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SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the -
Sarah Mceneaney Home and Away September 1 - October 2, 2021
FOR IMMEDIATE RELEASE Contact: Locks Gallery T 215-629-1000/F 215-629-3868 [email protected] Small Studio, 2021, acrylic and collage on wood panel, 23 3/4 x 47 3/4 inches Sarah McEneaney Home and Away September 1 - October 2, 2021 Locks Gallery is pleased to present Home and Away, a solo exhibition by renowned Philadelphia artist Sarah McEneaney. This marks the fourth solo exhibition of McEneaney at the gallery and is accompanied by a catalogue in converation with curator and scholar Janine Mileaf. Since the 1970s, McEneaney has fervently captured the splendor and catenation of her environments, including her home, studio, pets, and neighborhood. Home and Away expands on this autobiographical narrative by including scenes of travel and artist residencies to give a fuller scope of her practice and how it shapes her body of work. The exhibition includes earlier examples of egg tempera paintings alongside recent large- scale works in acrylic and collage, chronicling a shift in technique and perspective. 600 Washington Square South [continued on reverse] Philadelphia PA 19106 tel 215.629.1000 fax 215.629.3868 [email protected] www.locksgallery.com Culling from her own experiences, memory and emotion play equally important roles in Home and Away. Like votive offerings at an altar, McEneaney carefully arranges her compositions to feature the minutiae of everyday life, but imbues them with historical and emotional significance. The objects and details that she includes in her depictions of her home and studio in Philadelphia’s Callowhill neighborhood, range from books to paintings to facsimiles of her pets (whose portraits are also featured in the exhibition) to abstract expressionist studio floors. -
Sarah Mceneaney
Sarah McEneaney Born Munich, Germany, 1955 Education 1979 Certificate, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973-75 University of the Arts (formerly Philadelphia College of Art), Philadelphia, PA Selected Solo and Two-Person Exhibitions: 2017 Sarah McEneaney/Ann Toebbe, Home Work , Zevitas Marcus , Los Angeles, CA Tibor de Nagy, New York, also 2014, 2012, 2009, 2008,2006 2016 Adams/Ollman, Portland, Oregon Locks Gallery, Philadelphia, also 2013 and 2008 2014 The Art Show/ ADAA , Tibor de Nagy Gallery 2009 Locker Plant, Chinati Foundation, Marfa, Texas 2008 Mills College Art Museum, Oakland CA 2004 Gallery Schlesinger, New York; also 2003, 2002, 2001 Institute of Contemporary Art, University of Pennsylvania, Philadelphia (catalog) Reynolds Gallery, Richmond, VA 2001 More Gallery, Philadelphia, also 2000, 1997, 1996, 1994, 1993, 1992, 1988, 1987 2000 List Gallery, Swarthmore College, Swarthmore, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia 1984 Noel Butcher Gallery, Philadelphia 1982 Third Street Gallery, Philadelphia, also 1981, 1979 Rosemont College, Rosemont, PA Selected Group Exhibitions: 2017 Stories Told, Inman Gallery, Houston TX The Woodmere Annual, Woodmere Art Museum, Philadelphia Mirror Face, Cleve Carney Art Gallery, College of DuPage, Glen Ellyn , IL A More Perfect Union, Woodmere Art Museum, Philadelphia 2016 #PUSSYPOWER!, David and Schweitzer, Brooklyn NY Philadelphia Painters, Marlin and Regina Miller Gallery, Kutztown University, Kutztown, PA Happiness, Liberty, Life? American Art and Politics, Pennsylvania Academy of the Fine Arts,Phila. 2015 The Holiday Show, Locks Gallery, Philadelphia More Than One: Print Publications from The Print Center, City Hall, Philadelphia Pressure Points: 27 Artists in Print, Savery Gallery, Philadelphia Explorer in his Wildernis: Woodcuts C.R. -
S H a R O N H O R V A
SHARON HORVATH Born 1958, Cleveland, OH EDUCATION MFA Tyler School of Art, Philadelphia, PA BFA The Cooper Union, New York ONE-PERSON EXHIBITIONS 2016 “New Work” Drawing Room Gallery East Hampton, NY 2015 Albert Merola Gallery, “Bubble Up” Provincetown, MA 2014 Lori Bookstein Fine Art, “Sharon Horvath: Cosmicomics,” New York, NY Lori Bookstein Fine Art, “Sharon Horvath: Varanasi Notebook,” New York, NY 2012 The Drawing Room, "Sharon Horvath: New Paintings," East Hampton, NY 2011 Lori Bookstein Fine Art, “Lovelife,” New York, NY SPiN New York, “The SPiN Show: Works on Paper, 2006-2011,” New York, NY 2009 Lori Bookstein Fine Art, "Parts of a World," New York, NY 2008 The Drawing Room Gallery, "Peaceable: Paintings and Works on Paper,” East Hampton, NY 2007 Victoria Monroe Fine Art, Boston, MA 2006 The Drawing Room Gallery, East Hampton, NY 2005 Tibor de Nagy Gallery, "Works on Paper," New York, NY Victoria Munroe Fine Art, "New Paintings," Boston, MA 2004 Victoria Munroe Fine Art, "Works on Paper," Boston, MA 2001 Tibor de Nagy Gallery, New York, NY Gallery 817, University of the Arts, Philadelphia, PA 1999 Tibor de Nagy Gallery, New York, NY Anderson Gallery, “Recent Paintings,” Virginia Commonwealth University, Richmond, VA 1998 Tibor de Nagy Gallery, "Rome Series and Other Works," New York, NY Fayerweather Gallery, University of Virginia, Charlottesville, VA 1997 American Academy in Rome, Italy Horvath Bio, Page 1 of 7 1993 Victoria Munroe Gallery, New York, NY Jessica Berwind Gallery, Philadelphia, PA 1991 Victoria Munroe Gallery, New York, NY 1990 Zoe Gallery, Boston, MA 1989 Victoria Munroe Gallery, New York, NY 1987 Zoe Gallery, Boston, MA Cava Gallery, Philadelphia, PA SELECTED GROUP EXHIBITIONS 2018 “The Visual Thread,” Curated by Lori Bookstein, The Mills Gallery at the Boston Center for the Arts, Boston, MA 2017 “Women Painting,” Curated by Michelle Weinberg and Sarah Michelle Rupert, The Girls Club, Ft. -
Check Your Retirement Score—If You Have One
CONTENTS 2 Notes From the President: Meeting Challenges With Facts 4 The Big Picture: Antibiotics 6 Noteworthy: Schools Are Cooking Up Healthier Lunches; Less Incarceration, Less Crime; Feral Camels Threaten Australia’s Outback; Never Married? In Philly, You’re Not Alone; Shark Tourism Boosts the Bahamian Economy 10 Lexey Swall/GRAIN 10 A Year of Working Collaboratively From increasing tourism in its hometown of Philadelphia to urging voters to get to the polls, Pew’s efforts in 2016 used data to make a difference. 22 An Investment In Talent For more than three decades, Pew has supported researchers, scientists, and artists who are helping to improve the world. By Carol Kaufmann 30 It’s a New Day 22 Frank Curran As the number of Hispanics has grown in the U.S., the Pew Research Center has been documenting their influence on national life. 42 Pew Partners: Pew’s collaboration with By Lee Hockstader the Alexander and Margaret Stewart Trust empowers young scientists to creatively pursue new medical breakthroughs in cancer research 36 Stateline: What’s Driving Population Declines in More States? 44 Return on Investment: Pew improves policy, informs the public, and invigorates civic life 38 News: Increasingly Warm Feelings for Religious Groups 49 On the Record: A Robust Vision for Using Data in Government 40 Q & A: Charleston’s former mayor Joseph Riley Jr. discusses flood readiness and response 50 End Note: Check Your Retirement Score—If You Have One Cover photograph by Carol M. Highsmith Archive/Library of Congress The Pew Charitable Trusts is a public charity driven by the power of knowledge to solve today’s most challenging problems. -
PRESS RELEASE the Dallas Film Society Announces the Full
PRESS RELEASE The Dallas Film Society announces the full schedule for the 10th edition of the Dallas International Film Festival (April 14-24) Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award, and legendary director Monte Hellman will receive the first L.M. “Kit” Carson Maverick Award USA Network’s Queen of the South debuts first episode on the big screen as Centerpiece presentation Nine world premieres include Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT, and the next episode in Randal Kleiser’s VR series, Defrost Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas. -
Meyerbeer's Robert Le Diable
Meyerbeer’s Robert le Diable Meyerbeer’s Robert le Diable : The Premier Opéra Romantique By Robert Ignatius Letellier Meyerbeer’s Robert le Diable : The Premier Opéra Romantique , by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Robert Ignatius Letellier All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4191-9, ISBN (13): 978-1-4438-4191-7 Fig. 1 Giacomo Meyerbeer. Lithograph by Delpech after a drawing by Maurin (c. 1836) CONTENTS List of Figures............................................................................................. xi Abbreviations .......................................................................................... xvii Introduction ................................................................................................. 1 1. The Origins .............................................................................................. 3 2. The Sources .......................................................................................... 15 The Plot ............................................................................................... -
2021 Finalist Directory
2021 Finalist Directory April 29, 2021 ANIMAL SCIENCES ANIM001 Shrimply Clean: Effects of Mussels and Prawn on Water Quality https://projectboard.world/isef/project/51706 Trinity Skaggs, 11th; Wildwood High School, Wildwood, FL ANIM003 Investigation on High Twinning Rates in Cattle Using Sanger Sequencing https://projectboard.world/isef/project/51833 Lilly Figueroa, 10th; Mancos High School, Mancos, CO ANIM004 Utilization of Mechanically Simulated Kangaroo Care as a Novel Homeostatic Method to Treat Mice Carrying a Remutation of the Ppp1r13l Gene as a Model for Humans with Cardiomyopathy https://projectboard.world/isef/project/51789 Nathan Foo, 12th; West Shore Junior/Senior High School, Melbourne, FL ANIM005T Behavior Study and Development of Artificial Nest for Nurturing Assassin Bugs (Sycanus indagator Stal.) Beneficial in Biological Pest Control https://projectboard.world/isef/project/51803 Nonthaporn Srikha, 10th; Natthida Benjapiyaporn, 11th; Pattarapoom Tubtim, 12th; The Demonstration School of Khon Kaen University (Modindaeng), Muang Khonkaen, Khonkaen, Thailand ANIM006 The Survival of the Fairy: An In-Depth Survey into the Behavior and Life Cycle of the Sand Fairy Cicada, Year 3 https://projectboard.world/isef/project/51630 Antonio Rajaratnam, 12th; Redeemer Baptist School, North Parramatta, NSW, Australia ANIM007 Novel Geotaxic Data Show Botanical Therapeutics Slow Parkinson’s Disease in A53T and ParkinKO Models https://projectboard.world/isef/project/51887 Kristi Biswas, 10th; Paxon School for Advanced Studies, Jacksonville, -
Ufos What Is a UFO?
Alien Visitations “The liberation of the human mind has never been furthered by such learned dunderheads [priests and pedants]; it has been furthered by gay fellows who heaved dead cats into sanctuaries and then went roistering down the highways of the world, proving to all men that doubt, after all, was safe -- that the god in the sanctuary was finite in his power, and hence a fraud. One horse-laugh is worth ten thousand syllogisms. It is not only more effective; it is also vastly more intelligent.” HL Mencken Space Travel As we discussed last week: • Space is big • Space travel is slow Barring unknown physics, it is unlikely that alien beings are flitting around our planet in flying saucers Close Encounters • I: Visual sighting of aerial object (UFO) • II: Observation plus physical effects • Heat • Electrical interference • Paralysis; frightened animals • Physical damage • III: Direct observation of extraterrestrials • Little green men • Tall grey aliens • IV: Abductions UFOs What is a UFO? • All are indeed unidentified. • Most are Venus. • Almost certainly none are alien spacecraft Picture from Robert Sheaffer: http://www.debunker.com/ufo.html Fata Morgana (mirage) Extraordinary Claims Require Extraordinary Evidence Is UFOlogy a science ahead of its time? Consider • Scientific study of Witchcraft • Phrenology • Fairies • Homeopathy • N-rays • Orgone • … • Cf Shaeffer 1980 (http://www.debunker.com/historical/ SmithsonianUFOtalk.html) Evidence for Visitations? If they are surveiling us, they have been sloppy • Equivalent of anthropology -
SARAH Mceneaney
SARAH McENEANEY Born: 1955; Munich, Germany Education: 1979 Certificate, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973-75 University of the Arts (formerly Philadelphia College of Art), Philadelphia, PA Selected Solo Exhibitions: 2017 Tibor de Nagy Gallery, New York; also, 2014, 2012, 2009, 2008, 2006 2016 When You Wish, Locks Gallery, Philadelphia, PA Sarah McEneaney: Out West Back East, Adams and Ollman, Portland, OR 2013 Trestletown, Locks Gallery, Philadelphia, PA 2009 Locker Plant, Chinati Foundation, Marfa, TX 2008 Mills College Art Museum, Oakland, CA Locks Gallery, Philadelphia, PA 2004 Gallery Schlesinger, New York; also 2003, 2002, 2001 Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2001 More Gallery, Inc., Philadelphia, PA; also 2000, 1997, 1996, 1994, 1993, 1992, 1988, 1987 2000 List Gallery, Swarthmore College, Swarthmore, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA; also 1981, 1979 Rosemont College, Rosemont, PA Selected Group Exhibitions: 2017 Exhibition, Zevitas Marcus, Los Angeles, CA Stories Told, Inman Gallery, Houston, TX Correspondences, Tibor de Nagy, New York, NY Mirror Face, Cleve Carney Art Gallery, College of DuPage, Glen Ellyn , IL A More Perfect Union, Woodmere Art Museum, Philadelphia, PA 2016 #PUSSYPOWER, DAVID&SCHWEITZER Contemporary, Brooklyn, New York Philadelphia Painters, Marlin and Regina Miller Gallery, Kutztown University, Kutztown, PA Happiness, Liberty, Life? American Art and Politics, Pennsylvania Academy of the Fine Arts, PA 2015 The Holiday Show, Locks Gallery, Philadelphia More Than One: Print Publications from The Print Center, City Hall, Philadel Pressure Points: 27 Artists in Print, Savery Gallery, Philadelphia Explorer in his Wildernis: Woodcuts C.R. -
ROBERT THOMAS COZZOLINO [email protected] | 612-870-3130
ROBERT THOMAS COZZOLINO [email protected] | 612-870-3130 EDUCATION 2006 Ph.D University of Wisconsin-Madison Dissertation: “Every picture should be a prayer: the art of Ivan Albright.” 2000 MA Art History, University of Wisconsin-Madison 1994 BA History of Art and Architecture, University of Illinois at Chicago CURRENT PROJECTS Supernatural America: The Paranormal in American Art (curator, catalogue author, 2021) Projects in development on Milton Avery, Gregory Gillespie and Roger Brown. EMPLOYMENT 2016-present Patrick and Aimee Butler Curator of Paintings, Minneapolis Institute of Art 2004-2016 Senior Curator and Evelyn and Will Kaplan Curator of Modern Art, Pennsylvania Academy of the Fine Arts, Philadelphia (PAFA). Hired as Assistant Curator in September 2004; Associate Curator, March 2006; Curator of Modern Art, December 2007; Senior Curator, July 2011; Evelyn and Will Kaplan Curator of Modern Art, November 2014. Left February 2016. Oversaw department and exhibition budgets ranging from $1.5 million to $50,000; supervise 4-6 staff members. EXHIBITIONS CURATED AT MIA 2018-19: New to Mia: Art from Chicago; Without Boundaries: Fiber Sculpture and Paintings by Women with Nicole LaBouff); Kunin Collection Focus: Philadelphia Modernism; Kunin Collection Focus: Bob Thompson; New to Mia: Paintings of all shapes and sizes 2017-18: George Morrison in Focus (with Jill Ahlberg Yohe) 2016-17: American Modernism: Selections from the Kunin Collection (ongoing multi-part series); gradual rehang of modern and American paintings galleries. EXHIBITIONS CURATED AT PAFA 2017: Surrealism and Subversion: The Art of Honoré Sharrer (with Melissa Wolfe). 2016-17: World War I and American Art (with Anne Knutson and David Lubin). -
Gallery Notes Are Generously Provided By
Keith Carter: Seek & Find The Politics of Rhetoric September 13 — November 16, 2019 The Print Center is pleased to present two exhibitions in fall 2019 in conjunction with the Whitman at 200 initiative. The solo show, Keith Carter: Seek & Find, of works by the renowned Texas-based photographer, is dedicated to a new series that mediates the papers and ephemera of Walt Whitman held by the Rubenstein Rare Book and Manuscript Collection, Duke University, Durham, NC. The Politics of Rhetoric is a group exhibition of new and recent works by Bethany Collins, Sharon Hayes, Sarah McEneaney, Keris Salmon, María Verónica San Martín and Didier William that draw from archived materials, exposing the biases in our everyday language. The timing of these exhibitions coincides with a look back on the life and work of nineteenth century American writer Walt Whitman two centuries after his birth. The insightful photographs by Keith Carter have given us the occasion to partner with the Whitman at 200 initiative, organized by our colleagues Lynne Farrington and Judith Tannenbaum through the University of Pennsylvania Libraries’ Kislak Center. Carter’s intimate images of Whitman’s archival materials increase our appreciation of the author’s contributions by inviting discussions on topics, such as race, sexuality and class, relevant to our time. The power of language serves as the inspiration for The Politics of Rhetoric, which places several Philadelphia-based artists in a globally inspired conversation. — Ksenia Nouril, PhD, Jensen Bryan Curator Keith Carter: Seek & Find This is the artist’s first exhibition in Philadelphia and the premiere of his latest series “Walt Whitman: ‘Beautiful Imperfect Things’”.