Huron River Review 2018
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Barrett Vol 1.Pdf
Introduction usician, psychedelic explorer, eccentric, cult icon – Roger “Syd” Barrett was many things to many people. Created in conjunction with the Barrett family and The Estate of Roger Barrett, who have provided unprece- dented access to family photographs, artworks, and mem- Mories, Barrett offers an intimate portrait of the Syd known only to his family and closest friends. Previously unseen photographs taken on seaside holidays and other family occasions show us a happy and loving young man, smiling energetically in images that map his early life, from childhood through his teenage years. Along with newly available photos from the album cover shoots for The Madcap Laughs and Barrett (taken by Storm Thorgerson and Mick Rock) they reveal the positive energy of a grinning Syd as he fools about in front of the camera. We are offered a rare glimpse of one who was immensely popular among friends and contemporaries. Also contained within these pages are recently unearthed images of Pink Floyd in which we see Syd practising handstands, making muscle-man poses, and having fun. The other members of Floyd lark about too – a fledgling young band enjoying itself with a sense of real camaraderie. The images transport one back in time to 166–67: the London Free School gigs, the launch of International Times at the Roundhouse, the UFO club, the band’s first European dates. There are photos of Syd and Floyd at numerous locations and events, giving a real sense of what it must have been like to be there as the infant light shows, experimentation, and collective spirit of the time emerged, grew, and flourished in the psychedelic hothouse that was the late 160s. -
LR Alphabetical
Lilliput Review Index 1-158 Don Wentworth, Editor M. Kei, Indexer, © 2007 Abe no Nakamaro. Dennis Maloney & —Sleepover Friend. 8:1 Hide Oshiro, trans. tanka. 145:9 Andrews, Ginger. haiku. 79:11 Ackerman, Al & Bennet, John M. from JOHNEE HACKS ACK:THE Androla, Ron. & so there are books. MONITOR HAIKU. 38:9 78:14 —with Shiela E. Murphy. untitled. 23:14 —Dope-world. 17:8 —the edge is gone. 45:4 Adelman, Shirley. Burning Summer. —THE NEW (NEW) BOHEMIA. 40:3-4 116:8 —slightly amused, mostly amazed. 51:3 —stoned. 83:4 Agostino, Paul. Rodeo Punch-Drunk. —this pipe (for bart). 110:8 17:11 —Brobdingnag Feature Poem #6. troubadours are singing sick songs. Aiken, William. Apple. 102:14 20:11-12 —untitled. 76:14 Alkalay-Gut, Karen. Tel Aviv. 68:3 —withdrawal. 43:14 —untitled. 49:1 —untitled. 60:8 Andrus, Pat. Untitled Wednesday Poem. 27:9 Allar, Cynthia Rausch. Summer Plans. 116:13 Anonymous. Cab Calloway (photo). 65:4 —Cipipati, Tibet (art). 59:10 Anderson, Doug. Morning. 91:7 —Creature, Han Dynasty (art). 59:3 —from the Encyclopedia of Anderson, Ed. A Basic Understanding. Geomorphology (art). 68: cover 63:6 —from the Encyclopedia of —Common Appearance. 65:13 Geomorphology (art). 68:4 —Street Scene. 73:9 —from the Encyclopedia of —To Be, To Have Been There. 79:7 Geomorphology (art). 68:9 —from the Encyclopedia of Anderson, Jamie Morewood. untitled. Geomorphology (art). 68:13 79:6 —from Erotic Art of China. 70:cover —untitled (art). 5:cover Anderson, Jennifer. Acuity. 135:10 —untitled (art). 5:3 —untitled (art). -
Film Socialisme, Debuted at Cannes
Kerala State Chalachitra Academy Department of Cultural Affairs Government of Kerala Recognised by Fédération Internationale des Associations de Producteurs de Films International Federation of Film Producers Associations International Film Festival of Kerala FEB. 10 > MARCH 05, 2021 THIRUVANANTHAPURAM KOCHI THALASSERY PALAKKAD The Festival Team Chairman & Festival Director, IFFK: Kamal Vice-Chairperson & Artistic Director, IFFK: Bina Paul Secretary & Executive Director, IFFK: C Ajoy Treasurer: Santhosh Jacob K Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Festival): Rijoy K J Programme Manager (Finance): Sajith C C Programme Manager (Programmes): Vimal Kumar V P Festival Assistants: Tony Xavier, Sreevidya J Programme Assistants: Saiyed Farooq Z, Nekha Fathima Sulficar Programme Assistant (Programmes): Nitin R Viswan Print Unit Coordinator: P S Sivakumar Cashier: Manu S T Festival Cell: Mary Ninan, K Harikumar, John Kurian, Madhavi Madhupal, Nishanth S T, Jaya L, G Sasikala, Sarath M, Sandhya B, Abdulla A, Manu M, Shamlal S S, K Venukuttan Nair, Vijayamohan B, Arun R, A Maheshkumar, Lizy M, Omana J, Jayakumari D, Sudharsanan T, Sahadevan R, Rahul Vijayan Festival Programmers: Rosa Carillo, Alessandra Speciale, Eduardo Raccah Signature Film: Mahesh Narayanan Branding design & collaterals: Anoop Ramakrishnan Online Coordination: Shelly J Morris Photo Exhibition: Sajitha Madathil, Hylesh, Nitin R Viswan Filmmakers' Liaison & Guest Relations: Bandhu Prasad Aleyamma, Jayesh LR, Rameez Mohammed, Jithin Mohan AS (Trivi Art Concerns) FESTIVAL BOOK Chief Editor: C Ajoy Executive Editor: Rajesh Chirappadu Associate Editors: Rahul S, Nowfal N Editorial Team: Aneesa Iqbal, N N Baiju, Aswanth Chandrachoodan, Arnold Mathews, Anju S Anand, Swathy Lekshmi Vikram, Akash S S, Jayakumar, Binukumar M R Book Design: Anoop Ramakrishnan Word Processing & Page Setting: Sivaprasad B Academy is grateful to various film journals, festival publications, film festival websites from which we have borrowed content to put together this book. -
Introduction 1. Hayden Herrera, Frida Kahlo: the Paintings (New York
Notes Introduction 1. Hayden Herrera, Frida Kahlo: The Paintings (New York: HarperCollins Publishers, 1991). 2. Anne Finger, “Helen and Frida,” in The Disability Studies Reader, ed. Leonard J. Davis, 401–7 (New York: Routledge, 1997), 403. 3. Major Disability Studies volumes of multidisciplinary crit- ical analysis, personal essays, and poetry include, yet are not limited to the following: Lennard J. Davis, ed., The Disability Studies Reader (New York: Routledge, 1997); David T. Mitchell and Sharon L. Snyder, eds., The Body and Physical Difference: Discourses of Disability (Ann Arbor: University of Michigan Press, 1997); Mairian Corker and Sally French, eds., Disability Discourse (Buckingham UK and Philadelphia, PA: Open University Press, 1999); Susan Crutchfield and Marcy Epstein, eds., Points of Contact: Disability, Art, and Culture (Ann Arbor: University of Michigan Press, 2000); Helen Deutsch and Felicity Nussbaum, eds., “Defects”: Engendering the Modern Body (Ann Arbor: University of Michigan Press, c. 2000); Paul K. Longmore and Lauri Umansky, eds., The New Disability History: American Perspectives (New York: New York University Press, 2001); Mairian Corker and Tom Shakespeare, eds., Disability/Postmodernity: Embodying Disability Theory (London and New York: Continuum, 2002); and Sharon L. Snyder, Rosemarie Garland-Thomson, and Brenda Jo Brueggemann, Disability Studies: Enabling the Humanities (New York: Modern Language Association of America, 2002). 4. For a thorough explanation of medical models and their social and political implications, see Simi Linton, Claiming Disability: Knowledge and Identity, foreword by Michael Bérubé (New York and London: New York University Press, 1998). 146 NOTES 5. Lennard J. Davis, Enforcing Normalcy: Disability, Deafness, and the Body (London and New York: Verso, 1995). -
Revealing Art by Matthew Kieran
revealing art ‘. a fine discussion of one of the most important topics in aesthetics: the value of art. Its arguments and conclusions are both original and accessible to a broad audience.’ Robert Stecker, Central Michigan University, USA ‘Matthew Kieran offers an urbane, broad-minded, humanistic vision of the enduring values of art from Poussin to Matisse to conceptualism, delighting in the multi-facetedness of art and quietly admonishing those with moralistic or fashion-driven prejudices.’ Peter Lamarque, University of York, UK Matthew Kieran is Lecturer in Philosophy at the University of Leeds. He is the co-editor of Imagination, Philosophy and the Arts (2003) and the editor of Media Ethics (1998), both published by Routledge. revealing art by Matthew Kieran First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 2005 Matthew Kieran All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Kieran, Matthew, 1968– Revealing art / Matthew Kieran. — 1st ed. p. cm. 1. Aesthetics. -
B And/Or an Exhibition Guide in Search of Its Exhibition
Valentinas Klimašauskas and/or an Exhibition Guide In Search of Its Exhibition Torpedo Press B and/or an Exhibition Guide In Search of Its Exhibition Valentinas Klimašauskas COntent PAge 5 An Invitation Instead of an Introduction 11 Walking In a Title (Laura Kaminskaite˙) 15 The Man Who Hoarded Exhibitions in His Head 35 A Few Possible Suggestions for an Exhibition Guide 45 A Walk (Elena Narbutaite˙) 47 Unhappy Readymade. Imaginary Show of Fictional Artworks 55 On the Tip of the Tongue 73 Dear Curator 77 Dear Reader, This Is a Portrait of You If I Say So 81 The Barman Says 93 Review 101 Index of Names and Titles 105 Colophon 109 And/or An InvitAtiON InsteAD OF AN IntRODUctiON ABCDEFGHIJKLMNOPQRSTUVWXYZ. Let us be deceived, but let us stay realistic — what looks like a simple line of capital letters in alphabetical order may also be a poem by Aram Saroyan (b. 1943) or Ian Hamilton Finlay (1925– 2006), entitled STEAK (1968) and Arcady (1977) respectively. Artist Fiona Banner (b. 1966) also uses these 26 letters to make a neon alphabet that she titles as Every Word Unmade (2007), and then proposes to ‘unmake every word, or story imaginable’ 1. Which of the works were you reading as you were reading this ‘simple line of capital letters in alphabetical order’? All three and more? With all these works we may as well curate an exhibition, shouldn’t we? ‘Why is the alphabet in that order? Is it be- cause of that song? The guy who wrote that song wrote everything’, pronounces American stand-up comedian Stephen Wright (b. -
Pre-Pedidos: 10 - Enero - 2020
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 17 - enero - 2020 inclusive PRE-PEDIDOS: 10 - ENERO - 2020 15.30 € OCP MILZ & HITEK - PRODUCTIONS (O WELLS RMX) 13.92 € OCP002 12" ELECTRO / ELECTRO-TECH / Release: 16 - February - 2020 DEU TECH-HOUSE A1 > spin-off A2 > candy flip In-between boxes ocp 002 draws on a wide range of influences in order to undermine their distinctions. As B1 > redux of now the beverly mills studio is in effect. As it's crew prefers to let the music do the talking you're invited to close your eyes, lower your breath and listen for yourself B2 > sedative deprivation B3 > sedative deprivation (O-Wells rmx) 20.20 € KANZLERAMT DOUBLE X (aka ALEXANDER KOWALSKI & TORSTEN LITSCHKO) - A:LIVE 18.38 € KA113 2x12" TECHNO DEU | RE-STOCK | A1 > city lights "A:LIVE" is the first Double X album by Alexander Kowalski and Torsten Litschko (one half of Sender Berlin / Tresor Records / unGleich). The project Double X started when Alexander Kowalski and Torsten Litschko A2 > voltage 645 were invited to play a live gig at the Tresor Club for the Love Parade 1999 and somehow decided to play B1 > lydkraft together. Therefor they needed to create a new project and immediately recorded more than 10 tracks in B2 > dirty sanchez various spontaneous jam-sessions... Double X was born. The Live Set at the Tresor Club was more than exciting for the crowd as well as the producers and so the first records were released: a first 12inch as the C1 > fanatikal start of the Berlin based unGleich label founded by the Double X members themselves, followed by the C2 > flashback (album mix) double 12inch "unGleich in Exile" (ka40) as their Kanzleramt debut, another limited orange vinyl EP on unGleich and finally the full length cd "Strain one's ears" with all previous vinyl recordings again on D1 > proceed unGleich. -
Sinister Wisdom 72.Pdf
72 Wisdom Utopia Sinister 2007–2008 Winter Sinister Wisdom 72 US $6 Publisher: Sinister Wisdom, Inc Sinister Wisdom 72 Winter 2007-2008 Submission Guidelines Editor: Fran Day Submissions: See page 168 for themes. Check our website at www.sinis- Layout and Design: Jan Shade terwisdom.org for updates on forthcoming issues. Please read the guidelines Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, below before sending material. Susan Levinkind, Fran Day, Shaba Barnes Material should be sent to the editor or guest editor of the issue. Everything Coordinator: Susan Levinkind else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate Web Design: Sue Lenaerts Writing and Art Guidelines: Please read carefully. Mailing Crew for #71: Fran Day, Carolyn DeTierra, Roxanna Fiamma, Material may be in any style or form, or combination of forms. Maximum: Moire Martin, Senecarol Rising, Jan Shade, and Stacee Shade fi ve poems, two short stories or essays, or one longer piece of up to 2500 Special thanks to: Shaba Barnes, Cathy Cade, jade deforest, Nann words. We prefer that you send your work by email in Word. If sent by mail, Dunne, Arden Eversmeyer, Roxanna N. Fiamma, Kimba Fusch, Virgin- material must be mailed fl at (not folded) with your name and address on each ia Harris, Sonia Johnson, Lori Lake, Sherry Mills, Rose Provenzano, Ida page. We prefer you type your work but short legible handwritten pieces will Red, Linda Strega, Sandy Tate, rainbow williams, and Susan Wiseheart be considered; tapes accepted from print-impaired women.