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Subculture Magazine - Alternative Music and Culture Magazine
Subculture Magazine - alternative music and culture magazine. The ultimate ...c, darkwave, synthpop, alternative and post punk music. always on the edge. User Password Sign Up | Forgot Password Thursday, Dec 08 , 2005 Devo - Live 1980 (DVD) Posted :Thu, Dec 8th, 2005 00:20:24 Devo Devo - Live 1980 (DVD) Target Video Review By : Vivien Weimar With 80s nostalgia being de rigueur these days, the time is ripe for a DEVO reunion. The reclusive new wave band usually doesn't tour much as original founder Mark Mothersbaugh has since moved on to creating commercials and soundtracks at his Los Angeles production company Mutato Muzika (that fantastically weird space-ship-looking building on Sunset Boulevard) along with the other Devo members save Jerry Casale who has been directing videos for such bands as the Foo Fighters and Soundgarden. However, this summer Devo got together and played limited dates all across the country--and this fall they released Live 1980, a full-length concert video shot at the Phoenix Theatre in Petaluma, CA on August 17, 1980. Complete with white uniforms, blue background screen and "energy domes" (don't you dare call them flower-pot hats), Devo play the hits off of their albums, Q: Are We Not Men? A: We are Devo!, Duty Now For the Future and Freedom of Choice. Twenty-one songs are featured in this 75-minute disc including the classic MTV staple "Whip It", the oft-covered "Girl U Want", and their own covers of Johnny River's classic "Secret Agent Man" and the Rolling Stones "(I Can't Get No) Satisfaction". -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
2007-09-06.Pdf
2 BUZZ 09.06.07 daily.titan daily.titan BUZZ 09.06.07 3 BEAUTIFUL MUTANTS An artist who sees beauty his own way NERO ZERO IF YOU LIVED HERE ... The Buzz Editor: The Daily Titan 714.278.3373 LOCKED & LOADED Jennifer Caddick The Buzz Editorial 714.278.5426 [email protected] FOR MISFIRE Executive Editor: Editorial Fax 714.278.4473 AND Ian Hamilton The Buzz Advertising Director of 714.278.3373 [email protected] WE ASKED A Advertising Fax 714.278.2702 Advertising: The Buzz , a student publication, is a supplemental Stephanie Birditt insert for the Cal State Fullerton Daily Titan. It is printed MEXICAN every Thursday. The Daily Titan operates independently Assistant Director of of Associated Students, College of Communications, Advertising: CSUF administration and the CSU system. The Daily Titan Sarah Oak has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial Production: activities or ventures identified in the advertisements Jennifer Caddick themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, Account Executives: endorsement or investigation of such commercial Nancy Sanchez enterprises. Juliet Roberts Copyright ©2006 Daily Titan /FX4VNNFS%SJOL1SJDFTr̾BOEPWFS 2 BUZZ 09.06.07 daily.titan daily.titan BUZZ 09.06.07 3 Fairfax District PHOTO BY CELIA CASTANON PHOTO BY CELIA CASTANON Inside Reserve vintage art and book gallery. A view of Canter’s Deli BY CELIA CASTANON at Canter’s. “And most celebrities definitely a place to find and recreate from $40 to $300, the art is actually are claustrophobic, this is not for Daily Titan Staff Writer come in around three or four in the a vintage look. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Entertainment 87 ENTERTAINMENT
Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 87 ENTERTAINMENT Sneak Preview See the most highly anticipated new films prior to public release, specially selected for our Sneak Preview audience. Our seasoned moderators lead engaging Q&As with actors, directors, writers, and producers, giving you an inside look at the making of each film. Sneak Preview starts January 29 and presents 10 new films. Page 87. Past films and guests have included 87 FILM & TV MUSIC Marriage Story with director Ford v Ferrari with director 88 Business & Management 95 Film Scoring Noah Baumbach James Mangold of Entertainment 96 Music Business If Beale Street Could Talk with director Dolemite Is My Name with screenwriters Barry Jenkins Scott Alexander and Larry Karaszewski 89 Entertainment Project 97 Music Production Management A Hidden Life with actor Valerie Pachner Diane with actor Mary Kay Place 90 Acting Above: Q&A with (left to right) moderator Pete Hammond and director Robert Kenner at Sneak Preview. 91 Cinematography For weekly updates, visit entertainment.uclaextension.edu/sneak-preview. 91 Directing 92 Film & TV Development FILM TV UL 700 Film & TV Free Networking Opportunities 93 Producing For more information call (310) 825-9064, email for Entertainment Studies [email protected], or visit Certificate Students 95 Post-Production entertainment.uclaextension.edu. Does your project need a director, cinematographer, screenwriter, actor, producer, composer, or other crew FILM TV 804.2 member? Would you like to meet other like-minded Sneak Preview: students who have the same business or career goals Contemporary Films and Filmmakers as you? This is the perfect opportunity to meet your 2.0 CEUs fellow certificate students and make important connec- For more information call (310) 825-9064. -
Rightsholder-List.Pdf
IE-Ireland COR - Corporations: Employees Facilities Label 101 Films 12 Yard Productions 123 Go Films 1A Productions Limited 1st Miracle Productions Inc 20th Century Studios (f/k/a Twentieth Century Fox Film Corp.) 2929 Entertainment 365 Flix International 3DD Entertainment 41 Entertaiment LLC 495 Productions 4Licensing Corporation (fka 4Kids Entertainment) 7&7 Producers Sales Services 9 Story Enterprises 99Pro Media Gmbh A Really Happy Film (HK) Ltd. (fka Distribution Workshop A&E Networks Productions Aardman Abacus Media Rights Ltd Abbey Home Media Abduction Films Abot Hameiri About Premium Content SAS Abso Lutely Productions Absurda Acacia ACIP (fka Angel City Factory (ACP)) Acorn Media Acorn Media Acorn TV Actaeon Films Action Concept Film und Stuntproduktion (ex. Germany) Active Entertainment Adhoc Films Adler Media Adult Swim Productions Adventure Line Productions (ALP) Adventure Pictures Aenon Affiliate of Valiant Women Society (fka Maralee Dawn Ministries) After Dark Films Agatha Christie Productions Ager Film AI Film AIM Group (dba Cinevision Global -Ambassador Film Library) Air Productions Akkord Film Produktion Aktis Films International Al Dakheel Inc Alberio Films Alchemy Alchemy Television Group Alcina Pictures (ex. Canada) Alcon Entertainment Alcon Television All3media International Alley Cat Films Alliance Atlantis International Distribution Alliance Atlantis International Distribution Allied Vision Ltd All-In-Production Gmbh Allmedia Pictures Gmbh Alonso Entertainment Gmbh Aloupis Productions Altitude Films Sales Amazing -
Carshitsthe Hits Theroad
Contents | Zoom In | Zoom Out For navigation instructions please click here Search Issue | Next Page THE BUSINESS, TECHNOLOGY & ART OF ANIMATION July 2006 ™ Disney/Pixar's Cars Hits the Road TerrificTerrifi c MTV2 Talent Welcomes Flocks to NewToonNew Toon Annecy Rebellion ww_____________________________________________________w.animationmagazine.ne t Contents | Zoom In | Zoom Out For navigation instructions please click here Search Issue | Next Page A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B !FTERYEARSWEDECIDEDWE³D 8PVMESFDPNNFOE #FMJFWFZPVTIPVME 5IJOL#BSEFMJT #BSEFMUPBGSJFOE CF¿G¿M¿¿F¿YJCMFBOESPMM "SUJTUESJWFOBOEUIBU XJUIUIFQVODIFT UIFZIBWFBDSFBUJWFWPJDF XPVMEMJLFUPTFFNPSFBEWFSUJTJOHQSPNPUJPOGPSUIFTUVEJPEPOF XXXCBSEFMDBKPCT______________________ _________________________!CBSEFMDB A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B ASKWHATOUREMPLOYEESTHOUGHT 'FFM$IBMMFOHFE &OKPZCFJOHIFSF 'FFMZPVOFFEUP BOEUIBU#BSEFMJT UIJOLJUµTBGVO CFQSFQBSFEUP BHPPEDBSFFSNPWF QMBDFUPXPSL XPSLZPVS#VUUPGG /H ANDBYTHEWAY 7ERE(IRING 6ISITUSAT!NNECYSTAND A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B ____________________________ ___________________ A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B Volume 20, Issue 7, Number 162, July 2006 CONTENTS 6 Frame-by-Frame The Monthly Animation Planner ... Tom Goes to the Mayor Again... Babar Stumps for Ecology ...Strapontin Makes Plans for Sinbad of the Stars. -
EXECUTIVE PRODUCER) – a Multiple Emmy® Award Winner, Bruce D
‘NORMAN ROCKWELL’S SHUFFLETON’S BARBERSHOP’ PRODUCTION BIOS BRUCE JOHNSON (EXECUTIVE PRODUCER) – A multiple Emmy® Award winner, Bruce D. Johnson has been a writer, producer and studio executive in Hollywood for over 25 years. During that time, he has produced and delivered over 40 movies. In 2012 he developed and produced “Finding Mrs. Claus,” an original Lifetime Movie starring Oscar winner Mira Sorvino, Will Sasso and Laura Vandervoort. A romantic comedy set in Las Vegas and the North Pole, the film was one of Lifetime’s highest rated movies of 2012. Johnson is known as a specialist in producing high quality family entertainment. Just out of film school, he began his career making documentaries, including an Emmy®-nominated documentary about the legendary animation team of Joe Barbera and Bill Hanna. As an executive producer at Hanna-Barbera in the mid- 1980s, Johnson supervised a renaissance of classic remakes at the renowned animation studio, overseeing production of such iconic properties as “The Jetsons,” “YogiBear,” “Jonny Quest” and many others, reporting directly to Joe Barbera. In seven years, he rose from director of development to executive vice president & general manager, ultimately managing all of the businesses and production at the studio. When Turner purchased Hanna-Barbera, Johnson was the only executive retained. Working directly with the team in Atlanta, Johnson was responsible for integrating Hanna-Barbera into Turner’s worldwide distribution system and helped launch the Cartoon Network in the U.S., Europe, Latin America and Asia. Returning to his producing roots, Johnson founded PorchLight Entertainment in 1994 and built the company into a premier family entertainment company, supervising the development and production of over 35 TV movies for such networks as Lifetime, Showtime, Family Channel, Disney Channel, Pax, NBC and Animal Planet. -
Chapter 15 ) CINRAM INTERNATIONAL INC., Et Al., 1 ) Case No
IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE In re: ) Chapter 15 ) CINRAM INTERNATIONAL INC., et al., 1 ) Case No. 12-11882 (KJC) ) Debtors in a Foreign Proceeding. ) Jointly Administered ) ) AFFIDAVIT OF SERVICE I, Luis N. Valdivia, being duly sworn according to law, depose and say that I am employed by Kurtzman Carson Consultants LLC, the claims and noticing agent for the Debtors in the above- captioned cases. On June 26, 2012, at my direction and under my supervision, employees of KCC caused the following documents to be served via First Class mail on the service lists attached hereto as Exhibit C; Exhibit D and Exhibit E: • Rule 2002 Notice of Petitions for Recognition of Foreign Proceeding and of Court’s Intention to Communicate with Foreign Courts and Foreign Representative (attached hereto as Exhibit A) • Notice to Creditors (attached hereto as Exhibit B) • Foreign Representative’s Motion for an Order Directing Joint Administration of the Debtors’ Chapter 15 Cases [Docket No. 2] • Foreign Representative’s Statement in Support of Chapter 15 Petitions for Recognition of Foreign Proceeding [Docket No. 3] 1 The last four digits of the United States Tax Identification Number or Canadian Business Number, as applicable, of each of the Debtors follow in parentheses: (a) Cinram International Inc. (4583); (b) Cinram (U.S.) Holding’s Inc. (4792); (c) Cinram, Inc. (7621); (d) Cinram Distribution LLC (3854); (e) Cinram Manufacturing LLC (2945); (f) Cinram Retail Services LLC (1741); (g) Cinram Wireless LLC (5915); (h) IHC Corporation (4225); and (i) One K Studios, LLC (2132). The Debtors’ executive headquarters is located at 2255 Markham Road, Toronto, Ontario, M1B 2W3, Canada. -
Supervising Producer/Director
Nick Bertonazzi Jr. p/ 818-679-1897 Supervising e/ [email protected] Producer/Director w/ www.nickbetonazzijr.com ㅡ Skills - Proficient in Flash/Animate, Adobe Photoshop, Adobe Illustrator, Adobe After Effects/Adobe Premiere, Storyboard Pro - Specialties: Directing, 2D/Digital Animation, Storyboards, Pixel Art/Animation, Digital Comics, Character Design, Writing/World-Building. ㅡ Experience Oddbot, Inc. / Episodic Director 2020 - Present, Glendale, CA Episodic Director for Netflix 3D Preschool series. Oddbot, Inc. / Assistant Director 2020, Glendale, CA Assistant Director for Netflix 3D Preschool series. Cartoon Network Studios / Storyboard Artist 2020, Burbank, CA Storyboard artist for Tig N’ Seek tv series. Titmouse / Storyboard Artist 2019, Hollywood, CA Board artist for Netflix’s Midnight Gospel tv series. Cartoon Network Studios / Supervising Producer/Director 2014 - 2018, Burbank, CA Supervising Producer of Mighty Magiswords and season one of Apple and Onion as well as managing the in-house Digital Animation team. Also produced/directed digital content for Cartoon Network IPs. 23/Divide LLC. / Freelance Concept Developer/Animator 2010 - 2021, Santa Monica, CA Concept development and animation for various handheld apps/video games. Screen Novelties /Freelance Animator and Designer 2015, Los Angeles, CA Animator/Designer for an animated sequence in Girl Meets World. Oddbot, Inc. / Freelance Animator 2015, Eagle Rock, CA Animation for ABCMouse. Screen Novelties / Freelance Animator 2013, Los Angeles, CA Lip Sync for the NBC one-hour special Elf: Buddy’s Musical Christmas. Oddbot, Inc. / Supervising Director 2013 - 2014, Eagle Rock, CA Directed multiple projects such as Doc McStuffins spots, Bamboo Bop Music Video for PBS, and That 70,000 BC Show short, and Care Bears digital game app. -
Introduction
INTRODUCTION Looking at various newspapers, magazines and websites over the period 2004 to the present, it becomes apparent that our understanding of the reintroduction of stereoscopy (D3D) is anything but clear. There are disagreements among accounts of D3D regarding its artistic value, and its impact on the entertainment industry and audience. Over the 2004 to the present period, the digital screen period, I have seen D3D cast as an evolutionary step for the industry: ‘Why wouldn’t we want this Darwinian edge in our workplaces, in our sports and entertainment, in all our peak visual experiences?’ (Cameron in Cohen, 2008). I have seen it described as ‘the next great revolution’ of cinema (Giles & Katzenberg, 2010, p. 10) and as a facilitator of art, one that could aid the audience to enter the realm of the on-screen performer (Wenders in James, 2011, p. 22). I have also seen it described as artistically limited, with claims, such as, director, Werner Herzog’s ‘[that] you can shoot a porno film in 3D, but you cannot film a romantic comedy in 3D’ (Herzog in Wigley, 2011, p. 29). Newspaper headlines have described it as a health concern: ‘3D film strikes two movie-goers with bout of motion sickness’ (Helliwell, 2010, p. 2).2 As well, I have seen arguments expounding the idea that stereoscopy’s reintroduction is simply evidence that the popular film industry lacks ideas. For example, popular film critic, Roger Ebert, has argued that D3D was just ‘[a]nother Hollywood infatuation with a technology that was already pointless when their grandfathers played with stereoscopes’ (Ebert, 2010a).