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The Land of Harmony a M E R I C a N C H O R a L G E M S
invites you to The Land of Harmony A MERIC A N C HOR A L G EMS April 5 • Shaker Heights April 6 • Cleveland QClevelanduire Ross W. Duffin, Artistic Director The Land of Harmony American Choral Gems from the Bay Psalm Book to Amy Beach April 5, 2014 April 6, 2014 Christ Episcopal Church Historic St. Peter Church shaker heights cleveland 1 Star-spangled banner (1814) John Stafford Smith (1750–1836) arr. R. Duffin 2 Psalm 98 [SOLOISTS: 2, 3, 5] Thomas Ravenscroft (ca.1590–ca.1635) from the Bay Psalm Book, 1640 3 Psalm 23 [1, 4] John Playford (1623–1686) from the Bay Psalm Book, 9th ed. 1698 4 The Lord descended [1, 7] (psalm 18:9-10) (1761) James Lyon (1735–1794) 5 When Jesus wep’t the falling tear (1770) William Billings (1746–1800) 6 The dying Christian’s last farewell (1794) [4] William Billings 7 I am the rose of Sharon (1778) William Billings Solomon 2:1-8,10-11 8 Down steers the bass (1786) Daniel Read (1757–1836) 9 Modern Music (1781) William Billings 10 O look to Golgotha (1843) Lowell Mason (1792–1872) 11 Amazing Grace (1847) [2, 5] arr. William Walker (1809–1875) intermission 12 Flow gently, sweet Afton (1857) J. E. Spilman (1812–1896) arr. J. S. Warren 13 Come where my love lies dreaming (1855) Stephen Foster (1826–1864) 14 Hymn of Peace (1869) O. W. Holmes (1809–1894)/ Matthias Keller (1813–1875) 15 Minuet (1903) Patty Stair (1868–1926) 16 Through the house give glimmering light (1897) Amy Beach (1867–1944) 17 So sweet is she (1916) Patty Stair 18 The Witch (1898) Edward MacDowell (1860–1908) writing as Edgar Thorn 19 Don’t be weary, traveler (1920) [6] R. -
Dudley Buck's Grand Sonata in E-Flat
Dudley Buck’s Grand Sonata in E-fl at: The Architecture of an American Masterpiece Jonathan B. Hall hile a junior or senior in high First movement Example 1. Unadorned E-fl at major scale Wschool, I found a newish LP in the The motif is heard at the very outset of local public library: Fugues, Fantasia and the work, in the fi rst movement, marked Variations—Nineteenth-Century Ameri- allegro con brio. Here, one must respect- can Concert Organ Music (New World fully disagree with the liner notes in the Records, NW280). Dated 1976, it was no Morris album: the movement is neither Example 2. E-fl at major scale with chromatic alterations doubt intended as part of the vast trib- especially a “virtuoso” one nor, most def- ute to the Bicentennial that many of us initely, “in free form.” It is a textbook ex- remember. Richard Morris was the or- ample of sonata-allegro form, and (in my ganist, and he played the 1876 Hook & opinion) at the high end of moderately Hastings instrument in St. Joseph’s Old diffi cult1 (Example 4). Example 3. Two idiomatic uses of the chromatic alterations Cathedral, Buffalo, New York. Note that the scalar material is in the Dubbed the Centennial Organ be- tenor. This motif is echoed throughout cause it had stood in the eastern end of the movement (Examples 5 and 6). the huge Main Building of the Centen- Meanwhile, as mentioned, the move- nial Exposition in Philadelphia, the four- ment hews closely to classical sonata- Example 4. Grand Sonata, fi rst movement, measures 1–3 manual instrument has been in Buffalo allegro form. -
March 1921) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1921 Volume 39, Number 03 (March 1921) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 39, Number 03 (March 1921)." , (1921). https://digitalcommons.gardner-webb.edu/etude/677 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MARCH J921 The World of Music The Baton Range Philharmonic Or¬ chestra is the first organization of this na¬ ture, of symphony size, to be formed in the State of Louisiana. It gave its first program SSsS®®*' SEEK K'S Sissas8®' Page U6 MARCH 1921 THE ETUDE MARCH 1921 Page U THE ETUDE Schools anb Colleges-cbtcago SUMMER MASTER COURSES FOR PROFESSIONALS AND ADVANCED STUDENTS June 2Tth=July joth=ig2i DAVID Summer master School The American Conservatory announces the return LHEVINNE engagement of these world-famous BISPHAM June 27 to August 6 [Six Weeks] artists to conduct SPECIAL ENGAGEMENT OF MAST3EE CLASSES specially designed for professional pianists and PROF. -
Bessie Bartlett Frankel Papers
http://oac.cdlib.org/findaid/ark:/13030/kt087031t1 No online items Guide to the Bessie Bartlett Frankel Papers Finding aid was created by Russell Michalak, 2009 Ella Strong Denison Library Scripps College 1090 Columbia Avenue Claremont, California 91711 Phone: (909) 607-3941 Fax: (909) 607-1548 Email: [email protected] October 2009 Guide to the Bessie Bartlett d1959.2 1 Frankel Papers Descriptive Summary Title: Bessie Bartlett Frankel Papers Creator: Frankel, Bessie Bartlett Dates: 1854-1972 Extent: 16 boxes Repository: Claremont Colleges. Library. 1090 Columbia Avenue Claremont, California 91711 Abstract: Bessie Herbert (Bartlett) Frankel was a founder of the California Federation of Music Clubs and established the Chamber of Music Series at Scripps College. She was also active in various music organizations in Southern California, such as the Friday Morning Club and Young People Concerts and a founder of the Los Angeles Philharmonic Orchestra and the Hollywood Community Chorus. The collection consists of photographs, music, and scrapbooks. Collection Number: d1959.2 Languages: Languages represented in the collection: English Physical Location: Ella Strong Denison Library, Scripps College, Claremont University Consortium. Restrictions on Access This collection is open for research with permission from Ella Strong Denison Library staff. Publication Rights Property rights reside with Scripps College. For permissions to reproduce or to publish, please contact Ella Strong Denison Library staff. Preferred Citation [Identification of item], Bessie Bartlett Frankel Papers. Ella Strong Denison Library, Scripps College, Claremont, California. Acquisition Information Gift of Bessie Bartlett Frankel, 1959 or 1967. Processing Information Processed by Jennifer Bicknell for Archival Studies 311, Claremont Graduate University, Spring 2009. -
A Thesis Presented to the Faculty of Graduate Studies of The
EDWARD JOHNSON AND MUSIC EDUCATION IN CANADA A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by JOHN PATRICK D'ALTON In partial fulfilment of requirements for the degree of Master of Arts December , 19 9 6 @ John Patrick DtAlton, 1996 National Library Bibliothèque nationale l*l of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 ûîtawaON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. EDWARD JOHNSON AND MUSIC EDUCATION IN CANADA John Patrick DtAlton Advisor : University of Guelph, 1996 Professor G.A. Stelter Edward Johnson (1878-1959), a Canadian-born operatic tenor, manager of the Metropolitan Opera Association in New York City, and chairman of the Royal Conservatory of Music of Toronto, is an integral part of Canada's cultural, educational, intellectual and national history. -
Tocaltulture^ Organ Works W-Ill B? Played
TRIBrNE. SUNDAY. APRIL 26, 1908- VEW-TORK DAILY tweep«r that makes almost aa mrtch of her bu«l««t sea-cm* ilne. I — ' notoa aa) s> f that this hu be«n on« lawn mower." Washington Star. the establishment of her vocal school. CALENDAR. to THE WEEKLY MUSICAL of ha." FOR APPEARANCE' SAKE. Comment. Th« Board Re.ents tinted Ar- Timely ' (founded•^charterby cay your Musical ' \u25a0 the Conservatory of Musical Art "What would you If party leaden w«r* WEtINESPAT. Wlnkler. directors). Nek 6ay your SVXDAV recital for thur Claasen and Leopold to come to you and country cal'.ed your" Plaia Hotel afternoon. Paderewski the trustee* are - House. B P. m.. entertain- 907 Broadway. Brooklyn. Amon« "If Iwere cure they spok«» with sincerity," r%- Programmes Padercwski-A Bach »tropr.!ltan Or«?ra Chari- of the Announcements and ment for the b»n*9t of the United Hebrew Professor Franklin W. Hooper, director plied Senator Borgrhura, "Ishould exhibit sreat r»- Na^ ties; CarneKle Hall. 3 p. m.. joint concert of Josei Hooper Broadway Theatre. Brooklyn Institute of Art. and Science-: Festival. Hofmann an-1 Fritz Kr-iMer: of luctance." roncprt Herbert and his ex-presldent Llederkrani. besought you?** • 8-15 p ir. of Victor or- CUlls. of the German "Even thoufh they \u25a0\u25a0\u25a0 \u25a0\u25a0\u25a0 \u25a0• • • Wldor ,'•*•K»rrlgan»" .ulte \u25a0 . chestra: <;r«>at Hall of the College of the City of York; Froeb. Theobald Enrlehardt. "Certainly. only they ar« in the rematnUer of Toylar.d time r>l\-in-. Haydn's "Creation." N>w Charles It's when The chief musical incident from "Bar's in <flr»t New York. -
Pipes of the Past: Registration Practices of Selected Composers for the American Centennial Era Organ
PIPES OF THE PAST: REGISTRATION PRACTICES OF SELECTED COMPOSERS FOR THE AMERICAN CENTENNIAL ERA ORGAN By © 2019 Ian K. Classe M.M., Pittsburg State University, 2015 B.A., Truman State University, 2012 Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Chair: Michael Bauer James Higdon Roberta Freund Schwartz Brad Osborn Susan Earle Date Defended: The dissertation committee for Ian K. Classe certifies that this is the approved version of the following dissertation: PIPES OF THE PAST: REGISTRATION PRACTICES OF SELECTED COMPOSERS FOR THE AMERICAN CENTENNIAL ERA ORGAN Chair: Michael Bauer Date Approved: ii Abstract American organ music prior to the twentieth century is a somewhat neglected area of organ study due to biases of early-twentieth-century academia. This lecture seeks to better familiarize the audience with a small section of that neglected study by examining the relationship between the organs, composers, and compositions of the Centennial era (ca. 1870–1900) through the lens of organ registration. This particular period of nineteenth-century American music became the era when American composers developed a quintessentially American culture around the organ—a culture which would provide the foundation for much of what came after it. By examining this period and its contributions, we gain a better understanding of later musical developments in the organ world and an appreciation for what came before. iii Acknowledgements I would like to offer special thanks to Dr. Rosi Kaufman, Director of Music at Rainbow Mennonite Church, for her knowledge and assistance on this project as well as facilitating my use of the Hook organ for the lecture recital. -
1934-1935 Obituary Record of Graduates of Yale University
'"'"JLJ'^:_-'i .j' *-*i7i in T.' "-. \ f .'/" ; Bulletin of Yale University New Haven 15 October 1935 Obituary Record of Graduates of Yale University Deceased during the Year BULLETIN OF YALE UNIVERSITY if Entered as second-class matter, August 30,1906, at the'post ^ office at New Haven, Conn,, under the Act of Congress ofJ July 16, 1894, Acceptance for mailing at the special rate of postage pro- vided for in Section 1103, Act of October 3, 1917, authonzed August 12, 1918. The BULLETIN, which is issued semimonthly, includes: 1. The University Catalogue. _ - - 2. The Reports of the President and Treasurer. s_ 3. The Catalogues of the several Schools. 4. The Alumni Directory and the Quinquennial Catalogue. 5. The Obituary Record. ; \ Bulletin of Yale University OBITUARY RECORD OF GRADUATES DECEASED DURING THE YEAR ENDING JULY i, 1935 INCLUDING THE RECORD OF A FEW WHO DIED PREVIOUSLY, HITHERTO UNREPORTED NUMBER 94 Thirty-second Series • Number Three New Haven • 15 October 1935 YALE UNIVERSITY OBITUARY RECORD* YALE COLLEGE Augustus Field Beard, B.A. 1857, Born May 11, 1833, in Norwalk, Conn. Died December 22,1934, in Norwalk, Conn. Father, Algernon Edwin Beard; a hat manufacturer and banker in South Norwalk; representative in State Legislature; son of Dr. Daniel Beard and Betsy (Field) Beard, of Oakham, Mass., and Stratford, Conn. Mother, Mary Esther (Mallory) Beard; daughter of Lewis and Ann (Seymour) Mallory, of Norwalk. Yale relatives include. James Beard (honorary M.A. 1754) (great-grandfather); and Dr. George M. Beard, *6i (cousin). Wilhston Academy. Entered with Class of 1856, joined Class of 1857 following year; on Spoon Committee; member Linoma, Sigma Delta, Kappa Sigma Theta, Alpha Delta Phi, and Scroll and Key. -
THE MUSICAL CRITIC and TRADE REVIEW. 3T>5
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org May 5th, 1882. THE MUSICAL CRITIC AND TRADE REVIEW. 3t>5 HISS AMELIA WDKM1!. first musical utterances were from "The Lock festivals twenty-four years ago. The quarter cen- Miss Amelia Wurmb, mezzo soprano, came Hospital" and other collections of hymn tunes tennial festival of the association will occur dur- here last fall with an excellent reputation as then in general use in New England. By degrees ing the last week in September. Among other concert singer in Paris, Vienna, Berlin, Kome, music of a higher order was rehearsed. works the society has in preparation for this event and other European musical centres. Miss Wurmb Its first public performance was given on Christ- the "Damnation of Faust," by Berlioz; Scenes was born in Vienna in 1853. When eight years of mas Day, 1815, at Stone Chapel, now called King's from "Lohengrin," by Wagner; the Ninth Sym- age she played the organ on several occasions in Chapel, to an audience of one thousand persons. phony, and "The Messiah." For fifteen years Mr. the cathedral in which her sister was the soprano. The chorus consisted of about one hundred, of Carl Zerrahn has been not only the conductor at • At one time when her sister was ill she sang the whom ten were ladies, while an orchestra of about the annual festivals of the association, but the solos in a mass in her stead, being at the time a dozen instruments and the organ furnished the chorus master, all rehearsals being held under his scarcely nine years of age. -
Romantic American Choral Music David P. Devenney, Presenter
The Sea Hath Its Pearls: Romantic American Choral Music 2021 National Conference, American Choral Directors Association March 19, 2021, 11:30 a.m. David P. DeVenney, presenter West Chester University of Pennsylvania The Sea Hath its Pearls (JCD Parker, Seven Part Songs) Introduction Elements of Style: Melody and Harmony Kyrie (Bristow) Vittoria Rybak, mezzo soprano Parvum quando cerno Deum (Chadwick) [When we see our tiny Lord This beautiful mother, held in his mother’s arms, This mother with her beautiful son, it salves us in our breasts such a lovely one all pink, with a thousand joys. like a violet that became a lily. The eager boy, eagerly seeing, [O that one of the arrows, your mother above all: sweet or boyish, while the smiling boy which should pierce the mother’s breast, is kissed a thousand times.] may fall upon me, little Jesus!] *Such a simple brightness -Author Unknown shines through the child, (* text for excerpted portion) The mother clings to him. Requiem aeternum (Buck) Elements of Style: Structure and Craft The Lord of Hosts Is with Us (Gilchrist) Sing Hallelujah (H. Parker) And They Shall Reign (JCD Parker) Music for Women’s and Men’s Voices Sanctus (Hadley) Emily Salatti, soprano At Sea (Buck) Concluding Remarks Seven Part Songs (JCD Parker) The World’s Wanderers The West Wind The Composers in this Presentation George Frederick Bristow (1825-1898) spent the majority of his life in New York City. By age 11 he was playing the violin at the Olympic Theatre in New York and later spent over thirty years playing violin with the New York Philharmonic Society. -
Maine Campus October 14 1948 Maine Campus Staff
The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Fall 10-14-1948 Maine Campus October 14 1948 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus October 14 1948" (1948). Maine Campus Archives. 2819. https://digitalcommons.library.umaine.edu/mainecampus/2819 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. 1,11,r , 1918 nbers eting erested students meeting of the THE MAINE CAMPUS inday evening, upstairs MCA Published Weekly by the Students of the University of Maine Vol. L Z 265 ()rotto, Maine. October ii, 1918 Number -1 Page Ore) Committees Hell Week day, a complete with Mr. Bruce Bar hours. It's Named By Abolished By ill remain open rdays excluded, hours Sunday Senate Fraternity Plan School Holiday Alpha Gamma Rho For mrve Bank November 6 'Adopts Greek Week At its second meeting of the year Dispelling the common belief that Tuesday night, the General Senate Hell Week is a hard tradition to up- began plans for having a school holiday root, members of Alpha Gamma Rho on the day of the Bowdoin game, have decided to abolish Hell Week in 1 named members to seven committees, favor of Greek Week. voted to change the hours of the Snack vomen will Carl H. Estes, fraternity president, Bar in Carnegie Hall. -
CHICAGO SYMPHONY ORCHESTRA Founded by THEODORE THOMAS in 1891
CHICAGO SYMPHONY ORCHESTRA Founded by THEODORE THOMAS in 1891 FREDERICK STOCK Conductor THE THURSDAY-FRIDAY SERIES Concerts Nos. 2553 and 2554 IIIIIIIIIIIIIUIIIIIIIIII FORTY-NINTH SEASON TWENTY-SEVENTH PROGRAM APRIL 11 AND 12, 1940 iiiiiiiiiiiiiiiiiiiiinn ORCHESTRA HALL Air-Conditioned for Winter and Summer Comfort CHICAGO Slljr ©rrbi’strd Assonatimi 1939 — FORTY-NINTH SEASON—1940 ORGANIZATION The Orchestral Association consists of forty members, from whom fifteen are elected as Trustees. The officers of the Association are elected from the Trustees, and these Officers, with three other Trustees and the Honorary Trustees, compose the Executive Committee. OFFICERS CHARLES H. HAMILL, Honorary President EDWARD L. RYERSON, Jr., President ALBERT A. SPRAGUE, Vice-President CHARLES H. SWIFT, Second Vice-President ARTHUR G. CABLE, Third Vice-President CHALKLEY J. HAMBLETON, Secretary FRANCIS M. KNIGHT, Treasurer HONORARY TRUSTEES and Ex-Officio Members of Executive Committee Joseph Adams Charles H. Hamill Russell Tyson OTHER MEMBERS OF EXECUTIVE COMMITTEE Charles B. Goodspeed Ralph H. Norton John P. Welling OTHER TRUSTEES Cyrus H. Adams Alfred T. Carton Harold F. McCormick Daniel H. Burnham Arthur B. Hall J. Sanford Otis OTHER MEMBERS OF THE ASSOCIATION Richard Bentley William B. Hale Theodore W. Robinson Bruce Borland George Roberts Jones Charles Ward Seabury John Alden Carpenter Frank O. Lowden Emanuel F. Selz Mrs. Clyde M. Carr Chauncey McCormick Durand Smith William B. Cudahy Leeds Mitchell Robert J. Thorne Edison Dick Charles H. Morse Mrs. Frederic W. Upham Albert D. Farwell Mrs.BartholomayOsborneErnest B. Zeisler Walter P. Paepcke OFFICES: SIXTH FLOOR, ORCHESTRA BUILDING 220 South Michigan Avenue, Chicago HENRI E. VOEGELI, Assistant Treasurer and Business Manager CHARLES F.