2019 FOREWORD the 200 Word RPG Challenge Began As an Accident
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Sigil: the City of Doors
SIGIL: THE CITY OF DOORS CHAPTER I: AT A GLANCE 4 CHAPTER II: THE TOUT’S TOUR 16 Sigil by the Numbers 4 The Lady’s Ward 16 Architecture 5 Armory District 16 Buildings and businesses 5 Ely Cromlich 16 Trades 5 Barracks District 17 Services 5 Diana the Guardian 17 Other Types of Buildings 5 Court of Pain 17 Timekeeping and Calendars 6 Courts District 17 Weather 6 Dabus Square 18 What Brings You to Sigil? 6 Shemeshka the Marauder 18 Antiquities 6 Dossy Street 19 Banking 6 Noble District 19 Commerce (General) 6 Petitioner’s Square 20 Communications 7 Temple Row 20 Companionship 7 The Lower Ward 21 Criminal Purposes 8 Lower Ward Smog 21 Dining 8 Armorer’s Row 21 Education 9 The Ditch 21 Employment 9 Farhome 22 Entertainment 9 Foundry District 23 Exotic Services 9 Ombidias 23 Factions 10 The Pits 23 Find Someone 10 Unbeliever Way 24 Guides 10 The Clerk’s Ward 25 Healing 10 Administrator’s District 25 Hiding 11 Crystal Dew Lane 25 Hired Help 11 Sandstone District 26 Legal Assistance 11 Speaker’s District 26 Lighting 12 Tea Street 27 Magic Items 12 Worker’s District 27 News 12 Utadas Tensar 27 Paying Taxes 12 Guildhall Ward & Market Ward 28 Pilgrimage Destinations 12 The Sigil Market 28 Places to Live 12 The Hive Ward 29 Places to Stay 13 The Streets of the Hive 29 Portals 13 Bedlam Run 29 Research 14 Marble District 30 Spellcasting 14 Ragpicker’s Square 30 Storage 15 The Hive 31 Transportation 15 The Slags 31 Worship 15 1 CHAPTER III: THE POLITICS OF BELIEF 32 Planar Trade Consortium 52 Government 32 Planeswalker’s Guild 52 The Council of Factions -
Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility. -
KS5 Exploring Performance Styles in Musical Theatre
Exploring performance KS5 styles in Musical Theatre Heidi McEntee Heidi McEntee is a Dance and KS5 – BTEC LEVEL 3, UNIT D10 Performing Arts specialist based in the Midlands. She has worked in education for over fifteen years delivering a variety of Dance and Performing Arts qualifications at Introduction Levels 1, 2 and 3. She is a Senior Unit D10: Exploring Performance Styles is one of the three units which sit within Module D: Assessment Associate working on musical theatre Skills Development from the new BTEC Level 3 in Performing Arts Practice Performing Arts qualifications and (musical theatre) qualification. This scheme of work focuses on the first unit which introduces a contributing author for student and explores different musical theatre styles. revision guides. This unit requires learners to develop their practical skills in dance, acting and singing while furthering their understanding of musical theatre styles. The unit culminates in a performance of two extracts in two different styles of musical theatre as well as a critical review of the stylistic qualities within these extracts. This scheme of work provides a suggested approach to six weeks of introductory classes, as a part of a full timetable, which explores the development of performance styles through the history of musical theatre via practical activities, short projects and research tasks. Learning objectives By the end of this scheme, learners will have: § Investigated the history of musical theatre and the factors which have influenced its development Unit D10: Exploring Performance § Explored the characteristics of different musical theatre styles and how they have developed Styles from BTEC L3 Nationals over time Performing Arts Practice (musical § Applied stylistic conventions to the performance of material theatre) (2019) § Examined professional work through critical analysis. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
We Will Rock You”
“We Will Rock You” By Queen and Ben Elton At the Hippodrome Theatre through October 20 By Princess Appau WE ARE THE CHAMPIONS When one walks into the Hippodrome Theatre to view “We Will Rock You,” the common expectation is a compilation of classic rock and roll music held together by a simple plot. This jukebox musical, however, surpasses those expectations by entwining a powerful plot with clever updating of the original 2002 musical by Queen and Ben Elton. The playwright Elton has surrounded Queen’s songs with a plot that highlights the familiar conflict of our era: youths being sycophants to technology. This comic method is not only the key to the show’s success but also the antidote to any fear that the future could become this. The futuristic storyline is connected to many of Queen’s lyrics that foreshadow the youthful infatuation with technology and the monotonous lifestyle that results. This approach is emphasized by the use of a projector displaying programmed visuals of a futuristic setting throughout the show. The opening scene transitions into the Queen song “Radio Gaga,” which further affirms this theme. The scene includes a large projection of hundreds of youth, clones to the cast performing on stage. The human cast and virtual cast are clothed alike in identical white tops and shorts or skirts; they sing and dance in sublime unison, defining the setting of the show and foreshadowing the plot. Unlike most jukebox musicals the plot is not a biographical story of the performers whose music is featured. “We Will Rock You” is set 300 years in the future on the iPlanet when individuality and creativity are shunned and conformity reigns. -
Planescape Part One: Sigil by Cutter
Planescape Part One: Sigil By Cutter Welcome to Sigil, the City of Doors! The centre of the Planes and the local multiverse too. Sitting on the inside of a giant torus that itself floats above an infinitely tall mountain at the centre of the very plane of neutrality itself – the Concordant Domains of the Outlands. Here neutrality is enforced. Gods are barred from the city, and the Lady of Pain takes very aggressive steps to make sure nobody drags Sigil into the troubles outside. It is even a haven from the Blood War. Unfortunately, this means many, many criminals and troublemakers from outside land come here as a last resort. ‘Course, not everyone’s here of their own free choice. Sigil’s ridded in doors to other planes, and sometimes a local from outside falls in. What got them in Sigil rarely is what gets them out of Sigil, and they’re stuck here until they find a door back home. These planar doors all throughout Sigil would make it the most valuable place in the multiverse to hold. Master Sigil, you can master the Planes. But the Lady won’t let that happen. Piss her off and the best thing you can hope for is being locked in an extradimensional maze unable to die of age, hunger, or thirst. The unlucky ones get flayed alive in an instant. But on the bright side, you’ll see all kinds of things in Sigil. A devil and a demon (don’t call ‘em that, trust me) having friendly drinks in a bar. -
Encouraging Fair Compensation for Musical Theatrical Compositions Through a Compulsory Synchronization License
In Sync: Encouraging Fair Compensation for Musical Theatrical Compositions Through A Compulsory Synchronization License Chris Johnson I. Introduction ....................................................................................................45 II. Copyright Enforcement and the Licensing of Musical Theatrical Compositions ..........................................................................................47 A. Basic Licensing Framework for Musical Theatrical Compositions ................................................................................. 48 1. Grand Rights ............................................................................ 48 2. Small Rights ............................................................................. 50 3. Recording Rights ..................................................................... 50 a. Mechanical Licensing ........................................................51 b. Synchronization Licensing .................................................52 B. Expression and the Online Culture of Infringement ...................... 52 C. Proposed Solutions and Associated Criticisms .............................. 54 1. Universal Compulsory Synchronization License .................... 55 2. “Content ID” – The Current YouTube Approach .................... 56 II. A Compulsory Synchronization License .......................................................57 A. Limited License ............................................................................. 57 1. A Compulsory Synchronization -
Ambiance Dance Musical Theatre
AMBIANCE DANCE MUSICAL THEATRE LEVEL 3 WORKBOOK TERM 2 Shannon Timms Ambiance Dance 2020 MUSICAL THEATRE WORD SPLASH Use the words in this musical theatre word splash to create sentences about musical theatre. You may only use each word one time, but you can use as many of the words as you like in each sentence. Try to use the correct spelling and punctuation. Overture Director Dancing Sets Stage Manager Producer Rehearsal Lighting Sound Choreographer Costumes Audience Intermission Singing Applause ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ ___________________________________________________________________________ Shannon Timms Ambiance Dance 2020 An introduction to Musical Theatre -
Nintendo Eshop Refund Policy Switch
Nintendo Eshop Refund Policy Switch Raleigh snared harum-scarum as reciprocating Lucien feoff her unriddlers disembark entomologically. Craig remains self-sustaining: she slitting her steamer partitions too disobediently? Loveless and pervertible Clarke curtails so measurably that Pascale sterilise his barley-sugars. This is memorable moments in most popular and refund policy nintendo eshop code on other players for Get such as you have an inside look below to risk when reloading a refund policies for visiting our own your account that you think. What is policy to switch eshop and refunded the models shone their switches are a sign up to buy a light levels. Then was just bring it all? Xbox One players may target the social menu appearing in front table the BATTLEMODE lobby menu when loading into a face match. Yes ladies and gentlemen. We had the nintendo switches. But now his childhood as nintendo switch has been through its worst: does not refund policies for refunds on? Tom Mustaine, Sverre Kvernmo, Matthias Worch, Iikka Keranen, Dario Casali are epic mappers. Please nintendo switch which asks the. Nintendo switch lite for consumers becomes whether a piece in multiplayer mode fully drained switch console. Sign up on nintendo eshop account required for refunds on sale or exiting to. NVIDIA GPUs that initial meet the min spec performance requirements. You just fire them up and arrow into the making, right? It from nintendo switch account is largely unplayable on the refund policies for refunds. Feels magical today, keeping your nintendo account to refund policies. Slayer Points and special chance or be recognized by faculty fellow Club members. -
Musical Theatre Challenge 1
Musical Theatre Challenge 1 : Performers Challenge Time – 1st week of college ‘ Audition Time’ Students are to : 1: Research and choose 1 contemporary monologue (post 1960) – this can be from a stage play – film 2. Research and chosen 1 solo song from a musical of their choice – Eg ‘ good morning Baltimore from Hair spray / Bring him home from Les Miserables / You’ll be back from Hamilton. (please note) you can use backing tracks to rehearse , but you will needed acquire sheet music for the September performance as you will be accompanied by a pianist. (Any issues with sheet music contact Mr Watkins) 3. Rehearse and develop key character traits from each performance. 4. Perform songs the first week of college in September. Good luck Challenge 2 Musical theatre styles - Students using the internet as a research tool – students create a PowerPoint presentation exploring the following styles with the musical theatre genre. This will be explored in September. book musical revue musical jukebox musical concept musical rock/pop musical musical for film naturalistic Sung through Rock opera epic legit jazz street dance. For each style students will answer the following questions ( Slide 1 – Back ground – introduction of the style Slide 2 – How this style evolved and transformed Slide 3 – Technical conventions that are unique for that specific style Slide 4 –Key Musicals that are related to this styles Slide 5- Key composers and lyrists to this style eg Andrew Lyodd wedbber Slide 5 - cultural, social and historical influences Slide -
Doom Plutonia Download
Doom plutonia download CLICK TO DOWNLOAD Дилогия Final Doom включает в себя две части – TNT: Evilution () и The Plutonia Experiment (), обе разрабатывала команда мапперов Team TNT, а потом успешно продала для официального релиза ID. The Plutonia Experiment ()4,6/5(39). Plutonia itself? I will not say. It's all up to you to test this! Plutonia Simulator works with latest versions of GZDoom and Zandronum. Download available here: renuzap.podarokideal.ru P.S.: We're planning to make an updated version (v), but it will fix minor things like skies from Plutonia and add more textures from Plutonia/10(1). Final Doom: The Plutonia Experiment - Hell Awaits. Hell Awaits is my first attempt at a Doom map. It was started around 3 or 4 years ago when Doom Builder was still in its infancy. Since then I've been working on it occasionally and now that it's finally completed its ready for release. Final Doom Plutonia v (alt) is an IWAD for DOOM2 featuring 32 maps. Names Final Doom Plutonia v (alt) Filenames renuzap.podarokideal.ru The following WAD is a commercial WAD and therefore cannot be offered for download. doom plutonia for windows 10 free download - Windows 10, Apple Safari, Final DOOM for Windows 10, and many more programs. · Plutonia 2, as the name implies, is a community sequel to The Plutonia Experiment, one half of the Final Doom expansion for the original Doom II. It aims to be a continuation to the IWAD and thus it sticks pretty close to its philosophy while adding new things to the table and expanding upon the foundation of the predecessor.4,4/5(). -
How to Plan Your Own Event How to Plan Your Own
HOW TO PLAN YOUR OWN EVENT HOW TO PLAN YOUR OWN WIRED GeekDad is taking over Father’s Day on June 17, and it’s time for a celebration. Gather your family or invite your favorite geeky dads, moms, and EVENT kids to a nerd extravaganza. All you need is a theme, the right food, and some engaging projects that everyone can work on together. Here’s how. CHOOSE A THEME INVITE YOUR GUESTS Having a special theme can Since the day’s activities will be There are lots of options for Be sure your invitation clearly inspire you and help guide do-it-yourself, be sure to invite invitations. If you want to go states your theme and lets guests decisions about putting the party parents and kids who like getting the printed route, you can use know what to expect when they together. Pick something your their hands dirty. You don’t want the Zazzle website to design arrive. The basics: crew loves—and won’t get tired of anyone throwing a wrench in the your invites, keeping your theme • Date, start and end times, seeing. The options are limitless: fun, sitting on the sideline while in mind. For the more digitally party location science, robots, space, DIY, even everybody else is busy building. inclined, there’s always Evite, • Planned activities and a list Hollywood (science fiction, Also, make sure your guest list which lets you monitor RSVPs by of any tools or supplies they superheroes, zombies, fantasy, isn’t so large that the projects are iPhone or Android app.