 99/5/2012/5/2012 99:46:13:46:13 PPMM 196 Index band name love is better than hate theme changes in line-ups and continuity 68–9 of 140–8 metaphysics of 115–16 bands name 20 distinction between line-ups and on-stage persona 18 127 as original heavy metal band Bangs, Lester 44 42, 56 Barrett, Syd 127 origins 43–4, 113 Beatles 43, 93 politics of the supernatural in “Behind the Wall of Sleep” 34 151–62 Bettencourt, Nuno 187 as a prototype for heavy metal Bieber, Justin 120, 121 81–5 Birmingham 21, 43, 46 and qualifying a band as metal black metal 80, 93 76–85 Black Sabbath: The Dio Years reasons for songs sounding evil 135, 145 33–40 Black Sabbath response to first album 44 apocalyptic and eschatological reunion of (2012) 122–3, 144 lyrics 21–9 rise of and success 42, 44–5, 49 art of 63–75 setbacks 101 Birmingham background 21, 43, sound of doom as art 87–94 151 and sound of evil 33–40 cathartic nature of music 70–1 stereotyping of 182–9 and cosmic travel 27–8 war songs 24 darkness of music 68–70, 155 women in lyrics 187 and deliverance 25–6 Black Sabbath (album) 20, 23, depicting evil 13–15 33, 44 detuning of guitars 65 Black Sabbath (film) 20 drinking and drug-taking 8, “Black Sabbath” (song) 12, 14–15, 73–4, 97–8, 101 23, 28, 33, 37–8, 43–4, 47, 69, essence and identity of 118–22 70, 72, 79, 82, 104, 105, 123, essentiality of Ozzy to band 155–6, 157 issue 132–4 Blackmore, Ritchie 141 existentialism of 3–10 Blizzard of Ozz 74, 128–9 figure of Satan in lyrics 23–5 body firing of Ozzy and replacement and mind 52 with Dio 28, 73, 74, 113, 134 phenomenal 54–5, 56 forces of good will win in the end body schema 54–6 message 69 Bonham, John 101 legal interpretation of 120 Born Again 83, 135 line-up changes creating a Burton, Cliff 101, 118 different band debate 113–24, Butler, Geezer 5, 21, 22, 35, 68, 77, 126–39 93, 133–4 IIrwin_bindex.inddrwin_bindex.indd 119696 99/5/2012/5/2012 99:46:13:46:13 PPMM Index 197 apparition story 105, 155 Daniel, Book of 22 and Catholicism 22 death metal 82–3, 93 interest in occult 24, 155 Deathridge, Professor John 186 as vegan and pacifist 12, 18, 171, Deep Purple 56, 92, 141, 144 172, 177 Dehumanizer 84 deliverance 25–6 Camus, Albert 4, 5, 9, 10 demon, Descartes’ 163–4, 165, capitalism 152 166, 167 Carson, Dylan 94 Descartes, René 55, 126, 163–4 categorical imperative 142, 142–3 demon of 163–4, 165, 166, catharsis 70, 71, 100 167 caveman stereotype Meditations on First and heavy metal fan 182–3, Philosophy 52 185 Devil You Know, The 135, 145 Celtic Frost 133 Devil’s Dictionary 87 Channing, Chad 132 devil’s interval (tritone) 36–7, “Children of the Grave” 8, 16, 26, 39–40, 47–8, 186 34, 72, 79, 176, 179, 183 diabolus in musica 47 “Children of the Sea” 83 Di’Anno, Paul 118 Christgau, Robert 44 Diary of a Madman 74 Christian eschatology 22, 25, 27 Dickinson, Bruce 83, 118, 141, Christianity 15, 22, 26, 28, 29 176 criticism of by Nietzsche 7 Dio, Ronnie James 34, 74, 84, 113, Clapton, Eric 89 114–15, 119, 146 classical music 186 Diogenes Laertius 67 Cobain, Kurt 132, 133 Dionysus 96–7, 99–100, 102 cocaine 49, 73, 74, 98 “Dirty Women” 83, 187 Cold War 23 “Disturbing the Priest” 83 commonsense view of the world doom metal 79, 82, 93 165–7, 168 double-pedalling 79 “Computer God” 84 down-tuning 76–7, 79, 93 continuity criterion 129–30, 132, dreams 164 135 drone 94 Corgan, Billy 133 drugs 8, 73–4, 97–9, 101 “Cornucopia” 9 Duchamp, Marcel cosmic travel 27–8 Fountain 89 Count Raven 94 Duncan, Robert 183 creativity duty 142 as response to pain and difficulties 8 Earth 94, 127–8 Cross Purposes 85, 135 Einstein, Albert Crowley, Aleister 22 and Special Theory of Moonchild 24 Relativity 90–1 IIrwin_bindex.inddrwin_bindex.indd 119797 99/5/2012/5/2012 99:46:13:46:13 PPMM 198 Index “Electric Funeral” 12, 13–14, 25, family resemblance concept 81 34, 69, 71–2, 94, 175–6, 179 Fischer, Tom Gabriel 133 Electric Wizard 94 Forbidden 85, 135, 146 emotions Formula of Respect 143 and existentialism 6 Formula of Universal Law 142–3 epistemology 163–4 Freud, Sigmund 46 eros 46 Eros, Emil 129 genres, musical 41, 77–8 eschatology 22, 25, 27 Gillan, Ian 126, 144 Eternal Idol, The 135 Gillen, Ray 126, 145 ethics Gilmour, David 127 band name continuity and Gittins, Ian 187 changes in line-ups 140–8 God 13, 15, 28–9, 154, 161 evil 12–18 Gorgoroth 131 Black Sabbath and sound of gothic metal 83 33–40 Greeks, ancient 46, 64, 104 definition 13 plays and tragedies of 69–70, and existence of God 13, 15 99–100, 102, 105 fighting with love 16 Grotius, Hugo 179 and imagining a better reality grunge 83 16–18 guitar picks 56 and Manichaeism 15 guitar playing 52–3 natural and moral 13 phenomenological observations pictures of in Black Sabbath of 53 songs 13–15 guitars problem of 12–13 tuning/detuning 65 and St Augustine 15 Guns N’ Roses 83 on stage 18 existentialism 3–10 Hakius, Chris 129 as call for overcoming 7, 9 Halford, Rob 141, 146, 188 and creating your self 8–9 “Hand of Doom” 12, 14, 25, 74, definition 4 98, 122, 172 and emotions 6 Harris, Mick 129 and ethics of personal hasty generalization, fallacy of responsibility 6–7 183–4 opposition to conformity 8 Haunted, The rejection of religion 7 Unseen 77 Exodus 92 Headless Cross 135 Heaven and Hell (album) 74, 83, Fahrenheit 9/11 (film) 186 91, 114–15, 120 “Fairies Wear Boots” 7, 35, 74, 105 Heaven and Hell (group) 135, fallacy 183–4 145–6 IIrwin_bindex.inddrwin_bindex.indd 119898 99/5/2012/5/2012 99:46:13:46:13 PPMM Index 199 heavy metal 20, 21, 41–2, 47, creative freedom of and birth of 63, 96 heavy metal 56–9 and anti-war messages 171 and drugs 98 birth of tragedy and birth of essentiality of to Black 99–100 Sabbath 132–3, 134 Black Sabbath and qualifying a industrial accident and loss of band as 76–85 fingertips 36, 38, 51, 58, 93 Black Sabbath as prototype of Iron Man 98, 104–5 81–5 and lower tuning 36 caveman stereotype 182–3, playing with plastic fingertips 51, 185, 188 53–4, 55–6, 58 conditions for being 79 and Seventh Star album connection with classical 144–5 music 186–7 use of devil’s interval 36–7, Iommi’s creative freedom and 186 birth of 56–9 Iron Butterfly 92 sex and drug stereotypes 184–5 Iron Maiden 83, 118, 141, 171, Hetfield, James 90 173, 174 Hilbert, David 91 “Iron Man” 6, 25, 34, 35, 71 Hipgnosis Technical Ecstasy 88 John of Patmos, St 22 Hippies 21, 48 “Johnny Blade” 4 Hobbes, Thomas 116 Judas Priest 141, 146 “Hole in the Sky” 27–8, 69, 84 jus ad bellum 173 Holst jus in bello 173, 174 “Mars, Bringer of War” 48 just war theory 171–7 Homer pacifist response to 175–7 Iliad 104 and war on terror 177–9 Horkheimer, Max 153–4 Hughes, Glenn 126, 144 Kant, Immanuel 114, 142, 143–4 Husserl, Edmund 51–2 Karma To Burn 94 katharsis see catharsis “I think therefore I am” 52 “Keep It Warm” 82 “Illusion of Power” 85 Kierkegaard, Søren 3 insanity 164, 167 “Killer of Giants” 179 intention criterion 130–1, 132, 135 “Killing Yourself to Live” 83, 122 “Into the Void” 12, 17, 27, 69, 83, King Buzzo 132, 133 122, 188 Iommi, Tony 21, 22, 34, 35, 77, language theory 80 120, 132–3 Last Supper, The (DVD) 101, 105 belief in phantom presence last things 22–3 104–5 Levinson, Jerrold 90 IIrwin_bindex.inddrwin_bindex.indd 119999 99/5/2012/5/2012 99:46:13:46:13 PPMM 200 Index line-ups Load 77 and continuity criterion 129–30, “Master of Puppets” 82 132, 135 Master of Puppets tour 101 and creating a different band metaphysics 115–16, 126–7, 128 debate 113–24, 126–39 mind distinction between bands and and body 52 127 minor chords 38 ethics of changes in and continuity Mob Rules 74, 83, 120 of band’s name 140–8 Monster Magnet 94 and intention criterion 130–1, Moody, Edward 155–6 132, 135 Moore, Vinnie 186 and uniqueness criterion 131–2, Morbid Angel 92 135 Illud Divinus Insanus 77 Liszt Mötley Crüe 101 Dante Sonata 47 Motörhead 67, 92 “Lord of this World” 5, 26, 69, 154 Murray, Neil 146 love fighting of evil with 16 Napalm Death loss of 6 Scum 129 lower tuning 36 “National Acrobat, A” 26–7, 69 “Neon Knights” 122 McGovney, Ron 118 Never Say Die! (album) 28, 83 Malmsteen, Yngwie 187 “Never Say Die” (song) 8 Manichaeism 15 Nevermore 84 marijuana 73, 74 New Testament 22 Martin, Tony 126, 146 “N.I.B.” 7, 23–4, 34, 157–8 Marx, Karl 152, 153, 160, 161 Nicholls, Geoff 145 Mason, Nick 127 Nietzsche, Friedrich 3, 7, 8, 100, Massacre 102–3, 105 “Dawn of Eternity” 48 The Birth of Tragedy 99, 103 Master of Reality 27, 79, 83, 98 as Black Sabbath fan 102–3