Introduction 1. Hayden Herrera, Frida Kahlo: the Paintings (New York
Notes Introduction 1. Hayden Herrera, Frida Kahlo: The Paintings (New York: HarperCollins Publishers, 1991). 2. Anne Finger, “Helen and Frida,” in The Disability Studies Reader, ed. Leonard J. Davis, 401–7 (New York: Routledge, 1997), 403. 3. Major Disability Studies volumes of multidisciplinary crit- ical analysis, personal essays, and poetry include, yet are not limited to the following: Lennard J. Davis, ed., The Disability Studies Reader (New York: Routledge, 1997); David T. Mitchell and Sharon L. Snyder, eds., The Body and Physical Difference: Discourses of Disability (Ann Arbor: University of Michigan Press, 1997); Mairian Corker and Sally French, eds., Disability Discourse (Buckingham UK and Philadelphia, PA: Open University Press, 1999); Susan Crutchfield and Marcy Epstein, eds., Points of Contact: Disability, Art, and Culture (Ann Arbor: University of Michigan Press, 2000); Helen Deutsch and Felicity Nussbaum, eds., “Defects”: Engendering the Modern Body (Ann Arbor: University of Michigan Press, c. 2000); Paul K. Longmore and Lauri Umansky, eds., The New Disability History: American Perspectives (New York: New York University Press, 2001); Mairian Corker and Tom Shakespeare, eds., Disability/Postmodernity: Embodying Disability Theory (London and New York: Continuum, 2002); and Sharon L. Snyder, Rosemarie Garland-Thomson, and Brenda Jo Brueggemann, Disability Studies: Enabling the Humanities (New York: Modern Language Association of America, 2002). 4. For a thorough explanation of medical models and their social and political implications, see Simi Linton, Claiming Disability: Knowledge and Identity, foreword by Michael Bérubé (New York and London: New York University Press, 1998). 146 NOTES 5. Lennard J. Davis, Enforcing Normalcy: Disability, Deafness, and the Body (London and New York: Verso, 1995).
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