Under African Skies Csny Déjà Vu Bones

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Sundance Institute’s Outdoor Summer Film Series is back this year with screenings in Park City and Salt Lake City. Pack a picnic and invite your friends to explore art and music through fi lm under the stars at Red Butte Garden Amphitheatre, City Park, and our newest venue—Canyons Resort. All screenings are free, and no ticket is required. UNDER AFRICAN SKIES Wednesday, June 20 | 9:00 P.M. RED BUTTE GARDEN AMPHITHEATRE Thursday, June 21 | 9:00 P.M. CANYONS RESORT DIRECTED BY JOE BERLINGER 2012 Sundance Film Festival Offi cial Selection Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he sparked while there. CSNY DÉJÀ VU Wednesday, July 11 | 9:00 p.m. RED BUTTE GARDEN AMPHITHEATRE Thursday, July 12 | 9:00 p.m. CANYONS RESORT DIRECTED BY BERNARD SHAKEY 2008 Sundance Film Festival Offi cial Selection The war in Iraq is the backdrop as the Crosby, Stills, Nash, and Young “Freedom of Speech Tour” crisscrosses North America echoing anti-war sentiment. FILLY BROWN Wednesday, July 25 | 9:00 p.m. RED BUTTE GARDEN AMPHITHEATRE Thursday, July 26 | 9:00 p.m. CANYONS RESORT DIRECTED BY YOUSSEF DELARA, 2012 Sundance Film Festival Offi cial Selection MICHAEL D. OLMOS A Hip Hop-driven drama about a young Mexican woman who rises to fame and consciousness as she copes with the incarceration of her mother through music. BONES BRIGADE: AN AUTOBIOGRAPHY Wednesday, August 1 | 8:45 p.m. RED BUTTE GARDEN AMPHITHEATRE Friday, August 3 | 8:45 p.m. CITY PARK, PARK CITY* DIRECTED BY STACY PERALTA 2012 Sundance Film Festival Offi cial Selection When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too. *In collaboration with the Kimball Arts Festival and Park City Recreation. SUNDANCE INSTITUTE GRATEFULLY ACKNOWLEDGES THE GENEROUS SUPPORT OF: PRINCIPAL SPONSOR COMMUNITY SUPPORTERS Canyons Resort, Park City Municipal, Promontory Foundation, Red Butte Garden sundance.org/utah.

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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth
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Frank T Songlist
FRANK T SONGLIST Dance The Night Away - The Mavericks I Wont Back Down - Tom Petty You Got It - Roy Orbison Bad Case Of Loving You - Robert Palmer Everybody Needs Somebody - Blues Brothers Daydream Believer - The Monkees You Can Call Me Al - Paul Simon Unchained Melody - Righteous Brothers I’m Still Standing - Elton John Sweet Caroline - Neil Diamond Hello Goodbye - The Beatles Dancing In The Moonlight - Thin Lizzy Honky Tonk Woman - The Rolling Stones Amarillo - Tony Christie Brown Sugar - The Rolling Stones Maggie May - Rod Stewart Oh What A Night - Four Seasons Cant Help Falling In Love - Elvis / Ub40 La Vida Loca - Ricky Martin Moon River - Frank Sinatra Golden Brown - The Stranglers Imagine - John Lennon Fountain Of Sorrow - Jackson Browne Romeo And Juliet - Dire Straits Another Day In Paradise - Phil Collins Waterloo Sunset - The Kinks Pretty Woman - Roy Orbison Sunny Afternoon - The Kinks I Can’t Stop Lovin’ You - Phil Collins Like A Rolling Stone - Bob Dylan I Wish - Stevie Wonder Caravan - Van Morrison You Cant Hurry Love - Phil Collins Sunday Bloody Sunday - U2 Something Happened On The Way To Heaven - Phil Collins Lady In Red - Chris De Burgh Mustang Sally - The Commitments Start Me Up - The Rolling Stones Merry Xmas Everybody - Slade Sympathy For The Devil - The Rolling Stones Get Back - The Beatles Lets Dance - Chris Rea Fall At Your Feet - Crowded House Radio Ga Ga - Queen Every Breath You Take - The Police Summer Of 69 - Bryan Adams Every Little Thing She Does Is Magic - The Police Have I Told You Lately - Van Morrison
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Paul Simon Graceland Album Mp3 Download Paul Simon (Tamasha Records) Download Music from Your Favorite Artists for Free with Mdundo
paul simon graceland album mp3 download Paul Simon (Tamasha Records) Download music from your favorite artists for free with Mdundo. Mdundo started in collaboration with some of Africa's best artists . By downloading music from Mdundo YOU become a part of supporting African artists. Mdundo is financially backed by 88mph - in partnership with Google for entrepreneurs. Mdundo is kicking music into the stratosphere by taking the side of the artist. Other mobile music services keep 85-90% of sales. What. Yes, the majority of the cash lands in the pockets of big telcos. Mdundo enables you to keep track of your fans and we split any revenue generated from the site fairly with the artists. Paul Simon - The Complete Albums Collection (2013) Artist : Paul Simon Title : The Complete Albums Collection Year Of Release : 2013 Label : Sony Music Cmg Genre : Folk Rock, Singer- Songwriter Quality : FLAC (image+.cue, artwork) Total Time : 13:16:23 Total Size : 5.41 GB WebSite : Album Preview. Disc 1: The Paul Simon Song Book (1965) Disc 2: Paul Simon (1972) Disc 3: There Goes Rhymin' Simon (1973) Disc 4: Paul Simon in Concert: Live Rhymin' (1974) Disc 5: Still Crazy After All These Years (1975) Disc 6: One Trick Pony (1980) Disc 7: Hearts and Bones (1983) Disc 8: Graceland (1986) Disc 9: The Rhythm of the Saints (1990) Disc 10 and Disc 11: Paul Simon's Concert in the Park (1991 2 CD set) Disc 12: Songs From The Capeman (1997) Disc 13: You're The one (2000) Disc 14: Surprise (2006) Disc 15: So Beautiful or So What (2011) 1965 - The Paul Simon Song Book 00:38:48.
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Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
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AFTER ALL THESE YEARS the Incredible Journey of Bakithi Kumalo
CS AFTER ALL THESE YEARS The Incredible Journey Of Bakithi Kumalo THERE’S A MOMENT IN JOE BERLINGER’S Know What I Know,” “The Boy in the Bubble,” 2012 documentary Under African Skies that and “You Can Call Me Al” flowed joyfully vocal gets right to the bottom of Paul Simon’s game- bass lines that were singular works of art. The changing 1986 hit Graceland. We learn that swooping, muscular parts, models of nimble the album’s music showed the world a differ- technique and impressive intonation, were ent side of apartheid-torn South Africa, that uniquely South African, immediately intox- Simon’s arrival was politically complicated, and icating, and buoyantly delivered by a young that the combination of his vision, the studio man named Bakithi Kumalo. Fretless bass musicians’ talent, and engineer Roy Halee’s would never be the same. editing prowess created a synthesis previously Bakithi, born in Alexandra township and unheard in the annals of American music. But raised in Soweto, grew up surrounded by church when the camera gets to Talking Heads icon music, and his uncle had a big band that played David Byrne, he verbalizes precisely what bass Count Basie and Duke Ellington. But it was the players all over the world were thinking: “The traditional music Bakithi heard on the streets [Paul Simon] albums before Graceland had of Soweto, in the countryside of Zululand, and great songs, but this one had a little bit more at the clubs of Zimbabwe that made the deep- low end going on.” est impression. Right from the beginning, he Indeed.
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Paul Simon's Graceland: Days of Wonder and Miracles by Yunus
Paul Simon’s Graceland: Days of wonder and miracles by Yunus Momoniat 8 March 2021 When Paul Simon embarked on a project to draw inspiration from South African musicians, he set out on a perilous obstacle course that would stir fevered controversy. Simon entered into a political minefield: he transgressed the United Nations’ call to boycott South Africa’s apartheid regime, he angered the African National Congress and other liberation movements and he dared to question the thinking behind their political tactics. This was the project, begun 35 years ago in February 1985, that resulted in the release of Graceland, the album that saved Simon’s flagging career but which also brought world acclaim for music from South Africa. By no means ignorant of the horrors of apartheid, Simon appreciated the reasoning behind the cultural boycott, and had turned down invitations to perform at Sun City in what was then the Bophuthatswana “independent homeland”. Other famous musicians took up the invitation and came to play to white South African audiences who would never otherwise see world-class acts because of the cultural boycott. Many of these were blacklisted, including Queen, Rod Stewart, the Beach Boys, Frank Sinatra, Elton John and, crucially, Linda Ronstadt. Around the same time, Stevie Van Zandt, guitarist for Bruce Springsteen, founded Artists United Against Apartheid, producing an album and single, both titled Sun City, to urge artists to support the cultural boycott. It featured Springsteen, Miles Davis, Bob Dylan, Herbie Hancock, Gil Scott-Heron, Ringo Starr, Run DMC, Lou Reed and Peter Gabriel among the 50 or so artists who took part.
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Simon & Garfunkel Shabbat
Simon & Garfunkel Shabbat An Etz Chayim Fifth Friday SHABBAT SERVICE Kabbalat Shabbat • I Am a Rock • L’chu N’ran’nah • Shiru l’Adonai • 59th Street Bridge Song (Feelin’ Groovy) L’Cha Dodi (to Feelin’ Groovy) Bar’chu • Creation: So Long Frank Lloyd Wright • Revelation: The Sound of Silence Sh’ma & v’Ahavta • Redemption: The Boxer Hashkiveynu / Lay Us Down: Bridge Over Troubled Water Amidah (“Avodah”/Service) • Avot v’Imahot: Under African Skies • G’vurot: Slip Slidin’ Away • K’dushat haShem: Kathy’s Song + My Little Town • K’dushat Shabbat: How Can You Live in the Northeast? • R’Tzeih: Silent Eyes • Shalom: Peace Like a River Healing Prayer: Homeward Bound Aleynu Congregation Etz Chayim Palo Alto, CA Mourners’ Kaddish: April Come Rabbi Chaim Koritzinsky Birchot Hamishpachah / Parents Bless their Children: Mother and Child Reunion, Father and Daughter Closing: Adon Olam to Scarborough Fair Simon & Garfunkel Shabbat, 5/29/2020 • Shabbat Evening Service, page 1 Kavannah for Our Service From Flowers Never Bend with the Rainfall, by Simon & Garfunkel (Songwriters: Paul Simon | lyrics: ©Universal Music Publishing Group) Through the corridors of sleep So I'll continue to continue to pretend Past shadows dark and deep My life will never end My mind dances and leaps in confusion And flowers never bend I don't know what is real With the rainfall I can't touch what I feel And I hide behind the shield of my illusion The mirror on my wall So I'll continue to continue to pretend Casts an image dark and small My life will never end But I'm not sure at all it's my reflection And flowers never bend I am blinded by the light With the rainfall Of God and truth and right And I wander in the night without direction Etz Chayim’s first virtual Fifth Friday Shabbat service features 5 songs and 13 song lyrics presented as poems by Simon & Garfunkel.
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Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter ^ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE ART THAT WILL NOT DIE: THE STORY-TELLING OF GREG SARRIS AND THOMAS KING A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Philosophy By MARY MARGARET MACKIE Norman, Oklahoma 2001 UMI Number; 9994079 UMI UMI Microform 9994079 Copyright 2001 by Bell & Howell Information and beaming Company.
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ABSTRACT Paul Simon's Graceland and Its Social and Political
ABSTRACT Paul Simon's Graceland and its Social and Political Statements on Apartheid in South Africa Jonathan David Greer Mentor: Jean Ann Boyd, Ph.D. Paul Simon's Graceland album is one of the most controversial rock-and-roll albums in history because of its strong connection with South Africa during the apartheid. Simon's interest in South African music led him to record the album, which became a collaboration between South African popular music and American rock-and-roll music. Through the album, Simon makes a social statement, but because of the political issues within South Africa during the release of Graceland, many believe the album also makes a political statement. Graceland not only makes the strong social statement Simon intended, but also provides an important political statement on apartheid in South Africa. Copyright © 2006 by Jonathan David Greer All rights reserved CONTENTS LIST OF MUSICAL EXAMPLES iv iv ACKNOWLEDGMENTS v Chapter 1. Introduction and Background 1 Goals of Paper History of Apartheid in South Africa 2. Popular Music in South Africa 12 Marabi and Kwela Mbube and Isicathamiya Mbaqanga 3. Paul Simon's Career Before Graceland 24 4. Analysis 28 5. Responses and Conclusion 52 Public Responses to Graceland Conclusion BIBLIOGRAPHY 60 LIST OF MUSICAL EXAMPLES Example 1. Solo pennywhistle line and chord progression of "Meva" 14 2. Opening vocal lines of "Mbube" 15 3. Vocal lines and lyrics from "Unomathemba" 17 4. Lead guitar and vocal lines at beginning of "Tsotsi" 20 5. Bass line and background vocals from "Tsosti" 21 6. Accordion, drum, and bass from measures 1-12 of 28 "The Boy in the Bubble" 7.
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UNDER AFRICAN SKIES Paul Simon
PEACE TRAIN Cat Stevens Now I've been happy lately, thinking about the good things to come And I believe it could be, something good has begun C - - - / G - - - / C - - - / / F - - - / C - - - / F - - - / / F - - - / G - - - / Am - - - / / F - - - / G - - - / F - - - / // Oh, I've been smiling lately, dreaming about the world as one And I believe it could be, someday it’s going to come ‘Cause out on the edge of darkness, there runs the peace train Peace train take this country, come take me home again I've been smiling lately, thinking about the good things to come And I believe it could be, something good has begun Peace train sounding louder, ride on the peace train Hoo-ah-eeh-ah-hoo-ah, come on the peace train Peace train's a holy roller, everyone jump upon the peace train Hoo-ah-eeh-ah-hoo-ah, come on the peace train Get your bags together, go bring your good friends too Because it's getting nearer, it soon will be with you Come and join the living, it's not so far from you And it's getting nearer, soon it will all be true Peace train sounding louder, ride on the peace train Hoo-ah-eeh-ah-hoo-ah, come on the peace train I've been crying lately, thinking about the world as it is Why must we go on hating? Why can't we live in bliss? ‘Cause out on the edge of darkness, there rides the peace train Peace train take this country, come take me home again Peace train sounding louder, ride on the peace train Hoo-ah-eeh-ah-hoo-ah, come on the peace train Peace train's a holy roller, everyone jump upon the peace train Hoo-ah-eeh-ah-hoo-ah, come on the peace train T: Come on, come on, come on the peace train..
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1 Kaitlin Bedard Paul Simon's Graceland and the Anti-Apartheid
1 Kaitlin Bedard Paul Simon’s Graceland and the Anti-Apartheid Cultural Boycott “Culture flows like water. It isn’t something that can just be cut off.” – Paul Simon Introduction In 2012 Paul Simon went to South Africa to perform a concert in celebration of the 25th anniversary of the critically acclaimed album Graceland. Simon was also excited to reunite with the musicians who had worked on the album with him. He found much had changed in the country. Apartheid had ended eighteen years earlier in 1994. When Simon went to South Africa in 1986 there had been a global cultural boycott against the country. Simon, who had completely disregarded the boycott, had not been welcome into the country by leading anti-apartheid activists. Upon his return, in 2012, the African National Congress (ANC) leaders who were against him in 1986 were now glad to see him and meet with him. Additionally, there were no death threats against him as there had been in 1986. Liberation leaders expressed that they felt that the album had a profound impact on anti-apartheid resistance around the globe. Simon’s changing reception reflects broader changes in anti-apartheid activists’ approach to the cultural boycott—changes that debates about Graceland had helped to cause. This paper explores how Simon’s disregard of the global cultural boycott of South Africa inadvertently caused the ANC to make its policy more lenient and therefore more effective in combating the apartheid regime. 2 A Brief History of Anti-Apartheid Boycotts For almost fifty years (1948-1994), black South Africans were subjected to severe and violent oppression by the minority-led apartheid regime.
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