Morial Urges Halt to Merger
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Elite Music Productions This Music Guide Represents the Most Requested Songs at Weddings and Parties
Elite Music Productions This Music Guide represents the most requested songs at Weddings and Parties. Please circle songs you like and cross out the ones you don’t. You can also write-in additional requests on the back page! WEDDING SONGS ALL TIME PARTY FAVORITES CEREMONY MUSIC CELEBRATION THE TWIST HERE COMES THE BRIDE WE’RE HAVIN’ A PARTY SHOUT GOOD FEELIN’ HOLIDAY THE WEDDING MARCH IN THE MOOD YMCA FATHER OF THE BRIDE OLD TIME ROCK N ROLL BACK IN TIME INTRODUCTION MUSIC IT TAKES TWO STAYIN ALIVE ST. ELMOS FIRE, A NIGHT TO REMEMBER, RUNAROUND SUE MEN IN BLACK WHAT I LIKE ABOUT YOU RAPPERS DELIGHT GET READY FOR THIS, HERE COMES THE BRIDE BROWN EYED GIRL MAMBO #5 (DISCO VERSION), ROCKY THEME, LOVE & GETTIN’ JIGGY WITH IT LIVIN, LA VIDA LOCA MARRIAGE, JEFFERSONS THEME, BANG BANG EVERYBODY DANCE NOW WE LIKE TO PARTY OH WHAT A NIGHT HOT IN HERE BRIDE WITH FATHER DADDY’S LITTLE GIRL, I LOVED HER FIRST, DADDY’S HANDS, FATHER’S EYES, BUTTERFLY GROUP DANCES KISSES, HAVE I TOLD YOU LATELY, HERO, I’LL ALWAYS LOVE YOU, IF I COULD WRITE A SONG, CHICKEN DANCE ALLEY CAT CONGA LINE ELECTRIC SLIDE MORE, ONE IN A MILLION, THROUGH THE HANDS UP HOKEY POKEY YEARS, TIME IN A BOTTLE, UNFORGETTABLE, NEW YORK NEW YORK WALTZ WIND BENEATH MY WINGS, YOU LIGHT UP MY TANGO YMCA LIFE, YOU’RE THE INSPIRATION LINDY MAMBO #5BAD GROOM WITH MOTHER CUPID SHUFFLE STROLL YOU RAISE ME UP, TIMES OF MY LIFE, SPECIAL DOLLAR WINE DANCE MACERENA ANGEL, HOLDING BACK THE YEARS, YOU AND CHA CHA SLIDE COTTON EYED JOE ME AGAINST THE WORLD, CLOSE TO YOU, MR. -
Black Youth in Urban America Marcyliena Morgan Harvard
“Assert Myself To Eliminate The Hurt”: Black Youth In Urban America Marcyliena Morgan Harvard University (Draft – Please Do Not Quote) Marcyliena Morgan [email protected] Graduate School of Education Human Development & Psychology 404 Larsen Hall 14 Appian Way Cambridge, Massachusetts 02138 Office:617-496-1809 (617)-264-9307 (FAX) 1 Marcyliena Morgan Harvard University “Assert Myself To Eliminate The Hurt”: Black Youth In Urban America Insert the power cord so my energy will work Pure energy spurts, sporadic, automatic mathematic, melodramatic -- acrobatic Diplomatic, charismatic Even my static, Asiatic Microphone fanatic 'Alone Blown in, in the whirlwind Eye of the storm, make the energy transform and convert, introvert turn extrovert Assert myself to eliminate the hurt If one takes more than a cursory glance at rap music, it is clear that the lyrics from some of hip hop’s most talented writers and performers are much more than the visceral cries of betrayed and discarded youth. The words and rhymes of hip hop identify what has arguably become the one cultural institution that urban youth rely on for honesty (keeping it real) and leadership. In 1996, there were 19 million young people aged 10-14 years old and 18.4 million aged 15-19 years old living in the US (1996 U.S. Census Bureau). According to a national Gallup poll of adolescents aged 13-17 (Bezilla 1993) since 1992, rap music has become the preferred music of youth (26%), followed closely by rock (25%). Though hip hop artists often rap about the range of adolescent confusion, desire and angst, at hip hop’s core is the commitment and vision of youth who are agitated, motivated and willing to confront complex and powerful institutions and practices to improve their 2 world. -
Hip Hop Hooray
WEDNESDAY 111 SPARTAN Swinging Intheain Mards.6, 1896 1411 Volume 106 Number 28 MIX .,..e ,'age Women's Week panel explores multiculturalism people who filled the Guadalupe Room in became aware of these variables and how Byrd talked about how class and race hours, later touched on classism as a com- Societal barriers the Student Union Tuesday to celebrate they converige to shape our lives and our sometimes clash. "We always think segre- ponent of race and gender and how soci- Women's Week. experience, Byrd said. gated communities are bad," she said. " ety has lost the vision of a fairer society. of racism, The multicultural panel included The multicultural panel, made up of not so when everyone is poor." "We also have to dream of equality,' said Communication Studies Professor nine women and one man, began by The audience was involved much of the panelist Mai Le Ho. "This is not a society Marquita Byrd, Bock and a group of stu- describing their first experiences with the time and engaged the issue while adding that we should be living in." discussed classism dents, alumni and staff. The discussion, recognition of racism to the audience. to the variety of perspectives. Each story In the last 20 minutes, the panel By Michael Barton titled "Unity Embraces Diversity A Each member brought different views of brought light to a murky issue to recog- engaged the audience in discussing solu- Spartan Daily Staff Writer Conversation About Racism, Sexism and racism and classism to the discussion from nize common factors and move beyond ti. -
Musical Explorers Is Made Available to a Nationwide Audience Through Carnegie Hall’S Weill Music Institute
Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 Weill Music Institute Teacher Musical Guide Explorers My City, My Song A Program of the Weill Music Institute at Carnegie Hall for Students in Grades K–2 2016 | 2017 WEILL MUSIC INSTITUTE Joanna Massey, Director, School Programs Amy Mereson, Assistant Director, Elementary School Programs Rigdzin Pema Collins, Coordinator, Elementary School Programs Tom Werring, Administrative Assistant, School Programs ADDITIONAL CONTRIBUTERS Michael Daves Qian Yi Alsarah Nahid Abunama-Elgadi Etienne Charles Teni Apelian Yeraz Markarian Anaïs Tekerian Reph Starr Patty Dukes Shanna Lesniak Savannah Music Festival PUBLISHING AND CREATIVE SERVICES Carol Ann Cheung, Senior Editor Eric Lubarsky, Senior Editor Raphael Davison, Senior Graphic Designer ILLUSTRATIONS Sophie Hogarth AUDIO PRODUCTION Jeff Cook Weill Music Institute at Carnegie Hall 881 Seventh Avenue | New York, NY 10019 Phone: 212-903-9670 | Fax: 212-903-0758 [email protected] carnegiehall.org/MusicalExplorers Musical Explorers is made available to a nationwide audience through Carnegie Hall’s Weill Music Institute. Lead funding for Musical Explorers has been provided by Ralph W. and Leona Kern. Major funding for Musical Explorers has been provided by the E.H.A. Foundation and The Walt Disney Company. © Additional support has been provided by the Ella Fitzgerald Charitable Foundation, The Lanie & Ethel Foundation, and -
Images of Aggression and Substance Abuse in Music Videos : a Content Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Images of aggression and substance abuse in music videos : a content analysis Monica M. Escobedo San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Escobedo, Monica M., "Images of aggression and substance abuse in music videos : a content analysis" (2009). Master's Theses. 3654. DOI: https://doi.org/10.31979/etd.qtjr-frz7 https://scholarworks.sjsu.edu/etd_theses/3654 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IMAGES OF AGGRESSION AND SUBSTANCE USE IN MUSIC VIDEOS: A CONTENT ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Monica M. Escobedo May 2009 UMI Number: 1470983 Copyright 2009 by Escobedo, Monica M. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Various Tommy Boy Presents: Architects of Culture Mp3, Flac, Wma
Various Tommy Boy Presents: Architects Of Culture mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Tommy Boy Presents: Architects Of Culture Country: UK Released: 2000 MP3 version RAR size: 1485 mb FLAC version RAR size: 1426 mb WMA version RAR size: 1286 mb Rating: 4.3 Votes: 373 Other Formats: MP3 MMF ASF VOC AC3 AA XM Tracklist Hide Credits Hip Hop Hooray 1 –Naughty By Nature 1:27 Producer – Naughty By Nature Uptown Anthem 2 –Naughty By Nature 1:34 Producer – Naughty By Nature Live It Up 3 –Natural Elements 2:59 Producer – Charlemagne Talkin' All That Jazz 4 –Stetsasonic 2:59 Producer – Daddy-O Me Myself & I 5 –De La Soul 1:43 Co-producer – De La SoulProducer – Prince Paul Doowutchyalike 6 –Digital Underground 1:59 Producer – The Underground* Thick 7 –DITC* 3:52 Producer – DJ Premier H-O-S-T-Y-L-E 8 –Screwball 2:41 Producer – Mike Heron Body In A Trunk 9 –Noreaga 2:18 Featuring – NasProducer – Grease* Halfway Thugs 10 –Capone & Noreaga* 3:20 Producer – Charlemagne Wrath Of My Madness (Remix) 11 –Queen Latifah 2:00 Producer – The 45 KingRemix – DJ Premier Money (Dollar Bill) 12 –Everlast 2:41 Featuring – Sadat XProducer – Dante Ross, John Gamble The Piecemaker 13 –Tony Touch 2:27 Featuring – Gang StarrProducer – DJ Premier Diaz Bros 14 –Tony Touch Featuring – Doo Wop, Pain In Da AssProducer – Tony 3:11 Touch So Good 15 –De La Soul 1:27 Featuring – Camp LoProducer – De La Soul Holy Calamity –Handsome Boy Modeling 16 Producer – DJ Shadow, Dan The Automator, Prince 1:55 School PaulScratches – DJ Quest –Afrika Bambaataa & The Jazzy Jazzy Sensation 17 3:27 5 Producer – Arthur Baker Credits DJ Mix – DJ Swing Notes Promotional CD given away with Hip Hop Connection magazine issue #138 (June 2000) Related Music albums to Tommy Boy Presents: Architects Of Culture by Various Naughty By Nature - Craziest Naughty By Nature - Everything's Gonna Be Alright Naughty By Nature - Nineteen Naughty Nine - Nature's Fury Naughty By Nature - O.P.P. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Episodic Breakdown
Growing Up Hip Hop (Series 2) 10 x 60’ EPISODIC BREAKDOWN 1. Blinged up, Throne Down A lawsuit from Romeo’s mother could destroy No Limit. Angela’s sudden engagement to a mystery man shocks everyone, especially Romeo. Egypt’s music career is threatened when Pepa insists she go to college. 2. Boogie Down Rumors about Angela’s fiancé and possible pregnancy stun Romeo. Kristinia is blindsided when a DeBarge family scandal resurfaces. Pepa puts Egypt’s music career on hold. Boogie’s mom makes a shocking discovery! 3. Run in the Oven Angela drops the bomb that she is pregnant; all are shocked! Boogie suffers the wrath of his dad, Damon, when he’s arrested for a DUI. Romeo’s sister Tytyana faces Master P about her drug addiction 4. Immaculate Deception After Romeo confronts Angela for cutting him off, Angela faces more scrutiny about her pregnancy. Romeo attends family funeral and worries about sister’s addiction. Kristinia gets emergency call about her dad! 5. Only God and Janet Would Know Kristinia rushes to her dad in urgent care and pushes for truth about Janet Jackson rumor. Boogie could face jail time.TJ visits father Jam Master Jay’s grave. Kristinia gets shocking call; violent attack. 6. Busta Crime Boogie gets alarming news about his DUI charges. Egypt drops a bomb on mom, Pepa. Romeo’s sister Tytyana goes missing. After a shocking attack, Briana must flee LA. © Off The Fence 2014 1 7. Straight Trippin’ Boogie gets shocking news about his DUI case. Kristinia gets a lead from the P.I. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
World Renowned Music Superstars Faith Evans, Naughty by Nature and India to Perform at Newark Celebration 350 Founders Weekend Festival May 13-15, 2016 in Newark
WORLD RENOWNED MUSIC SUPERSTARS FAITH EVANS, NAUGHTY BY NATURE AND INDIA TO PERFORM AT NEWARK CELEBRATION 350 FOUNDERS WEEKEND FESTIVAL MAY 13-15, 2016 IN NEWARK NEWARK’S LOCAL HOMETOWN HEROES AND INTERNATIONAL RECORDING ARTISTS WILL HEADLINE FREE OUTDOOR FESTIVAL CELEBRATING 350 YEARS OF THE ARTS, CULTURE AND COMMUNITY OF ONE OF AMERICA’S GREAT HISTORICAL CITIES HIGHLIGHTS INCLUDE PERFORMANCES BY JAZZ ARTIST STEFON HARRIS WITH THE UNITED STATES AIR FORCE ENSEMBLE, THE AIRMEN OF NOTE, GOSPEL GROUP JUBILATION WITH CISSY HOUSTON, JAZZ HOUSE KIDS, BRICK CITY JAZZ ORCHESTRA, WELLS FARGO JAZZ FOR TEENS, NEWARK’S TOP DJS FELIX HERNANDEZ AND BOBBY TRENDS, PUBLIC ART EXHIBITIONS PLUS, THE NC 350 NORTH WARD FOOD TRUCK FESTIVAL, A COMMUNITY ORGANIZATIONS EXPO, KIDZ KORNER FOR FAMILY FUN ACTIVITIES AND MUCH MORE Newark, NJ-(March 30, 2016)-Newark Celebration 350 (NC 350) today announced that Grammy Award-winning music mega stars and the pride of Newark, Faith Evans and Naughty by Nature with ―the Princess of Salsa,‖ India, and some of Newark’s top local performing artists will headline, Founders Weekend Festival, a two and a half day event of arts and entertainment, culture and community that celebrates the 350th anniversary founding of one of America’s greatest cities. From May 13-15, this free and open to the public Festival will take over Newark’s Military Park and its surrounding areas with two stages of daytime and nightly music concerts, which, in addition to international recording stars, will feature an unprecedented lineup of Newark’s top -
"Vibe" Magazine Bertram D
University of Richmond UR Scholarship Repository English Faculty Publications English 2001 "Hair Drama" on the Cover of "Vibe" Magazine Bertram D. Ashe University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the African American Studies Commons, American Popular Culture Commons, Gender and Sexuality Commons, Music Commons, and the Race and Ethnicity Commons Recommended Citation Ashe, Bertram D. ""Hair Drama" on the Cover of "Vibe" Magazine." Race, Gender & Class Journal 8, no. 3 (2001): 64-77. This Article is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Race, Gender 6 C lass: Volume 8, Number4, 2001 (64-77) Race, Gender & Class Website:www.suno.edu/sunorgc/ "Hair Drama" on the Cover of Vibe Magazine Bertram D. Ashe, English College of the Holy Cross Abstract:This studyconsists of a culturalreading of the cover photograph of the June-July 1999 issue of Vibe magazine. It explores the relationship between Mase, an African-Americanmale rap star, and thethree anonymous African-American femalemodels that surround him. The studyinterprets the cover through the long, straightenedhair of the models,locating the models' hair in a historically- informedcontext of blackhair theory and practice. The studyargues that the models' presenceon thecover, particularly their "bone straight and long" hair, "enhances"Mase in much the same way breast-augmented"trophy women" "enhance"their mates. Ultimately,the studyencourages and validatesa wide varietyof black hair styles- includingstraightening - even as it urges the acceptanceof black hair as a sitewhere the demonstration ofthe struggle for black consciousness(however one exhibitsthat consciousness on his or herhead) can be observed.