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Emoh Ruo Music Credits

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Emoh Ruo Music Credits Music Cameron Allan Music recorded at Albert Studios Engineer - David Hemming Studios 301 Keyboards - Glen Muirhead Original Score Cameron Allan "Our Home" Written and performed by John Clifforth "Build It Right" Written and performed by Vitabeats "Path of Stone" Written by The Stetsons and performed by The Space Shuttle Ramblers "I Don't Dream At Night" Written and performed by Gang Gajang "Made For You" Written by John Clifforth, Cameron Allan and Mark Callaghan and performed by Venetta Fields and Broderick Smith Recordings: The song by GANGgajang, in the mid-1980s a very hot band, was heavily featured in publicity for the film. However the film tanked and the song didn't chart. It was paired as a single release with underscore composer Cameron Allan's Tunkleys Leave Home. GANGgajang is too well known to aficionados of 1980s Australian rock to be listed here. They have a relatively detailed wiki here. The soundtrack music was released as an album: LP Regular L-38460 (CA C-38460) 1985 Musical Director: Cameron Allan Produced by Cameron Allan Engineer: David Hemming Keyboard: Glen Muirhead Recorded at Albert Studios SIDE 1: 1. Our Home - Instrumental (J. Clifforth) (Albert) 2. Build It Right (A. Barnum - L. Barnum) Vocals: The Vitabeats (Warner Bros) 3. I Donʼt Dream (GANG gajang) Vocals: GANG gajang (MCA) 4. Made For You (J. Clifforth - C. Allan - M. Callaghan) Vocals: Broderick Smith, Vanetta Field (Albert/MCA - Gilbey) 5. Our Home (J. Clifforth) Vocals: J. Clifforth (Albert) 6. Path Of Stone (M. Callaghan - G. Bidstrup) Vocals: Stetsons(MCA - Gilbey) SIDE 2: 1. Terry Through A Fish Tank 2. The Tunkleys Leave Home 3. A Shark In The Bath 4. Sam Tregado In An Asian Mood 5. Sam Tregado In A Greek Mood 6. Des Builds A B.B.Q 7. The Jaguar Samba 8. Made For You (Instrumentals )(Cameron Allan) (Albert) As noted, the GANGgajang song was released as a 45: 45 Truetone 884 113-7 1985 Side A: Dream At Night (C. Bailey - K. Bee - G. Bidstrup - M. Callaghan - G. Stapleton) Vocals: GANGgajang. (MCA/Gilbey) Produced by Cameron Allen. Side B: Tunkleys Leave Home (Instrumental) (Cameron Allen) (Copyright Control) Produced by Cameron Allen for the Five Continents Music Engineered by David Hemmings Recorded at Alberts Studio Lyrics for the song, "Made for You", which runs over the tail credits: (Voices singing a song begin as low murmur under dialogue and sound effects, as the shooting of the barbecue commercial in the film is wrapped, and the Tunkleys hit the road with their caravan in tow): Choir: ... Itʼs going to last forever Female Voice: I thought we started something special to me When we sailed I sure remember Weʼd been out of touch for a while But now I'm back to sailing Like a long life sailing All around the world To my point of departure And every time And I learned ... (Dialogue interrupts the song: Des: Of course we won't live in a caravan for ever … Terri: Oh no … Des: I mean, we'll get a house one day … Terri: Sure… when we find one we can afford … Jack: Cut it out you two. The family laughs together … and the music resumes). Male voice: Iʼm sure youʼve been thinking of me You know, weʼd drive the night away … I can feel that old tinge of excitement In the things you'd say … (The shot of the Tunkley car and caravan gets turned into a giant billboard standing in front of a view from the north of Sydney's CBD, and end credits begin to roll) Male voice: Like the best of friends We did our best to be civilised Friendship couldn't keep us apart That's when I realised I was made for you Chorus: Baby I want you to see Male voice: We're going to make it together Voices: Itʼs going to last forever Male voice: You were made for me Voices: Baby I want you to see Female voice: Make it together Voices: Itʼs going to last forever (Extended instrumental interlude featuring guitar, then return to voices) Male voice and voices: Like a long life sailing All round the world My point of departure I had it earned And I've learned (At this point voices begin to intermingle and repeat the same lines over and over) Oooooh I will say it to you Voices: Can't you see Male voice: We're gunna make it together. Voices: Itʼs going to last forever Male voice: Made for me Voices: Can't you see Male voice: We're going to make it together ... Voices: Last forever, oh, can't you see Male voice: We're gunna make it together Voices: Last forever Male voice: You were made for me ... (repeat with minor variations for the penultimate c. 30 seconds of the end credits roller, with the final c. 30 seconds instrumental). Composer Cameron Allan: Cameron Allan contributed a typically distinctive and jaunty score to Emoh Ruo, with a range of stylistic references ranging from Australian 80s pop to Morricone. Allan made his screen composing debut for director Jim Sharman at the age of 19, composing the score for Sharman's second feature film Summer of Secrets. He received another leg up when Peter Sculthorpe couldn't do a gig for a show on the ABC, Ten Australians - About Art, and suggested Allan for the job, provided he could do the music in a week. Allan went on to work on television shows for the ABC and commercial television, for feature films such as The Umbrella Woman and Hayden Keenan's Pandemonium, the rarely seen telemovie Call Me Mr. Brown, and Susan Lambert and Sarah Gibson's documentary Landslides. Allan was born in Melbourne but moved to Sydney and went to Meadowbank Boys High School. On the second go, he was accepted into the Conservatorium of Music. Along the way, Cameron had also spent time in the National Youth Orchestra and the Gladesville RSL Junior Brass Band. Cameron began doing theatre work, and toured Australia with Carl Vine as part of the Australian Young Composers group. Allan then made a career change, and formed a partnership with Martin Fabinyi called Regular Records. His pop music credits included producing Mutants of Modern Disco by Captain Goodvibes, and producing Mental as Anything, including hits such as The Nips are getting bigger and If You Leave Me Can I Come To. Other bands included The Sports and a win in 1982 of a Best Australian Producer award for working on Icehouse with Iva Davies and his band Flowers. Taken in total, Allan's work constitutes a rarely acknowledged but remarkable contribution to Australian popular music. Allan eventually shifted to LA to live and work. He was at one time in a relationship with Patrice Newell, a model, before she formed a relationship with producer, broadcaster and columnist Phillip Adams. Composer Felicity Foxx did a short one page interview with Allan for the May 1988 issue 69 edition of Cinema Papers. There is a later interview with him here (up at time of writing August 2015). (Below: Cameron Allan) Allan died in 2013 and his former partner, Martin Fabinyi, published a tribute and obituary to him in The Sydney Morning Herald on 19th July 2013, with the header Composer was a restless intellect: Cameron Allan and I formed Regular Records in 1978 to finance a movie called The Lipstick Killers. We had the title, but no script and no money. Each day we'd meet in Sweethearts Cafe in Kings Cross, talk through our script ideas and ways to raise finance. We could see that independent Australian music was happening, so we thought, let's start a record company. A couple of hits and we would have enough money for a film. We approached some friends, a band of art students who had a Monday night gig playing on a pool table at the Unicorn Hotel on Oxford Street, and asked them if they wanted to be on our new label - Regular Records - so-called because we thought of ourselves as ''regular guys''. We woke up the next morning having signed Mental as Anything - never mind that we had no experience in the record business. This didn't faze Cameron. He was obsessively optimistic once he committed to a project. A friend at EMI gave us some time to record the band while Cameron simultaneously learnt how to work the equipment; we found a pressing plant via the Yellow Pages, and released 1500 copies of a "Triple A-side'' EP of Mental as Anything Plays at Your Party. It wasn't long before the track The Nips Are Getting Bigger got picked up by 2JJ and became an independent hit. Regular's second signing was Flowers - at that time one of the hottest bands on the burgeoning pub circuit. They made it a condition of signing that Cameron produce, and their debut album, Icehouse, which was later adopted as their name, became another hit. It also won Cameron the Countdown award for best producer, then the gold standard. Cameron did not seem like an obvious choice for a pop music producer, given that he was a classical trained musician. However, he was completely consumed with the purity of sound, and obsessively curious about technology. When we re-released The Nips Are Getting Bigger he spent months back in the studio just working on the bass line. He was ever the perfectionist, determined to get what he thought were the ideal sounds. Cameron Allan was born on July 9, 1955, and went to Meadowbank Boys High School.
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