snow on the bluff download torrent Snow on tha Bluff. When Curtis Snow steals a video camera from some college kids during a dope deal, he gives the camera to his best friend, Pancho, and they start documenting their lives. At first its business as usual for Curtis. He robs dope boys, he runs from the cops, he sells drugs, all while trying to provide for his two-year-old son. But when one of the dealers he ripped off comes for revenge, Curt’s life starts to spiral out of control. Snow on tha Bluff streaming: where to watch online? Currently you are able to watch "Snow on tha Bluff" streaming on Hoopla, fuboTV or for free with ads on Crackle. It is also possible to rent "Snow on tha Bluff" on Apple iTunes, Google Play Movies, Vudu, Microsoft Store, YouTube online and to download it on Apple iTunes, Google Play Movies, Vudu, Microsoft Store, YouTube. NEW MUSIC: J. Cole – Snow On Tha Bluff. The world of music has been hit by exciting waves of sounds as ever trending American rapper J. 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Well, yeah, all those things. - Little things like that, you know? - Best place I can think to start, right now. - Okay, so you think we're going to be able to talk to someone there? - I can talk to anybody. I could f***ing sell water to a drowning man. - I don't know. I mean, I don't really trust either of y'all's opinion on this, really. - Hey, I'm not saying that we should be here either. - You a**holes watch too many movies. Like, "Ooh, we're gonna get carjacked in the hood, yo." They're probably just gonna think you're hot, and, like, maybe they'll give us stuff for free--or more stuff. I'll be cute for them, f*** it. I could run in, or there's like--there's some guys. - No, don't get out. Don't get out. Don't get out. - Are you sure? - No wait. Hold on. This dude's coming over. - He's kind of looking at us, right? - Let's see what he has to say. - F*** it, I'm going to talk to him. Let's just see what he's doing. - Hey, hey, hey. - Hey, what's going on? - I see it in your face. I got the good stuff. - All right, now. - Vocaine, pills, whatever you want. - You got ecstasy? - Yeah, I got ecstasy. The camera cool then-- y'all ain't no goddamn police? - No, I'm not the police, man. I mean, I'm just-- I film everything. - lgnore him. - You cool with that? - Yeah, yeah, long as y'all spend the money, goddamn, it don't matter. - Okay, no, that's-- - What y'all want to get? - I'm saying, like, I need, like, a lot of coke. - And some rolls. - Do you have any rolls? - Yeah, I got rolls. You said you need a lot of coke. I got a goddamn eight ball on deck right now. - How much is that? - $1 25. - Can I have, like, two of them? - Yeah, yeah, it's ridin' at my house, though. I ain't get near no, man. Them motherfuckers kind of hot, right here, you know what I mean? - Well, where do you live at? - Right around the corner. - Like how far? - One street over, elm street. - Is that okay? - Uhh. - We can do it quick, right? Like, just at your house-- - Hurry up. Hurry up. - I trust y'all. - Is that enough for everybody tonight? - Yeah, well, I definitely want-- I mean, how many rolls do you want, baby? - Um, well, I want at least three for myself. - Well, let's get ten rolls and the two eight balls. - All right, for the ten rolls and the two eight balls, $450. - Are we going in the right direction? - Yeah, yeah, yeah. - I mean, we got the money. Don't worry. - I stay right here. - Okay. Right where? At this-- - This is my house right here, where you see this van there. Okay. No, I'm saying I got the-- like, you said $450? - Yeah, $450, I'll do that for y'all. - Do you have change? - Yeah, what you need change for? - I just have, like-- I got five. - Yeah, all right, all right, that's perfect. So you want two eight balls, and you want the two, um-- - Well. - Yeah, ten rolls. - Ten rolls, 200 bucks. - I could try-- - Yeah, try this. - [screams] Sh*t! - Hey, man, don't shoot. Don't shoot. - Oh, my God, please. [all screaming] - Keep on motherfuckin' shooting. Keep shooting this, motherf***er. B*tch, shut up. B*tch, shut up. - Man, just don't shoot. - Give me that motherfuckin' camera. Damn. Country, hey, what's goin' on, baby? Hell yeah, man, I'm back in. First in flight, man. - Hey, Curt. - Hey, what's goin' on, y'all? Damon Russell is a producer and director of television series and films. On June 29, 2016, Russell was inducted as a new member of the Academy of Motion Picture Arts and Sciences. more… User Reviews. OK, I'll be honest, I'm a conservative middle aged woman from the Mid West area of the United States. I moved down to Atlanta for my job a few years ago, and I was instantly taken back by the difference in the way people live here. It was a culture shock. I live in the Westend area, which is only a few miles from "The Bluff" (the neighborhood this movie was shot in). Though I don't agree with all of the actions of Curtis Snow, this movie was kinda interesting. It was very realistic, and I really like how clever they were. His problems are not like mine, but for some reason I could actually relate to the "need to provide" themes in this movie. This man is from the poorest area in Atlanta, I'm talking dirt poor, where people are raised in a violent drug filled world, little hope. It's interesting to me that these filmmakers were able to get in, and get out alive. I'm biased to "found footage" type films, and this is now one of my favorites, it's gonna be a good-add to my collection, next to my other crime-dramas. This is another found-footage film that veers into uncharted waters and takes a look without any moral judgement (like most Hollywood movies) of Atlanta's most dangerous hood, "The Bluff". When you watch this movie, you see it from Curtis Snow's perspective, who is a drug dealer, robbery boy who only knows the life he was born into. To the reviewer who mentioned that this film has no artistic value, I would definitely have to disagree. Though the film's content is harsh and unrelenting the way the camera follows the action, the way in which this film was cut together, and the social questions it raises along with the controversy are quite an artistic accomplishment. I would suspect that the deep underlying issues that this film raises is the reason this independent movie has seen such attention in the press (and the reason I watched it). I feel that this film really is a call to action. Every city in America has ghetto's such as these that are largely ignored by the mass public, and I think we need to look at restoring these places in order to help the children (like a young Curtis Snow) who were born into drugs, guns, and violence. Cameras are truly remarkable things, wouldn't you say? They have one major job, which is keeping an unblinking record of what is placed in front of it after being activated. In Curtis Snow's debut mockumentary, Snow on Tha Bluff, it captures dehumanizing events of absolutely depressing measures. A cacophony of madness, lawlessness, and sickening behavior done by the lost wandering souls of a dangerous neighborhood in Atlanta nicknamed "the Bluff." By the end of this picture, which runs only seventy-nine minutes, I was filled to the brim with sadness and nihilism. This is a well-made film, which is a good thing because it gives me something to recommend and makes a valid use of my time, but bad because it's all too effective. It, at first, concerns a group of three college students, driving through the seedy "Bluff" neighborhood where they meet Curtis Snow, who first hops in their car appearing to be interested in selling them all sorts of drugs, before robbing them at gunpoint and stealing their camera. What follows is Snow having his buddy Damon Russell film his large group of friends and how they interact with each other and deal with day-to-day complications in one of Atlanta's roughest neighborhoods. Activities such as theft, shootouts, drug sales, and drug robberies all commence with Snow at the forefront of everything. He tells how he has lost several family members to the rough and tumble gang violence of the Bluff and goes on to show how he has fathered children with different mothers, and is struggling to provide them with the necessities of living a fulfilling and enriching life. The Bluff seems to be the blackhole of the state of Georgia; education is non-existent, the culture is morally bankrupt, the people are violent and near, if not already, a complete and total wreck, and the only two concerns we see present are living to open your eyes the next morning and possessing enough drugs to get you through the night. While Snow lives in the impoverished, economically destitute community of "the Bluff," his day-to-day struggles (aside from drug robberies and shootouts) likely mirror those of a middle class family. He constantly is worried about his two children and their mother, always trying to have enough money in hand to provide them with luxuries, but finds the only way he can keep giving them what they need is by giving other individuals what they really don't need, which are drugs. We've been told for years that drugs are bad and that we should stay away from them. Snow acknowledges that, but turns around says that they, however, do help one afford monthly rent. They keep him on a steady, viable income and assist in feeding home and his kids one more day out of the year. Notice how I consistently say "one more day" or "the next morning." There's no macro-scope on life in "the Bluff." For children, it's "if I grow up," not "when I grow up." It's those little hurting details that make Snow on Tha Bluff, a documentary that is seemingly staged but apparently not far from life, on the track of realism. The final thing to mention about this film is its dialog, which is often incoherent, overly-loud, mumbled, yet accurate to the culture, I presume. Rarely does a sentence become clear when we either have three or more people talking at the same time, with no respect for conversational poetry or fluency or just mumbled, incomprehensible gibberish in place of actual sentence continuity. I return to the statement I make at the beginning, which was, "I was filled to the brim with sadness and nihilism" while watching Snow on Tha Bluff. It's a film that does what I love, which exposes other cultures and compares how drastically different they are or how closely they mirror the audience's, and it does it all too effectively, which is what makes the film even more valuable and hence why there is the looming sadness and nihilism to go along with it. It's an impacting picture - one I'd hesitate to watch again. It didn't provide me with the same enjoyment I got from a similar documentary, The Wild and Wonderful Whites of West Virgina, which was spry, fun, often comedic, and insightful, and it was authentic. Snow on Tha Bluff is more of a reenactment. NOTE: On a final note, consider how I call this film a "mockumentary" in my opening paragraph. Much has been made and questioned about the authenticity of the material provided in Damon Russell's Snow on Tha Bluff, and through the research I've done, I resort to calling it a mockumentary for two reasons. One, I doubt that Curtis and his friends, if they really were robbing homes for drugs, would want that footage shown to other people, much less the world, and the camera-theft at the beginning seems all too convenient. Why would Curtis keep that in during the editing? Starring: Curtis Snow. Directed by: Damon Russell. Stream J. Cole’s New Song “Snow on Tha Bluff” Download or stream J.Cole – Snow On The Bluff: J. Cole returns with a new song titled “Snow on Tha Bluff.” This marks his first entry this year. In Pitchfork’s voice, J.Cole has been teasing a new album called The Fall Off . That album currently has no release date. He’s otherwise been busy working with artists on his Dreamville label on the Grammy-nominated 2019 compilation Revenge of the Dreamers III . He was set to throw his Dreamville Festival this year, but like many other events, it was canceled due to the COVID-19 pandemic. At the end of 2019, he appeared on Gang Starr’s first new song in 16 years. 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